Skip to main content
Want more images or videos?
Request additional images or videos from the seller
1 of 6

Albert MAIGNAN
Pauline and Severus (Illustration for the Part II, Scene II of Polyeucte)

1889

$4,965.15
£3,738.26
€4,200
CA$6,852.66
A$7,676.49
CHF 4,000.15
MX$93,637.36
NOK 50,832.76
SEK 47,931.67
DKK 31,974.60

About the Item

Albert MAIGNAN (Beaumont-sur-Sarthe, 1845 – Saint-Prix, 1908) Pauline and Severus (Illustration for the Part II, Scene II of Polyeucte) Ink, grey wash Signed lower left 51 x 35 cm Exhibition: French Watercolour Society, 11th exhibition, Galerie Georges Petit, 8, rue de Sèze, Paris. Catalogue number: 125 This classic drawing but tinted with symbolism is an excellent example of the talents of illustrator of Albert Maignan, a facet of his art that he developed significantly from 1883. It is one of five watercolours in “black ivory” created by Maignan to illustrate the Polyeucte from Cornelius, a book specially published by Mame Editions (for which Maignan worked a lot) for the Universal Exhibition of 1889. These watercolours were exhibited in 1889 at the famous Galerie Georges Petit (which hosted the 11th exhibition of the French Water Color Society) under No. 124/125/126/127/128 (Maignan exposed another illustrative drawing for “Boileau” under No. 129). Each drawing illustrating an episode of all five acts of the tragedy. Our work represents the moment when Pauline (daughter of Felix, Roman senator and governor of the province of Armenia) regains his former suitor Severus (a noble Roman general) and explains that she is now married to Polyeucte (a lord of Armenia) and she can see him again. The scene is set in a garden with a small temple of Vesta, where Pauline has filed an offering; the Pauline confidante named Stratonice, stands at his side, while Severus was accompanied by his servant Fabian. The drawing is captioned by Pauline words to Severus: “Yes I love Severus, and not doing as an excuse” The book was printed in 800 copies, containing compositions from Maignan etched by Emile Boivin, Felix Bracquemond, Lionel Le Couteux and Charles Albert Waltner. Cornelius’s tragedy, played for the first time in 1641, had somehow been brought up to date by the opera of Charles Gounod in 1878. Born in the Sarthe, Albert Maignan followed “by obligation” law teaching, but art remains his true calling. Student of landscape and Marinist Jules Noel in 1865, and Evariste Luminais from 1869 he carried out the same year a trip to Moorish Spain (probably pushing to Egypt), who gives him the taste to create a few orientalizing works. Representative of the academism (history and allegorical painting) of the XIXth century, he exhibited annually at the Salon between 1867 and 1906, and carried on the occasion official orders for several Parisian buildings as the Opéra Comique, the Senate, the city Hall. He is also famous for decoration in 1900 of the restaurant at the Gare de Lyon called Le Train Bleu. His success is reflected in particular by several medals at the Salon, a gold medal at the Universal Exhibition of 1889, and the Legion of Honour in 1883 (Knight) and in 1895 (Officer) Archaeology buff, distinguished collector, he divided his time between his studio at 1, rue La Bruyère in the district of New Athens to Paris (9th district) and his home in Saint-Prix in the Val d’Oise, in which he regularly received students from 1890. The Taylor Foundation, which occupies his house and workshop of Paris, paid tribute to him on the occasion of an exhibition from 11 March to 7 May 2016.
  • Creator:
    Albert MAIGNAN (1845 - 1908, French)
  • Creation Year:
    1889
  • Dimensions:
    Height: 20.08 in (51 cm)Width: 13.78 in (35 cm)
  • Medium:
  • Movement & Style:
  • Period:
  • Condition:
  • Gallery Location:
    Paris, FR
  • Reference Number:
    Seller: D166 01 161stDibs: LU1954210246712

More From This Seller

View All
The two lovers
Located in Paris, IDF
Franz Kaspar Huibrecht VINCK (Antwerp, 1827 - Berchem, 1903) The two lovers Oil on canvas Signed at the bottom 82 x 56 cm Pupil of Edward Dujardin (1817-1889) and Joseph Dyckmans ...
Category

Late 19th Century French School Figurative Paintings

Materials

Oil

Study for "The coronation of Tasso"
Located in Paris, IDF
Alexandre Toussaint MENJAUD (Paris, 1768 – Paris, 1832) Study for The coronation of Tasso Oil on paper mounted on canvas 37.5 x 29.5 cm Around 1819 Related work: Painting exhibite...
Category

Early 19th Century French School Figurative Paintings

Materials

Oil

Portrait of Mr. Pierre Rougé and portrait of Mrs. Mathilde Rougé, born Rauch
Located in Paris, IDF
Adélaïde SALLES-WAGNER (Dresden, 1824 – Paris, 1890) Portrait of Mr. Pierre Rougé Portrait of Mrs. Mathilde Rougé, born Rauch Pair of oils on canvas Signed lower right for one and ...
Category

Late 19th Century French School Portrait Paintings

Materials

Oil

The cup of the king of Thule
Located in Paris, IDF
Camille METRA or METRA-HUBBARD (Paris, 1864 – Paris, 1936) The cup of the King of Thule Oil on canvas Signed lower right and dated 113.5 x 146 cm 1896 Exhibition: Salon de l'Union des Femmes Peintres et Sculpteurs de 1896 (N°627) Camille Métra, eldest daughter of the chemist Louis Métra and Rosalie Merny, was born on November 28, 1864 in Paris. We know nothing to this day of her artistic training, however she was recognized in Parisian circles for her qualities as a figure painter and pastellist. Camille married for the first time on January 18, 1887 in Paris with Adolphe Fernand Blayn...
Category

Late 19th Century French School Figurative Paintings

Materials

Oil

Allegory of Geography
Located in Paris, IDF
Marc Joseph Octave Théodule BOISSIN (Bénévent-l’Abbaye, 1839 - Paris, 1891) Allegory of Geography Oil on canvas Signed lower right 75 x 125 cm without frame 100 x 150 cm with frame...
Category

Late 19th Century French School Still-life Paintings

Materials

Oil

People's woman of Venice, Italy
Located in Paris, IDF
Henri Auguste Cesar SERRUR (Lambersart, 1794 – Lille, 1876) People's Woman of Venice Oil on canvas Signed, located and dated 65 x 60 cm Venice 1850 Exhibitions: - Paris Salon of 1...
Category

Mid-19th Century French School Figurative Paintings

Materials

Oil

You May Also Like

Study in the Antique Style, a neoclassical drawing by Augustin Pajou
Located in PARIS, FR
In this lively and fresh drawing, probably taken from one of the artist's notebooks, Pajou presents us with a composition freely inspired by antiquity, as a souvenir of a visit to th...
Category

1750s Old Masters Figurative Drawings and Watercolors

Materials

Ink

Paire de dessins d'après Roméo et Juliette
Located in BOULOGNE-BILLANCOURT, FR
"Juliette et sa servante" & "Juliette au balcon" Paire de dessins à la mine de plomb, encre, aquarelle et gouache 23,5×10,5 cm et 25×14 cm respectivement / 33,6×41,6 cm encadrés Sign...
Category

Late 19th Century Academic Figurative Drawings and Watercolors

Materials

Paper, Crayon, Ink, Watercolor, Gouache

Lady Martha and Mephisto II
By Guglielmo Innocenti
Located in Genève, GE
Work on paper Portrait of an old lady on the back of the work
Category

20th Century Italian School Figurative Drawings and Watercolors

Materials

Crayon

Characters
Located in Genève, GE
Work on paper Dimensions of the passepartout: 38.3 x 48.3cm
Category

Early 20th Century Figurative Drawings and Watercolors

Materials

Crayon

Academic master drawing: Allegorical Scene artist in Musée d'Orsay
Located in Norwich, GB
A fascinating allegorical scene by French master Paul-Louis Delance (1848–1924), an artist known for the allegorical and history paintings. His grandfather was the Count Joseph van R...
Category

1870s Academic Figurative Drawings and Watercolors

Materials

Charcoal, Paper

Lady Martha and Mephisto
By Guglielmo Innocenti
Located in Genève, GE
Work on tracing paper
Category

20th Century Italian School Figurative Drawings and Watercolors

Materials

Crayon