Augusto Monari

Portraits - Drawing by Augusto Monari - Early 20th Century

Early-20th Century

Portrait is a Drawing in pencil realized by Augusto Monari in the Early-20th Century. Hand-signed on the lower. Good conditions, including a creamy-colored Passepartout. The artw...

Portrait is a Drawing in pencil realized by Augusto Monari in the Early-20th Century. Hand-signed on the lower. Good conditions, including a creamy-co...

Portrait is a pencil drawing realized by Augusto Monari in the Early-20th Century. Good conditions. The artwork is depicted through confident strokes ...

Portrait is a Drawing in pencil realized by Augusto Monari in the Early-20th Century. Hand-signed on the lower. Good conditions, including a creamy-c...

Portrait sketch original drawing by Jean-Paul LE VERRIER (1922-1996) studio stamped ink on paper, unframed Double sided 10.5 x 8.25 inches provenance: private collection of the arti...

André Eugène Costilhes (1865-1940) Portrait of a Lady bears the stamp of the studio of André Eugène Costilhes in the lower right-hand corner pencil red chalk and heightenings of whi...

Self Portrait sketching with Vignette in Profile Graphite on thin wove paper, c. 1940's Unsigned Condition: Small nicks in the right margin, not affecting the image Sheet size: 14 1/2 x 10 inches Provenance: Paul Cadmus Jon F. Anderson (1937-2018) Born in Hoboken, New Jersey, Margaret Hoening (1906–1998) was a painter and an etcher perhaps best known for her photographs as part of the PaJaMa photography collective. After attending Smith College, she settled in New York, where she pursued formal artistic training at the Art Students League. There, she met the artist couple Paul Cadmus and Jared French. In 1937, she married French, fifteen years her junior, who had spent the previous decade with Cadmus. The trio formed a tight bond, with Cadmus and French continuing their relationship. Born in Hoboken, New Jersey, Margaret Hoening (1906–1998) was a painter and an etcher perhaps best known for her photographs as part of the PaJaMa photography collective. After attending Smith College, she settled in New York, where she pursued formal artistic training at the Art Students League. There, she met the artist couple Paul Cadmus and Jared French. In 1937, she married French, fifteen years her junior, who had spent the previous decade with Cadmus. The trio formed a tight bond, with Cadmus and French continuing their relationship. Together, the three formed PaJaMa (a mashup of their first names, Paul, Jared, and Margaret). Using Hoening’s Leica, they captured themselves, their artist friends, and members of the gay community posing in artful tableaux on the beaches of Fire Island, Provincetown, and Nantucket over the following eight years. Those captured by their camera include the photographer George Platt Lynes; Cadmus’s sister and artist Fidelma; artist Bernard Perlin; and Monroe Wheeler, director of exhibitions at the Museum of Modern Art, among others. Though she produced few canvases, Hoening’s paintings demonstrate the influences of French and Cadmus, particularly with her adoption of the time-intensive, traditional medium of egg tempera that they championed. In the 1940s, the Frenches’ social circle continued to expand. They befriended the British author E.M. Forster, who stayed with them on his first trip to New York in 1947, spending a few days with them in Provincetown, and visiting them again in 1949. When Cadmus began a relationship with the young artist George Tooker in 1944, the trio became a foursome, with Tooker regularly vacationing with the group and appearing in PaJaMa’s photographs...

woman. original figurative academician drawing painting Barcelona, 1904 - Barcelona, 1965 It was formed in Buenos Aires, in the Circle of San Lucas of Barcelona and the FAD. He was ...