Aurélie Sicas

Sur l'ile, Charcoal, Black & White figurative Drawing, Contemporary Drawing

2023

Work : Original Drawing, Handmade Artwork, Unique Work. Medium : Charcoal and Graphite on Archival Watercolour paper 300Gsm. Artist : Fabien Granet Subject : Les Indestinés (series ...

Watercolor, Acrylic Painting and Charcoal on paper. Contemporary Painting, Seaside Work Title : Ecueils Artist : Fabien Granet (FR) The work is signed, titled and dated verso. Unique work. Size : H26xW21cm. Museum matting & backing included, framed in a 30x24 cm standard aluminium frame. Born in 1970 the artist lives and works in France. The majority of his drawings and paintings are inspired by the wild landscapes of Brittany in France. " The drawing as a gesture allows me to exploit a (re)mise-en-scene as so many possibilities in the making. Through the quality of drawing as a marker of thought, it is not a question of constructing "dream worlds" but rather of setting up a device that would allow for a conscious dialogue of a certain perception of the real." Fabien Granet is pursuing a research on the perception of the landscape, on our ways of trying to represent it, to understand it, to understand its structures. The drawn "landscapes" are thus as many projections of the artist, which convene and reveal his artistic path, the influences of his culture, his utopias, his dystopian fantasies. Another shift where the quasi scientific concern of objective rigor and the mental construction of an construction of an individual course. The drawing appears in this sense as an act as much as a work which The drawing appears in this sense as an act as much as a work which is registered in a research and a quest to pierce the enigma of the real. In his landscapes, Fabien Granet evokes a process of the mind, where shreds and fragments become entangled in a re-arrangement of of reality. Snippets of architecture and geometrical figures draw human and his gaze into it. The landscape is a human creation, but how does human try to perceive it, how does he understand its constructions? what is his mental image of it? Chaos and structure intersect in a paradox of our vision of the world: the artist picks out the sensitive elements in a reflection on the possibilities in the making. Solo exhibitions : 2023 "GRAND ERRE" with Galerie Jean-Louis Ramand, Aix en provence / 2021 "Les Indestinés" (Drawing Now Art Fair) Galerie Jean-Louis Ramand - Paris / 2017 "mise-en-paysage" galerie Tokonoma - Paris / 2015 "Shiftings" galerie White Project - Paris / 2012 "Risée" galerie G&G - Paris / 2011 "Transistoires" galerie P&Z - Angoulême / 2010 "Tandis que? Group exhibitions (selection) : 2021 " SUMMER TALENTS " - Galerie Jean-Louis Ramand / 2019 " FEEL GOOD " Galerie Jean-Louis Ramand - Paris / 2019 " Naturalia " Mexico / 2019 " (re) mise-en-scène " Galerie Jean-Louis Ramand - Aix-en-Provence / 2019 " ScapeLand " Galerie Jean-Louis Ramand - Paris / 2019 " Blanc Ciel " espace d'art associatif La Perception - Creuse/ 2018 " Angle Mort " Ici. Gallery - Paris/ 2018 " Drawing in Gallery " Galerie ALB - Paris/ 2017 " Where form meets Art " Antwerp Art...

Pencil Study #13 2016 Graphite on paper 13 x 7 inches Jessica Keiser currently resides in New Haven, Connecticut. Keiser's style is Naturalistic, concer...

Chicago-based fine art painter Bruno A. Surdo is classically trained in drawing and oil painting in the tradition of Renaissance masters. With strong command of the human form, Surdo creates dynamic compositions of people and places that communicate a rich commentary on the world around him. Depicting trees from personal encounters, Surdo’s latest body of work entitled “Tree Spirits” takes us on a foray into the forest, where leaves, branches and burls express something deeply personal. Applying his mastery of figurative realism to the natural world, he experiments with form and texture to uncover the intangible spirits of trees. Entitled “Faith,” this small-scale charcoal drawing depicts a tree trunk carved with two deep cuts in the shape of a cross. The carving has healed over, assimilated into the bark as just another interesting detail. Up close, the work is loosely drawn with a heavy hand, but from afar, the natural scene still achieves a sense of realism. The tree trunk is conveyed through chaotic scribbling and aggressive strokes of light and dark charcoal, resulting in a pattern that simulates the rough texture of bark. Light falls softly on the tree, illuminating its form against the dark, atmospheric surroundings. The striking imagery of this work conveys the strong emotional response elicited by Surdo’s personal encounter with this tree. Restricting the composition to only the scarred portion of the tree trunk, Surdo focuses on symbolism of the cross carved into the tree’s side. The carving was inflicted upon the tree by an individual, whether as an act of graffiti or the object of adoration. Despite this wound, the tree persists and grows, adapting and changing until the mark is but another interesting detail. The tree’s spirit endures and speaks to the strength it takes to heal oneself, whether physically or mentally. Charcoal on paper...