Bird Figurative Drawings and Watercolors

越波飛翼 (Yuè bō fēi yì) by 朱永 Surmounting Waves Flying Wings by ZhuYong Image, 26.5"H x 40.5"W Frame, 35.5"W 49.5"W . 1.5"D A Chinese painting featuring two cranes in flight against a backdrop of stylized waves. The painting is rendered in traditional Chinese style, with flowing brushstrokes and a muted color palette dominated by blues, whites, and earth tones. The cranes are depicted with detailed plumage, their wings outstretched as they soar through the air. The waves are represented in a swirling, abstract manner, suggesting movement and energy. Chinese painting is known for its emphasis on capturing the essence of the subject matter rather than a literal representation, and this piece exemplifies that approach. The use of ink and color on silk or paper is typical of this art form, as is the focus on natural themes such as birds and landscapes. he style is reminiscent of traditional Chinese ink wash painting, which emphasizes brushwork and capturing the spirit of the subject. The swirling water and mountain details could also be interpreted as fractal art...

This artwork titled "Storm Cove Lighthouse" c.1950 is a watercolor on paper by noted California artist Nat Levy 1896-1984. It is signed at the lower right corner by the artist. The a...

Figurative chalk drawing of grey, black, and teal clouds and birds silhouetted on collaged vintage music pages 'Black Bird Tours Around the World ' by Louise Laplante in 2022 silhouettes made with chalk on vintage collaged music pages 24 x 30 inches unframed, 27.5 x 33.5 inches in natural light wood frame with non-glare plexi Louise Laplante bridges the past and present with mixed media drawings made with figurative charcoal silhouettes juxtaposed on collaged sheets of vintage paper. Finding beauty in forgotten or discarded sheets of ephemera, Laplante uses it as a guide for playful compositions of stenciled birds in mid-flight, drifting feathers, or taxidermized deer heads in rich pastel. A final burst of wistful linework glides over the pastel forms, accentuating her subject’s movement while adding another layer of texture. In this particular work, the artist using a palette of black, grey and shades of blue and teal to compose a balanced graphic of fluffy clouds extending above a single black bird. In certain segments the stenciled images are delicately brushed over with a thin wisp of chalk which adds a delicate textured effect to the drawing. The drawing is framed with a light wood frame and has non-glare plexi glass galzing. About the artist: Interested in blending the old world with the new, mixed media artist Louise Laplante combines her original images with ephemera of the past, enticing a conversation about it’s “relevancy to the present.” Her compositions begin with vintage book pages, personal handwritten letters, sheet music, or instruction from old guides on etiquette or science. While the text itself is weighted with reference to a particular subject, the visual of the typed or handwritten words and printed illustrations establish a unique pattern. These layered backgrounds are superimposed with opaque charcoal drawings that are inspired by the themes read between the lines. Most recently, the artist has opted for larger scale work, combining multiple sheets of vintage paper to expand her unique motifs. Laplante exhibits across the Northeast and has shown with Carrie Haddad for more than ten years. Artist Statement: My work connects the texts, and ideas, in the vintage book, music or correspondence pages, with images those words evoke to comment on how the past still resonates, whether we are aware of it or not. It is informed by my love for old paper, letters, books and images, both as reminders of the past and as bits of pattern, tone, line and shape. The text on them acts as both content and visual device. With each work, I select, arrange and collage these pieces creating both a support and pattern building on it with motifs that are suggested by words on the papers. Although I often start with an agenda I always allow each work to build its own image. Artist Resume: Education MA in Fine Art, State University of New York at Albany, New York BFA, College of New Rochelle, New Rochelle, New York Studied, Art Institute of Boston, Boston, Massachusetts Exhibitions 2019 Mediums of Exchange, Lehman College Art Gallery, Lehman College, CUNY, Bronx, New York 2018 Figures We Fancy, Carrie Haddad Gallery, Hudson, New York Shelter, A.P.E. Gallery, Northampton, Massachusetts Material Flow: Rhythm in Collage and Sculpture, Pratt Gallery, Goddard College, Plainfield, Vermont 2017 Abstractions in Black and White, Gallery 175 Pawtucket, Rhode Island Blanche Ames National, Borderlands, North Easton, Massachusetts Five Points Biennial, Five Points Gallery, Torrington, Connecticut A Declaration of Sentiments: Reflections on the Centennial of Women’s Right to Vote in NYS, Athens Cultural Center, Athens, New York 2016 Winter Exhibit, Carrie Haddad Gallery, Hudson, New York 2015 Boston Biennial 4, Atlantic Gallery, Boston, Massachusetts Drawing, Carrie Haddad Gallery, Hudson, New York Taking Root: Caniskek and the Meeting of Two Worlds, Athens Cultural Center, Athens, New York North Northeast, Brattleboro Museum and Art Center, Brattleboro, Vermont NBMMA 45th Exhibition, New Britain Museum of American Art, New Britain, Connecticut 2014 New Directions ’14, Barrett Art Center, Poughkeepsie, New York Connecticut Women Artists – 85th National, Slater Memorial Museum, Norwich, Connecticut New England Collective V, Galatea Fine Art, Boston, Massachusetts Boston Biennial 3, Atlantic Works Gallery, Boston, Massachusetts 2013 Storytellers and Conjurers, Carrie Haddad Gallery, Hudson, New York 2012 Works on Paper, Carrie Haddad Gallery, Hudson, New York Drawing, b.j. spoke gallery, Huntington, New York Strange Glue, Thompson Gallery, Weston, Massachusetts Silhouette, A.P.E., Northampton, Massachusetts The Cadence of Familiarity, Krauss Gallery, Providence, Rhode Island 2011 20th Anniversary Exhibition, Carrie Haddad Gallery, Hudson, New York Paperworks, Paper City Studios, Holyoke, Massachusetts Small Works, Towne Gallery, Wheelock College, Boston, Massachusetts 2010 Text/Context, McCoy Gallery, Merrimack College, North Andover, Massachusetts A Community of Artists, Danforth Museum of Art, Framingham, Massachusetts Here and Gone: Presence, Absence, Memory and Time, Amy H. Carberry Fine Art Gallery, Springfield Technical Community College, Springfield, Massachusetts 2009 Dreamscape, Carrie Haddad Gallery, Hudson, New York 2008 Small ’08, Wunderarts Gallery, Amherst, Massachusetts Interaction: Louise Laplante and Liz Chalfin, Wunderarts Gallery, Amherst Massachusetts Artists and Books, Art Complex Museum, Duxbury, Massachusetts One Night, Pivot Gallery, Florence, Massachusetts 2007 20 Artists X 2 Feet, Wunderarts Gallery, Amherst, Massachusetts Biennial 2007, New Hampshire Art Institute, Manchester, New Hampshire Salon, Clark Gallery, Lincoln, Massachusetts 2006 Small: 20 Artists X 2 Feet, Wunderarts Gallery, Amherst, Massachusetts Salon, Clark Gallery, Lincoln, Massachusetts 2004 On Paper, Carrie Haddad Gallery, Hudson, New York Encaustics, Carrie Haddad Gallery, Hudson, New York New Acquisitions, University Gallery, University of Massachusetts, Amherst, Massachusetts 2003 Hart Gallery...

Inscribed “55” and “218” in the lower right Watermark: Heawood 1351 Laid down on historic Cassiano Del Pozzo mount (Mount Type A, 531 x 402 mm) Provenance: Commissioned by Cassiano dal Pozzo (1588–1637) for his Museo Cartaceo (Paper Museum) and kept in the library of his palazzo, via dei Chiavari, Rome Transferred with the entire dal Pozzo collection by fidecommesso to his younger brother, Carlo Antonio dal Pozzo (1606–1689); by descent to his second son: Gabriele dal Pozzo (d. 1695); by descent to his wife: Anna Teresa Benzoni and after her remarriage in 1697, the Marchesa Lancellotti de’ Ginnetti (d. 1736); by descent to their son: Cosimo Antonio dal Pozzo (d. 1740); by whom sold with the Dal Pozzo library in 1703 to: Pope Clement XI for the Vatican Library; by whom transferred as part of the Museo Cartaceo in January 1714 to his nephew: Cardinal Alessandro Albani (1692–1779), Palazzo ‘alle Quattro Fontane’ in Rome; by whom sold in 1762 to: James Adam, agent for the British Royal Librarian Richard Dalton (1715–1791) King George III of England, Buckingham House Among the sheets of the ‘Museo Cartaceo’ appropriated by Richard Dalton during a reorganization of the drawings, circa 1786-1788; his estate sale, Greenwood’s, London, 11-19 May 1791; where acquired by: John MacGowan...

Vivid watercolor by Lucien Peytong (b.-1950) depicting a French racehorse Winning Home Art Sz: 11"H x 15" W Frame Sz: 14 1/2"H x 18 1/2"W w/ linen m...

'Birds & Flowers', Chinese Hopei Folk Art, 1956. Paper-cut with watercolor, mounted on cream, wove backing paper, with fresh, vivid colors, in excellent condition. Matted to museum standards, unframed. Image size 4 7/8 x 3 1/8 inches; sheet size 8 7/8 x 6 1/4 inches; mat size 14 x 11 inches. ABOUT THIS WORK Hopei or Hebei is a province of North East China, on the Gulf of Chihli near Beijing that is home to Chengde Mountain Resort, the imperial summer residence of the Qing-dynasty emperors. Chengde contains 18th-century palaces, gardens, and pagodas ringed...

'Fish & Flowers', Chinese Hopei Folk Art, 1956. Paper-cut with watercolor, mounted on cream, wove backing paper, with fresh, vivid colors, in excellent condition. Matted to museum standards, unframed. Image size 3 3/4 x 2 1/2 inches; sheet size 8 7/8 x 6 1/4 inches; mat size 13 x 10 inches. ABOUT THIS WORK Hopei or Hebei is a province of North East China, on the Gulf of Chihli near Beijing that is home to Chengde Mountain Resort, the imperial summer residence of the Qing-dynasty emperors. Chengde contains 18th-century palaces, gardens, and pagodas ringed...

Melissa Chalhoub, a 2014 graduate of Saint Joseph University in Beirut, seamlessly navigates the realms of cinema and visual art. With a background in directing and sound design for ...

André DERAIN (1880-1954) Study of a hen Red chalk on paper Stamp of the Knaublich sale 19 x 15 cm (view) frame : 36 x 33 cm Provenance: collection André Charlemagne Derain said Boby,...

This figurative charcoal drawing of a bird is by Aron Hill. Known best for their bold modernist vision, Calgary artist Aron Hill is also a superb figurative artist. This exquisitely...

This artwork titled "Brittany Spaniel and Pheasant" c.1950, in a watercolor on paper by Russian/French artist Jean Herblet A.K.A. Boris O'Klein, 1887-1983. It is signed at the lower left corner by the artist. The artwork size is 17.5 x 13.5 inches, framed size is 21.5 x 17.5 inches. Framed in original wood frame, with brown/green velvet liner. It is in excellent condition, The velvet is slightly damaged at the upper left corner, see picture #8. About the artist: Boris O'Klein, born Arthur Boris O'Klein a French artist and cartoonist. An anthropomorphic artist, he is known for his numerous prints and watercolors of dogs getting up to mischief. The prints are generally called "The Naughty Dogs" or "The Dirty Dogs" or "The Dirty Dogs of Paris...

Medium: Gouache on Board Signature: Unsigned

Birds is a modern artwork realized by Arturo Pagano in the 1980s. Watercolor drawings. Good conditions.

Signed lower right, 'Frank M. Hamilton' for Frank Moss Hamilton (American, 1930-1999) and painted circa 1965. Titled, verso, 'The Smugglers, Hong Kong' on artist card and inscribed, ...

Flowers is a Color Marker Drawing realized by Reynold Arnould (Le Havre 1919 - Parigi 1980). Good condition on a yellowed paper. No signature. Reynold Arnould was born in Le Havr...

Figures is a modern artwork realized by Arturo Pagano in the 1980s. Watercolor drawings. Good conditions.

This set of drawings has been like a Covid-19 diary of one woman and her domestic realm. Simone de Beauvoir, the century's most iconic feminist scholar, called the burden of women's ...

Guitar Player is a modern artwork realized by Arturo Pagano in the 1980s. Watercolor. Hand-signed. Good conditions 

This drawing by Pol Anglada is offered by CLAMP in New York City. Pigeons 2023 Signed and dated, l.r. Pencil and watercolor on paper 16 x 11.5 inches ...

Beatriz Vidal, 'Untitled (Conference of the Birds)', gouache and watercolor, 1998. Signed and dated in the image, lower right. A meticulously r...

Watercolor and salt on cold press paper Black crow portrait with blue highlights on gold yellow background Hand-signed by artist Framing available Certifica...

Original watercolor and gouache on archival Molvin arches paper by the well known American illustrator Fred Sweney. The scene depicts Central Park in New York City in a winter landscape with figures in conversation under an illuminated lamp post. Signed lower right. Titled verso in pencil with American Scene magazine #32 and page 30...

Le Avventure di Cerbiattino ("The Adventures of the Little Fawn") is an original artwork realized by Sandro Nardini in the 1950s. Tempera, china ink, and pencil on paper. Very good conditions. This artwork includes 24 unbound sheets: 10 numbered and 14 unnumbered sheets. The numeration is written in pencil on the back of each sheet. It is an artist's proof for the illustrated book "The adventures of the Little Fawn" (original Italian title: "Le Avventure di Cerbiattino"). The artworks are lovely for the brilliance and the vividness of the colors: one episode of the story is represented on each sheet. The first sheet is the cover of the book. The main characters of the story are: the butterfly, the frog, the bird, the wolf, the porcupine, the hare, and the fawn. In the center of the composition, "Le Avventure di Cerbiattino Racconto e disegni di Sandro...

Original watercolor on archival paper of a gesturing old man by the well known American artist Benjamin Stahl. Condition is very good. Two spots of foxing or staining to the left of the figure. Very slight wrinkling of paper. Otherwise, no other issues. Circa 1970. Gallery wide linen matted and framed with a thin silver leaf frame. Overall framed measurements are 19.5 by 20 inches. Provenance: A Nokomis, Florida collector. Ben Stahl Biography Born in Chicago in 1910, Ben Stahl was introduced to the world of art by his grandmother. She took him on visits to the Chicago Art Institute and other galleries beginning when he was six years old and continuing until he was fifteen. After these adventures she would buy him oilcloth, brushes, and paints, and he would create “masterpieces” on the front porch of the family home. Stahl also read voraciously, which did not translate into academic excellence. However, when he was in seventh grade, he received a scholarship to attend Saturday morning lectures at the Chicago Art Institute. He would spend his Saturday afternoons drawing live animals at the Lincoln Park Zoo and the stuffed variety at the Field Museum, honing his knowledge of animal anatomy. After high school, Stahl got a job as an apprentice at a commercial art studio. One of the partners, realizing Stahl was ambitious and talented, encouraged him to draw and paint to create a portfolio. It was the contents of this portfolio that landed him a job at Chicago’s most prestigious art studio. During his time there and at other studios, plus a stint as a journalist for the Chicago Daily News, Stahl continued to develop a unique style, influenced by the Impressionists, which he felt would carry the mood and the emotional impact of commercial illustrations. Ironically, Stahl’s first assignment for The Saturday Evening Post was to illustrate a sea story – this for an artist who had never seen either the Atlantic or Pacific Oceans! The editors liked his work, and there followed four years of marine-themed assignments. Eventually Stahl asked for a change, so his next assignment was set in the desert – which he had also never seen. He was being noticed, however, and eventually he decided to move to New York and become a freelance illustrator. He illustrated over 750 stories for the Post along with a number of other magazines, and he continued to explore new approaches in his easel painting. In 1951, Stahl was commissioned to paint "The 14 Stations of the Cross...

Pygmalion (Triptych), 2014 Acrylic marker on paper (Signed) 28.34 H x 60.23 W in. (28.34 H x 20.07 W in. each) 72 H x 153 W cm (72 H x 51 W cm each) Contemporary art uses the past ...

This figurative painting titled "His Own Self" is an original artwork by Michael Reedy made of gouache and watercolor. This piece measures 12"h x 12"w.

Gestural watercolor of a colorful seated nude figure by California artist Doris Ann Warner (American, 1925-2010). Signed and dated "Doris Warner, 5/71" on ...

The Bird is an original drawing in Ink and Watercolor, realized by Maria Ginzburg the 2000s. The status of preservation Good. The artwork is depicted skillfully through confident a...

"Black Ink Nudes II" (2019) by SarahGrace Ink on Paper Drawing, Black & White, Woman, Snake, Plants Drawing / Nude / Human Figure / Figurative Art / Feminist Art and Contemporary Fe...

French pen and ink surrealist drawing with female and avian elements, 1993. Signed lower right. Original artwork on paper displayed on a white mat with a gold border. Mat fits a s...

Antique Birds - 17th Century Hand Watercolored Etching Antique Birds, from a collection of the Most Rare Birds Drawn and Engraved From Life, A Natural and Rational History of the Di...

"Great Blue IV" (2024) by Lee Andre is a beautiful charcoal illustration of a crane mid-flight. Born in Korea and adopted at age five by a family in Minnesota, Lee Andre's early pen...

An original sporting watercolour by the listed British artist Henry John Sylvester Stannard RBA (1870-1951). Well presented in a wash-line mount and gilt-effect frame. Signed to the ...

Anita Kreituse(1954) Winter, Zīlīte Magazine 2/82, drawing, paper/watercolor, 37x24cm

Gustave Fraipont (1849-1923) A Peasant girl with her flock of Turkeys, Ink and heightenings of blue watercolor on paper 23 x 15 cm Signed on the lower left and titled on lower righ...

"Porcelain Lumen" 1890s is an original watercolor drawing on ivory-colorated paper by Anonymous Artist of 19th Century. In very good condition. Not signed.

Soft pastel on toned archival paper signed on bottom left. It is mounted on an acid free foam board suitable for framing under glass. The dimensions with board are 32x 40 inABOUT Ste...

This artwork titled "Time to go Home Papa" c.1950 is a watercolor on paper by noted American artist Darrell Craig McClure, 1903-1987 It is signed at the lower right corner by the artist. The artwork size is 14.85 x 21.5 inches, framed is 24 x 30 inches. It is custom framed in a wooden gold frame, with gold color spacer. It is in excellent condition, the colors are fresh and bright. About the artist: Born in Ukiah Feb 25 1903, he showed his interest in cartooning at a very early age. One of his cartoons appeared in the old Ukiah Republican Press when he was nine years old. His love for the sailing schooners he served on as a young man inspired him to do a series of paintings on the vessels. McClure's work has been favorably received on both the East and West Coast, and a number of his paintings hang in the Maritime Museum in San Francisco. He studied at a cartoon school in San Francisco and the California School of Fine Arts. Instructors included Maynard Dixon, Harold Von Schmidt and Clarence Mackey, leading artists of the day. At the age of 17, he began his love affair with the sea, taking his first voyage on the Annie Johnson, destined for Hawaii. At 19 he shipped out for the East Coast aboard the freighter, Artiagas, and worked up and down the coast until friends were instrumental in getting him a job as an apprentice cartoonist with Hearst's King Features. He was with the newspaper for 37 years. Thirty-one were spent drawing the Annie Rooney cartoon. McClure’s work is held in numerous collections nationwide, many paintings are on display at the Kelley House, Mendocino, Mateo, NC,the San Juan Islands and the San Francisco Yacht...

The monkey is an original painting in watercolor on paper by Leo Guida in 1971. The state of preservation is good.. On the lower left margin hand-signed and dated. On the lower ri...

Each plate 20 1/4" x 13 1/2" 1 4-fold plate 2 2-fold plates Georges Goursat (1863–1934), known as Sem, was a French caricaturist famous during the Belle Époque. Life and works Youth (1863–1900) Georges Goursat was born and raised in an upper-middle-class family from Périgueux. The wealth inherited from his father at the age of 21 allowed him to sustain a gilded youth. In 1888 he self published in Périgueux his first three albums of caricatures, signing some as "SEM" (Figure, left), allegedly as a tribute to Amédée de Noé who signed his caricatures for Le Monde illustré as "Cham". From 1890 to 1898, he settled for a few years in Bordeaux. During this period, he published more albums and his first press caricatures in La Petite Gironde and discovered the work of Leonetto Cappiello. His style matured, becoming both simpler and more precise. During the same period, he made trips to Paris. In 1891, he designed two posters printed in the workshop of Jules Chéret for the singer Paulus . He published his first caricatures of artists in L'Illustration (Albert Brasseur) and Le Rire (Paulus, Polin and Yvette Guilbert). From 1898 to 1900, he lived in Marseille. During this stay, he met Jean Lorrain who convinced him to live in Paris. Caricature women on a boat being sailed by a sailor by Sem, 1925 Belle Époque (1900–1914) Goursat arrived in Paris in March 1900, at the time of the opening of the Universal Exposition. He picked horse races as his way of entry in high society. In June, three months after his arrival, he self-published a new album, Le Turf, with caricatures of many prominent Parisian socialites (Marquess Boni de Castellane, Prince Trubetskoy, Count Clermont-Tonnerre, Baron Alphonse and Gustave de Rothschild, Polaire). The success of this album made him famous overnight. In October of the same year, he published another album, Paris-Trouville, with the same success. Nine others followed until 1913. In 1904, Goursat received the Légion d'honneur. In 1909, he exhibited with the painter Auguste Roubille, first in Paris, then in Monte Carlo and London. a diorama, composed of hundreds of wooden figurines "of all the merely Paris celebrities". World War I (1914–1918) Aged over 50 at the start of World War I, Goursat was not drafted. He nevertheless involved himself as a war correspondent for Le Journal. Some of his rather "chauvinistic" articles had an "enormous impact".Ten were published in 1917 in Un pékin sur le front. Two others were incorporated in 1923 in another book, La Ronde de Nuit. In 1916 and 1918 Goursat published two albums of Croquis de Guerre (War sketches). Their style is completely different from his previous work. He also designed posters for war bonds. Années Folles (1918–1934) After the war, Goursat came back to the kind of caricatures that made him famous. In 1919, he published Le Grand Monde à l'envers (High Society upside down). Around 1923, he published 3 albums under the general title of Le Nouveau Monde...

Seascape of waves crashing against a large rock by Joseph Yeager (early-mid 20th Century) on heavy bond watercolor paper with ragged edges. Signed "Joe Yeager...

Guard is an original drawing in Black Marker realized by an anonymous Artist in the mid-20th Century. Good Conditions. The artwork is depicted through soft strokes in a well-balanc...

Susuwatari, 2021, ink and watercolor on watercolor paper. Black and White, fluffy cat, figurative. Framed, frame size 11.25 x 9.25 x 1.25

"Marine Landscape" is an original drawing in watercolor on paper, realized by Jean Delpech (1916-1988). The state of preservation of the artwork is very good. Sheet dimension: 18.9...

Literature: Alfonso Panzetta, Jared French by Jared French: 600 Unpublished Works from the Artist's Italian Years (Turin, Italy: Umberto Allemandi & C., 20...

Prakash Karmakar - Untitled - 23 x 20 inches Marker on Paper , 1999 Delivery of shipment in roll form. Style : Legendary master artist Lt. Prokash Karmakar from Bengal was solely re...

Mixed media on paper by the french street artist KLG Combining acrylic and Posca felt pen Unique piece Hand signed

Sunil Das - Untitled - 12 x 9 inches (unframed size) Span Drawing & Jottings on Printed Pages of Span Magazines Inclusive of shipment in ready to hang form. Here in this jotting and...

A watercolour painting of the 19th-century ship the Earl of Carlisle. Presented glazed in a wash line mount and a wooden frame with a gilt-effect inner edge. S...

Bird is a drawing in China ink realized by Leo Guida in 1972. Good condition. Leo Guida (1992 - 2017). Sensitive to current issues, artistic movements and historical techniques, L...

A wonderful English watercolor painting depicting A Donkey, Lambs and a Robin in a stable the night before Christmas.. This piece was drawn ...

A fine and charming pastel drawing by the artist Chris Stinchcombe, depicting a view of Pill Harbour. Signed to the lower left-hand corner. There are two artist's labels on the rever...

"La Somptueuse Dame Cactus". Oil on canvas, 2024.
 Unique work, in which the artist adopts a figurative language characterised by strong realism and references to the Renaissance. ...

Birds is a Color Markers Drawing realized by Reynold Arnould (Le Havre 1919 - Paris 1980). Good condition on a little sheet of a notebook. No signature. Reynold Arnould was born...

Dans l'oeil de l'amour il y a une mine de verre is an artwork realized by Maurice Henry (Cambrai 1907 - Milan 1984) in 1975. Watercolor and ink on paper 30.5x39 cm with frame. Si...

Homage to Napoleon is a Watercolour Drawing realized by Mino Maccari (1924-1989) in 1965s. Hand signed on the lower margin. Good condition on a yellowed paper. Mino Maccari (Siena...

Still life is an artwork realized by Serge Fotinsky in 1947. Drawing in pencil. Pad signature lower left. Good conditions except for some yellowing ...

"Strepsilas Interpres." John Gould Turnstone lithograph c.1850 by John Gould (England, 1804-1881). Print by J. Gould & H.C. Richter, hand colored lithograph...