Watercolor Abstract Drawings and Watercolors

Joyce Kozloff Tepoztlan II, 1973 Gouache and colored pencil on paper Signed, dated and titled twice: once on the back of the work (shown) and once on the original board which has bee...

This vintage 1960s abstract painting by renowned New Mexico modernist artist Ward Lockwood (1894–1963) is an exceptional example of mid-century modern art. The original artwork, crea...

Richard Garrison collects information from typically overlooked aspects of daily life. Observed data from places like big box stores and parking lots are systematically transformed i...

Interior design paintings. The artwork was done with watercolor on watercolor paper 300g. The works are 15 by 11 inches in size, framed (black) with a styrene face on a mat board in ...

Untitled This piece includes an artist hand-signed note attached to the back of the framed work.

Watercolor 9 is a 22" x 17.5" , watercolor on paper, by Melinda Hacket. It is white framed to 25" x 20.25. It is filled with rich earthy colors and organic moving shapes. Melinda H...

'Composition with Circles', gouache on paper, by James Pichette (circa 1970s). A dynamic, lively abstract composition by an artist known for such stunni...

Delicate strokes and natural hues shape Shiri Phillips' watercolor, ink, and colored pencil artworks, showcasing her exploration of minimalism and organic forms. Departing from her u...

Floral Abstract by Bernard Labbe (French mid 20th century) original watercolour/ gouache painting on artist paper, unframed size: 12 x 9 inches condition: very good and ready to be e...

Interior design paintings. The artwork was done with watercolor on watercolor paper 300g. The works are 15 by 11 inches in size, framed (black) with a styrene face on a mat board in ...

Donise English Busy Blue, 2020 14" X 17" gouache and collage on paper This abstract geometric composition on paper features a playful geometric motif that is inspired by the artist's interest in architecture and blueprint drawings. The geometric forms are made in a more painterly, gestural manner rather than with a hard edge. Paint is not heavily built up upon the surface but it certainly exhibits a tactile quality which is characteristic of the artist's aesthetic. English's work celebrates the quirky, unexpected qualities of shapes and colors. About the artist: Donise English is a Poughkeepsie-based artist who received her MFA from Bard College and is currently a Professor of Studio Art at Marist College in Poughkeepsie, NY. Artist Statement: I am interested in drawing and collaging multiple layers of information that refer abstractly to maps, architectural drawings and blueprints or patterns and structures found in such things as roller coasters, power lines and fences. I use gouache and collaged paper in a series of layers that are a visual and ideological response to the previous layer to define my pictorial space. For each piece I create a set of rules to follow about the use of a limited palette, a grid format, opacity of paper and whether a piece may include curving lines or maintain a rectilinear structure. Resume: EDUCATION Master of Fine Arts in Painting Bard College 1986 Bachelor of Science in Art History State University College at New Paltz 1977 Additional Study: New York Studio School (Drawing Marathons) Columbia University, School of Architecture Women’s Studio Workshop TEACHING Professor of Studio Art, Department of Art and Art History, Marist College, Poughkeepsie,NY Coordinator, Interior Design Program, Florence, Italy campus 1992-present AWARDS Finalist, “Saatchi Showdown” 2010 Invitational Award for Outstanding Contemporary Talent, University of Bridgeport, CT 2000 Purchase Prize, “11th National Juried Exhibition” College of Notre Dame of Maryland, Baltimore 1999 First Prize, “Women in the Visual Arts ‘95” Erector Square Gallery, New Haven, CT 1995 Joseph A. Cain Memorial Purchase Award for Sculpture Del Mar College, Corpus Christi, TX 1994 Honorable Mention, “National Juried Exhibition” University of Bridgeport, CT 1993 Individual Artists Fellowship in Sculpture Dutchess Arts Fund 1992/93 Tallix, Morris, Singer Internship in Sculpture Tallix Foundry, Beacon, NY 1990/91 SELECTED JURIED/INVITATIONAL EXHIBITIONS 2016 “Let’s Stay in Touch”, Howard County Center for the Arts, Ellicott City, MD 2015 “Off the Grid”, Arts & Culture Program, Albany International Airport, Albany, NY “Gridspace”, KMOCA, Kingston, NY “Abstraction”, Carrie Haddad Gallery, Hudson, NY “Assuming Identity”, NY Institute of Technology, New York, NY 2013 “Modern Artists”, Carrie Haddad Gallery, Hudson, NY “Artists of the Mohawk-Hudson Region”, The Hyde Collection, Glens Falls, NY Stone Canoe/Community Folk Art Center, Syracuse, NY 2012 New York Institute of Technology, New York, NY “Contemporary Painters (Who Just Happen To Be Women)”, Carrie Haddad Gallery, Hudson, NY “Strange Glue: Collage at 100”, Cambridge School, Weston, MA “Dear Mother Nature”, Dorsky Museum, SUNY New Paltz, NY “Fresher Paint”, Rockland Center for the Arts, Nyack, NY Courthouse Gallery, Lake George Arts Project, Lake George, NY 2011 “Process+Content: Donise English”, Vassar College, Poughkeepsie, NY “Donise English-Paintings”, Orange County Community College, Newburgh, NY “Gender Matters/Matters of Gender”, Freedman Gallery, Albright College, Reading, PA 2010 Carrie Haddad Gallery, Hudson, NY “Encaustics: Wax and Image”, Westchester Community College White Plains, NY “Dots, Lines and Figures”, Carrie Haddad Gallery, Hudson, NY “Spring Awakening”, NY Institute of Technology, New York, NY “Clay City Dreams”, NY Institute of Technology, New York, NY “Texture, Pattern, Fragment”, Krause Gallery, Moses Brown School Providence, RI 2009 “Collage”, NY Institute of Technology, New York, NY “Working in Wax”, Bedford Gallery, Walnut Creek, CA “Encaustic 2009”, College of New Rochelle, NY “Three Artists”, Carrie Haddad Gallery, Hudson, NY “Convergence: The Human Experience”, Howard County Center for the Arts, MD 2008 “Suckers and Biters: Love, Lollipops, and Exquisite Corpse” Chashama Gallery, New York, NY Carrie Haddad Gallery, Hudson NY 2007 “Patterns and Light”, Blue Hill Gallery, Blue Hill, ME “Suckers and Biters”, AG Gallery, Brooklyn, NY 2006 “100 Artists, 100 Watercolors”, Jeannie Freilich Fine Art, New York, NY “On/Of Paper”, Kirkland Art Center, Clinton, NY “The Love Show”, Manchester Community College, Manchester, CT 2005 The Soap Factory, Minneapolis, MN “Small Tales”, Valdosta State University, Georgia National Juried Exhibition, Art Institute and Gallery Salisbury, MD, Juror: Stephen Haller “Greed, Envy, Jealousy, Fear”, TSL Warehouse, Hudson, NY 2004 “Women in the Middle: Borders, Barriers, Intersections” University of Wisconsin-Milwaukee “Girl Art Now”, Hera Gallery, Wakefield, RI 3 Person Exhibition, Monterey Peninsula College, Monterey, CA “The Feminine Eye”, Bradley University, Peoria, IL “Women Painting Women”, McNeese State University, Lake Charles, LA “Thought Patterns”, Kent Place Gallery, Summit, NJ “Surface, Matter and Artifice”, Dutchess Community College Art Gallery, Poughkeepsie, NY 2003 “Beefcake/Cheesecake”,Orange County Center for Contemporary Art, Santa Ana, CA,Juror: Jamie Wilson, Curator Halpert Bienniel, Appalachian State University, Boone, NC Juror: Jeff Fleming, Senior Curator, Des Moines Art Center “The Great White Oak”, Garrison Art Center, Garrison, NY Carrie Haddad Gallery, Hudson, NY 2002 “Cat Calls”, Red Clay Arts, Brooklyn “Hudson Valley Regional”, SUNY New Paltz Juror: Sydney Jenkins, Director, Ramapo College Art Galleries 2001 One-Person Exhibition, Davis and Hall Gallery, Hudson, NY “Beyond the Surface”, Womanmade Gallery, Chicago One-Person Exhibition, Garrison Art Center, Garrison, NY 2000 “Vision 2000...

Arnaldo Coen, Mexican (1940 -) - Pink Abstract, Year: circa 1968, Medium: Gouache On Paper, Size: 14 x 8.5 in. (35.56 x 21.59 cm), Description: ex-collection Sergio Aragones.

Minimalist Aerial Perspective fine pen/watercolour painting on artist paper painting: 10 x 14 inches provenance: private collection, England condition: very good and sound condition...

FREE SHIPPING TO WORLDWIDE! Artisan: Edalinda Perez Velazquez Picture painting with Chinese ink and acrylics over Amate Paper. - Dimensions: 28" x 20" x 2" in or 72 x 51 x 4 cm - ...

Hans Hofmann Untitled, circa 1943 Signed lower right Oil and watercolor on paper 22 1/4 x 30 3/4 inches The only artist of the New York school to participate directly in European m...

Neige (Abstract painting) Collage, Gouache, acrylic and oil pastel on Arches paper — Unframed Marie de Lignerolles is an artist, designer, illust...

This is a contemporary abstract watercolor painting by artist David Ruth. This series of paintings often feature bright colors and vibrant layouts that draw the viewer in. They are c...

Pointillist Abstract Design by Louis Bellon (French 1908-1998) initialled lower right gouache painting on paper, unframed measurements: 8.75 x 6 inches (overall the sheet measures 11...

Unknown Artist, France, late 19th century Anonymous c. 1900 Rondelle on antique laid paper Ink, Watercolor and or Gouache Unsigned An Art Nouveau preliminary design for a decorative ...

This piece titled "North Broad" is an original artwork made from pencil, marker, acrylic gouache collage on panel by Miriam Singer. This piece measures 6"h x 6"w and is signed on the...

Eiko Taniguchi Kahn (b. 1929) Untitled, c. 1960s Watercolor on board Each panel: 33 x 11 in. Framed: 45 1/2 x 32 x 1 in. Each panel signed bottom These stunning watercolor panels are beautifully mounted in a period frame. The frame needs some minor restoration but this would be a worthy repair, as it matches the artwork so nicely. Eiko Taniguchi Kahn was Japanese Artist who was born on January 24, 1929 in Fukuoka, Kyushu, Japan, to Tosuke Yamashita and Masano Taniguchi. She came to the United States in 1955, and was naturalized in 1958. She was the recipient of the President's award at the National Arts...

Signed lower right, 'Mario Cespedes' (Bolivian-American, born 1942) and created circa 1985. Matted dimensions: 24 H x 18 W x .25 D inches. Born in Bolivia, Mario Cespedes immigrated...

Shizico spent three days painting this plein air in her sunlit garden. She applied 550 Ture Gold paint and Van Gogh Yellow creating a stunning backdrop which served as the canvas for...

G Sinclair - Green and Purple Composition, Year: 1969, Medium: Watercolor on Paper, signed and dated in pencil, Image Size: 12.5 x 11 inches, Size: 15.25 x 12 in. (38.74 x 30.48 ...

Work on paper without frame

This is a contemporary abstract watercolor painting by artist David Ruth. This series of paintings often feature bright colors and vibrant layouts that draw the viewer in. They are c...

Signed lower right, 'Beth Ames Swartz' (American, born 1936) and dated 1966. Primarily working in the idioms of abstraction and semi-abstraction, Beth Ames Swarts's paintings and mixed-media works are commonly informed by philosophical and spiritual concepts shared by people of different cultural world-views, and incorporate both symbols and words in the vocabulary of their visual language. Beth's art practice has been guided by aesthetic philosophies including Wassily Kandinsky’s Concerning the Spiritual in Art and Robert Smithson’s Spiral Jetty, and inspired by various religious and philosophical systems including Native American Healing practices, Buddhism, Jewish Mysticism, and Christianity in order to facilitate communication with viewers on both a conscious and unconscious level. Swartz syncretizes a variety of spiritual traditions in her work in order to reveal their inherent commonality. Born in New York City, Beth grew up in Manhattan, and by her mid-teens, was studying at the Art Students League in New York in the late 1940s. Her education continued at NYC's High School of Music & Art followed by Cornell University where she graduated with a Bachelor of Science (1957), followed by a Master of Arts degree (1959) from New York University. Beth Ames Swartz exhibited nationwide including at over seventy solo exhibitions including a solo show at The Jewish Museum in New York. In addition, she participated in three major traveling museum exhibitions and her work is held in the permanent collections of numerous major museums including the National Museum of American Art at the Smithsonian. She received the Governor's Individual Artist Award in 2001 in Arizona, and a retrospective of her work was mounted in 2002 at The Phoenix Art Museum, with a monograph about her work co-published by The Phoenix Art Museum and Hudson Hills Press. Fellowships, Awards, Grants and Honors: New York, NY - 2003 Veteran Feminists of America, Medal of Honor Phoenix, AZ - 2001 Recipient, Governor's Arts Award, the highest honor in Arizona for one individual who may be a visual or performing artist or a writer. Snowmass Village, CO - 2000 Anderson Ranch, Artist in Residence Phoenix, AZ - 1994 Founder, Culture Care , an international, non-profit organization sponsoring The Sacred Souls Project, to identify, support and honor individuals who demonstrate positive human societal values New York, NY - 1994 Awarded Flow Fund grant for discretionary philanthropic use for non-personal benefit New York, NY - 1994 Panelist, College Art Association, Art, Earth and Medicine: A Healing Approach New York, NY - 1993 Panelist, The Sacred in the Arts Conference New York, NY - 1992 Speaker, MedArts Conference, Research Study on A Moving Point of Balance Stinson Beach, CA - 1991 Speaker, Symposium, Art as a Healing Force New Harmony, IN - 1990 Keynote Speaker, Art and Healing Conference Phoenix, AZ - 1988 Co-Founder, International Friends of Transformative Art (IFTA), an international, non-profit organization for positive global change Payson, AZ - 1988, '87 Project Coordinator, Rim Institute, Transformative Artist's Conference and Workshop Phoenix, AZ - 1985 Governor's Award, Outstanding Women of Arizona - Women Who Create Sun Valley, ID - 1980 Sun Valley Center for the Arts & Humanities, Artist in Residence, The Awesome Space: The Inner and Outer Landscape Hawaii National Park, HI - 1979 Volcano Art Center, Artist in Residence Phoenix, AZ - 1978, '77 Named Master Teacher by State Department of Public Instruction Phoenix, AZ - 1978, '77 Educational Grant for Inquiry Into Fire, Arizona Commission on Arts and Humanities Selected Bibliography and Reference: Davenport’s Art Reference Guide, 2007/8 Edition, p.2468; Arizona/Women '75 (exhibition catalogue). Tucson, AZ: Tucson Art Museum, 1975; Baigell, Matthew. "Art and Spirit: Kabbalah and Jewish-American Artists." Tikkun vol. 14, no.4, (July-August 1999): 59-61 (illus. in b&w of Shen Qi Series: the Cabalistic Scheme of the Four Worlds #5); Beth Ames Swartz, Inquiry Into Fire (exhibition catalog). Scottsdale, AZ: Scottsdale Center for the Arts, 1978. Introduction by Melinda Wortz; Beth Ames Swartz, 1982-1988: A Moving Point of Balance (exhibition catalog). Scottsdale, AZ: A Moving Point of Balance, Inc., 1988. Introduction by John Perreault; Biennial 1979 (exhibition catalog). Phoenix: Phoenix Art Museum, March 9-April 8, 1979, 35-37, 64 (illus. in color Sedona, #23; illus. in b&w, Torah Scroll, #5); Body and Soul: Contemporary Art and Healing (exhibition catalog). Lincoln, MA: DeCordova Museum and Sculpture Park, 1994. Introduction by Rachel Rosenfeld Lafo, Nicholas Capasso, and Sara Rehm Roberts; Cembalest, Robin. "The Ecological Art Explosion." ARTnews vol. 90, no. 6 (summer 1991): 96-105; The First Western States Biennial Exhibition (exhibition catalog). Denver: Western States Art Foundation, 1979. Introduction by Joshua C. Taylor (with illus. in color of Torah Scroll #4); Gablik, Suzi. The Reenchantment of Art. Thames and Hudson: New York, 1991, 155-57; Gadon, Elinor W. The Once and Future Goddess: A Symbol for Our Time. New York: Harper and Row, 1989, 245-46; 248; Henderson, Barbara. "Beth Ames Swartz," A Magazine of Fine Arts vol. 2, no. 15 (April 1976): 34-41; Israel Revisited: Beth Ames Swartz (exhibition catalog). Scottsdale, AZ: Beth Ames Swartz, 1981: 40 pp. Introduction by Harry Rand...

1970s fauvist watercolour of a forest glade by Belgian artist André Pierard. Not signed but acquired from his estate along with others of his works. A be...

Interior design paintings. The artwork was done with watercolor on watercolor paper 360g. The works are 14 by 11 inches in size, framed (black) with a styrene face on a mat board in ...

Interior design paintings. Part of the triptych “Does not see. Does not hear. Does not speak”. The artwork was done with watercolor on watercolor paper 360g. The works are 14 by 11 i...

Carefully ordered patterns, geometric shapes and delicate lines in indigo, bright blue and olive green complement a teal grayish blue background. Signed on verso. Exploring a world ...

Framed Size: approx 17 3/4 x 20 3/4 inches Fred Conway (1900-1973) "Golf Bags, Caddy with Golf Bag on His Back" Pen/Ink/Watercolor on Paper Site Size: approx. 10 x 13 inches Framed Size: approx. 17 3/4 x 20 3/4 inches A member of the faculty of the Washington University Art School from 1929 to 1970, Frederick Conway...

This small original abstract watercolor painting by Nealy Hauschildt features a palette that combines washes of varying blue and turquoise tones. It ...

In this contemporary drawing on cut paper with carefully drawn dots and lines in soft shades of indigo blue with light pink flowers, the intricate composition is inspired by patterns...

Watercolor painting with sunflowers for living room. Painting with sunflowers for bedroom. A beautiful floral painting with sunflowers for the interior. Watercolor painting with gol...

Delicate strokes and natural hues shape Shiri Phillips' watercolor, ink, and colored pencil artworks, showcasing her exploration of minimalism and organic forms. Departing from her u...

Large strokes of bright colors are the framework of artist Shiri Phillips’ abstract artworks. Her paintings are flooded with texture through the layering of acrylic paint in fluent b...

Bright and colorful abstract geometric watercolor with multicolor connected forms cascading in a dynamic vertical composition by Ellwood Graham (American, 1911-2007). Signed "GRAHAM" in the upper right corner, and "Ellwood Graham" on verso. Circa 1961-1966. The title "Indian Dance...

Clinton Hill (1922-2003), created quintessential mid-century images. He lived in SoHo, New York, and was a frequent Gallery visitor. Born in Idaho and raised on a working ranch, ...

'Composition with Circles II', gouache on art paper, by James Pichette. A dynamic, lively abstract composition by an artist known for such stunning, viv...

This is a contemporary abstract watercolor painting by artist David Ruth. This series of paintings often feature bright colors and vibrant layouts that draw the viewer in. They are c...

This is a contemporary abstract watercolor painting by artist David Ruth. This series of paintings often feature bright colors and vibrant layouts that draw the viewer in. They are c...

Signed lower right, 'V. Vigil' for Veloy Vigil (American, 1931-1997). Previously with: Los Robles Gallery, Palo Alto, California Born in Denver, Colorado,...

Artist : Kory Twaddle "Autumn Biogram of the Nelson" Newsprint, graphite, conté crayon pastel, charcoal, beeswax, cardboard, paper, gingko leaves, stickers, and Mixed Media on drawi...

Abstract Composition is a Watercolor artwork realized by Reynold Arnould (Le Havre 1919 - Parigi 1980) in 1955. Good condition included a white cardboard passpartout (35x49 cm). H...

In my art practice I love to use bright colors which boldly contrast with complementary colors so I could get unusual original compositions and structures. The objective of this ar...

A painting by Alexander Calder. "The Forest" is a Post-War abstract painting, gouache and ink on paper in bold colors of reds, blacks, yellows, and blues by artist Alexander Calder. The artwork is signed lower right, "Calder 72...

Original watercolor on archival paper by the California artist, Edward Darrell Crisp. Signed by the artist in pencil lower right margin. Dated in penci...

Abstract geometric painting with a cool toned palette of green, blue, and grey with accents of black and white against a sea foam green colored acrylic wash background "Blue and Grey Green Plan" made by Hudson Valley artists, Donise English, in 2022 Graphite, colored pencil, and acrylic painting on vellum 24 x 18 inches unframed, 31 x 25 x 1.5 with an 8-ply white mat, non-glare plexi, and simple black moulding Signed, verso Excellent condition and ready to hang This abstract geometric painting on vellum was made by Hudson Valley based artist, Donise English, in 2022. The composition begins with a blue green toned background of acrylic wash. A grid of box-like patterns in sky blue, green, grey, and black with white line work are stacked to create an irregular shape or an "imagined city grid", says the artist. The painting on vellum is complemented by a simple black frame with an 8-ply white mat, non-glare plexi, and wire backing. It's in excellent condition and ready to hang. About the artist: Donise English emphasizes lines, grids, and fields of subtle color to evoke imagined places and invented structures. While precise lines and straight angles are often associated with themes in architecture and urban planning designs, English conveys a geometric motif guided by intuition rather than a ruler. Variations on grids retain flaws and unmistakable traces of the artists’ hand; her style of draftsmanship shies away from intellectualism and instead makes her compositions feel very personal. A central checkerboard formation floats over a ground of pastel color or washes of grey or cream. Each design is intensely intricate, incorporating gouache, acrylic, pen, graphite, ink and colored pencil. The artist recently retired from her decades career teaching at Marist College and is now devoted full time to her art making. Artist Statement: My work is about the way visual diagrams present information that describes how something is made or the way it is. I am interested in drawing and collaging multiple layers of information that refer abstractly to maps, architectural drawings and blueprints or patterns and structures found in such things as roller coasters, power lines and fences. I use gouache and collaged paper in a series of layers that are a visual and ideological response to the previous layer to define my pictorial space. For each piece I create a set of rules to follow about the use of a limited palette, a grid format, opacity of paper and whether a piece may include curving lines or maintain a rectilinear structure. Artist CV: EDUCATION Master of Fine Arts in Painting Bard College 1986 Bachelor of Science in Art History State University College at New Paltz 1977 Additional Study: New York Studio School (Drawing Marathons) Columbia University, School of Architecture Women’s Studio Workshop TEACHING Professor of Studio Art, Department of Art and Art History, Marist College, Poughkeepsie, NY Coordinator, Interior Design Program, Florence, Italy campus 1992-present AWARDS NYFA Fellowship in Painting 2018 Invitational Award for Outstanding Contemporary Talent, University of Bridgeport, CT 2000 Purchase Prize, “11th National Juried Exhibition” College of Notre Dame of Maryland, Baltimore 1999 First Prize, “Women in the Visual Arts ‘95” Erector Square Gallery, New Haven, CT 1995 Joseph A. Cain Memorial Purchase Award for Sculpture Del Mar College, Corpus Christi, TX 1994 Honorable Mention, “National Juried Exhibition” University of Bridgeport, CT 1993 Individual Artists Fellowship in Sculpture Dutchess Arts Fund 1992/93 Tallix, Morris, Singer Internship in Sculpture Tallix Foundry, Beacon, NY 1990/91 MEMBERSHIP Royal British Society of Sculptors SELECTED JURIED/INVITATIONAL EXHIBITIONS 2020 “edu: Art Faculty of the Hudson Valley”, Hudson Valley MOCA, Peekskill, NY 2019 “Contemporary Abstraction”, Carrie Haddad Gallery, Hudson, NY “Mixed Media”, SITE Gallery, Brooklyn, NY 2018 “JuxtaPositions”, The Painting Center, New York, NY “Peculiar Rarities”, Carrie Haddad Gallery, Hudson, NY 2017 “Interlock: Color and Contrast in Abstraction”, Carrie Haddad Gallery, Hudson, NY “Donise English: Encaustics”, Catskill Art Society, Livingston Manor, NY 2016 “Let’s Stay in Touch”, Howard County Center for the Arts, Ellicott City, MD “Under, Over, After Over”, Vassar College, Poughkeepsie, NY 2015 “Off the Grid”, Arts & Culture Program, Albany International Airport, Albany, NY “Gridspace”, KMOCA, Kingston, NY “Abstraction”, Carrie Haddad Gallery, Hudson, NY “Assuming Identity”, NY Institute of Technology, New York, NY 2013 “Modern Artists”, Carrie Haddad Gallery, Hudson, NY “Artists of the Mohawk-Hudson Region”, The Hyde Collection, Glens Falls, NY Stone Canoe/Community Folk Art Center, Syracuse, NY 2012 New York Institute of Technology, New York, NY “Contemporary Painters (Who Just Happen To Be Women)”, Carrie Haddad Gallery, Hudson, NY “Strange Glue: Collage at 100”, Cambridge School, Weston, MA “Dear Mother Nature”, Dorsky Museum, SUNY New Paltz, NY “Fresher Paint”, Rockland Center for the Arts, Nyack, NY Courthouse Gallery, Lake George Arts Project, Lake George, NY 2011 “Process+Content: Donise English”, Vassar College, Poughkeepsie, NY “Donise English-Paintings”,Orange County Community College, Newburgh, NY “Gender Matters/Matters of Gender”, Freedman Gallery, Albright College, Reading, PA 2010 Carrie Haddad Gallery, Hudson, NY “Encaustics: Wax and Image”, Westchester Community College, White Plains, NY “Dots, Lines and Figures”, Carrie Haddad Gallery, Hudson, NY “Spring Awakening”, NY Institute of Technology, New York, NY “Clay City Dreams”, NY Institute of Technology, New York, NY “Texture,Pattern, Fragment”, Krause Gallery, Moses Brown School, Providence, RI 2009 “Collage”, NY Institute of Technology, New York, NY “Working in Wax”, Bedford Gallery, Walnut Creek, CA “Encaustic 2009”, College of New Rochelle, NY “Three Artists”, Carrie Haddad Gallery, Hudson, NY “Convergence: The Human Experience”,Howard County Center for the Arts, MD 2008 “Suckers and Biters: Love, Lollipops, and Exquisite Corpse” Chashama Gallery, New York, NY Carrie Haddad Gallery, Hudson NY 2007 “Patterns and Light”, Blue Hill Gallery, Blue Hill, ME “Suckers and Biters”, AG Gallery, Brooklyn, NY 2006 “100 Artists, 100 Watercolors”, Jeannie Freilich Fine Art, New York, NY “On/Of Paper”,Kirkland Art Center, Clinton, NY “The Love Show”, Manchester Community College, Manchester, CT 2005 The Soap Factory, Minneapolis, MN “Small Tales”, Valdosta State University, Georgia National Juried Exhibition,Art Institute and Gallery Salisbury, MD, Juror: Stephen Haller “Greed, Envy, Jealousy, Fear”, TSL Warehouse, Hudson, NY 2004 “Women in the Middle: Borders, Barriers, Intersections” University of Wisconsin-Milwaukee “Girl Art Now”,Hera Gallery, Wakefield, RI 3 Person Exhibition, Monterey Peninsula College, Monterey, CA “The Feminine Eye”, Bradley University, Peoria, IL “Women Painting Women”, McNeese State University, Lake Charles, LA “Thought Patterns”, Kent Place Gallery, Summit, NJ “Surface, Matter and Artifice”, Dutchess Community College Art Gallery Poughkeepsie, NY 2003 “Beefcake/Cheesecake”,Orange County Center for Contemporary Art, Santa Ana, CA,Juror: Jamie Wilson, Curator Halpert Bienniel, Appalachian State University, Boone, NC Juror: Jeff Fleming, Senior Curator, Des Moines Art Center “The Great White Oak”, Garrison Art Center, Garrison, NY Carrie Haddad Gallery, Hudson, NY 2002 “Cat Calls”, Red Clay Arts, Brooklyn “Hudson Valley Regional”, SUNY New Paltz Juror: Sydney Jenkins, Director, Ramapo College Art Galleries 2001 One-Person Exhibition, Davis and Hall Gallery, Hudson, NY “Beyond the Surface”, Womanmade Gallery, Chicago One-Person Exhibition, Garrison Art Center, Garrison, NY 2000 “Vision 2000...

Urszula Wilk – artist statment: I have always been interested in the idea of infiniteness of a painting and its opposite – that is the physical finiteness of the painting. This phys...

A vibrant contemporary teal and orange painting (Monotype) and found object collage composition of stamps, money, various types of paper, and watercolor by Michael Pauker (American, ...

Richard Garrison collects information from typically overlooked aspects of daily life. Observed data from places like big box stores and parking lots are systematically transformed i...

This horizontal original abstract watercolor painting by Nealy Hauschildt features a deep, warm palette, with three large pink and violet organic planes of washy color layered over o...

The Summer Bloom Series is an ongoing project that Shizico Yi returns to each summer, painting en plein air in her garden. She began gardening in 2015 to create a healing space for h...

Bold Abstract and Figurative Composition in Blue and red Acrylic on Paper Bright and colorful abstracted figural painting by California-based artist, Ricardo de Silva (American/Bra...

Watercolor, Ink and collage on paper Fred Borghesi is an Italian artist born in 1987 who lives and works in London, UK. He is above all a multidisciplin...

"A watercolor painting for the interior on cotton paper measuring 38x56cm. This interior painting with nature is about a warm summer evening by the Volga River, the pacification of n...

Urszula Wilk – artist statment: I have always been interested in the idea of infiniteness of a painting and its opposite – that is the physical finiteness of the painting. This phys...

Unique large scale mixed media assemblage featuring a three dimensional, textured handmade paper scroll unfurling to reveal an abstract expressionist watercolor painting with gold ac...

G Sinclair - Blue and Red Composition, Year: 1969, Medium: Watercolor on Paper, signed and dated in pencil, Image Size: 14 x 11 inches, Size: 15 x 12 in. (38.1 x 30.48 cm)