Unknown

Chinese Ancestral Portrait of Enthroned Noblewoman

Circa 1900

Chinese Standing Guanyin Patinated Bronze Sculpture, the bodhisattva donning floral pattern robes and holding an articulated vase, atop a double lotus base. 47" H x 14" W x 13" D.

Thai Illuminated Manuscript Leaves, 19th century, ink and tempera on paper, five folded leaves together in a giltwood frame. Image: 51.5" H x 16.25" W; frame: 67.5" H x 36.5" W. Prov...

Indian Reverse Glass Painted Portrait of Nobleman seated holding a rose and gold painted accents, black painted frame, 19th century. 19.25" H x 13...

Anton Ebert (Austrian, 1845-1896), Portrait of a Woman, Oil on Oval Canvas laid on Board, 19th century, signed "A. Ebert / Wien" to mid right, original ova...

Monumental Chinese Qing ancestor scroll portrait painting of a high ranking official or Imperial court matriarch. Features a intricately decorated Min...

A Chinese Qing Dynasty period framed painting from the 19th century of an official's wife with bird-adorned buzi, painted on a linen canvas. Created in the North-Eastern province of Shanxi during the Qing dynasty, this 19th century painting showcases a frontal depiction of an official's wife recognizable thanks to the bird-themed rank badge sitting on an elegant armchair with scrolling arms and carved apron. Wearing a red robe and topped with an ornate headdress, the figure is highlighted with gold foil accents and stands out beautifully on a linen canvas. The print size is 17.5"W x 41.5"H. These paintings traditionally come from Shanxi province which was home to many of the wealthy merchant families associated with the imperial court during the Qing dynasty. Set inside a custom made frame, this 19th century Qing Dynasty official's wife painting...

group portrait; painting is on rice paper; 41in(W) x 59in(H) are the overall measurements of the painting including its borders; painting can be rolled up

With exquisite detail and sparkling color, this portrait of a young woman is a remarkable example of reverse glass painting. Lending the finished work a subtle three-dimensional effe...