Board Figurative Drawings and Watercolors

"Baghdad Rain" is an original oil pastel drawing on illustration board by Reginald K. Gee. The artist signed the piece on the back. It depicts some abstracted figures in a dream-like...

Medium: Pen & Ink, Color Pencil Onionskin Overlay on Board Signature: Signed Center Left Ink drawing on 15.00" x 20.00" illustration board, the image measures to 9.75" x 14.00." Includes preliminary sketch on newsprint and copies of the magazine. Caricature by George Wachsteter (1911-2004) for `The Garry Moore Show`, Carol Burnett...

Medium: Pen and Ink on Board Signature: Signed Lower Right This work is a political cartoon of a Muslim waiter collecting a bill.

American Impressionist

Frédéric Bruly Bouabré Un Enfant Vu Assis Sur Ballpoint Pens, Crayons And Colored Pencil On Cardboard 7.5 x 5.5 March 11, 1948, he experienced ...

Entitled "Drawing for The Sponsor," this work by Chicago-based artist Patrick Fitzgerald envisions an advertisement by Southport Tool and Die, a Chicago company from the 1940s and th...

"Surrealist Composition" is an original ink on fourply museum board by Marvin Hil. It depicts a man balancing on a point over a faceless man and hovering above pyramids. 15 1/4" x ...

"Macbeth Stagecraft I" Watercolor on cartoon 10" x 14" in by Salah Abdel Kerim Born in Fayoum to a big family of 5 brothers and sisters. In 1938 he meets the famous painter Hussein Bikar and he becomes his student in the Faculty of Arts in Qena. He remained much attached to his professor all through his life. In 1940 he meets Hussein Youssef Amin and the Group of Contemporary Art at the secondary school of Farouk First in Abasya district in Cairo when he was introduced to surrealism for the first time. In 1943 he becomes a student at the Faculty of Fine Arts and graduates with excellence and honors in 1947. In 1948 he becomes an assistant to the interior decoration section at the FFA. He is then sent to a mission in Paris in 1952 and he becomes a student to Paul Colin and A.Marie Cassandre for publicity and theatre design. He then moves to Rome in 1956 to study cinema design. In 1957 he received the international prize in painting from San Vito Romano, Italy, and obtains his Ph.D. from Centro Sperimental di Cinemato Grafia. Back in Egypt in 1958, he is appointed professor at the FFA where he started experimenting with his masterpieces sculptures in wrote iron...

Medium: Pen and Ink on Illustration Board Signature: Signed Lower Right Ink on Illustration Board Caricature with Color Overlay, Portraits of Leslie Nielsen and John Beradino for ABC-TV`s police crime drama, `The New Breed...

Medium: Watercolor and Ink on Board Signature: Signed Upper Right Dimensions: Sight Size 16.00" x 16.50;" Framed 24.50" x 25.00" The Saturday Evening Post...

"Macbeth Stagecraft II" Pastel on Paper 10" x 12" in by Salah Abdel Kerim Born in Fayoum to a big family of 5 brothers and sisters. In 1938 he meets the famous painter Hussein Bikar and he becomes his student in the Faculty of Arts in Qena. He remained much attached to his professor all through his life. In 1940 he meets Hussein Youssef Amin and the Group of Contemporary Art at the secondary school of Farouk First in Abasya district in Cairo when he was introduced to surrealism for the first time. In 1943 he becomes a student at the Faculty of Fine Arts and graduates with excellence and honors in 1947. In 1948 he becomes an assistant to the interior decoration section at the FFA. He is then sent to a mission in Paris in 1952 and he becomes a student to Paul Colin and A.Marie Cassandre for publicity and theatre design. He then moves to Rome in 1956 to study cinema design. In 1957 he received the international prize in painting from San Vito Romano, Italy, and obtains his Ph.D. from Centro Sperimental di Cinemato Grafia. Back in Egypt in 1958, he is appointed professor at the FFA where he started experimenting with his masterpieces sculptures in wrote iron...

Maurice Freed (American, 1911-1981) Dog Walking Watercolor on board, 8 x 12 1/2 inches FRAMED: 14 1/2 x 18 1/2 inches (approx.) Signed at lower left: “MAURICE FREED” Maurice Freed...

Medium: Pastel on Board Dimensions: 15.75" x 13.25" Signature: Signed Lower Right Readers Digest Cover Woman in Yellow Riding Crop

Signed lower left: Seymour Ball Inscribed upper left: To Morris E Weiss with best wishes Seymour Ball" Matted not framed

Apocalypse in 1962? At the height of the Cold War, Life Magazine commissions an illustration that describes the world's end by means other than a nuclear war with Russia. Richard Erdoes brilliantly illustrates the work with his highly stylized painting technique. My favorite part of the work is on the left side showing a group of people packed together as they fall into oblivion. A clear reference would be Hieronymus Bosch's "The Last Judgment " Once Again the World Ends." Illustration published in Life Magazine, Feb. 9, 1962 Signed in lower right image. Unframed Richard Erdoes (Hungarian Erdős, German Erdös; July 7, 1912 – July 16, 2008) was an American artist, photographer, illustrator and author. Early life Erdoes was born in Frankfurt,[1] to Maria Josefa Schrom on July 7, 1912. His father, Richárd Erdős Sr., was a Jewish Hungarian opera singer who had died a few weeks earlier in Budapest on June 9, 1912.[2] After his birth, his mother lived with her sister, the Viennese actress Leopoldine ("Poldi") Sangora,[3] He described himself as "equal parts Austrian, Hungarian and German, as well as equal parts Catholic, Protestant and Jew..."[4] Career He was a student at the Berlin Academy of Art in 1933, when Adolf Hitler came to power. He was involved in a small underground paper where he published anti-Hitler political cartoons which attracted the attention of the Nazi regime. He fled Germany with a price on his head. Back in Vienna, he continued his training at the Kunstgewerbeschule, now the University of Applied Arts, Vienna.[5] He also wrote and illustrated children's books and worked as a caricaturist for Tag and Stunde, anti-Nazi newspapers. After the Anschluss of Austria in 1938 he fled again, first to Paris, where he studied at the Academie de la Grande Chaumiere, and then London, England before journeying to the United States. He married his first wife, fellow artist Elsie Schulhof (d. xxxx) in London, shortly before their arrival in New York City. In New York City, Erdoes enjoyed a long career as a commercial artist, and was known for his highly detailed, whimsical drawings. He created illustrations for such magazines as Stage, Fortune, Pageant, Gourmet, Harper's Bazaar, Sports Illustrated, The New York Times, Time, National Geographic and Life Magazine, where he met his second wife, Jean Sternbergh (d. 1995) who was an art director there. The couple married in 1951 and had three children.[6] Erdoes also illustrated many children's books. An assignment for Life in 1967 took Erdoes to the Pine Ridge Indian Reservation for the first time, and marked the beginning of the work for which he would be best known. Erdoes was fascinated by Native American culture, outraged at the conditions on the reservation and deeply moved by the Civil Rights Movement that was raging at the time. He wrote histories, collections of Native American stories...

Medium: Pen and Ink on Illustration Board Signature: Signed Lower Right Ink on Illustration Board Caricature Cover Design of E.G. Marshall & Robert Reed for `The Defenders`, CBS-TV Show that ran 132 episodes from 1961-65, this cover for the Sunday, April 14, 1963 New York Journal American Pictorial Magazine & TView Section, 12" x 9 1/2" image on 22" x 14" board, good condition, edge toning. Includes copies of the original magazine cover...

Pastel and acrylic ink on cardboard Created in 2019 in Paris, France Unique work Signed and dated by the artist on the back Parmis Sayous was born in 1982 in Teheran, Iran. Since 20...

Medium: Pen and Ink on Illustration Board Signature: Signed Lower Right Caricature by George Wachsteter (1911-2004) for 1952 CBS-TV Comedy `My Little Margie`, starring Gale Storm an...

Linda Stein, Profile 1192 - Signed Feminist LGBTQ+ Colorful Ink on Board Drawing In the 1960s and 1970s, Linda Stein started her Profiles series--drawings, collages and paintings of...

Linda Stein, Profile Contented 1175 - Signed Feminist LGBTQ+ Colorful Ink on Board Drawing In the 1960s and 1970s, Linda Stein started her Profiles series--drawings, collages and pa...

Linda Stein, Profile 1173 - Signed Feminist LGBTQ+ Colorful Ink on Board Drawing In the 1960s and 1970s, Linda Stein started her Profiles series--drawings, collages and paintings of...

Linda Stein, Profile Segments 1166 - Signed Feminist LGBTQ+ Colorful Ink on Board Drawing In the 1960s and 1970s, Linda Stein started her Profiles series--drawings, collages and pa...

Linda Stein, Profile 1165 - Signed Feminist LGBTQ+ Colorful Ink on Board Drawing In the 1960s and 1970s, Linda Stein started her Profiles series--drawings, collages and paintings o...

Medium: Watercolor on Board Signature: Signed and Dated Lower Right An illustration from Charles Dickens' "The Mystery of Erwin Drood".

Date: 1910 Medium: Charcoal on Board Dimensions: 25.00" x 35.50" Signature: Signed Lower Right John Newton Howitt (1885-1958), a graduate of ...

115 years after they were created, one can view these silhouettes differently than the artist’s intent. After all, the genesis of this work was an editorial illustration for Life Magazine to showcase elaborate women’s hats. They were done for a commercial assignment with a deadline, and picky editors were overseeing the final work. Today, they have a dual meaning. These charming silhouettes are abstractions as much as they are representations. Moreover, each one is a compact little gem stuffed with observational detail. Golden Age female illustrator Jesse Gillespie's mastery of technical skill, is apparent in minute details and composition. Young women, old women, pendants, necklaces, feathers, and laced vails all contribute to the works understated complexity. The identity of the subjects are revealed by small areas of exposed neck and chin. As the viewers eyes goes from left to right - all six silhouettes read as fashion hieroglyphs in a sentence with a visual rhythm and cadence. . Initialed JG lower right., Matted but not framed. Published: Life Magazine, March 17th, 1910. Provenance: Honey and Wax Bookstore ________________________________ From Wikipedia, the free encyclopedia Jessie Gillespie Willing (March 28, 1888 – August 1, 1972) was an American illustrator during the Golden Age of illustration. She was considered the foremost silhouette illustrator of her time, although she did traditional illustration as well. Willing illustrated for books and magazines including Life, The Ladies' Home Journal, Woman's Home Companion, Mother and Child, McClure's Magazine, Childhood Education, the Sunday Magazine, Association Men (the magazine of the YMCA), Farm and Fireside, Every Week, Children: The Magazine for Parents (which became Parents Magazine), and the American Magazine. She is perhaps most well known for her work for the Girl Scouts. Early life Willing was born in Brooklyn on March 28, 1888 to John Thomson Willing (August 4, 1860 – July 8, 1947)[1][2] and Charlotte Elizabeth Van Der Veer Willing (December 1, 1859 – March 4, 1930).[3] Thomson Willing was a noted illustrator and art editor. He was also well known for finding new artistic talent. Jessie Willing was the eldest of three children. Her brother Van Der Veer (November 30, 1889 – January 14, 1919), who died of pneumonia at the age of 29, was an advertising agent.[4] Her sister Elizabeth Hunnewell Willing (July 26, 1908 – August 15, 1991) was one of the first women to graduate from the Philadelphia Divinity School.[5][6] Elizabeth married the Rev. Orrin Judd, rector of St. Mary's Episcopal Church, on September 22, 1931, and was active in church work.[citation needed] The Willing family moved to the Germantown neighborhood of Philadelphia in 1901 or 1902. Jessie Willing attended the Stevens School, from which she graduated in 1905. She then went on to attend the Philadelphia Academy of Fine Arts from 1906 to 1907.[7][8] Career Willing used her middle name Gillespie as her professional surname. She also often signed her illustrations J.G.[9] The story goes that the art editor of Life magazine was in Thomson Willing's office when he was the art editor of the Associated Sunday Magazine syndicate. Thomson Willing had some of Jessie's artwork on his desk, which the Life editor saw and admired. He asked for the artist's information so that he could give her freelance work. Thomson Willing did not want to be accused of nepotism so he persuaded Jessie to use Jessie Gillespie as her professional name, which she did.[10][11] In addition to her extensive illustration work, Willing was also the editor of Heirlooms and Masterpieces from 1922 to 1931 and the art editor of Jewelers' Circular-Keystone from 1933 to 1939.[12] She specialized in jewelry publicity and advertising. In 1966 she won the Gold medal of the Printing Week Graphic Arts Exhibit in Philadelphia for her Christmas catalog for J.E. Caldwell Co., Philadelphia. Willing was a member of the Plastic Club of Philadelphia,[13] the American Institute of Graphic Arts (AIGA) and the National Arts Club of New York.[14] She was an honorary life member of the National Arts Club[15] and served on its Board of Governors from 1941-1970. In 1963, she received the Gold Medal of the National Arts Club in recognition of 32 years of selfless devotion.[15] Additionally, she was the national director of the American Institute of Graphic Arts (AIGA) from 1943 to 1946.[15] Previous to this she served as the Program Chairman of the AIGA and in that position she put together a travelling exhibit on the "history of narrative art from the first recorded picture story to the comic book of the twentieth century."[16][17] Illustrations in books With Tongue and Pen--Frederick Bair, et al. (MacMillan, 1940) Masoud the Bedouin--Alfred Post Carhart (Missionary Education Movement, 1915) The Path of the Gopatis--Zilpha Carruthers (National Dairy Council, 1926) The Schoolmaster and His Son: A Narrative of the Thirty Years War--Karl Heinrich Caspari (Lutheran Publication Society, 1917) On a Rainy Day--Dorothy Canfield Fisher and Sarah Scott Fisher (A.S. Barnes and Co., 1938) Book of Games for Home, School and Playground--William B. Forbush and Harry R Allen...

Pastel and India ink on cardboard Created in 2018 in Paris, France Unique work Signed by the artist Parmis Sayous was born in 1982 in Teheran, Iran. Since 2015, She has lived and wo...

"Snappy Answers to Stupid Questions" is one of Al Jaffee's signature series. This work was a double-page work that appeared on pages 60 - 61 in Mad Magazine in 1968. Although this w...

Portrait of Brooklyn Dodgers baseball player Jackie Robinson. This is an original pencil drawing by sports artist Ron Stark, depicting Hall of Famer Jackie Robinson during his time ...

This Harry Beckhoff illustration is masterfully rendered and intricately designed in line and wash. It's as abstract as it's representational with its graphic style, clean lines, and flat patterning. Every element in the composition works in harmony without a line out of place. The flat and abstract nature of the work rivals that of the great modernist painters of the 1930s. Perhaps this was done for a major newsstand magazine like Collier's. Although he studied with Dean Cornwell and Harvey Dunn, he didn't pursue the style of painterly brushstrokes and impastos. Instead, he defined his forms with flat shapes, whose internal forms are defined by thin lines. The emphasis is more on silhouette and line than it is on texture and lighting. Beckhoff also described his work as having been influenced by illustrators like Pierre Brissaud...

Story illustration for “Crazy Waters” by Leonard H. Nason for The Saturday Evening Post, published January 22, 1938, page 10. The full caption reads: “The sea was upon them. It pick...

Medium: Pen & Ink, (2) Color Comps on Illustration Board Signature: Unsigned, Lower Left and Lower Right This piece is on 15.00" x 20.00" illustration board, with an image that measures to 14.00" x 9.50." Includes two different color versions in watercolor on board, preliminary sketch. Includes original copies of the magazine. (3) Versions Caricatures by George Wachsteter (1911-2004) of Shirley Booth...

Signed Lower Left

Medium: Pen and Ink on Illustration Board Signature: Signed "W" Lower Left Ink on Illustration Board Portrait of Tennessee Ernie Ford, probably for the New York Journal-American, 10...

Medium: Pen and Ink on Illustration Board Signature: Signed Lower Right Caricatures by George Wachsteter (1911-2004) of four Broadway male stars, Sept 1946, including Lew Parker, Ri...

1932 MG Midget Vintage Car and Golfers - Antique Automotive Stamp Series- Illustration Illustration showing a 1932 MG Midget vintage red car with golfers in the backgrounds. Antiqu...

In 2000, Linda Stein began a series called Knights of Protection. Her Knights functioned both as defenders in battle and symbols of pacifism. In 2019, Stein re-conceived her Kni...

Medium: Pen and Ink with Colored Pencil Onionskin Overlay on Board Signature: Signed Lower Left This piece is on 22.00" x 15.00" illustration board with the drawing itself measuring ...

Medium: Watercolor and Charcoal on Board Signature: Unsigned Caricature by George Wachsteter (1911-2004), of the Duke of Windsor, (formerly King Edward VIII...

Pastel and India ink on cardboard Created in 2018 in Paris, France Unique work Signed by the artist Parmis Sayous was born in 1982 in Teheran, Iran. Since 2015, She has lived and wo...

Récolte des Pommes by Georges Manzana Pissarro (1871-1961) Mixed media on paper, laid on board 44.5 x 55 cm (17 ½ x 21 ⅝ inches) Signed and dated lower left, Manzana 1906 This work ...

Medium: Pen and Ink on Illustration Board Signature: Signed Upper Left Drawing by George Wachsteter (1911-2004), of Sam Jaffe & Ruth Ford in the Broadway dr...

Linda Stein, Profile Flying 446.003 - Signed Feminist LGBTQ+ Ink on Paper Drawing Profile Flying 446.003 is from Linda Stein's Profiles series--drawings, collages and paintings of...

Medium: Ink and Gouache on Board Signature: Initialed Lower Left

Pastel and India ink on cardboard Created in 2019 in Paris, France Unique work Signed by the artist Parmis Sayous was born in 1982 in Teheran, Iran. Since 2015, She has lived and wo...

Pastel and India ink on cardboard Created in 2019 in Paris, France Unique work Signed by the artist Parmis Sayous was born in 1982 in Teheran, Iran. Since 2015, She has lived and wo...

Pastel and oil paint on paper Created in 2018 in Paris, France Unique work Signed by the artist Parmis Sayous was born in 1982 in Teheran, Iran. Since 2015, She has lived and worked...

Medium: Watercolor and Gouache on Board Signature: Signed Lower Right "Skating", American Art Works calendar image, 1917. Original illustration art.

Pastel and oil paint on cardboard Created in 2018 in Paris, France Unique work Signed and dated by the artist on the back Parmis Sayous was born in 1982 in Teheran, Iran. Since 2015...

Pastel and India ink on cardboard Created in 2019 in Paris, France Unique work Signed by the artist Parmis Sayous was born in 1982 in Teheran, Iran. Since 2015, She has lived and wo...

Medium: Gouache, Pencil, and Wash on Board Signature: Signed and Dated Lower Right: Harrison / Fisher / 1901 “More Attractive.” Interior illustration for Life magazine, published Fe...

Date: 1950s Medium: Gouache and Watercolor on Board Dimensions: 13.75" x 12.00" Signature: Signed Center Left Yankee Storekeeper Cover, Written by R.E Gould, Bantam Books

Medium: Ink and Pencil on Illustration Board Signature: Signed Lower Left Ink and Pencil on Illustration Board with Color Overlay Caricature Cover Design of `Ray Milland, Globe-Trotting Sleuth` for the CBS-TV Show `Markham` that had 59 episodes from May 2, 1959 to Sept 15, 1960, this art appeared on the cover for the Sunday, May 17, 1959 issue of the New York Journal American Pictorial Magazine & TView Section, 14" x 9 1/2" image on 22" x 14" board, good condition, minor soiling. Includes copies of the original magazine cover.

Date: 1990 Medium: Mixed Media over Graphite on Illustration Board Dimensions: 10.00" x 9.50" Jack Davis (attributed) Dallas Cowboys Football Illustration Original Art (Hot Shot...

Medium: Gouache on Illustration Board Signature: Signed Lower Left Cover of The Saturday Evening Post, June 19, 1954

Il figurino di moda è firmato e datato in basso a destra. The croquis is signed and dated on the bottom right. E.Sacchetti 1935. La donna è rappresentata di spalle, con un lungo vest...

In 2000, Linda Stein began a series called Knights of Protection. Her Knights functioned both as defenders in battle and symbols of pacifism. In 2019, Stein re-conceived her Knights in a series called Knights, Revisited. A Prominent Greek Profile...

Medium: Pen and Ink Illustration Board Signature: Signed Lower Right Caricature by George Wachsteter (1911-2004), for the ABC-TV music program, `Sammy Kaye Show` with Kaye & singers...

Date: 1938 Medium: Pastel on Board Dimensions: 38.00" x 28.00" Signature: Signed Lower Right Calendar Illustration Gerlach Barklow Calendar Company

Medium: Pen and Ink on Illustration Board Signature: Signed Upper Right 8.50" x 8.75" image on 14.75" x 13.25" illustration board. Ink on Illustration Board with overlaid correction...