Sir William Blake Richmond

Study of an Angel by British Pre-Raphaelite artist Sir William Blake Richmond

circa 1900

ALBERT JOSEPH MOORE, ARWS (1841-1893) Study for Battledore & Shuttlecock Signed with anthemion Chalk on brown paper 27 by 13 cm., 10 ½ by 5 in. (frame size 49 by 34.5 cm., 19 ¼ b...

NEVILLE HICKMAN (1930-2012) Study of a Statue, Aston Hall Signed with initials, inscribed and dated: May 2 67. Aston Hall Pen and ink, unframed 25.5 by 17.5 cm., 10 by 7 in. (mount size 34.5 by 28 cm., 13 ½ by 11 in.) Aston Hall is a magnificent seventeenth century red-brick mansion situated in a public park on the north side of Birmingham. It was built between 1618 and 1635 by Sir Thomas Holte, the head of an important Warwickshire family and was one of the last great Jacobean houses...

HERBERT WILSON FOSTER (1846-1929) Spring Inscribed with title beneath the mount Chalk, circular Framed Diameter 42 cm., 16 ½ in. (frame size 61 by 58 cm., 24 by 22 ¾ in.) Herbert Wilson Foster was born in Endon, Staffordshire. He attended Hanley School of Art before continuing his studies in London, Belgium and France. His paintings of rural and domestic subjects were exhibited at the Royal Academy between 1873 and 1899. In 1893 he accepted a teaching position at the Nottingham School of Art, where his pupils included Laura Knight and Harold Knight. Works by him are in the collections of the Minton archives; the Wisbech & Fenland Museum; Leicester Art Gallery; Rushcliffe Council and Nottingham Castle Museum. In addition to his work as a painter he worked as a porcelain painter, working at one point on the tile panels in the Victoria & Albert Museum. He is known to have worked at Mintons from 1872 where he specialized in portraits of contemporary personalities, including members of the Royal Family. This head of a girl was probably intended for a painted ceramic wall charger...

MAXWELL ARMFIELD, RWS. (1882-1972) Siegfried Signed, inscribed and dated l.c.: MAXWELL ARMFIELD/MDCCCCIV [1904] PARIS;SIEGFRIED/ACT III Pencil and watercolour Framed 24 by 16 cm., 9 ½ by 6 ¼ in. (frame size 42.5 by 34.5 cm., 16 ¾ by 13 ½ in.) Provenance: Fine Art Society, London, 1979. Born at Ringwood, Hampshire, of Quaker parents, his father being a milling engineer, Armfield studied at the Birmingham School of Art under Arthur Gaskin and Joseph Southall who taught him the tempera technique he was to practice for the rest of his life. In September 1902, after visiting Italy at the suggestion of Gaskin, he went to Paris, enrolling at the Academie de la Grande Chaumiere and sharing a studio with three other students – Norman Wilkinson (also from Birmingham), Keith Henderson and the sculptor Gaston Lachaise. Returning to London the following year, he embarked on the series of one-man exhibitions that were henceforth to mark his career, showing first at Robert Ross...

Angels is a beautiful pencil drawing on ivory-colored paper, realized in the 1890s by an unknown artist. Good conditions with some foxing. The artwork realized through deft pen st...

Angels of Canova is a pencil drawing on paper realized by an anonymous artist in the mid-20th century. Good conditions with slight folding.

Study with three Angels is a gorgeous pastel drawing realized by Adolphe Léon Willette, a French illustrator, painter, caricaturist, lithographer, and architect. The state of preservation is very good. The paper is applied on a cardboard measuring 22.8 x 14.3 cm. It represents a figure in three quarters, half naked, with different afterthoughts on the position of the legs, whilst playing a lyre. Above, three puttos throw flowers. The artist Adolphe Léon Willette, with his irreverent art...

Archangel Gabriel. Preparatory. Signed by Enrico Reffo (64 x 49 cm) Late XIX century This large drawing on light brown paper shows a winged angel in a dynamic pose, turning gently ...