Skip to main content
Want more images or videos?
Request additional images or videos from the seller
1 of 12

Larry Rivers
French Menu "You Name it, I'll Draw It" (unique drawings on each side) Signed

1969

About the Item

Larry Rivers French Menu, Cafe de Colombie, Champs-Elysees, Paris (double-sided), ca. 1969 Charcoal on paper. drawings on each side of the paper, Hand signed on each side, with ink inscription: "For Milt & Carla, You Name it, I'll Draw It" Hand-signed by artist, Signed in charcoal under the drawing on the recto; hand signed in ink under the drawing verso, with a personal inscription 14 × 20 1/2 inches Unframed Classic Larry Rivers original drawing - a double sided drawing of the bi-lingual menu from Cafe de Colombie in Paris. The detail is spectacular; the humor is classic Rivers (Air France airplane with text "Hair France") and the inscription lovingly boastful, "For Milt & Carla, You Name it, I'll Draw It". The drawing is signed on each side. This work can be exhibited front or back or both! Larry Rivers Biography B. 1923, BRONX, NEW YORK; D. 2002, NEW YORK Born in August 17, 1923, and raised in the Bronx, Larry Rivers was a painter, sculptor, printmaker, poet, and musician at the crossroads of Abstract Expressionism and Pop art, who bucked prevailing trends in favor of a more singular style. The son of Ukrainian Jewish immigrants, he was known as Yitzroch Loiza (Irving) Grossberg until age 17, when a nightclub emcee announced his band as “Larry Rivers and the Mud Cats.” He adopted the name that same year. Following a brief stint in the U.S. Army, Rivers spent a year at the Juilliard School of Music studying musical theory and composition. He then pursued his only formal artistic training at Hans Hofmann’s painting school in New York from 1947 to 1948. Countering the vogue for abstraction at the time, Hofmann’s approach emphasized drawing as the foundation of all art making and presented the old masters as rich resources for creative exchange. In 1951, Rivers received a BA in art education from New York University. Proceeding from the conviction that figuration was not antithetical to modernism, Rivers completed his first major work, The Burial, in 1951, signaling the major concerns that he would return to throughout his life. With this painterly restaging of Gustave Courbet’s masterpiece A Burial at Ornans (Un enterrement à Ornans, 1849–50), Rivers began a sustained engagement with canonical paintings, imaginatively connecting contemporary art with art history. In works such as Washington Crossing the Delaware (1953), Rivers similarly mined the past for inspiration; a few years later, he began to take up more contemporary images, as in Dutch Masters and Cigars (1964), which was partly copied from a cigar box that itself depicted Rembrandt’s 1662 painting The Syndics of the Clothmakers’ Guild (De Staalmeesters). Subsequently, Rivers made several works that combine sculpture and painting, including I Like Olympia in Blackface (1970), which reverses the roles of Édouard Manet’s Olympia and her African servant. Later that decade, Rivers began appropriating his own work from the 1950s and 1960s with the series Golden Oldies (1978–79). In an interview with his close friend the poet Frank O’Hara, Rivers illuminated the premises of his approach, saying, “I think of a picture of a smorgasbord of the recognizable.”¹ Two of his largest projects adopted broad historical themes. The History of the Russian Revolution from Marx to Mayakovsky (1965), an enormous mixed-media assemblage, incorporated painted portraits, architectural cutouts, stenciled lettering, and found objects. The monumental History of Matzah: The Story of the Jews (1984–85) also used text and three-dimensional relief elements, this time to narrate Jewish history from Moses to Theodore Herzl, the founder of Zionism. Rivers’s first major survey was organized by the Rose Art Museum, Brandeis University, Waltham, Massachusetts, in 1965; it traveled to the Pasadena Art Museum; Jewish Museum, New York; Detroit Institute of Arts; and Minneapolis Institute of Arts. A retrospective of his paintings and drawings opened at the Butler Institute of American Art, Youngstown, Ohio, in 1990, and toured the United States for a further two years, with stops in the Norton Gallery of Art, West Palm Beach, Florida; Fort Wayne Museum of Art, Indiana; Scottsdale Center for the Arts, Arizona; and J. B. Speed Art Museum, Louisville, Kentucky. In 1997, the Philharmonic Center for the Arts, Naples, Florida, staged a retrospective of the works Rivers made between 1980 and 1997. His most comprehensive retrospective to date was at the Corcoran Gallery of Art in Washington, D.C., in 2002. Rivers continued painting up until three months before his death in Southampton, New York, on August 14, 2002. -Courtesy Guggenheim Museum
  • Creator:
    Larry Rivers (1923 - 2002, American)
  • Creation Year:
    1969
  • Dimensions:
    Height: 14 in (35.56 cm)Width: 20.5 in (52.07 cm)
  • Medium:
  • Movement & Style:
  • Period:
  • Condition:
    very good original condition; minor creasing at corner (see photo) which will frame out.
  • Gallery Location:
    New York, NY
  • Reference Number:
    1stDibs: LU1745211066022

More From This Seller

View All
French Money, unique signed drawing with collage Pop artist Larry Rivers, Framed
By Larry Rivers
Located in New York, NY
Larry Rivers French Money, ca. 1966 Original graphite drawing with collage Boldly signed in graphite pencil in the center of this collage. Larry Rivers original, unique drawing with ...
Category

1960s Pop Art Abstract Drawings and Watercolors

Materials

Graphite, Mixed Media

Richard Lindner Marilyn Monroe Was Here, hand signed Pop Art lithograph Framed
By Richard Lindner
Located in New York, NY
This is a rare, pencil signed print based upon the original drawing which is illustrated in the catalogue raisonne of Richard Lindner's Paintings, Watercolors and Drawings, Edited by...
Category

1960s Pop Art Figurative Drawings and Watercolors

Materials

Rice Paper, Pencil

Nashville is an Enigma, mixed media painting by renowned female artist, signed
By Katherine Porter
Located in New York, NY
Katherine Porter Country Music (Nashville is an Enigma), 1986 Mixed media; colored pencil, gouache, and graphite on paper, uniquely signed and inscribed with Nashville dateline Hand ...
Category

1980s Abstract Abstract Drawings and Watercolors

Materials

Mixed Media, Gouache, Color Pencil, Graphite

To England with Love
By Mark di Suvero
Located in New York, NY
Mark di Suvero To England with Love, ca. 1992 Graphite and marker Signed and inscribed in marker Unique Measurements: Matting: 12.25 inches vertical by 13 Artwork: 8.75 inches by 13 ...
Category

1990s Contemporary Figurative Drawings and Watercolors

Materials

Permanent Marker, Graphite

Untitled (Artist's Hand), unique signed drawing by celebrated British artist
By Richard Long
Located in New York, NY
RICHARD LONG Untitled (Artist's Hand), 2015 Graphite pencil on paper with red ink and monogram Hand signed in red ink, dated in pencil, stamped with the artist's monogram Unique Orig...
Category

2010s Young British Artists (YBA) Figurative Drawings and Watercolors

Materials

Ink, Pencil, Graphite, Mixed Media

UNIQUE Drawings on Everything is Shit Except You Love (How We Met is Our Story)
Located in New York, NY
Stephen Powers Everything is Shit Except You Love (How We Met is Our Story), with unique drawings, 2017 Original graphite drawings on screen print in four colors on 335 gsm Coventry rag paper Pencil signed, numbered 2/100 and with unique pencil drawings and annotations by the artist 12 x 12 inches Unframed Here, the artist has taken one of his most iconic and popular silkscreens "Everything is Shit Except You Love", and added unique, original drawings and text annotations - telling a charming and unique story ideal for any couple's bedroom, living room or dining room. This drawing depicts the image of a pencil, in the midst of writing, with the text "How we met is our story" - and an image of coffee and croissants. There are also stacks of $$ bills, with the commentary "it all evens out", and perhaps most charmingly, the artist has numbered the work 2/50 -- then corrected it to number 2/100, with the annotation "Sorry, wrong number." So, while the published edition of this work is 2/100, the epiphanies, drawings, and text commentary make it entirely unique - and quite romantic too. About Stephen Powers A Fulbright scholar who has been awarded many public commissions and exhibited in major institutions like the Brooklyn Museum.... Born and raised in Philadelphia’s Overbrook neighborhood, Stephen Powers (b. 1968, Philadelphia) moved to New York in 1994, where he gained attention as the publisher of On the Go magazine and the author of the graffiti history The Art of Getting Over. In 1997, Powers undertook an ambitious and far-reaching graffiti campaign of his own, using the official-sounding acronym ESPO (Exterior Surface Painting Outreach) to deflect attention from the illegality of his activities. By 1999, he had covered dozens of storefront grates with giant silver block lettering. Powers gave up street graffiti the following year to concentrate on studio-based projects. Powers’s work typically fuses word and image in paintings and graphics that evoke the bright look of a handmade bodega and fairground...
Category

2010s Street Art Abstract Drawings and Watercolors

Materials

Mixed Media, Graphite, Screen, Pencil

You May Also Like

1960s American Pop Art hyperrealist drawing Lucky Strike
Located in Norwich, GB
A striking pop art drawing, dating from the 1960s, featuring lettering and a packet of Lucky Strike cigarettes. Pop art as art movement emerged in the 1950s and flourished in the 196...
Category

1960s Pop Art Figurative Drawings and Watercolors

Materials

Graphite

"Drawing for The Sponsor, " Graphite on Paper, 2019
Located in Chicago, IL
Entitled "Drawing for The Sponsor," this work by Chicago-based artist Patrick Fitzgerald envisions an advertisement by Southport Tool and Die, a Chicago company from the 1940s and th...
Category

21st Century and Contemporary Outsider Art Figurative Drawings and Water...

Materials

Paper, Board, Graphite

Dancing Figurative Study of a Nude Woman
By Thierry Andre
Located in Houston, TX
Figurative study of a dancing woman. The work is signed by Thierry Andre thought to be a French who was influenced by Edgar Degas. The paper is not fr...
Category

1960s Naturalistic Abstract Drawings and Watercolors

Materials

Graphite

The sprinkling of defiled persons (drawing)
By Hunter Stabler
Located in Philadelphia, PA
This is an original drawing on paper by Hunter Stabler measuring 12”h x 12”w x 2.5”d framed. The piece is made from graphite, ink, transfer paper and Gelly Roll® pen on paper. Hunter Stabler was born in Jefferson City, Missouri and was raised in upstate South Carolina. He received a BFA in painting from The Maryland Institute, College of Art and an MFA in painting from the University of Pennsylvania. He is currently pursuing an MFA in Digital Art at Louisiana State University. His work has been widely exhibited across the United States and internationally including exhibitions at the Morbid Anatomy Museum in Brooklyn, NY, The Shelburne Art Museum in Shelburne, VT, the Hunterdon Art Museum in Clinton, NJ, and the Islip Art Museum in East Islip, NY. His hand-cut paper artwork has been published in the books High Touch: Tactile Design and Visual Explorations, Push Paper, Strangers in the Nest (a book of Poems by Anselm Berrigan, Letterpress printed with images accompanying each poem), and published in Laminate Magazine, First Look Magazine, and American Craft Magazine. He was named “Philadelphia’s Next Hot...
Category

2010s Contemporary Figurative Drawings and Watercolors

Materials

Paper, Ink, Ballpoint Pen, Graphite

Mid Century Abstract Expressionist Charcoal Drawing
By John Haley
Located in Soquel, CA
Wonderful abstract expressionist drawing in shades and tones of grays and black by John Haley (American, 1905-1991), c.1956-7. Signed lower left corner. Presented in 3" mat. Condition: Very good: some edge wear consistent with age. Image size: 25"H x 19"W. A feature of the artwork of John Charles...
Category

1950s Abstract Expressionist Abstract Drawings and Watercolors

Materials

Charcoal, Graphite, Paper

Infanta XLVIII (Abstract Figurative Graphite Drawing in Antique Pewter Frame)
By David Dew Bruner
Located in Hudson, NY
Abstract graphite drawing on paper in vintage pewter frame 5.75 x 4.5 inches This abstract figurative graphite drawing on paper was inspired by academic...
Category

2010s Abstract Abstract Drawings and Watercolors

Materials

Paper, Graphite

Recently Viewed

View All