Framed Landscape Drawings and Watercolors

Elizabeth Rosemary Ziar. English ( b.1919 - d.2003 ). The North Coast Of Cornwall, West Penwith. Watercolor. Signed Monogram Lower Right. Image size 15 i...

A wonderfully detailed 19th-century monochrome watercolour on paper. Well presented in a wash-line mount and gilt-effect frame. Unsigned.

Edward Dufner (1872 - 1957) Monhegan Island, Maine Watercolor on paper Sight 16 x 20 inches Signed lower right With a long-time career as an art teacher and painter of both 'light' and 'dark', Edward Dufner was one of the first students of the Buffalo Fine Arts Academy to earn an Albright Scholarship to study painting in New York. In Buffalo, he had exchanged odd job work for drawing lessons from architect Charles Sumner. He also earned money as an illustrator of a German-language newspaper, and in 1890 took lessons from George Bridgman at the Buffalo Fine Arts Academy. In 1893, using his scholarship, Dufner moved to Manhattan and enrolled at the Art Students League where he studied with Henry Siddons Mowbray, figure painter and muralist. He also did illustration work for Life, Harper's and Scribner's magazines. Five years later, in 1898, Dufner went to Paris where he studied at the Academy Julian with Jean-Paul Laurens and privately with James McNeill Whistler. Verification of this relationship, which has been debated by art scholars, comes from researcher Nancy Turk who located at the Smithsonian Institution two 1927 interviews given by Dufner. Turk wrote that Dufner "talks in detail about Whistler, about how he prepared his canvasas and about numerous pieces he painted. . . A great read, the interview puts to bed" the ongoing confusion about whether or not he studied with Whistler. During his time in France, Dufner summered in the south at Le Pouleu with artists Richard Emil Miller...

Boat at the Dock, Alviso Bay Area Tonalist Landscape Watercolor by Iku Nagai Lovely Tonalist watercolor landscape of Alviso, California by Iku K. Nagai (Japanese/American, b. 1932)....

Horses by a Lake (Snowdonia), Watercolour on Linen Painting, 1926 Additional information: Medium: Watercolour on linen 36.5 x 51.5 cm 14 3/8 x 20 1/4 in Signed and dated Charles March Gere RA RWS was an English painter, illustrator of books, and stained glass and embroidery designer associated with the Arts and Crafts movement. He painted his signal work in 1897 entitled The Lady of Grey Days.The painting was purchased in 1912 and given to Aurora Howard, a descendant of the Earl of Carlisle (of Castle Howard). It was last seen...

Gabriel Spat was born in Kishinev, Russia, in 1890. Leaving Russia in 1911, he studied at the Academie des Beaux-Arts in Geneva and at the Academie Colarossi and the Academie de la ...

A beautiful and rare double-sided watercolor by the prolific contemporary Italian painter Marco Sassone (Italian, b.1942). In this early work, created in 1969, Sassone depicts two different sunset harbor scenes on each side of the paper. On the front, the artist uses a warm color palette of orange and yellow hues to depict a glowing sunset illuminating boats in a harbor. A second view of the harbor with small boats in the foreground on verso. Sassone's signature painterly impressionistic brushstrokes can be seen in the way the artist depicts the water in both watercolors. Signed and dated on verso, "M. Sassone 69". Displayed in a dark wood frame with mat. Image size: 10.5"H x 17"W. “One of the foremost colorists working in America today, Sassone is an artist who developed his own personal, expressive vision early in his career, and who has steadfastly remained faithful to it while refining and developing it to the full power and maturity that is seen in his works today.”Janet Dominik, Bernheim-Jeune, Paris, 1988. Marco Sassone was born in Campi Bisenzio, a Tuscan village, in 1942. The family moved to Florence in 1954, and there he met painters Ottone Rosai and Ugo Maturo, who encouraged him to follow his interest in art. In 1959 he enrolled at the Istituto Galileo Galilei, where he studied architectural drafting for several years. In 1963 he studied with painter Silvio Loffredo, a professor of art at the Accademia in Florence, himself a pupil of the Austrian master Oskar Kokoschka. Loffredo encouraged him to develop his own style and vision. For inspiration, Sassone studied the works of the 19th century Italian impressionists, the Macchiaioli – Giovanni Fattori, Vito D’Ancona and Silvestro Lega. He began exhibiting his first works at Lo Sprone Cultural Center in Florence. In November 1967, soon after the flood had devastated his city, Sassone moved to California. He exhibited for the first time in the United States at the Dalzell-Hatfield Galleries in Los Angeles and became a regular exhibitor at the annual Festival of the Arts in Laguna Beach. Throughout the seventies, he exhibited extensively in the U.S. and abroad. In 1976 he collaborated with director John Wilson to produce an autobiographical documentary. The following year his work was exhibited at the National Academy of Design in New York. Marco Sassone received a gold medal in 1978 from the Italian Academy of Arts, Literature and Science. In 1979 the monograph Sassone by art historian Donelson Hoopes was published in concurrence with the artist’s exhibition at the Laguna Art Museum. With prescience, Hoopes had observed: “Sassone’s art has evolved from within, and such an organic, psychological and spiritual process may take his work along new and unforeseen paths.” In 1981 Sassone moved his studio to San Francisco. During the 80’s his exhibition schedule continued along with his numerous lectures. In 1982 Marco Sassone was knighted by the president of Italy, Sandro Pertini, into the “Order of the Merit of the Italian Republic”. In 1987 Sassone received a commendation from Los Angeles Mayor Tom Bradley for his “contribution to the community through his art.” In March 1988, the Los Angeles Municipal Art Gallery mounted his solo exhibition titled Sassone with the publication of a catalogue authored by Janet Dominik. The show travelled to Paris and was installed at the historic Bernheim-Jeune Gallery for the month of April. By the late eighties, the artist had become increasingly concerned with social themes. He began extensive and personal research on the homeless and painted a series of large canvasses and charcoal drawings portraying the life he observed on the streets of San Francisco. A number of these works were exhibited at the Chicago International Art Exposition, the Basel Art Fair in Switzerland, Body Politic at the San Francisco Arts Commission Gallery and Issue of Choice at the Los Angeles Contemporary Exhibition (LACE). In March of 1994, his exhibition “Home on the Streets” opened at the Museo ItaloAmericano in San Francisco. Kenneth Baker, art critic for the San Francisco Chronicle wrote about his work: “There is true technical brilliance here…In the drawings, his technique seems to discover fresh descriptive possibilities each time out.” The exhibition traveled to Los Angeles in 1996 and Florence, Italy in 1997, where it was installed in the Cloisters of the Santa Croce Church. Paola Bortolotti, art critic for La Nazione, wrote: “The persistent theme however does not carry a denunciation of a social problem, but it is rather the pretext to pour forth onto canvas the urgency of the brush strokes loaded with pigment and light.” In 1997 Marco Sassone received a commission to create a 200 square foot mural in downtown San Francisco. The finished work comprised five canvasses dedicated to the theme of Il Palio...

Charles Lewis Fussell (American, 1840–1909) View from Gayley Street, Media PA, 1905 Watercolor on paper, 13 1/2 x 23 3/4 inches Framed: 25 1/2 x 35 3/4 (approx.) Signed and dated a...

Significant 1940s work titled "Toiler's House" by George Demont Otis (American, 1879-1962). Titled "Toiler's House on the bottom left and signed "George Demont Otis" on the bottom right. Presented in a black wood frame. Image size, 12"H x 18"W. Otis was born in Memphis, Tennessee where he was orphaned at age six and was raised by his grandmother in Chicago...

"Chilmark Pond", Martha's Vineyard Plein Air Coastal Island Pastel Landscape by Anne F. Cook A lovely plein air pastel landscape capturing the natural beauty of New England's coastal island sunset views, by Martha's Vineyard artist Anne F. Cook (American, b.1962). This 1995 pastel, titled "Chilmark Pond", transports the viewer to the beautiful island of Martha's Vineyard, to bask in the soft light of dusk as the sun sets over the view of the island's coastal ponds. Signed and dated "Cook 1995" lower right. Titled "Chilmark Pond" lower left. Photo of title has been slightly enhanced to appear more legible. Displayed in a decorative black and gilt-toned frame, with tan mat. Image size: 18.5"H x 24.5"W. Framed size: 26.25"H x 32.25"W x 1"D. Anne Cook...

This piece is framed measuring 33 by 27 inches. Based in Carrollton, Georgia, Erin Dixon is a mixed media artist whose work bridges realism and surrealism. Her work is often heavily...

Stunning late 19th century landscape of misty purple hills dotted with small sheep in the Scottish highlands near Dunkeld by Boston artist Miss H. L. Radford (19th Century). Signed a...

A detailed depiction of a large country house by listed British artist Edward Walker (1879-1955). The scene shows a mother and daughter on the front step of their grand country home ...

Early autumn. 1990, cardboard, oil, 70x93 cm Edgars Vinters (1919-2014) Edgars Vinters is working in oil, watercolor and monotype techniques. He paints landscapes in different seaso...

Detailed and vibrant depiction of a spider web by Doris Howard (American, b. 1935). Signed "Doris Warner" in the lower left corner. Tag on verso from the "Harvest of Colors" exhibition at Roberts Field...

"Rue St. Marguerite" Montreal Street Scene in Watercolor, Pastel, and India Ink Vibrant drawing of Montreal, Canada, by Richard D. Wilson (Canadian, 1920-1994). A street scene of 1960s Montreal, complete with cars, people walking and crisscrossing telephone and power lines...

Part of the ring-wall of the Taj Mahal, Agra, India, 1914 Signed with initials and dated bottom right Black chalk on paper, 45.5 x 53 cm Literature: Ernst Braches en J.F. Heijbro...

Discover "A Small City Park", a striking mid-century modern abstract painting by renowned Denver artist Edward Marecak (1919-1993). This original acrylic and watercolor on paper show...

This original watercolor painting by American artist Edgar Britton captures the serene beauty of a Colorado mountain landscape. Created in 1946, this piece showcases soft, airy tones...

A charming gouache scene of an idyllic Italian street, with a mother and child out enjoying the blue skies and afternoon sunshine. The artist has indistinctly signed to the lower rig...

'Gallura ,Sardinia' cira 2003. signed original mixed media. painting: 27cmx 27cm glazed oak wood frame : 50cm x 58cm. An Archetypal understanding of the artist's experiences of t...

This framed work is one-of-a-kind colored pencil & collage on archival pigment print. The work itself is 20" x 16", and it is framed to 26" x 20" in a contemporary, simple white wood...

This artwork "Untitled IV" 1993 is a large graphite drawing on two sheets of paper by Japanese/American artist Tadashi (Tagashi) Hayakawa, b.1941. It is hand signed and dated at the lower right corner by the artist. The artwork size is 23.5 x 37.5 inches, framed size is 32.75 x 46.75 inches. Custom framed in a wooden black frame, with fabric matting. It is in excellent condition. About the artist: Tadashi Hayakawa...

Vivid watercolor of a country house and grove of trees in a rural landscape of rolling green hills, with farm animals in the distance, by California artist Rene Weaver (American, 189...

An intricate watercolour scene by highly collectable artist Henry Schafer (1833-1916). Signed and titled to the lower right. Presented in a gilt frame with a ribbon and stick running...

Spring in the Mountains by Friedlander 1920s Expressive gouache painting of possibly the Swiss Alps by Friedlander On paper in a period rustic frame. I...

Early 20th Century Japanese Landscape Watercolor with Torii Gate Beautiful early 20th century Japanese landscape watercolor featuring a torii gate by Shumi...

A charming 19th Century view of Nideck, Alsace in France. The artist has wonderfully captured the complex architecture and bustling nature of the town. The artist has signed to the l...

Winter landscape. 1980. Oil on cardboard, 24x32.5 cm

Classic mid-century California seascape watercolor of the crashing surf on the rocky coast by Santa Cruz, California artist Margaret E. Rogers (American, 1872-1961), c.1950. Rogers was one of the original "Jolly Daubers" who studied with Frank Heath and took wagon trips to the redwoods and Yosemite to paint. Signed "M.E. Rogers" lower right. Presented in a rustic giltwood frame under glass. Image, 16.5"H x 18.5"L. Margaret Esther Rogers' (1872 - 1961) early childhood was spent in England. The Rogers were a cultured family who came to California for the father’s health and settled on a ranch in the King City area. Margaret grew up in the curiously paradoxical world of early California, breaking her own riding horses and roping cattle during the day, doing a man’s work, riding a man’s saddle, then sitting down to the piano to play classics in the evening after high tea. Margaret’s mother had the only piano for 80 miles around. Her father, Robert J. Rogers, had been an importer of fine tea, coffee, and spices in England. In Monterey County, he raised sheep and cattle and the family lived under comparatively rustic and modest conditions. When Margaret wasn’t riding, tending a herd, plowing a field, or playing the piano, she was painting. Art was an early love. Fame caught up with her early. She was written up in a San Francisco newspaper as “Monterey County’s pretty girl who rides a man’s saddle, marks and brands stock, breaks wild colts, plows and sows, plays classical music and paints in oils.” Margaret’s mother was her first music and art teacher; later she took art lessons from Kate Baldwin in Salinas. She had suitors and several proposals, but never married. In the year 1898, Margaret’s “intended” put in 700 acres of grain, spending all he had plus money he borrowed. Not a spear of grain grew, she wrote, and their plans to marry when the crop was sold dried up with the weather. When her mother died, Margaret and her father moved to Soquel, taking along her favorite saddle horse. Now living in Santa Cruz County, Margaret at once became involved in art circles which were unofficially headed by Frank Heath and his wife, Lillian Dake Heath. Frank Heath and Margaret together founded Santa Cruz Art League in 1919, and a few months later were joined in their efforts by a Dutch woman named Cor de Gavere who arrived in Santa Cruz. The two women artists, Margaret and Cor, became fast friends and remained so until Cor’s death in July 1955, while she was visiting relatives in Holland. They painted together almost every day and shared many meals at each other’s cottages which were just a few blocks apart in the Seabright area. However, those Victorian ladies, raised in the era of rigid social conventions, always addressed each other as ‘Miss Rogers’ and ‘Miss de Gavere’ as long as they lived. Money was never in great supply for either lady, but Cor managed to buy a small automobile, and after six driving lessons the two of them took off for southern California. Cor and Margaret took many camping and painting trips in Cor’s automobile. Sometime later, Margaret herself got brave enough to buy an auto. From 1925 to 1947, Margaret made her home in the basement of the Arts and Crafts Building. She managed the Art League’s first gallery, which was started there. Holding informal court for friends who called, Margaret would open a can of sardines, put out a plate of crackers, and conversation about art or music would follow. During World War II, Margaret raised rabbits in cages. In later years, Margaret purchased a small studio-home on Alhambra Street – still in the Seabright area, which both women clung to as home territory. In 1929, Margaret helped found the Art League’s first Statewide Show, which became an annual event. She served as show chairwoman for more than 20 years. A fine painter of landscapes, Margaret became better known for her strong marine scenes. Once she explained that the ocean was “the real challenge, because it won’t stand still.” She served as president of the Art League from 1925 to 1947. Short, stocky, outspoken and very talented, Margaret gained many honors in her later years. With her short haircut and her dark dresses...

Landscape. 2007. Oil on cardboard, 22x30,5 cm Edgars Vinters (1919-2014) Edgars Vinters is working in oil, watercolor and monotype techniques. He paints landscapes in different seas...

This framed work is one-of-a-kind colored pencil & collage on archival pigment print. The work itself is 20" x 16", and it is framed to 26" x 20" in a contemporary, simple white wood...

This 1938 watercolor painting by American Modernist artist Turner B. Messick depicts a serene winter landscape, likely set in Colorado. The scene features a bare tree in the foregrou...

Very well executed original gouache on archival paper by the Italian artist, Maria Ada Gianni. Signed lower left. Condition is excellent. Circa 192...

Delve into the serene beauty of a French countryside landscape through the artist Didier's watercolor masterpiece. This original piece, steeped in the impressionist style, captures t...

Vibrant large-scale pastel landscape of colorful reflections rippling on a calm lake with three small ducks and a boat by an unknown artist (American, 20th Century). Signed with the ...

Charming mid century watercolor painting of a horse in winter with a barn in the background by Ernest Smythe (American/England 1881-1950). Signed "ERNEST SMYTHE" in lower left corner. Presented in a tan mat with a wood frame and glass. Image size: 25"H x 19.75"W As William Ernest Smyth, he was born at 13 Commercial Road, Ipswich on 9 April 1874 but was not baptised at St Michael's, Ipswich until 23 October 1885, when his birth date is given as 17 February 1874, youngest son of artist Thomas Smythe...

William Marlow (1740 - 1815) A bridge over river Oil on canvas  Inscribed, 'William Marlow' to old label verso Provenance: J. Palser & Sons, 27 King Street, London Dimensions: (Fra...

Original watercolor landscape. Presented in a beautiful gilt frame with delicate running patterns and acanthus ornamentation at the corners. Initialed 'G.D.' to the lower left and in...

A charming watercolour study of a quiet roadway through a village, with stone walls and trees on either side. Signed and dated to the lower right. Well-presented in a contemporary fr...

GEORGE SHERINGHAM (1884-1937) The War Birds Signed and inscribed with title on a label on the backboard Watercolour and gold paint on silk, semi circle shape, in artist’s decorated mount Framed 24 by 47.5 cm., 9 ½ by 18 ¾ in. (frame size 46 by 71 cm., 18 by 28 in.) Exhibited: London, Leicester Galleries. Sheringham was born in London, the son of the Rector of Christ Church, Marylebone. He studied at the Slade under Henry Tonks and later in Venice, Brussels, Berlin and Paris, holding his first one-man exhibition in Paris in 1905. On his return to London he initially supported himself with poster designs and teaching. Before and during World War I he concentrated much of his artistic energy on painting fan leaves, often on silk. His first exhibition of fan designs and silk panels was held at the Ryder Gallery in 1909 followed by another in the following year. With enthusiastic reviews in Studio he had launched his career as a decorative designer, theatrical designer and illustrator. Sheringham also worked as an illustrator, providing illustrations for books by Max Beerbohm and Cyrus MacMillan and others. In 1921 he collaborated with his brother Hugh on a book about fishing, The Book of the Fly Rod. He wrote Drawing in Pen and Pencil (1922), with James Laver, Design in the Theatre (1927) and with Rupert Mason and R Boyd Morrison he edited Robes of Thespis, Costume Designs by Modern Artists (1928). As a decorator, Sheringham designed the music room at 40 Devonshire House...

Marsden Hartley ALPSPITZE #3 (with Zabriskie Gallery Label), 1933 Pencil on cream wove paper. In original vintage frame with Zabriskie Gallery label Sticker label, framed with Zabris...

San Francisco moorings, a late 19th century double-sided pencil sketch by Raymond Dabb Yelland (American, 1848 - 1900), 1987. Signed "R.D. Yelland" lower right. Dated "87" lower left. Drawing on both sides of paper. Wood frame. Image size, 8.5"H x 12"L. A master marine painter, Yelland painted in Gloucester Harbor. He sailed to San Francisco in 1874 to take a teaching position in art at Mills College in Oakland. From 1877 to 1894, he taught at the California School of Design. He was a decisive influence on a younger generation of California artists. Full Bio: Raymond Dabb Yelland was born in London, England on February 2, 1848. At the age of three, he immigrated with his family to New York City where he was raised and attended public schools. By the age of twelve, he had settled on art as a career. He was born as Raymond Dabb, but due to the negative connotation of his name, his mother's maiden name, Yelland, was added. After serving under Sheridan in the Federal Army during the Civil War, Yelland attended Pennington Seminary in New Jersey. He studied art at the National Academy of Design from 1869 to 1871 with Page and Brevoort, and then taught at the Academy for one year. With his new bride, he sailed around the Horn in 1874 to San Francisco where he would assume the position of an art instructor at Mills College in Oakland. In 1877, he traveled to England, and later continued his studies in Paris with Luc Oliver Merson. Upon his return to California, Yelland became assistant director of the San Francisco School of Design, and in 1888, assumed its directorship. While at that school, he also taught at the University of California, Berkeley, for many years. His many pupils included Homer Davenport, Alexander Harrison...

An original watercolour by Arthur Wilde Parsons (1847-1920) depicting a Gothic Regency manor set in private grounds. Well presented in a gilt-effect frame with delicate running patte...

Serene, beautifully executed watercolor, using a wide spectrum of color with a delicate and subtle hand, by Don Kitz (American, 1939-2019), c.1970. Feel the peace and serenity of thi...

John Strickland Goodall John Strickland Goodall was born in Heacham, Norfolk on 7 June 1908. He was the son of a famous heart specialist who boasted seven generations of medics, and...

Aereopittura su carta spolvero di Michele Falanga Futurista siciliano anni 30 L'opera viene venduta con certificato di autenticità dell'archivio Falanga

This study presents a typical Roman countryside landscape: an ancient mausoleum in front of which a cart is passing by followed by two peasants. If the technique (a pen drawing on graphite lines, completed with a wash of brown and grey inks) and the signature inevitably evoke the art of Lorrain, we find on the verso of this drawing additional evidences that lead us to consider this unpublished drawing as a work by the master. The motif of the mausoleum has been taken up in pen on the verso in a technique that can be found in several other drawings by Lorrain. There is also a study of three characters, which can be considered as preparatory to Lorrain’s painting entitled The Port of Ostia with the Embarkation of Saint Paula, leading us to claim this attribution with a dating of around 1639. 1. Claude Lorrain or the perfection of classical landscape in Rome in the 17th century Claude Gellée was born in 1600 in Chamagne in Lorraine. Orphaned at the age of twelve, he spent a year with his brother in Freiburg, where the latter was a woodcarver. Claude Gellée then probably arrived in Rome in 1613, where he joined the workshop of Agostino Tassi (1580 - 1644) in 1617. Between 1619 and 1620 he studied for two years in Naples in the workshop of Goffredi Wals (who was himself a former pupil of Tassi). In 1625 he returned to Lorraine for two years where he worked alongside Claude Deruet. He then returned to Rome, a city he never left for the rest of his life (except for short trips to the surrounding countryside). From 1627 to 1650 he lived in Via Margutta. From 1635 onwards he became a renowned painter and commissions started to pour in. Considered during his lifetime as the most accomplished of the classical landscape painters, his reputation never faded. Between 1629 and 1635 Le Lorrain often went to the Roman countryside to draw with his friend Joachim von Sandrart (1606 - 1686). He became a member of the Academy of Saint Luke in 1633, while being closely acquainted with the Bentvueghels, this guild which brought together the young Nordic painters active in Rome. In 1643 he joined the Congregation of the Virtuosi. In 1650 he moved to Via Paolina where he lived until his death. Little is known of his intimate life. He seems to have had a daughter, Agnes, from an ancillary love affair. In 1657/ 1658 she moved in with him. Stricken with gout in 1663, he died in 1682. 2. Description of the drawing; the technique of nature studies Two peasants are walking behind a horse-drawn cart on a road that winds through ancient tombs. While a rectangular tomb with a columned facade can be seen in the distance, the cart passes an important ancient building. It has a circular shape and its partially ruined façade is decorated with columns. The start of a second floor can...

Vibrant figurative seascape of a beach in Mazatlan, Mexico with several figures and a catamaran reflecting beautifully in the shallow water by William A. Corbett (American. 1914-1960). Titled "Beach- Mazatlan" on verso. Signed "William Corbett" in lower left corner. Presented in a simple wood frame, with a double mat of off-white silk and royal blue with plexiglass. Image size: 22”H x 14.75”L William A. Corbett began drawing at an early age. He constructed signs and displays for theaters and nightclubs around Pittsburg. He studied art with Vincent Nesbert at the Pittsburg Art Institute and with Robert Gwathmoy, Roy Hilton, and Robert Laper at the Carnegie Institute of Technology. He also studied painting and sculpture at the Louisville Art Center. Corbett was in the Army Engineers at Fort Knox, Kentucky where he studied, practiced, and had exhibits with army artists there from 1941-1943. He was very much interested in materials and technique, content and style in painting. His favorite Artists were El Greco, Leonardo, Rembrandt, Renoir, Burchfield, and Andrew Wyeth, Jr. He studied two years at Boston museum School with Karl Zerbe, Daivid Aronson and others. He later designed and did art work for General Outdoor Advertising Co. In 1943, he married Ruth Osborne of Louisville and they had one son, Michael. In 1951 he moved to Fort Lauderdale, Florida with his family. Exhibitions: Army Art Show--- 1st Prize in Landscape, 1942 Kentucky & southern Indiana Exhibition-- Honorable mentions for Fisherman's Curse 1949, Don Q...

The Blue Street - Monochrome Rural Town Landscape in Colored Pencil on Paper Delicate drawing of a rural street by Alle Wijtze "Charles" de Somer (Dutch, 1869-1919). One of the arti...

Signed faintly to the lower right. Artist Name inscribed to the mount. Presented in a gilt frame and washline mount. On paper.

A charming watercolour study depicting two figures preparing a boat at the mouth of a river. Unsigned. Presented in a gilt frame. On paper.

A serene rural landscape with a winding river cutting through rolling hills and distant mountains. The composition draws the eye from the foreground details of trees and figures to a...

Inscribed with artist name and title. Presented in a gilt frame and double card mount. On paper.

San Gabriel Mountain Landscape in Black and White - Graphite Pencil on Paper Detailed mountain landscape by Ralph Holmes (American, 1876-1963). Signed lower right corner "Ralph Hol...

Born in Lower Austria in 1844, Rudolf Bernt was a painter and architect. He studied at the Vienna Technical University as an architect, and at the Academy of Fine Arts in Vienna unde...

Original Pastel Drawing of Cattle in English Countryside by 20th Century British Artist, Wendy Reeves. Art measures 22 x 14 inches Frame measures 30 x 24 inches Wendy Reeves gar...

Blooming Apple Trees on Union Street - Finnish Landscape in Charcoal on Paper Lovely drawing of a country street by Finnish surrealist Otto Makila (1904-...