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Parimah Avani
Questioning the Dead Under Moonlight - Paint by Parimah Avani - 2023
2023

$924.92

£689.41

€780

CA$1,269.25

A$1,421.23

CHF 741.52

MX$17,316.59

NOK 9,409.42

SEK 8,945.85

DKK 5,938.63

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About the Item

Questioning the Dead Under Moonlight is a Drawing realized by Iranian artist and Poet Parimah Avani in 2023. China ink, acrylic on Japanese Washi Haruki paper with applied Papyrus, Plettenberg, DE. Exhibited in " Heroine's Journey" 2023, in Gallery hall of German Bank " Sparkasse". Winner of scholarship and art residency "Werkstatt Plettenberg" in Germany, 2023. Hand-signed and dated. From the series of The Wall of 7-Resurrection in Seven Days, From Sun to Moon The artwork is represented with alchemical, magical, and mythological symbols and signs, through geometric shapes and rebellious miniature figures that shape the narrative of seven days of a week metaphorically through death, birth, and rebirth, by the natural element of sun, half moon, and full-moon, by metal colors referring to the alchemical process of soul, the color of planets, and stars of specific day of week by its root in myths in a minimalistic manner, archaic motives, and animal reminders of cave painting are characterized by expressive brushes. In a fusion of myth, alchemical symbolism, and the archetypal Heroine's Journey, the works aim to transport viewers into the intricate realm of "Heroine's Journey," an exhibition that encapsulates the essence of unity, rebellion and revolutionary figures, transformation, and resistance, and the enduring power of mythological narratives. In the belly of the figure, there are Antausian numbers and letters derived from the worldbuilding project of Avani "Antalus" Through a combination of limited colors, shapes, and ancient symbolism, these works invite an odyssey that transcends the boundaries of culture, time, and narrative. Drawing inspiration from Joseph Campbell's Hero's Journey. Avani's works weave together a narrative that celebrates the interconnectedness of all living beings. Avani employs a chosen palette of alchemical colors: various gold, silver, bronze, tint, and copper, representing metals and planets. Each color carries deep, symbolic significance. Gold symbolizes the golden spirit and enlightenment, while silver connects to the feminine aspect and the moon's goddess associations. Copper represents both women and the essence of love. These colors create a narrative resonating with universal themes of transformation and spirituality, mirroring the elevation of the soul through alchemical symbolism. Her works apply visual storytelling in large-scale scrolls. These figures draw inspiration from mythological narratives like the Nordic myth of Ymir and the Persian myth of Mashi and Mashyaneh. In Norse mythology, Ymir's colossal body serves as the origin of the world's various components. From Ymir's body, fashioned the various parts of the cosmos, including the Earth (Midgard), the sky (Asgard), and the oceans (the giant's blood). Similarly, Mashi and Mashyaneh, the first human couple in Persian mythology, represent the microcosm of the universe. In various mythologies and belief systems, there are entities or figures similar to Ymir who play a role in the creation of the world. Inspired by Joseph Campbell's Hero's Journey, Avani's Heroine embarks on an adventure akin to the moon's phases and Mother Earth's characteristics, Goddess' stories, and belonging. Her journey is marked by recurring motifs of death and rebirth to celebrate the sacrifices of women through mythological symbolism. The Heroine discovers, sacrifices, shines like a full moon, and disappears, all in a cyclical journey of transformation and self-discovery. These paintings portray the world as comprising numerous microcosmic entities, all intricately united, emphasizing the interconnectedness and interdependence of all life forms and elements within our cosmos. This series highlights how a body becomes a battlefield, a golden source of sacrifice, a silver font of resistance, copper as blood, and women fighting for freedom. The style of Persian calligraphy and knowledge of poetry let her make a visual poem in an expressionistic style connected to oriental calligraphy. Her works challenge oppression, torture, censorship, and gender-related issues themes by applying oriental brushstrokes of calligraphy in ink as a primary tool. Parimah Avani, born in 1988 in Tehran, Iran, is a multidisciplinary artist and a recognized figure in contemporary hermetic Persian literature and the avant-garde "Other" movement. Her book, "Magic Verses of Antalus," was a finalist for the prestigious "Shamlou" Award. Her most recent achievement is winning an art competition for a scholarship from Werkstatt Plettenberg in Germany, culminating in a solo exhibition held at the Gallery of the German Bank of Sparkasse. Avani's artistic journey began with travels to China and Russia during her formative years, oriental philosophies, particularly Zen and Buddhism, and folk arts ignited her passion for comparative mythology evident in her archaic style. In 2009, she moved to Rome, Italy to study multimedia art, and gained a Master’s in painting at the Fine Art Academy of Rome. Immersed in cultural parallels between East and West, mythological themes transcend boundaries in art, exploring magic and ancient scripts inspired by the scholarly insights of Frazer and Eliade on rituals. Her anthropological view culminated in a Ph.D. in the history of contemporary art from Sapienza University, achieving excellence and honor. Her significant project, “Antalus," has led to published writings, performances, and visual art, —a multidimensional world-building endeavour that defies convention. Within the fictional lands of Antalus, she has constructed a diverse tapestry of cultures, and rituals by archaic representations, including imaginary alphabets, calendars, maps, fantasy creatures, and botanical wonders—rooted in her travels, research, and homeland nostalgia. Her works merge and recontextualize allegories and folk traditions in a contemporary context, and symbology.

Creator:

Parimah Avani

Creation Year:

2023

Dimensions:

Height: 25.6 in (65 cm)Width: 5.91 in (15 cm)Depth: 0.08 in (2 mm)

Medium:

Paper,Charcoal,Ink,Acrylic

Movement & Style:

Contemporary

Period:

2010-

Framing:

Framing Options Available

Condition:

Insurance may be requested by customers as additional service, contact us for more information.

Gallery Location:

Materials

Paper, Ink, Sumi Ink, Acrylic

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Ink, chalk & mica on sculpted paper Framed 47 x 41 x 2 in, white wood frame Katherine Filice is an award-winning American abstract artist born in 1963 who lives and works in Hollister, Northern California, USA. Her work is known for its exploration of environmental topics, with a focus on our human understanding of centuries-old forests, particularly concerned with articulating the energy, memories, and stories that vibrate through the ancient trees and woodland landscapes. Filice's artistic development has been shaped by a blend of traditional art education and invaluable guidance from artists, critics, and educators through various critique programs. She has also garnered over 100 design awards for her commercial work. In addition, Filice holds a BS degree from the University of San Francisco. Her extensive education and professional experience have greatly influenced her exploration of human relationships and their reflection within our environment. Katherine has exhibited her work in solo and group exhibitions throughout the United States, Europe, and Asia. Her paintings and drawings are held in private and corporate collections worldwide. Her most recent solo exhibitions include “Lost & Found” at 1202 Contemporary and "Lost in the Woods" at the Pacific Art...

Category

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Materials

Paper, Ink, Chalk

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This is a acrylic painting on gray paper. This work shows the geometrical waves. Finished with a glaze of fixative to protect against sunlight and dust damage. The colors may look ...

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