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Nathan OliveiraPessoa's Sleigh II2000
2000
Price Upon Request
Price Upon Request
Price Upon Request
Price Upon Request
Price Upon Request
Price Upon Request
Price Upon Request
Price Upon Request
Price Upon Request
Price Upon Request
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- Creator:Nathan Oliveira (1928, American)
- Creation Year:2000
- Dimensions:Height: 30.125 in (76.52 cm)Width: 27.25 in (69.22 cm)
- Medium:
- Condition:
- Gallery Location:San Francisco, CA
- Reference Number:1stDibs: G1106235683
Nathan Oliveira
Born 1928, Oakland, California; Died 2010, Stanford, California. Nathan Oliveira was a leading member of the second generation of the Bay Area figurative painters. He is best known for his brilliantly colored figurative and landscape paintings as well as intricate bronze sculptures with colorful patinas. Oliveira achieved national prominence fusing Abstract Expressionism and figuration in psychologically charged canvases that explored human isolation and alienation. In 1959, he was the youngest painter included in the important exhibition New Images of Man at the Museum of Modern Art in New York, which also featured works by Francis Bacon, Alberto Giacometti, Richard Diebenkorn, and Jackson Pollack. Overnight, Oliveira found wide acclaim for his nervous human images, built up with thick layers of scuffed and scratched paint. Nathan Oliveira employed a bravura, brushy style of paint application. His abstracted figures and landscapes, however, reflected an affinity with the darker vision of European artists like Oskar Kokoschka and Edvard Munch or more nearly contemporary artists like Alberto Giacometti and Francis Bacon, who shared his sense of human conflict and existential angst. Particularly influential was the German painter Max Beckmann, with whom he studied briefly. Nathan Oliveira had solo exhibitions in major museums all over the world. His paintings are held in the collections of many distinguished institutions, including the Art Institute of Chicago; the Carnegie Institute, Pittsburgh; the Fine Arts Museums of San Francisco; the Los Angeles County Museum of Art; the Metropolitan Museum of Art, New York; the Art Institute of Chicago; the Museum of Modern Art, New York; the National Gallery of Art, Washington, DC; the San Francisco Museum of Modern Art; and the Tate Modern, London, among others.

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A Californian whose work is of preeminent importance during the post war period, Oliveira is most often associated with Park, Diebenkorn and the other artists with whom he sketched early in his career. Yet it was not an oversight when Oakland Museum director Paul Mills chose not to include Oliveira in the 1957 exhibition “Contemporary Bay Area Figurative Painting.” All came to figuration by initiating a sophisticated dialogue with abstraction, yet it is Oliveira, the often characterized ambivalent loner among Bay Area artists whose work is most often compared to Alberto Giacometti, Francis Bacon, or Willem de Kooning with whom he shared walls and space at The Images of Man exhibition held in New York at the Museum of Modern Art in 1959.
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Through and through, flesh to bones, and bones to dust Nathan Oliveira has left us with a legacy of art that will surely remain untarnished by time or changing trends. His work exists within a realm rarely achieved by artists striving in a similar mode of expression. Unclouded by ego or wayward sentiment, it is also in the warmth and humble nature...
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A Californian whose work is of preeminent importance during the post war period, Oliveira is most often associated with Park, Diebenkorn and the other artists with whom he sketched early in his career. Yet it was not an oversight when Oakland Museum director Paul Mills chose not to include Oliveira in the 1957 exhibition “Contemporary Bay Area Figurative Painting.” All came to figuration by initiating a sophisticated dialogue with abstraction, yet it is Oliveira, the often characterized ambivalent loner among Bay Area artists whose work is most often compared to Alberto Giacometti, Francis Bacon, or Willem de Kooning with whom he shared walls and space at The Images of Man exhibition held in New York at the Museum of Modern Art in 1959.
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