1980s Abstract Drawings and Watercolors

11 color screen print Signed, dated, titled and numberedin pencil Edition: 150 (9/150) Provenance: Estate of the Artist By Decent

David Novros (American, b. 1941) Untitled (Home Savings Study), 1986 Watercolor on paper Framed: 35 1/4 x 86 3/4 x 1 3/4 in. Each panel: 30 x 42 in. From Los Angeles and working fro...

Peter Pinchbeck, English (1931 - 2000) - Yellow, Red and Purple Square, Year: 1981, Medium: Gouache on Fabriano Cotton Paper, signed, and dated in pencil, Image Size: 18 x 25.5 inc...

Raphaelle PIA (born in 1942) Papier douché 4, 1980 Acrylic paint on paper Titled, signed et dated “1980” lower right Dimensions of the work : 50 x 65 cm Sold without frame Raphaëll...

Wolf Kahn Bay with Boats, 1987 Color monotype on Somerset white wove paper Hand signed and dated by Wolf Kahn on the lower right front, bears labels on the back Frame Included: matte...

Lower right "N.Brahma", inscribed verso "Nada Brahma" and titled "Refracted Sunset". A large watercolor seascape showing an abstracted view of jade and cobalt waves beneath a scarle...

Signed lower left, 'Marianne K. Brown' (American, 20th century); additionally signed, verso, with certification of authenticity and dated 1987. Brown has taught watercolor and des...

This Lovely Modernist Lithograph Originates from the Israeli born artist Yaakov Agam (made in Paris, France Circa 1980). This Lithograph is an Artist's Proof and a member of Agam's "...

Signed lower right, 'Mario Cespedes' (Bolivian-American, born 1942) and created circa 1985. Matted dimensions: 24 H x 18 W x .25 D inches. Born in Bolivia, Mario Cespedes immigrated...

Lyman Kipp Untitled Minimalist painting on paper, 1981 Oil paint on paper Signed and dated 1981 on the front Floated and framed in the original vintage frame under UV plexiglass Meas...

Artist: Karl Fred Dahmen Title: Untitled 1 Year: 1980 Medium: Drawing with Mixed Media on Paper, signed and dated Size: 17 x 22 in. (43.18 x 55.88 cm)

Blue and pink toned abstract landscape by Texas artist Patrick Palmer. The painting depicts two architectural arches against a cool and warm sunset sky. Pencil inscriptions are seen ...

Katherine Porter Country Music (Nashville is an Enigma), 1986 Mixed media; colored pencil, gouache, and graphite on paper, uniquely signed and inscribed with Nashville dateline Hand ...

James Wolfe, American (1944 - ) - Sculpture Study, Year: 1986, Medium: Gouache on Guarro paper, signed and dated in pencil, Size: 22.25 x 30 in. (56.52 x 76.2 cm)

LESZEK RÓZGA (1924-2015) In 1970s Polish etchings gained world-wide recognition thanks to the activity to artists such as Rózga, whose works are in the collections of Albertina in Vienna, in Bibliotheque Nationale in Paris and in etchings collection of Ermitage in Petersbourg. Leszek Rózga created a series of colourful graphics inspired by travels and stories from his own life, sometimes bearing inspiration of the XX century masters: Mirò, Matisse and Picasso. He studied painting at Maria Skarbek-Kruszewska private atelier in 1945-46. In 1948, he began studies at the art school in Łódź (later: Academy of Fine Arts) in the studios of professors Władysław Strzemiński, Adam Rychtarski, Stefan Wegner and Ludwik Tyrowicz. He graduated with special award from the Academy of Fine Arts in Krakow in 1954. In 1958 he became a member of the Piąte Koło association ("Fifth Wheel...

"Untitled" is an original oil pastel drawing on ragboard by Reginald K. Gee. It features surreal drawings on a background of color fields in blue, green, purple, red, and yellow. The...

"La Birula de Nenuca" The Bicycle of Nenuca - Original Watercolor Painting. Contemporary surrealist painting by Marco Antonio Bustamante Underwood (Mexican, b. 1959 d. 2024). This c...

Saul Steinberg Malibu, 1984 Pencil and colored pencil on paper 10 1/4 x 13 3/4 inches (sheet) 23 1/2 x 25 1/2 inches (frame) Signed recto Silver metal frame, float mount with window...

This striking large-scale abstract study depicts flashes of blue, white and red pastel lines against a black wash background. Signed and dated to the lower right. Presented in a cont...

Elaine Kaufman Feiner (1922-2018) "Night Glow I" 1988 Watercolor and pastel on paper 30"x30" unframed Signed and dated in pencil lower right, titled reverse

Robert Mangold Untitled minimalist drawing, ca. 1980 Drawing in Ink on Paper Hand signed and inscribed on lower front Inscription reads as follows: Best Wishes David Bob Mangold Fram...

Crossways is a watercolor painting by the Italian artist Lucio Pozzi. The paper is signed and titled by the artist himself, and the work is currently housed at Hal Bromm Gallery.

Domenick Capobianco (American, b. 1928), "Percy II", Mixed Media on Paper, 1983, pastels, abstract composition, titled lower left, signed and dated lower right, unframed. 45.25" H x ...

James Nares Untitled flower monotype, 1988 Monotype on hand made paper Pencil signed and dated by James Nares on the lower right front Frame included: floated in the original wood fr...

Kenny Scharf Original drawing on Tony Shafrazi poster, signed and inscribed to Andy Warhol's last boyfriend Jon Gould, 1984 Permanent marker drawing on Kenny Scharf Tony Shafrazi Gallery exhibition poster (hand signed and inscribed by Kenny Scharf) Boldly signed and inscribed to Andy Warhol's last boyfriend Jon Gould Frame included: Framed in a museum quality wood frame with UV plexiglass. Measurements: Frame: 35 x 28.5 x 1.5 inches Print 28.25 x 22 inches Own a piece of Pop Art history! This is a unique drawing hand signed and inscribed by Kenny Scharf, done on a vintage collectible 1984 poster from the legendary Tony Shafrazi Gallery. If you saw "The Andy Warhol Diaries" on Netflix, you'd know about Warhol's relationship with Jon Gould - Andy's last boyfriend; tragically, Warhol would become Gould's last boyfriend as well, when, soon after, Gould would die of AIDS at the young age of 33 Kenny Scharf created an original drawing, done in marker, and inscribed it to Jon Gould (featured prominently in Andy Warhol's Diaries and the eponymous Netflix series) - and it had not been seen since the 1980s. Jon Gould was a New England educated former Vice President of Corporate Communications at Paramount Pictures - a Boston Brahmin whose real claim to fame was as Andy Warhol's last boyfriend. This work was acquired from the widely publicized sale of the collection of Jon Gould - -a treasure trove of valuable gifts and art works by Warhol and others like Kenny Scharf, Basquiat and Keith Haring to Gould - that had not been seen in nearly four decades. This is one of the works from that impressive sale. Below are links to two of the many articles about the collection of Jon Gould in the New York Times, Artnet News and the New York Post respectively. About Kenny Scharf: Kenny Scharf (b. 1958, United States) is a renowned artist affiliated with the 1980’s East Village Art movement in New York. Scharf developed a distinct and uniquely personal artistic style in paintings as well as sculpture, alongside his mentor Andy Warhol, and contemporaries like Jean-Michel Basquiat and Keith Haring with whom he pioneered contemporary street art. References to popular culture reoccur throughout his works, such as appropriated cartoon characters from the Flintstones and Jetsons, as well as imagined anthropomorphic creatures. Through ecstatic compositions and a dazzling color palette, Scharf presents an immersive viewing experience that is both intimate and fresh. Scharf’s multifaceted practice—spanning painting, sculpture, installation work, murals, performance and fashion—reflects his dedication to the creation of dynamic forms of art that deconstruct existing artistic hierarchies, echoing the philosophy of Pop artists. Yet Scharf’s artistic significance expands beyond the art historical terrain of Pop Art; the artist instead coined the term “Pop Surrealist” to describe his one-of-a-kind practice. His inclusion in the 1985 Whitney Biennial marked the start of his international phenomenon, a reputation that continues to thrive today. Courtesy of Almine Rech MORE ABOUT JON GOULD: Warhol wrote extensively on Jon Gould in his diaries. In July, 2022, when the Netflix series "The Andy Warhols Diaries" came out, the New York Post (among many other publications) ran a major feature article on Warhol's relationship with Gould and on this very sale: It reads, "When Harriet Woodsom Gould died in 2016 in her nineties, she left behind a trove of family heirlooms dating back to the 1700s in her Amesbury, Mass., home. Yet in her attic, she had a secret veritable shrine to pop art. There, she had stashed her late son Jon Gould’s belongings for decades since his death in 1986 from AIDS. He had vases painted by Jean-Michel Basquiat, works by Keith Haring and dozens and dozens of gifts — photos, valentines, sketches, letters and more — from pop god Andy Warhol. “My mother kept everything,” Jon’s twin brother, Jay Gould, told The Post. Jay knew his brother “had some type of relationship” with Warhol in the 1980s, though Jon always remained discreet about it. “We were very close, identical twins, but we never talked a lot about his sexuality,” Jay, now 68, explained. “It was a different time.” Yet, he was still stunned to read the poetry and love notes Jon wrote to the older artist. “I didn’t realize the relationship was as deep as it was.” Actually, no one really knew. Gould was Warhol’s last romance, a young Paramount executive with floppy hair and preppy good looks who died tragically at 33. And though Warhol frequently mentioned him in his famed diaries, published posthumously in 1989, the artist’s dashed-off musings gave the impression that Jon was more of a crush than a genuine partner...Gould didn’t so much enter into Warhol’s life as Warhol willed him into it. It was April 1981, and Warhol, then 52, was still reeling from his breakup with Jed Johnson... Jed left that December, and that spring Warhol confessed to feeling lonely: “I’ve got these desperate feelings that nothing means anything. And then I decide that I should try to fall in love, and that’s what I’m doing now with Jon Gould.” Gould was a 26-year-old Paramount exec: a New England WASP with a lithe, strong physique and charismatic personality, who looked straight. Warhol reasoned: “Jon is a good person to be in love with because he has his own career, and I can develop movie ideas with him, you know? And maybe he can even convince Paramount to advertise in Interview, too. Right? So my crush on him will be good for business.” Warhol began courting Gould with a vengeance, sending extravagant bouquets of roses to his office at Paramount. He even offered their mutual friend, the photographer Christopher Makos, a fancy watch if he could get Gould to be his boyfriend. “I guess he never got loved,” Makos says in the series. “Because I didn’t get my watch.” (Jay Gould also tells the camera that his brother had admitted that he was in a relationship but that he said they didn’t have sex.) At first, Gould resisted Warhol’s attention, but eventually the two began spending a lot of time together, though Gould would frequently pull away if things got too intense, and he often would tell Warhol not to write about him in his diary. “I think my brother was concerned about his career at that time,” Jay Gould said. But the younger man attended parties and art events with him, invited the artist skiing with his family in Aspen and even for a time moved into his place on 66th Street. “I love going out with Jon because it’s like being on a real date,” Warhol wrote early in their relationship. “He’s tall and strong and I feel like he can take care of me.” Yet it turned out that Warhol would have to take care of Gould. On Feb. 4, 1984, Jon was admitted to New York Hospital with pneumonia — though it was understood that he had AIDS. Warhol stayed with him in the hospital every night for the 30 days he was there, despite his fear of hospitals since getting shot and his fear of getting AIDS. (Warhol couldn’t bring himself to talk about Gould’s illness in the diary, but his editor notes that when Gould was released March 7, Warhol instructed his housekeepers to wash Jon’s clothes and dishes “separate from mine.”). Around 1985, Warhol began working on his massive series of 100 works based on Da Vinci’s “The Last Supper...

"Amay" is an original oil pastel and watercolor drawing on red paper by Reginald K. Gee. The artist signed the piece on the back. It features abstracted figures and mountain shapes i...

Jene Highstein Untitled, 1982 Pastel and Chalk on Paper Hand signed and dated by artist on the front 32 × 40 inches Frame included Original hand signed pastel and chalk drawing, with...

Kenneth Noland Untitled, 1987 Monotype with hand painting on wove paper Hand signed and dated with artist's copyright in pencil on the back; also with the blind stamp/chop mark lower...

Harmony Hammond Ruffled Waters, 1980 Signed lower right Mixed media on paper 18 1/8 x 24 inches Provenance Private Collection, New York Heritage Auctions, Dallas, Contemporary Art W...

KENNETH NOLAND Untitled, for Trustees of the Honolulu Museum of Art, 1984 Mixed Media collage with silver and colored foil on board. Signed on verso (back) with personal inscription. "for Twig and Laila" (Trustees of the Honolulu Museum of Art), Deaccessioned from the Honolulu Museum of Art Collection Inscription done in black marker and reads: "A Little Exercise For Twig and Laila With Thanks For A Wonderful 3 Days At ' Cedar House' On The 'Big Island'... 1 Sept 1984 Honolulu Hawaii." Frame included Measurements Framed: 12.5" x 12.5" x .3" Artwork: 8.75" x 8.75" This reflective Chevron collage was de-accessioned by the Honolulu Museum of Art. In 2018, it was exhibited in the show "On Black Mountain: The Bauhaus Legacy in America", April 5, 2019-April 27, 2019 at the Sager Braudis Gallery in Columbia, Missouri, and is reproduced in the exhibition catalogue. Unique signed and dedicated mixed media collage with silver and colored foil on board by the important Color Field painter Kenneth Noland. It's quite a dazzling work, combining color field, geometric abstraction with Op Art, as the work changes appearance and color with the reflected and refracted light. - sometimes appearing light; sometimes darker. See the photos -- there's a light one and a darker one - and they both depict the same work. What's so impressive is that this work literally changes color depending on how the light reflects against it. The artist wrote a personal and heartfelt inscription on the verso to "Twig and Laila". (Twig (sic), which the artist deliberately misspells, is Thurston Twigg Smith, former publisher of The Honolulu Advertiser, who was married to New York philanthropist Laila Twigg Smith. Laila had lived in Hawaii since 1970, where she and her husband had put together a substantial collection of contemporary art. Unfortunately, the two divorced in 1996 and soon after she returned to New York. Two years later, in 1998, Laila died of liver failure at the young age of only 53. Laila was a major philanthropist and art collector who moved from Manhattan to Hawaii. She was a board member of the New Museum of Contemporary Art in New York and a major donor the Honolulu Museum in Hawaii. Laila donated the present Ken Noland...

Robert Petersen May 1987, 1987 Pure pigment collage, gold leaf, acrylic painting and drawing Signed, titled and dated on the front. The back of the frame bears the label of Castelli Uptown (4 East 77th Street) This is a unique work Frame Included: floated and framed in vintage wood frame under acrylic with Castelli label on back This unique mixed media Robert Petersen pigment collage, with drawing and gold leaf and acrylic painting is floated against beveled edges, then matted and framed in a gorgeous light wood museum frame. It bears the label of Castelli Uptown on the back. Petersen, an American contemporary artist born in 1945, worked as an assistant to Robert Rauschenberg for 10 years from 1970 to 1980. He is a versatile artist, working in painting, drawing, printmaking, sculpture and collages, but is perhaps best known as a collagist, Robert Petersen was born in 1943 in the small farm town of Le Mars, Iowa. Petersen lived and worked closely with Rauschenberg on Captiva Island until 1980. In 1973, Petersen had his first solo show at Galerie Sonnabend in Paris, France, which was followed by numerous solo and group exhibitions worldwide. His work is represented in private and public collections internationally including the Centre Georges Pompidou, Musee National d'Art Moderne in Paris, France; The Metropolitan Museum of Art, New York, NY; Francois Pinault, Venice, Italy; Robert Rauschenberg Foundation, New York, NY; James Rosenquist, Aripeka, FL; Ileana & Michael Sonnabend, New York, NY; Cy Twombly Foundation, Rome, Italy, and Universal Limited Art Editions, NY. Measurements: Framed: 31 inches x 38.25 inches x 1.75 inches Artwork: 25 inches x 32 inches More about Robert Petersen: Robert Petersen was born in 1945 in the small farm town of Le Mars, Iowa and was raised there until 1952 when he moved with his family to Whittier, California. His education as an artist began in 1963 at Fullerton Community College where his interest in architectural drafting led him to develop a passion for drawing, painting, and printmaking. In 1966, he pursued his love for printmaking further at California State University, Long Beach under the former Tamarind Lithography Workshop printer, Robert Evermon. In 1969, Petersen went on to work as an assistant printer at Gemini G.E.L. where he printed editions for Frank Stella, Roy Lichtenstein, and Robert Rauschenberg. Most notably, Petersen served as one of the head printers for Rauschenberg's Stoned Moon series, during which the two formed a close friendship. In late 1970, Rauschenberg invited Petersen to live and work with him on Captiva Island, Florida, which had recently become the artist's permanent residence and studio. In 1971, Rauschenberg and Petersen established the experimental print shop, Untitled Press, Inc., where they not only printed their own work but also for visiting artists including David Bradshaw, Brice Marden, Hisachika Takahashi, Cy Twombly, and Robert Whitman. Petersen lived and worked closely with Rauschenberg on Captiva Island until 1980. During the early 1970's Petersen predominately created monochromatic minimalist work and then began to explore the possibilities presented by his intricate sketch pages. In 1976, Petersen made his first monthly inspired journal drawing from the highlights of his sketchbook where he collected observations of daily surroundings, drawings for future work, musings, postcards, photographs, and ephemera such as calendar clippings and magazine illustrations. This technique continues to serve as the basis for his present work. In 1973, Petersen had his first solo show at Galerie Sonnabend in Paris, France, which was followed by numerous solo and group exhibitions worldwide. His work is represented in private and public collections internationally including the Centre Georges Pompidou, Musee National d'Art Moderne in Paris, France; The Metropolitan Museum of Art, New York, NY; Francois Pinault, Venice, Italy; Robert Rauschenberg Foundation, New York, NY; James Rosenquist, Aripeka, FL; Ileana & Michael Sonnabend, New York, NY; Cy Twombly Foundation, Rome, Italy, and Universal Limited Art Editions, NY. Petersen currently works in Tivoli, NY where he lives with his wife, Cinda Sparling...

Emil Wachter (1921 Neuburgweiser - 2012 Karlsruhe), Woman's head, 1986. Drawing in ink on canvas, 24.5 cm x 19 cm (sheet size), 44.5 cm x 36.4 cm (frame), signed ‘E. Wa[achter]’ lowe...

Sheila Isham Flight XXXI, 1987 acrylic, watercolor, and collage on handmade paper with deckled edges Pencil signed, dated and titled Signed again and warmly inscribed: "For Aladar, o...

Vibrant and fun figurative abstract of creatures on the ocean floor by Les (Leslie Luverne) Anderson (American, 1928-2009). From the estate of Les Anderson in Monterey, California. U...

the painting is being offered with a work and authenticity certificate

Danielle Epstein - Fractured Light, Year: 1987, Medium: Watercolor and pastel on paper, signed and titled verso, Size: 40 x 32 in. (101.6 x 81.28 cm)

"Composition III", 1984 (India) ink Signed and dated by hand Edition: Unique Size: 16.2 × 20.3 inches COA provided *Black Frame made from Composite Wood WITHOUT plex included

Alan Davie, Scotland (1920-2014). Gouache painting with watercolor 'Village Myth' Hand signed ('with love') lower left, 1982 Dimensions: with frame 37.5"H x 30.25"W; image, 28"H x 22.5"W. James Alan Davie (1920 – 2014) was a Scottish painter and musician. Davie was born in Grangemouth, Scotland in 1920, the son of Elizabeth (née Turnbull) and James William Davie, an art teacher and painter who exhibited at the Salon des Artistes Français in 1925. During this formative period Davie discovered the poetry of Walt Whitman and T.S. Eliot, whose prose is echoed in letters home as well as his own verses. Alan Davie studied at Edinburgh College of Art from 1937 to 1941. An early exhibition of his work came through the Society of Scottish Artists. After the Second World War, Davie played tenor saxophone in the Tommy Sampson Orchestra, which was based in Edinburgh and broadcast and toured in Europe. He also earned a living making jewellery during the postwar period. Davie began teaching basic design in the jewellery department at London’s Central School of Arts and Crafts led by the Scottish artist William Johnstone, where colleagues included artists Nigel Henderson, Eduardo Paolozzi, Richard Hamilton and Patrick Heron. In 1961, Davie’s jewellery was featured in The International Exhibition of Modern Jewellery at London’s Goldsmith’s Hall, a milestone in the history of jewellery making in Britain where an impressive roster of international and British artists including Alexander Calder, Naum Gabo, Victor Pasmore and John McHale...

Joyce Kozloff Topkapi Pullman, 1985 Watercolor and acrylic on paper (bears original gallery labels: Barbara Gladstone Gallery, Gallery Camino Real, Boston University Art Gallery) Sig...

Work on paper without frame

One side signed. Lower right corner slightly bent. Measures 29x20. Frameless. Ignacio Gil Sala, was a painter, bohemian character, adventurous and intrepid traveler who knew how to ...

Green and yellow abstract mix by Les (Leslie Luverne) Anderson (American, 1928-2009). From the estate of Les Anderson in Monterey, California. Unsigned and unframed. Image size, 10.2...

Hand signed frame measures 39 X 51 sheet measures 29 X 41 This will be shipped unframed If you would like the frame please contact me. Apple or fruit shape abstract color field pai...

Souleymane Keita, Senegalese (1947 -2014) - Sunset over Mountainscape, Year: 1983, Medium: Pastel on J Perrigot Arches Special MBM, signed and dated...

Elaine Kaufman Feiner (1922-2018) "Hawaii II" 1993 Oil pastel, paint on paper 30"x40" unframed Signed and dated in pencil lower right, signed, titled and dated on reverse

Margie Hughto Blue Blossom, 1983 Dyed Handmade paper Hand signed and dated by the artist on the lower right front. Titled on the back. Frame Included in ...

Subtly shaded abstract figurative illustration by Elsa Warnick (American, 1942-2013). Two adult and three baby figures are rendered with subtle tan shading, against an abstract background with geometric shapes and swirling ribbons. One of the two adult figures is laying down, while the other appears to be jumping or dancing. Notable is the skillful use of negative space to balance the composition. Signed and dated "Warnick 1982" in the lower right corner. Signed, titled, and dated with materials information on verso. Presented in a silver aluminum frame. Frame size: 23.5"H x 31.25"W Paper size: 23.25"H x 31"W Elsa Warnick (American, 1942-2013) was born and raised in Tacoma, Washington. She moved to Portland to attend the Reed College/Museum Art School joint five year program. Warnick went on to create many works of art as well as teach art and illustration. She is mostly known for her watercolor paintings, including the illustration of several children's books. Some of her pieces are held in the Portland Art Museum’s collection. Selected Exhibitions: 1974: University Center Gallery, Willamette University - Salem, OR 1978: Mayer Gallery...

Ink abstract drawing in tones of blues, black and brown, 1980s. Original artwork on paper displayed on a white mat with a gold border. Mat fits a standard-size frame. Archival...

Artist: Yasmin Brandolini d'Adda, South African/Italian (1929 - ) Title: I Year: 1984 Medium: Tempera on Paper, signed and dated Size: 40 in. x 25 in. (101.6 cm x 63.5 cm)

Classical mythology is fraught with stories of sexual misdeeds by Zeus, King of the Gods. Often Zeus would fall in love with a mortal woman and then transform himself into an animal before acting on his desires. These have been recreated by many masters though the millennia. Here, Reuben Nakian masterfully, yet tastefully, recreates the tale of Leda and the...

Original Abstract Portrait in Mixed Media on Paper I (1987) Example of 1980s vintage Latin American School abstract expressionist art of a minimalist portrait by California-based La...

Robert Petersen After A Rain #2, 1987 Collage on Paper: Pencil, Oil, Acrylic and Cloth Hand signed, dated and titled on lower front with Castelli Graphics label on the back Frame Inc...

A large minimal abstract painting on paper by Yasmin Brandolini. Artist: Yasmin Brandolini d'Adda, South African/Italian (1929 - ) Title: 6C Year: 1984 Medium: Tempera on Paper, sig...

Highly detailed rendering of a kimono by Patricia A. Pearce (American, b. 1948). The ribbons in this piece have a metallic quality to them. Signed "Patricia A Pearce" in the bottom r...

JAY MILDER Untitled, ca. 1987 Gouache on Paper hand signed in pencil, lower left. Image is 9 square inches; framed it's 16 square inches Frame included: held in the original vintag...

Menashe Kadishman Untitled Sheep Drawing, ca. 1985 Unique Graphite Drawing Hand signed and inscribed on the front Frame Included Unique whimsical drawing...

Carl Andre Handwritten letter from Amsterdam the artist's sister, 1982 Postmarked Postcard Hand addressed, handwritten and hand signed by Carl Andre. Letter is postmarked from Amster...

Work on paper without frame

Ronnie Cutrone Your Own Heart, 1987 Watercolor and Silkscreen on Paper Signed, dated and numbered from the edition of 7, with each work being unique. 40 × 30 inches Fantastic vintage...

Souleymane Keita - Rainbow Field, Year: 1983, Medium: Pastel on Paper, signed and dated lower left, Size: 22.25 x 30 in. (56.52 x 76.2 cm), Descript...