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William AnthonyWilliam Anthony Caricature Drawing Woman with Lollipop1990
1990
About the Item
sight size is irregular. size includes frame..
In scrawly pencil lines, William Anthony outlines figures that look like sock puppets with oversize heads and sausage-shaped limbs. And if you look closely, you discover that his primitivistic lines are made with an exactingly delicate touch and that his smudgy brushwork has a finely tuned sensuousness of hue and surface.
William Anthony, born 1934, Forth Monmouth, NJ. and grew up in Washington State.
Education
1958 Yale, New Haven, CT, B.A European History
1959-60 San Francisco Art Institute, CA
1961 Art Students League, NY
American painter and draftsman William Anthony was born 1934 in Fort Monmouth, New Jersey. While majoring in history at Yale University, Anthony attended a few art courses, one of which was taught by Josef Albers. He also attended the Art Students' League in 1958 and 1961. After graduating from Yale, he joined his family in California, where he attended the San Francisco Art Institute. In 1962, Anthony taught figure drawing at a commercial art school in San Francisco, where he developed a method of drawing that resulted in his book A New Approach to Figure Drawing. Two years later he moved to New York City.
From 1977 to 1978, Anthony made a series of drawings for Andy Warhol's magazine Interview, and published another book Bible Stories. In 1983, he married Norma Neuman, and continued to produce and exhibit his art work, including solo exhibitions in New York, California, and Europe. In 1988, the Jargon Society published an additional book, Bill Anthony's Greatest Hits. In 2000 another book, War Is Swell, was published by Smart Art Press. Since then he has had five one-man exhibitions with Stalke Gallery, Denmark. In 2013 Stalke published a book of Anthony's work, Ironic Icons, by Sam Jedig.
- Creator:
- Creation Year:1990
- Dimensions:Height: 19 in (48.26 cm)Width: 22 in (55.88 cm)
- Medium:
- Movement & Style:
- Period:
- Condition:minor wear to frame and piece. size includes frame.
- Gallery Location:Surfside, FL
- Reference Number:1stDibs: LU38212654032
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By William Anthony
Located in Surfside, FL
William Anthony
Born 1934, Forth Monmouth, NJ. and grew up in Washington State.
Education
1958 Yale, New Haven, CT, B.A European History
1959-60 San Francisco Art Institute, CA
1961...
Category
Late 20th Century Contemporary Figurative Drawings and Watercolors
Materials
Paper, Pastel, Pencil
William Anthony 1992 Caricature Drawing Will You Marry Me?
By William Anthony
Located in Surfside, FL
William Anthony, born 1934, Forth Monmouth, NJ. and grew up in Washington State.
Education
1958 Yale, New Haven, CT, B.A European History
1959-60 San Francisco Art Institute, CA
196...
Category
1990s Contemporary Figurative Drawings and Watercolors
Materials
Paper, Pastel, Pencil
William Anthony 1982 American Subversive Satirical Caricature Drawing "Gilles"
By William Anthony
Located in Surfside, FL
William Anthony, (1934 - 2022)
Gilles, 1982
Matted 17 X 15 (not framed,) sheet is 9.5 X 12.5, drawing is a bit smaller.
American painter, illustrator and draftsman William Anthony was born 1934 in Fort Monmouth, New Jersey. Getting his undergraduate degree in history and serving as a senior editor for campus humor magazine The Yale Record. While majoring in history at Yale University, Anthony attended a few art courses, one of which was taught by Josef Albers. He also attended the Art Students' League in 1958 and 1961. After graduating from Yale, he joined his family in California, where he attended the San Francisco Art Institute. In 1962, Anthony taught figure drawing at a commercial art school in San Francisco, where he developed a method of drawing that resulted in his book A New Approach to Figure Drawing. Two years later he moved to New York City.
From 1977 to 1978, Anthony made a series of drawings for Andy Warhol magazine...
Category
1980s Contemporary Figurative Drawings and Watercolors
Materials
Paper, Pencil
Drooling Ain't Fun, Caricature Drawing
By William Anthony
Located in Surfside, FL
William Anthony was born in 1934, in Forth Monmouth, NJ. and grew up in Washington State.
Education
1958 Yale, New Haven, CT, B.A European History
1959-60 San Francisco Art Institu...
Category
1970s Contemporary Figurative Drawings and Watercolors
Materials
Paper, Pencil
Still Life with Vera as Raphael Original Drawing
By Josef Levi
Located in Surfside, FL
In this delicate drawing, artist Josef Levi takes reference to art history by combining figures within one composition. The two characters depicted in this composition utilize the bottom half of the great artist Raphael, gradually phasing into the portrait of lovely lady named Vera.
Josef Alan Levi (1938) is an American artist whose works range over a number of different styles, but which are unified by certain themes consistently present among them. Levi began his artistic career in the 1960s and early '70s, producing highly abstract and very modernist pieces: these employing exotic materials such as light fixtures and metallic parts. By 1975, Levi had transitioned to painting and drawing still lifes. At first these were, traditionally, of mundane subjects. Later, he would depict images from art history, including figures originally created by the Old Masters. Around 1980, he made another important shift, this time toward creating highly precise, though subtly altered reproductions of pairs of female faces which were originally produced by other artists. It is perhaps this work for which he is most well known. Since around 2000, Josef Levi has changed the style of his work yet again: now he works entirely with computers, using digital techniques to abstract greatly from art history, and also from other sources.
Levi's works of art in the collections of the Museum of Modern Art, NYC, the National Gallery of Art, and the Albright-Knox Museum, among many others. Levi's art has been featured on the cover of Harper's Magazine twice, once in June 1987, and once in May 1997.
Josef Levi received a Bachelor of Arts degree in 1959 from the University of Connecticut, where he majored in fine arts and minored in literature. From 1959 to 1960, he served to a first lieutenant in the U.S. Army, and from 1960 through 1967 he was in the U.S. Army Reserves.
In 1966, he received the Purchase Award from the University of Illinois in 1966, and he was featured in New Talent U.S.A. by Art in America. He was an artist in residence at Appalachian State University in 1969, taught at Farleigh Dickenson University in 1971 and was a visiting professor of art at Pennsylvania State University in 1977. From 1975 to 2007, Levi resided in New York City. He now lives in an apartment in Rome, where he is able to paint with natural light as he was unable in New York.
From 1959 to 1960, Josef took some courses of Howard McParlin Davis and Meyer Schapiro at Columbia University which initiated him into the techniques of reproducing the works of the Old Masters. His first works, created in the 1960s, were wood and stone sculptures of women. His first mature works were abstract pieces, constructed of electric lights and steel.
In 1970, Levi's materials included fluorescent light bulbs, Rust-Oleum and perforated metal in addition to paint and canvas.
By 1980, Josef Levi's art had transformed into a very specific form: a combination of reproductions of female faces which were originally depicted by other artists. The faces which he reproduces may be derived from either portraits or from small portions of much larger works; they are taken from paintings of the Old Masters, Japanese ukiyo-e, and 20th-century art. Artists from whom he has borrowed include: Vermeer, Rembrandt, Piero della Francesca, Botero, Matisse, Utamaro, Correggio, Da Vinci, Picasso, Chuck Close, Max Beckmann, Pisanello, Lichtenstein. The creation of these works is informed by Levi's knowledge and study of art history.
Josef Levi's paintings from this period are drawn, then painted on fine linen canvas on wooden stretchers. The canvas is coated with twenty-five layers of gesso in order to produce a smooth surface on which to work. The drawing phase takes at least one month. Levi seals the drawing with acrylic varnish, and then he may apply layers of transparent acrylic in order to approximate the look of old paintings. After the last paint is applied, another layer of acrylic varnish is sprayed on to protect the work.
Most of the figures in his contemporary pieces are not paired with any others.
SELECTED COLLECTIONS
MUSEUM OF MODERN ART, NEW YORK, NY
ALBRIGHT- KNOX GALLERY, BUFFALO, NY
ALDRICH MUSEUM OF CONTEMPORARY ART, RIDGEFIELD, CT
NATIONAL GALLERY OF ART, WASHINGTON, DC
BROOKLYN MUSEUM OF ART, BROOKLYN, NY
SMITHSONIAN NATIONAL MUSEUM OF AMERICAN HISTORY, WASHINGTON, DC
CORCORAN GALLERY, WASHINGTON, DC
UNIVERSITY OF NOTRE DAME ART...
Category
1990s Contemporary Figurative Drawings and Watercolors
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Ken Aptekar Contemporary Conceptual Judaica Art Drawing Go Study Chasidic Rabbis
By Ken Aptekar
Located in Surfside, FL
Ken Aptekar
American (b. 1950)
Go Know (Study)
1996
Graphite, white pigment, transparency film, and staples on paper
Hand signed lower right
sheet: 18 x 18 inches
frame dimensions: 21 x 21 x 1 3/4 inches, wood frame with acrylic glazing
Ken Aptekar is an artist who combines painting with text. He paints new versions of historical paintings and frames, bolting glass with sandblasted words to his painted panels. Aptekar’s work belongs to the tradition of painting, yet he brings to that tradition a recognition that paintings produce meaning only through their interaction with viewers. He investigates the nature of spectatorship. By “recreating” works of art in a painterly but utilitarian manner, Aptekar promotes viewers’ own narratives prompted by the image-text combinations.
Born in Detroit, Aptekar received his BFA at the University of Michigan, then moved to Brooklyn to complete an MFA at Pratt Institute. Most recently, his work was featured at the Jewish Museum in Vienna, Austria, and in the Biennale Internationale d’Autun, in Autun, France. A major commissioned solo exhibition, NACHBARN (“NEIGHBORS”), 2016, was on view at the St. Annen Museum in Lübeck, Germany, including paintings with text, silverpoint drawings, and video all based upon medieval altarpieces in the St. Annen Museum’s collection.
Previously, his work has been seen in solo exhibitions at the Victoria & Albert Museum in collaboration with the Serpentine Gallery (London), the Corcoran Gallery of Art (Washington, DC), Memorial Art Gallery (Rochester, NY), Centro da Cultura Judaica (Sao Paolo, Brazil), Musée Robert Dubois-Corneau (Brunoy, France), the New Museum (New York, NY), Douglas Cooley Gallery at Reed College (Portland, OR), Palmer Museum of Art at Penn State (State College, PA), Cummer Museum (Jacksonville, FL), and the Elaine Jacob Gallery at Wayne State University (Detroit, MI). In 2012 Aptekar’s work was the subject of a survey exhibition, “Ken Aptekar: Look Again,” at the Beard and Weil Galleries, Wheaton College, Massachusetts. He was in the show Words & Music
with John Giorno, Cheonae Kim...
Category
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