Joan Dvorsky

'Abstract Butterfly' Mixed Media Ink & Watercolor on Paper

2015

In this artwork, Milwaukee-based artist Joan Dvorsky presents the viewer with a grand bird's eye view of a river. This is quite different from other pieces by Dvorsky of this size, a...

In this artwork Milwaukee-based artist Joan Dvorsky presents the viewer with an image of a single abstract leaf. The artwork incorporates a digital print of an earlier acrylic painti...

In this artwork, Milwaukee-based artist Joan Dvorsky presents the viewer with a dance of colors. The title "Improvisation in Red" implies that the Dvorsky herself did not know what t...

"Metamorphosis" is an original watercolor painting by Jeanne Spicuzza. The artist used abstract marks in green, blue, red, and orange to make this piece. 23 1/4" x 43 1/2" art 28" x 48 3/8" frame Jeanne Marie Spicuzza is a poet, actress, model, filmmaker, philosopher, activist, producer, writer of children's stories, novels, essays, plays and screenplays, watercolor painter and illustrator, composer, lecturer and Master Herbalist. She appears on television, radio and film, as well as at festivals and venues such as Ladyfest, Lollapalooza, Bristol International Poetry Festival, Nuyorican Poets' Café, Green Mill, Pabst Theatre and others. Her films have screened at Portobello Film Festival London, Raleigh Studios, Wisconsin Film Festival and Women in the Directors' Chair. Jeanne Marie is listed in several Who's Who publications, including Who's Who of Emerging Leaders, and has received awards and nominations from Shepherd Express, Fade-In Magazine, the Academy of Motion Picture Arts and Sciences, the Vatican Division of Arts and Culture and others. She was nominated 'Woman of the Year' in 1998 through the National Organization for Women and was selected for inclusion on Wall of Tolerance at The Civil Rights Memorial in Montgomery, Alabama. Segments from her screenplay "Breath of God" are on permanent exhibition at the Brooklyn Museum. She lectures around the world. Jeanne Marie is published in Poets Against War, Quill and Parchment, Shepherd Express, Riverwest Review, Poetry Motel and others. She earned a Bachelor of Arts Degree in philosophy and psychology from the University of Wisconsin-Milwaukee. Her collection of poetry, beautiful terrible & true, in its second printing, and poetry travelogue, My Italia, are available through Libri Publishers. Her self-titled CD, nominated for the Golden Headset Award, is available through Inoculation Records. It was beaten out, by a mere three votes, by James Earl Jones Reads the New Testament! Jeanne Marie shares a deep affinity with medieval visionary, composer and abbess Hildegard von Bingen...

Dorothy Gillespie (June 29, 1920 – September 30, 2012) was an American artist and sculptor who became known for her large and colorful abstract metal sculptures. Gillespie became best known for the aluminum sculptures she started to produce at the end of the 1970s. She would paint sheets of the metal, cut them into strips and connect the strips together to resemble cascades or starbursts of bright colored ribbon. The New York Times once summarized her work as “topsy-turvy, merrymaking fantasy,” and in another review declared, “The artist’s exuberant sculptures of colorful aluminum strips have earned her an international reputation.Her works are featured at her alma mater (Radford University) in Virginia, where she later returned to teach, as well as in New York (where she was artist in residence for the feminist Women's Interart Center), Wilmington, North Carolina and Florida. She enrolled both at Radford University near her hometown, and the Maryland Institute College of Art in Baltimore, Maryland. The director of the Maryland Institute, Hans Schuler, helped foster her career in fine art. On June 5, 1943, aged 23, Gillespie moved to New York City. There she took a job at the B. Altman department store as assistant art director. She also joined the Art Students League where she was exposed to new ideas about techniques, materials, and marketing. She also created works at Atelier 17 printmaking studio, where Stanley William Hayter encouraged to experiment with her own ideas. She and her husband, Bernard Israel, opened a restaurant and night club in Greenwich Village to support their family. She returned to making art in 1957, and worked at art full-time after they sold the nightclub in the 1970. In 1977 Gillespie gave her first lecture series at the New School for Social Research, and she would give others there until 1982. She taught at her alma mater as a Visiting Artist (1981-1983) and gave Radford University some of her work to begin its permanent art collection. Gillespie then served as Woodrow Wilson visiting Fellow (1985-1994), visiting many small private colleges to give public lectures and teach young artists. She returned to Radnor University to teach as Distinguished Professor of Art (1997–99).[8] She also hosted a radio program, the Dorothy Gillespie Show on Radio Station WHBI in New York from 1967-1973. Gillespie began moving away from realism and into the abstraction that marked her career. Gillespie returned to New York City in 1963 to continue her career. She maintained a studio through the 70s and advocate worked towards feminist goals in the art industry, picketing the Whitney Museum, helping to organize the Women's Interart Center, curating exhibitions of women's art, and writing articles raising awareness of her cause. Gillespie numbered among her acquaintances such art-world luminaries as Jackson Pollock, Lee Krasner, Alice Neel, Louise Nevelson and Georgia O’Keeffe. “She had amazing stories that unfortunately are gone,” her son said. During the 1960s, she built multimedia art installations that made political statements, such as 1965’s “Made in the USA,” that used blinking colored lights, mirrors, shadow boxes, rotating figures and tape recordings to convey a chaotic look at American commercial fads. The floor was strewn with real dollar bills, which visitors assumed were fake. By the 1980s, Gillespie's work had come to be known internationally. She completed many commissions for sculptures in public places, including Lincoln Center, Rockefeller Center and Walt Disney World Epcot Center in Orlando, Florida. Her work is in many collections across the United States, including the Delaware Museum, the Solomon R. Guggenheim Museum, and the National Museum of Women in the Arts. Her sculptures can also be found in the Frankfurt Museum in Germany and the Tel Aviv Museum in Israel. Group Shows Conceived and Curated by Dorothy Gillespie Women's Interart Center, New York, NY 1974 included: Betty Parsons, Elsie Asher, Alice Baber, Minna Citron, Nancy Spero, Seena Donneson, Alice Neel, Natalie Edgar, Dorothy Gillespie, and Anita Steckel...

Resilience - Abstract Watercolor and Ink on Paper Abstracted watercolor and ink painting depicting a deep orange background, with black contrasting string formations. Signed and da...

Expressive and colorful vintage abstract earth watercolor by Duane Albert Armstrong (American, b. 1938). Presented in a dark grey mat with wooden frame. Singed "D. Armstrong" and dat...

"Butterfly Love" is inspired by the beauty of nature - of flowers - of blossoming trees in spring. And butterflies, these wonderfully colorful and beautiful creatures that flutter fr...