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Augustus Edwin John OM RASTUDY of a SEATED FEMAIL NUDE FROM BEHIND.Augustas Edwin John.OM RA British1920
1920
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Born in Tenby, Pembrokeshire, John was the younger son and third of four children. His father was Edwin William John, a Welsh solicitor; his mother, Augusta Smith from a long line of Sussex master plumbers,[1] died young when he was six, but not before inculcating a love of drawing in both Augustus and his older sister Gwen.[2] At the age of seventeen he briefly attended the Tenby School of Art, then left Wales for London, studying at the Slade School of Art, University College London. He became the star pupil of drawing teacher Henry Tonks and even before his graduation he was considered the most talented draughtsman of his generation. His sister, Gwen was with him at the Slade and became an important artist in her own right.[4]
In 1897, John hit submerged rocks diving into the sea at Tenby, suffering a serious head injury; the lengthy convalescence that followed seems to have stimulated his adventurous spirit and accelerated his artistic growth.[5] In 1898, he won the Slade Prize with Moses and the Brazen Serpent. John afterward studied independently in Paris where he seems to have been influenced by Puvis de Chavannes.His most significant portraits include those of novelist James Joyce, playwright George Bernard Shaw, cellist Guilhermina Suggia, and poets Dylan Thomas and William Butler Yeats. John’s sister, Gwen John, was also a highly regarded artist who worked with the painter James McNeill Whistler and the sculptor Auguste Rodin. 1908), a portrait of John’s second wife, Dorelia. John was known as a colourful personality who adopted an individualistic and bohemian lifestyle. Intrigued by gypsy culture and the Romany language, he spent periods traveling with gypsy caravans over Wales, Ireland, and Dorset. He based much of his work on these experiences, such as the painting Encampment on Dartmoor (1906). John was more modern in his approach to landscape painting, as seen in the bright palette and loose brushwork of paintings such as Llyn Trewereyn (1911–12) and The Little Railway, Martigues (1928).
.B. Yeats (1907)
The need to support Ida Nettleship (1877–1907), whom he married in 1901, led him to accept a post teaching art at the University of Liverpool.
- Creator:Augustus Edwin John OM RA (1878 - 1961)
- Creation Year:1920
- Dimensions:Height: 19.69 in (50 cm)Width: 23.23 in (59 cm)
- Medium:
- Movement & Style:
- Period:
- Condition:grateful to Rebecca John to her authentication..Provenance .from the collection of Wyndham T Vint Esq then the collection of Roy Petley.
- Gallery Location:Pollenca, ES
- Reference Number:1stDibs: LU124525621331

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