Framed Figurative Drawings and Watercolors

Unique, one of a kind original gouache on paper from Harper's Bazar series. Hand signed lower front by Erte; titled top front with studio catalog number on verso. Sheet size 10.7...

Nana Williams' "My Vampire Heart" created in 2024, is an original handmade watercolor painting made on hot press watercolor paper that depicts a bat sitting on a heart with a stake t...

"Playing Soldiers" is a charming watercolour depicting a lively scene of children at play outside a rustic cottage. The composition skilfully balances the energetic figures against t...

Glangesia would finish 4th w/ J. Browne jockey aboard Watercolor w/ gouache highlights Art Sz: 9 3/4"H x 15 5/8"W Frame Sz: 18"H x 24"W Preparations for the Grand National Steeple...

Children Amongst Foxgloves - Female Illustrator of The Golden Age by a female illustrator of The Golden Age Watercolor on paper, signed 'A. Bowerley' lower left. 11 x 20 in. (sight)...

Jerome Witkin Proof that a Cat is a Snake with Fur, from the Patrick Eddington Cat Project, ca. 2004 Marker on paper drawing Boldly signed by Jerome Wit...

Untitled Female Nude, Seated Unique Ink on Paper Drawing Hand signed by Archipenko Very good condition There is a companion to this work, a ink on paper unique drawing, also shown ...

Faithful to the neo-classical taste, sculptor Antoine-Denis Chaudet presents us with a frieze of antique figures executed in gray wash over pencil strokes, which is likely inspired b...

Michael Leonard, (British b.1933), Chimera I, 1975, Graphite pencil on paper, initialled (lower left), signed and dated (lower right), 15cm x 14cm, (35cm x 32cm framed) Michael Leon...

A muscular male torso with tattooed arms, holds a gun while gazing up towards the sky. The face is obscured but the viewer is drawn toward the taut, defined muscles. This piece is floated and framed in a simple black frame measuring 18.25h x 15.25w inches. Bruno Surdo Strength charcoal on paper 11h x 14w in 27.94h x 35.56w cm BRS113 Bruno A. Surdo b. Chicago, 1963 EXHIBITIONS 2018 Liberation, Gallery Victor Armendariz, Chicago, IL Blood Sport, Gallery Victor Armendariz, Chicago, IL Art on Paper 2018, Gallery Victor Armendariz, Pier 36, New York, NY SOFA Chicago 2018, Gallery Victor Armendariz, Navy Pier, Chicago, IL 2017 POP!ARAZZI, Gallery Victor Armendariz, Chicago, IL Coming Attractions, Gallery Victor Armendariz, Chicago, IL 2015 SOFA Chicago 2015, Ann Nathan Gallery, Navy Pier, Chicago, IL Bruno Surdo: Allegories, Ann Nathan Gallery, Chicago, IL 2014 Bruno Surdo: Respond, Ann Nathan Gallery, Chicago, IL Modern Metaphors, Rockford Art Museum, Rockford, IL 2013 Bruno Surdo: Revelations, Ann Nathan Gallery, Chicago, IL Vice + Virtue, Northern Illinois University Museum of Art 2012 Contemporary Realism Biennial, Fort Wayne Museum of Art, Fort Wayne, IN 2011 Bruno Surdo, University of St. Francis School of Creative Arts, Fort Wayne, IN Uncensored, Ann Nathan Gallery, Chicago, IL 2010 Art Chicago 2010, Ann Nathan Gallery, Merchandise Mart, Chicago, IL 2009 Art Chicago 2009, Ann Nathan Gallery, Merchandise Mart, Chicago, IL 2007 Bruno Surdo, Art Institute of Indianapolis, Indianapolis, IN 2006 Context/Content: Making Meaning with the Figure, University of Arkansas, Conway, AR Creative Imaginings, Mobile Museum of Art, Mobile, AL Bruno Surdo: Cycles, Ann Nathan Gallery, Chicago, IL 2005 Art Chicago 2005, Ann Nathan Gallery, Chicago, IL 2004 Tragedy, Memory, & Honor, Richard M. Daley Center, Chicago, IL Art Chicago 2004, Ann Nathan Gallery, Chicago, IL Group Show, Arcadia Gallery, New York, NY Drawings VII, Koplin Del Rio Gallery, West Hollywood, CA Armory Show, New York Armory, New York, NY 2003 Paintings & Drawings, College of Lake County, Grayslake, IL The Art Show, New York, NY Bruno Surdo: New Work, Ann Nathan Gallery, Chicago, IL Art Chicago 2003, Ann Nathan Gallery, Chicago, IL 2003-10 International Show of Contemporary Artists, Chicago Art Open, Chicago, IL 2002 Bruno Surdo: Perception of Appearance, Frye Museum, Seattle, WA Tragedy, Memory, & Honor, Richard M. Daley Center, Chicago, IL Bruno Surdo: Transcendence, Ann Nathan Gallery, Chicago, IL Art Chicago 2002, Ann Nathan Gallery, Chicago, IL Tragedy, Memory, & Honor, Ann Nathan Gallery, Chicago, IL 2001 Magic Vision, Arkansas Art Center, Little Rock, AR 1998 Evanston and Vicinity Artists, Evanston Art Center, Evanston, IL 1996 Bruno Surdo: A Personal View, University of Wisconsin, Kenosha, WI 1995 Bruno Surdo: Recent Works, College of Lake County, IL AIDS in Our Society, Loyola University, Chicago, IL Bruno Surdo: Life, Struggle, and Hope, Chicago Cultural Center, Chicago, IL 2001 Magic Vision, Arkansas Art Center, Little Rock, AR Bruno Surdo: Dualities of Life, Ann Nathan Gallery, Chicago, IL 1999 Group Show, Ann Nathan Gallery, Chicago, IL 1998 Group Exhibition, Fine Arts Building Gallery, Chicago, IL 1995 Spiritual Inquiries, Struve Gallery, Chicago, IL 1994 Recent Works, The 14th Annual Juried Exhibition for Lake County Artists, Grayslake, IL Go Figure, Figurative Works on Paper, Chicago Printmakers Collaborative, Chicago, IL SELECTED COLLECTIONS The Re-Birth of Venus, Temporary Loan, Fort Wayne Museum of Art Arkansas Art Center, Little Rock, AR College of Lake County, Greyslake, IL Flashpoint Academy, Chicago IL John Robert Wiltgen Design Shoemaker Ruud Collection Julie & Thomas Danilek Michael Vozzella and Mike Silver Benjamin Fernandez Tom Braake Betsy Colburn Michael Diemand & Lor LaRose Michael Staab & Kathy Brock Bruce Leep Frank Tzurect Mary Foley Rosalyn Carlson Mimmy Turney Janet Long Halstead Billy Hunt Carol Galli Myles Kerrigan Honorable & Mrs. Edwin Berman Theodore Gage Northrop Art Museum Past Present & Future Company Dr. James & Peggy Kemmler Salvatore Monastero Nix & Virginia Lauridsen Joel Miller David & Marlene Zerkel Ann & Andy Abel Claudia Rush Marc Miller Leonard Goldberg Lawrence Pucci Howard Tullman Collection Susan & Manny Kramer James Rinnert Richar Interiors Michael & Nancy Colt Khalid Altijir Dr. Joe Grodman Beryl & Jack Gore Larry Wolf & Eric Naegle Chuck Wolandi Jack Schwab & David Sandelin Thomas Kaczmarek Marti Dinerstein Craig & Michael Golden Mike & Jill Rose SELECTED PUBLICATIONS Bruno Surdo: The Method Artist Responds, by Lucia Mauro, June 26, 2014, anitathemovie blog An Exhibition of Exhibitionism: Bruno Surdo’s ‘Respond’, by Carrie McGath, July 1, 2014, The Chicagoist Website, Arts and Entertainment “Inspired Environs: A renowned designer decks out his Loop abode in art and texture” Modern Luxury, Men’s Book, Spring 2014 “Master Class” What’z Up Magazine, Fort Wayne, 2011 ”9/11 Painting will be on Display” Fort Wayne Journal Gazette, 2011 “Illuminated Images” Fort Wayne Reader, 2011 “Two Faces of Beauty” American Art Collector Magazine, Issue #3 and #59, 2006/2010 “Art and Calamity” Art Papers, 2009 “Versions of the Present, Techniques of the Past” American Artist Magazine, 2004 “Living Artists” Crow Book Publishing, Chicago, IL 2004 “The New Master” by Craig Keller, Chicago Social Magazine, 2004. “Tragedy, Memory, and Honor,” by William Hageman, Chicago Tribune, March 28, 2002 “Mural Depicts Tragedy of 9/11” Art Section, Chicago Sun Times, 2002 Review by Dennis Raverty, Art Papers Magazine, July 2001 WTTW Channel 11...

Hans Burkhardt frequently used live models for his figural pastels, which he maintained an interest in throughout his long career. Untitled (1972) Pastel on paper, 25" x 19" 28" x 2...

Seated Woman by Jules Pascin (1885-1930) Pen and ink on paper 6 ½ x 6 inches unframed (16.51 x 15.24 cm) 14 x 13 inches framed (35.56 x 33.02 cm) Inscribed (Pascin Estate 81C) on bot...

Paris et la belle époque is an artwork realized by Roberto Regalier in the mid-20th Century. 50X50 cm, 83 x 73 cm frame included. Oil Pastel on canvas. Signature in the lower part...

Child on armchair is a modern artwork realized by Antonio Mellone in 1970s. Mixed colored oil painting Hand signed on the lower margin Includes frame

ROBERTO DOMINGO FALLOLA Spanish, 1883 - 1956 AT THE LONGCHAMP RACES signed and located "R. Domingo, París" (upper right) gouache on paper 10-1/2 x 13-1/4 inches ( 26.5 x 33.4 cm.) f...

Nana Williams' "Sphynx Moths" created in 2024, is an original handmade watercolor painting made on hot press watercolor paper that depicts a sphynx cat with two moths. This piece mea...

French, Mid Century, pastel and crayon portrait of an elegant young lady by Gourdon. Signed and dated bottom left. Trade label to the back board. Presented in period deep 'tray' frame. This seems to be an early work by the artist and hence it carries his name rather than his later more distinctive signature 'Aslan'. Alain Gordon was one of two brothers, his sibling Michel also went on to achieve notable success with his distinctive 'comic' style. Alain Gourdon...

Clara Deike (American, 1881-1964) Cactus (Mexico), 1930 Watercolor on paper Signed lower right, titled and dated on label verso 15.25 x 13.25 inches 25 x 22.5 inches, framed A gradu...

Art Nouveau coloured drawing of a young lady beauty before a mirror by Edmon Aman-Jean. The work is signed in pencil bottom left and presented in a plain wood frame with mount, under glass. A very charming early 20th century drawing capturing a young beauty admiring herself in front of a dressing mirror. n the background a fine interior with a louis XVI commode...

A fine 19th-century study by the English listed artist George James Knox (1810-1897). The scene depicts figures walking towards the coastline before an old windmill. Signed and dated...

Theresa Bernstein The Gathering, circa 1990 Signed lower right Mixed media on paper 9 x 10 3/4 inches Theresa F. Bernstein was born in Philadelphia in 1895 to cultured, middle-clas...

Romantic French pastel portrait of a Spanish beauty by Louis Fortuney. The work is signed bottom right, titled to the back board and presented in a fine...

Original watercolor on archival paper laid down to heavy card stock by the American artist, Edward Loyal Field. The watercolor is of a European scene, perhaps Holland when the artist...

William Glackens, 1870-1938 Criticizing Ernest Lawson’s Art Class, ca. 1907 Watercolor and pencil on paper Signed (at lower left): Glackens Inscribed ...

Medium: Watercolor and Pencil on Board Sight Size 11.00" x 15.00", Framed 17.50" x 20.50" Signature: Signed Lower Left Sunday In Old Catskill, Harper's New Monthly magazine story il...

Orientalist Watercolour Painting of a Man Riding a Camel by Alphons Leopold Mielich Austrian, late 19th Century Frame: Height 46cm, wi...

Wobbly bridge, Tabanan, Bali, 1937 Signed with initials bottom right and dated, bottom left Pencil and ink on paper, 22 x 26.3 cm In ebonized frame with white mount Willem Otto Wi...

Uxbridge Road, London by Ludovic-Rodo Pissarro (1878-1952) Watercolour on paper 23.5 x 31 cm (9 ¹/₄ x 12 ¹/₄ inches) Titled and dated lower left; initialled and inscribed lower right...

Flowers is a modern artwork realized by an unkown Artist of in the mid-20th Century. Mixed colored watercolor. Hand signed "A. Pagano" on the lower margin. Includes frame

This rare drawing by Nattier is part of a set of preparatory studies executed in 1717 for one of the painter's first commissions, the painting commissioned by Tsar Peter I of Russia ...

Le marché aux bestiaux by Paulémile Pissarro (1884-1972) Watercolour and ink on paper 23.7 x 31.2 cm (9 ³/₈ x 12 ¹/₄ inches) Signed lower right, Paul-Émile Pissarro Executed circa 19...

Grand Arbre dans la Sente by Ludovic-Rodo Pissarro (1878-1952) Watercolour and ink on paper 28 x 38 cm (11 x 15 inches) Signed lower right, Ludovic Rodo Inscribed lower left, Grand A...

2.1M TINTIN EN AMERIQUE, 2023 From the series Currency Chinese ink on Fabriano paper 250 g. Frame size: 43 cm H x 34 cm W x 3 cm D Image size: 30 cm H x 21 cm W Unique Ivory Wood ...

A fascinating allegorical scene by French master Paul-Louis Delance (1848–1924), an artist known for the allegorical and history paintings. His grandfather was the Count Joseph van R...

Medium: Gouache on Illustration Board Signature: Signed Middle Right Sight Size 20.50" x 27.00;" Framed 30.25" x 35.00" Framed and matted under glass in antique gold painted art deco...

Ricard Opisso - Beggars - Colored pencils Measurements drawing 21x31cm. Frame measures 39x48 cm. Damaged paper at bottom. Anti-reflective glass. Son of Alfredo Opisso y Viñas, journalist, historian and critic, and of Antonia Sala y Gil, his sister Regina Opisso, was also a writer. He comes from an enlightened family full of artists. His paternal grandfather was Josep Opisso y Roig, journalist and director of the Diari de Tarragona, father of the also writers Antonia Opisso y Viña and Antoni Opisso y Viña. His maternal great-grandfather was the painter Pere Pau Montaña, his maternal grandfather the fabulist Felipe Jacinto Sala and his maternal uncle, the painter Emilio Sala y Francés. His nephew was Arturo Llorens y Opisso, a writer better known under his pseudonym Arturo Llopis. Although he was born in Tarragona, his family moved to Barcelona when Opisso was only two years old. In modernist Barcelona at the end of the 19th century, Opisso worked as an assistant to Antonio Gaudí in the works of the Sagrada Familia in Barcelona since 1892. He was linked to the group Els Quatre Gats, along with Ramón Casas...

Pair of French mid 20th Century drawing in the style of Georges Remi, dit Hergé. The works are not signed but both are titled and dated. Presented in modern frames under glass. The first is a charming street view of Cannes on the Cote D'Azur in the south of France, an area now internationally famous for its annual film festival. The artist has captured the imposing nature of the fine stone buildings with their blue and green shutters towering over the scene. Next to it fine trees so characteristic of French streets are just coming in to leaf. Two men go about their business, one is walking towards a cafe. Cars and a red delivery truck animate the scene. The second an equally charming view of the chapel at the Nice Chateau cemetery on the Cote D'Azur in the south of France. The artist has captured the imposing nature of the fine colourful stone buildings with their arches, cupolas and finials. Surrounding the buildings are trees and bushes and to the foreground cars of typical 1960s design. The style of the artist is clearly inspired by the animations of Georges Remi, dit Hergé which were so popular at this period. Georges Remi, more commonly known as Hergé created his own clean, expressive style of drawings known as ligne claire...

Roberta Allen German Lesson, 1981 Two separate mixed media works framed together: watercolor, gouache, ink, wash, laid paper collage (each signed by hand) Signed twice: each of the s...

A bright and animated Parisian street view with a gendarme poised languidly to survey the street outside the Hotel de Clichy beside a flower vendor tending her colorful stall . A cha...

Leonor Fini Face II, ca. 1960 Ink on paper 11 x 8.5 cm 4 1/3 x 3 1/8 in. 23 x 20 cm 9 x 7 7/8 in. (Frame included) Unique work Exhibition History: Leonor Fini: Small Faces, April ...

Figurative abstract cubist style drawing in an antique wood frame, inspired by artwork by Graham Sutherland “Sutherland Project VII” by Hudson Valley artist, David Dew Bruner, made in 2015 23.5 x 11.5 inch graphite on paper drawing in a 27.5 x 15.5 inch antique black stained...

Watercolor painting of standing prophet or Rabbi, Judaica artwork Born in 1897, Ben-Zion Weinman celebrated his European Jewish heritage in his visual works as a sculptor, painter, ...

American Impressionist

Ink and pastel on canvas Created in 2019 in Paris, France Unique work Signed by the artist Parmis Sayous was born in 1982 in Teheran, Iran. Since 2015, She has lived and worked in P...

NYC Park Scene American Scene Social Realism WPA Woman Artist Ashcan Realism Isabel Bishop (American, 1902-1988) "NYC Park Scene" Pencil on paper Sight: 5 x 7-1/8 inches Signed l...

Original watercolor on archival paper of a gesturing old man by the well known American artist Benjamin Stahl. Condition is very good. Two spots of foxing or staining to the left of the figure. Very slight wrinkling of paper. Otherwise, no other issues. Circa 1970. Gallery wide linen matted and framed with a thin silver leaf frame. Overall framed measurements are 19.5 by 20 inches. Provenance: A Nokomis, Florida collector. Ben Stahl Biography Born in Chicago in 1910, Ben Stahl was introduced to the world of art by his grandmother. She took him on visits to the Chicago Art Institute and other galleries beginning when he was six years old and continuing until he was fifteen. After these adventures she would buy him oilcloth, brushes, and paints, and he would create “masterpieces” on the front porch of the family home. Stahl also read voraciously, which did not translate into academic excellence. However, when he was in seventh grade, he received a scholarship to attend Saturday morning lectures at the Chicago Art Institute. He would spend his Saturday afternoons drawing live animals at the Lincoln Park Zoo and the stuffed variety at the Field Museum, honing his knowledge of animal anatomy. After high school, Stahl got a job as an apprentice at a commercial art studio. One of the partners, realizing Stahl was ambitious and talented, encouraged him to draw and paint to create a portfolio. It was the contents of this portfolio that landed him a job at Chicago’s most prestigious art studio. During his time there and at other studios, plus a stint as a journalist for the Chicago Daily News, Stahl continued to develop a unique style, influenced by the Impressionists, which he felt would carry the mood and the emotional impact of commercial illustrations. Ironically, Stahl’s first assignment for The Saturday Evening Post was to illustrate a sea story – this for an artist who had never seen either the Atlantic or Pacific Oceans! The editors liked his work, and there followed four years of marine-themed assignments. Eventually Stahl asked for a change, so his next assignment was set in the desert – which he had also never seen. He was being noticed, however, and eventually he decided to move to New York and become a freelance illustrator. He illustrated over 750 stories for the Post along with a number of other magazines, and he continued to explore new approaches in his easel painting. In 1951, Stahl was commissioned to paint "The 14 Stations of the Cross...

This widely referenced pair of paintings is one of Francesco Conti’s most successful productions. Francesco Conti is one of the finest painters of 18th-century Florence. In the shimmering colors typical of his best work, he represents two opposite characters from the Bible: the virtuous Judith, whose courage saves her people by cutting off the head of the invader Holofernes, and the depraved Salome, who under the influence of her mother becomes responsible for the beheading of the prophet John the Baptist. The artist's talent lies in his ability to treat these two macabre subjects with a light touch, presenting us with two attractive women who seem to twirl with glee amidst the severed heads... 1. Francesco Conti, the “Florentine Tiepolo” Francesco Conti is a major painter of the Florentine school of the 18th century; he can even probably be considered, along with Giovanni Domenico Ferretti (1692-1768), as one of the two main painters of the second quarter of the Florentine 18th century. Born in Florence in 1682, Francesco Conti began his apprenticeship in the workshop of Simone Pignoni (1611 - 1698), a disciple of Francesco Furini; he was also influenced by the Venetian Sebastiano Ricci. A protégé of Marquis Riccardi, he accompanied him to Rome between 1699 and 1705, where he frequented Carlo Maratta's studio. He settled permanently in Florence in 1705. Painted exclusively on canvas, the majority of his work consists of religious subjects, altarpieces or private devotional works. It is likely that Conti himself was a devout churchgoer, as evidenced by his affiliation, in the third decade of the eighteenth century, to the Society of the Disciples of Saint-John-the-Baptist, and his entry, at the end of his life, into the fraternity of the Venerable Society of the Holy Trinity. In Florence, Conti worked for the Grand Duchy's major patrons, including the last Medici - in particular Giangastone and Annamaria Luisa, Electress Palatine - and confirmed his role as a reference painter under the Lorraine Regency, as master of the Public Drawing School, which was closely linked to the institute responsible for the manufacture of semi-precious stone mosaics, then located in the Uffizi complex. Matteo Marangoni, an art critic of the early 20th century, praised his "brushwork full of elegance and true spirit of the 18th century", pointing out that Conti was "probably one of the best colorists" of the Florentine school of his time. These two characteristics led the art historian Paolo dal Poggetto to nickname him the "Florentine Tiepolo". 2. Judith and Salome, two biblical characters opposing each other These two paintings form a pair presenting two biblical episodes, which have in common the depiction of a "heroine" carrying the severed head of a man. While the Salome episode might at first appear to be an echo of the Old Testament story of Judith, each character is the exact opposite of the other. Judith, whose story is told in the Book of Judith, is a beautiful young widow from Bethulia who, accompanied by her maid, went into the camp of the invading Assyrians and won the confidence of Holofernes, the general commanding the enemy army. Invited to a great feast on the fourth evening, she took advantage of Holofernes' drunkenness to cut off his head. “She went up to the bedpost near Holofernes’ head, and took down his sword that hung there. She came close to his bed, took hold of the hair of his head, and said, “Give me strength today, O Lord God of Israel!” Then she struck his neck twice with all her might, and cut off his head. Next she rolled his body off the bed and pulled down the canopy from the posts. Soon afterward she went out and gave Holofernes’ head to her maid, who placed it in her food bag...

French mid 20th Century drawing in the style of Georges Remi, dit Hergé. The work is not signed but is titled (Cannes) and dated (Mai 1969) to the back of the paper. Presented in modern gilt frame under glass. A charming street view of Cannes on the Cote D'Azur in the South of France, an area now internationally famous for its film annual festival. The artist has captured the imposing nature of the fine stone buildings with their blue and green shutters towering over the scene. Next to it a fine trees so characteristic of French streets are just coming in to leaf. Two men go about their business, one is walking towards a cafe. Cars and a red delivery truck animate the scene. The style of the artist is clearly inspired by the animations of Georges Remi, dit Hergé which were so popular at this period. Georges Remi, more commonly known as Hergé created his own clean, expressive style of drawings known as ligne claire...

The Discussion is a watercolor and ink drawing on ivory-colored paper, in the 1930s realized by Luigi Bompard (1879-1953). Hand-signed on the lower margin. In good condition, excep...

'Courtyard in Provence', ink on art paper, by Pierre Dionisi (circa 1930s). Sepia-toned, original drawing in a compelling style depicts a view of a tree...

Frank Nelson Wilcox (American, 1887-1964) Stevedores, Ohio River, c. 1920 Watercolor on paper Signed lower right 21.5 x 29. 5 inches "The trip Otto Ege and I made from Pittsburgh to Marietta by riverboat and then by train to Mammoth Cave, was the next high spot in my artistic explorations. We saw something of the Old Southern river life on the way - the roustabouts, the showboat and river town life at Point Pleasant, and then to the sombre tonal mysteries of the Cave. These sights added much to my pictorial vocabulary..." - Frank Wilcox Frank Nelson Wilcox (October 3, 1887 – April 17, 1964) was a modernist American artist and a master of watercolor. Wilcox is described as the "Dean of Cleveland School...

Medium: Ink and Watercolor on Paper Signature: Signed Lower Right Contact for exact dimensions. LITERATURE: Charles Kingsley, The Water-Babies, New York, 1916, illustrated Edwar...

Expressionist Figurative water color painting by Zhang Chunyang Series The Horse Whisper No.2-24 Dimension: 29 x 36 cm Material: Gouache, Watercolor on Paper Date: 2013 Artist Bi...

Untitled IV, 1992 by Enrique Grau Graphite on ight cardboard Image size: 17 in H x 14 in W Frame size: 32 in H × 28.5 in W × 2 D in Signed and dated in th...

Pastel drawing on paper realized by Sirio Pellegrini in 1960s. Very good condition. Hand signed in pencil lower right. Includes a contemporary wooden frame 108.5x84.5 cm. Sirio Pe...

Noel Daggett, American (1925 - 2005) - Good Takings, Year: 1991, Medium: Gouache on Board, signed and dated l.r., Size: 10 in. x 17 in. (25.4 cm x 43.18 cm), Frame Size: 17.5 x 2...

Watercolor drawing on paper realized by Sirio Pellegrini in 1960s. Hand signed lower left. Very good condition, includes a coeval wooden frame. Sirio Pellegrini, born in Rome on Ma...

Ashlie Benton Soft Dissolve, 2013 Oil, graphite, gold leaf on Nepal paper 38 x 26.75 inches (96.5 x 67.9 cm) Edition EV 2/9