Michel Bron

Michel BRON said "Valentin", Valie, dream tent, 1966

1966

Raphael DELORME (1886-1962) Study, preparatory work for “La Princesse” Watercolor and pencil on paper Annotated “La Princesse” 30,5 x 22,5 cm Small folds and small stains Born in 18...

Maurice MOREL known as Abbé Morel (1908-1991) Untitled, composition in blue, gray and pale pink Mixed media on newsprint Signed on the back 21 x 10 cm frame: 38 × 27.5 cm A spirit...

Raphael DELORME (1886-1962) Study, preparatory work for “La Princesse” Watercolor and pencil on paper Annotated “La Princesse” 30,5 x 22,5 cm Small folds and small stains Born in 18...

Marie-Thérèse BOURRAT (née en 1938) The Hat, 1970 Pencil, black ink and watercolor on paper Signed and dated “1970” lower center 17 x 25 cm frame : 30 x 40 cm Self-taught, Marie-Thé...

Staking a Tent, Modernist Landscape in Watercolor on Paper A vibrant watercolor landscape with a person staking a tent amongst low coniferous trees with distant snow-capped mountains in the background, by California artist, Lucile Marie Johnston (1907-1994, American). Signature, "L. Johnston" at the bottom right and "Lucile Johnston" on the back. Presented in a new soft grey mat with foam core backing. Mat size: 20"H x 24"W Paper size: 15.5"H x 22.75"W Born in Santa Rosa, California on May 26, 1907, Lucile Johnston settled in Glendale 1930-1939, later moving to Carmel and then Pacific Grove in Monterey County, California where she remained. she managed Marsh's Oriental Antiques Shop...

ALBERT RUTHERSTON, RWS (1881-1953) Cymbeline’s Tent – Illustration for The Tragedie of Cymberline Signed with initials u.r.: AR; also signed with initials and inscribed beneath the mount: Act V Sc V vide play No.2/Drawing X/not to be reduced AR Pen and ink Unframed 7 by 11.5 cm., 2 ¾ by 4 ½ in. (mount size 39.5 by 33 cm., 15 ½ by 13 in.) Provenance: Estate of the artist Exhibited: London, Sally Hunter Fine Art, Albert Rutherston, Drawings, Theatre Designs and other Treasures, 2016, no.64 The present work was illustrated in Cymbeline, published by Ernest Benn in 1923. The series was a collaboration between Rutherston and Harley Granville-Barker following on from their work together 11 years earlier at the Savoy Theatre and celebrating the quatercentenary of the Shakespeare Folio edition. Born Albert Daniel Rothenstein, he was the youngest of the six children of Moritz and Bertha Rothenstein, German-Jewish immigrants who had settled in Bradford, Yorkshire in the 1860s. He and his siblings proved to be a hugely talented and artistic family, his elder brother became Sir William Rotherstein (1872-1945), the artist and director of the Royal College of Art; two of his other siblings, Charles Rutherston and Emily Hesslein, both accumulated major modern British and French art collections and his nephew Sir John Rothenstein was direct of the Tate Gallery. He was educated at Bradford Grammar School before moving to London in 1898 to study at the Slade School of Art where he became close friends with Augustus John and William Orpen. He met Walter Sickert during a painting holiday in France in 1900 and by introducing Sickert to Spencer Gove became instrumental in the beginning of the Camden Town Group. He was one of Sickert’s most frequent companions and was one of the original members of the Fitzroy Street Group. Rutherston had a sociable and attractive personality, he frequently travelled abroad with other artists including Max Beerbohm, Spencer Gore, Walter Russell and Edna Clarke Hall...

Pencil and watercolor realized by Mino Maccari in the mid-20th Century. Hand signed lower right. Very good condition.

In Bed is original watercolor drawing realized by Jean Demelier in 1968. Hand-signed at the top left. Very good conditions. Included a white Passepartout: 34 x 49 cm. Delicate and en...