Portrait Drawings and Watercolors

The Nude and Full Moon an original Charcoal drawing on paper realized by Gabriel Ferrier (1847-1914) in the 19th Century. Stamped on the lower right. ...

La main de mon père is a superb original sanguine drawing on paper, realized in 1935 by the French artist Eliane Diverly (1914-2012). Dated and signed in sanguine pencil by the arti...

A watercolour and pastel portrait of a matriarchal woman. Presented glazed in a blue mount and a distressed gilt-effect wooden frame. Signed and dated to the lower-left corner. On wo...

Work on paper Molded frame in gilded wood with glass pane 61 x 51 x 6.5 cm

Very stylish, unique and original 1940's fashion design by French illustrator Geneviève Thomas. The painting, executed in gouache and pencil. The sketch is original, vintage and me...

This accomplished watercolours is a fine copy of John Downman's portrait of Sarah Siddons. Painted in the early 19th century, watercolours was a contempo...

Clyde Steadman's "Untitled 11" is an original, handmade watercolor painting that depicts an impasto portrait of a feminine face.

A very fine early 19th Century Flemish School watercolour, showing a bearded man in a ragged tunic, with tangled hair. He gazes at the viewer with a patient eye as he holds his hat b...

Portrait is an original Drawing on paper realized by the painter Pierre Georges Jeanniot (1848-1934). Drawing in Pencil. Hand-signed on the lower. Good conditions except for aged ...

Chaim Gross (American, 1904-1991) Watercolor with pencil painting Rabbi Klezmer music concert, flute player. Hand signed framed: 15 X 28.5, paper: 9.5 X 23 Chaim Gross (March 17, 1904 – May 5, 1991) was an American modernist sculptor and educator. Gross was born to a Jewish family in Austrian Galicia, in the village of Wolowa (now known as Mezhgorye, Ukraine), in the Carpathian Mountains. In 1911, his family moved to Kolomyia (which was annexed into the Ukrainian USSR in 1939 and became part of newly independent Ukraine in 1991). When World War I ended, Gross and brother Avrom-Leib went to Budapest to join their older siblings Sarah and Pinkas. Gross applied to and was accepted by the art academy in Budapest and studied under the painter Béla Uitz, though within a year a new regime under Miklos Horthy took over and attempted to expel all Jews and foreigners from the country. After being deported from Hungary, Gross began art studies at the Kunstgewerbeschule in Vienna, Austria shortly before immigrating to the United States in 1921. Gross's studies continued in the United States at the Beaux-Arts Institute of Design, where he studied with Elie Nadelman and others, and at the Art Students League of New York, with Robert Laurent. He also attended the Educational Alliance Art School, studying under Abbo Ostrowsky, at the same time as Moses Soyer and Peter Blume. In 1926 Gross began teaching at The Educational Alliance, and continued teaching there for the next 50 years. Louise Nevelson was among his students at the Alliance (in 1934), during the time she was transitioning from painting to sculpture. In the late 1920s and early 1930s he exhibited at the Salons of America exhibitions at the Anderson Galleries and, beginning in 1928, at the Whitney Studio Club. In 1929, Gross experimented with printmaking, and created an important group of 15 linocuts and lithographs of landscapes, New York City streets and parks, women in interiors, the circus, and vaudeville. The entire suite is now in the collection of the Philadelphia Museum of Art. Gross returned to the medium of printmaking in the 1960s, and produced approximately 200 works in the medium over the next two decades. For more than sixty years Chaim Gross's art has expressed optimistic, affirming themes, Judaica, balancing acrobats, cyclists, trapeze artists and mothers and children convey joyfulness, modernism, exuberance, love, and intimacy. This aspect of his work remained consistent with his Jewish Hasidic heritage, which teaches that only in his childlike happiness is man nearest to God. In March 1932 Gross had his first solo exhibition at Gallery 144 in New York City. For a short time they represented Gross, as well as his friends Milton Avery, Moses Soyer, Ahron Ben-Shmuel and others. Gross was primarily a practitioner of the direct carving method, with the majority of his work being carved from wood. Other direct carvers in early 20th-century American art include William Zorach, Jose de Creeft, and Robert Laurent. Works by Chaim Gross can be found in major museums and private collections throughout the United States, with substantial holdings (27 sculptures) at the Hirshhorn Museum and Sculpture Garden. A key work from this era, now at the Smithsonian American Art Museum, is the 1932 birds-eye maple Acrobatic Performers, which is also only one and one quarter inch thick. In 1933 Gross joined the government's PWAP (Public Works of Art Project), which transitioned into the WPA (Works Progress Administration), which Gross worked for later in the 1930s. Under these programs Gross taught and demonstrated art, made sculptures that were placed in schools and public colleges, made work for Federal buildings including the Federal Trade Commission Building, and for the France Overseas and Finnish Buildings at the 1939 New York World's Fair. Gross was also recognized during these years with a silver medal at the Exposition universelle de 1937 in Paris, and in 1942, with a purchase prize at the Metropolitan Museum of Art's "Artists for Victory" exhibition for his wood sculpture of famed circus performer Lillian Leitzel. In 1949 Gross sketched Chaim Weizmann, Israeli President, at several functions in New York City where Weizmann was speaking, Gross completed the bust in bronze later that year. Gross returned to Israel for three months in 1951 (the second of many trips there in the postwar years) to paint a series of 40 watercolors of life in various cities. This series was exhibited at the Jewish Museum (Manhattan) in 1953. He also did some important Hebrew medals. In the 1950s Gross began to make more bronze sculptures alongside his wood and stone pieces, and in 1957 and 1959 he traveled to Rome to work with famed bronze foundries including the Nicci foundry. At the end of the decade Gross was working primarily in bronze which allowed him to create open forms, large-scale works and of course, multiple casts. Gross's large-scale bronze The Family, donated to New York City in 1991 in honor of Mayor Ed Koch, and installed at the Bleecker Street Park at 11th street, is now a fixture of Greenwich Village. In 1959, a survey of Gross's sculpture in wood, stone, and bronze was featured in the exhibit Four American Expressionists curated by Lloyd Goodrich at the Whitney Museum of American Art, with work by Abraham Rattner, Doris Caesar, and Karl Knaths. In 1976, a selection from Gross's important collection of historic African sculpture, formed since the late 1930s, was exhibited at the Worcester Art Museum in the show The Sculptor's Eye: The African Art Collection of Mr. and Mrs. Chaim Gross. Gross was elected into the National Academy of Design as an Associate member, and became a full Academician in 1981. In 1984, he was inducted into the American Academy of Arts and Letters, with Jacob Lawrence and Lukas Foss. In the fall of 1991, Allen Ginsberg gave an important tribute to Gross at the American Academy of Arts and Letters, which is published in their Proceedings. In 1994, Forum Gallery, which now represents the Chaim Gross estate, held a memorial exhibition featuring a sixty-year survey of Gross's work.In March 1932 Gross had his first solo exhibition at Gallery 144 in New York City. For a short time they represented Gross, as well as his friends Milton Avery, Moses Soyer, Ahron Ben-Shmuel and others. Gross was primarily a practitioner of the direct carving method, with the majority of his work being carved from wood. Other direct carvers in early 20th-century American art include William Zorach, Jose de Creeft, and Robert Laurent. Works by Chaim Gross can be found in major museums and private collections throughout the United States, with substantial holdings (27 sculptures) at the Hirshhorn Museum and Sculpture Garden. A key work from this era, now at the Smithsonian American Art Museum, is the 1932 birds-eye maple Acrobatic Performers, which is also only one and one quarter inch thick. In 1933 Gross joined the government's PWAP (Public Works of Art Project), which transitioned into the WPA (Works Progress Administration), which Gross worked for later in the 1930s. Under these programs Gross taught and demonstrated art, made sculptures that were placed in schools and public colleges, made work for Federal buildings including the Federal Trade Commission Building, and for the France Overseas and Finnish Buildings at the 1939 New York World's Fair. Gross was also recognized during these years with a silver medal at the Exposition universelle de 1937 in Paris, and in 1942, with a purchase prize at the Metropolitan Museum of Art's "Artists for Victory" exhibition for his wood sculpture of famed circus performer Lillian Leitzel. In 1949 Gross sketched Chaim Weizmann, President of Israel, at several functions in New York City where Weizmann was speaking, Gross completed the bust in bronze later that year. Gross returned to Israel for three months in 1951 (the second of many trips there in the postwar years) to paint a series of 40 watercolors of life in various cities. This series was exhibited at the Jewish Museum (Manhattan) in 1953. In the 1950s Gross began to make more bronze sculptures alongside his wood and stone pieces, and in 1957 and 1959 he traveled to Rome to work with famed bronze foundries including the Nicci foundry. At the end of the decade Gross was working primarily in bronze which allowed him to create open forms, large-scale works and of course, multiple casts. Gross's large-scale bronze The Family, donated to New York City in 1991 in honor of Mayor Ed Koch, and installed at the Bleecker Street Park at 11th street, is now a fixture of Greenwich Village. In 1959, a survey of Gross's sculpture in wood, stone, and bronze was featured in the exhibit Four American Expressionists curated by Lloyd Goodrich at the Whitney Museum of American Art, with work by Abraham Rattner, Doris Caesar, and Karl Knaths. In 1976, a selection from Gross's important collection of historic African sculpture, formed since the late 1930s, was exhibited at the Worcester Art Museum in the show The Sculptor's Eye: The African Art Collection of Mr. and Mrs. Chaim Gross. Gross was elected into the National Academy of Design as an Associate member, and became a full Academician in 1981. In 1984, he was inducted into the American Academy of Arts and Letters, with Jacob Lawrence and Lukas Foss. In the fall of 1991, Allen Ginsberg gave an important tribute to Gross at the American Academy of Arts and Letters, which is published in their Proceedings. In 1994, Forum Gallery, which now represents the Chaim Gross estate, held a memorial exhibition featuring a sixty-year survey of Gross's work. Gross was a professor of printmaking and sculpture at both the Educational Alliance and the New School for Social Research in New York City, as well as at the Brooklyn Museum Art School, the MoMA art school, the Art Student's League and the New Art School (which Gross ran briefly with Alexander Dobkin...

The Director is a pen and pencil Drawing realized by Mino Maccari in the mid-20th century. Hand-signed on the lower in pencil. Included a whie Passepartout. Good condition on yell...

The Sketches and Portraits is an original Drawing on paper realized by French painter Norbert Meyre in the mid-20 century. Drawing in pencil and pen. Good conditions. The artwork ...

Confrontation is an original Drawing in Pencil artwork realized by Antony Roland. Good conditions. Hand-signed. The artwork is depicted through soft strokes in a well-balanced com...

America Martin "Man with Blossoms" Ink on Paper 33.5” x 31” Framed AMERICA MARTIN is an internationally represented Colombian-American fine artist based in Los Angeles. America is ...

Two exquisite mid 19th Century miniature portraits in watercolour. The children are in their finest clothes to have their portraits painted. The little boy wears a high ruffled collar and black jacket, holding a blue book in his hands. The little girl wears a fine light blue dress...

Nude is an original ink drawing artwork, realized by Sergio Barletta in the 1970s. Hand-signed on the lower margin. Good conditions (some stains and foldings). Sergio Barletta (1934) is an Italian cartoonist and illustrator, who has also published some humorous and political satire books. From the age of 22 is active in Rome, where he worked as an illustrator and art director in some monthly magazines like “Costume”, Diners Club house organ, BP Review, IBM, and others.In 1965 started the joint-working with Marino Gallery in Rome, and in 1966 in Milan with Humour Graphic’s group, at Levi Gallery and others in the following years.In these years graphic work and illustration are mixed with painting and photography, also with satirical drawings...

A fine graphite study by the British artist Alfred Kingsley Lawrence, depicting a study of three figures. Unsigned. Well-presented in a white on black double card mount and in a simp...

Original ink drawing by Jean Cocteau signed and dated 1951 . framed under museum quality glass . drawing : 22.6 x 14.2 cm . " profil lauré " is cer...

Diego Rivera 1886-1957 Mexican Niño Signed and dated “Diego Rivera 1935” (lower left) Charcoal and sanguine on rice paper A rebel against the traditional school of painting, Diego Rivera is revered as one of the greatest and most influential artists of the 20th century. Niño, completed by Rivera in 1935, represents a masterwork within an important part of the artist’s output — his portraits of children. It is a touching work paying homage to both childhood innocence and the cultural identity of the Mexican people...

A fine Victorian watercolour showing a young woman in a red travelling cloak resting on her journey. The painting has a contemplative mood, with the woman s...

Work on paper

English Graphite Sketch of a Male Nude, Back View by Henry George Moon (British 1857-1905) on pale blue/grey artists paper, unframed measurements: sheet 18.75 x 12 inches provenance...

A charming late 19th Century watercolour portrait of a young girl sitting on a stone step, wearing a red shawl and blue dress, resting a basket of eggs on her lap. The painting is un...

Collections: With Ellis Smith, London; Private collection, to 2015. Literature: G.C. Williamson, John Downman A.R.A., his Life and Works, p. lviii no's. 2 and 3, p. xxxi. Exhi...

Presented in a distress effect wood frame with hand-painted motif. Signed. On board.

Signed with initials to the lower right. On wove.

Madonna and Child is a beautiful colored chalk low relief realized in the 19th Century by Anonymous Artist. Frame included: 96x70 cm. Good condition except some minor cracks and lo...

Work on paper

Mane-Katz (1894-1962) composes an ink and watercolor portrait of a Hasidic young lad. Signed upper right Mané-Katz, circa 1929. Mane-Katz was a Litvak painter born in Ukraine best known for his depictions of the Jewish shtetl in Eastern Europe. Emmanuel Mané-Katz (Hebrew:מאנה כץ), born Mane Leyzerovich Kats (1894–1962), was a Litvak painter born in Kremenchuk, Ukraine, best known for his depictions of the Jewish shtetl in Eastern Europe. Mane-Katz moved to Paris at the age of 19 to study art, although his father wanted him to be a rabbi. During the First World War he returned to Russia, at first working and exhibiting in Petrograd; following the October revolution, he traveled back to Kremenchuk, where he taught art. In 1921, due to the ongoing fighting in his hometown during the civil war, he moved once again to Paris. There he became friends with Pablo Picasso and other important artists, and was affiliated with the art movement known as the School of Paris; together with other outstanding Jewish artists of that milieu, he is sometimes considered to be part of a group referred to specifically as the Jewish School of Paris. Includes painters Jankel Adler, Arbit Blatas, Marc Chagall, Jacques Chapiro, Michel Kikoine...

Work on paper Brown wooden frame with glass pane 36 x 30 x 1.5 cm

Figure of Man is an Original Pencil Drawing realized by Augustin de Saint-Aubin (1736-1807). Good condition included a green and white cardboard passpartout (65x48 cm). No signatur...

A captivating gouache painting with watercolour by the artist John Scarland, depicting a standing ballerina. Signed and dated to the lower right-hand corner. There is a label on the ...

Colorful watercolor of Reverend Gary Davis (aka "Blind Gary Davis") by Santa Cruz artist Brian Rounds (b. 1968). Set against a bright orange background, Dav...

A charming Edwardian portrait of a smiling woman with a black hat and a bunch of daisies. The painting is unsigned, with an inscription at the reverse of the paper. One inscription is in the artist's hand reading...

In this exhibition, British painter Michael Pemberton (b. 1974) suggests we each have a personal HUMAN ATMOSPHERE. An ether where we truly exist, unseen by the naked eye but as real ...

A beautiful Art Nouveau illustration from the turn of the 20th Century, in watercolour and ink, showing a red haired maiden, surrounded by irises and daisies, in a leafy landscape. H...

Stunning use of cross-hatching. Close up this is an abstract drawing. Ink on Strathmore Bristol Board - Perfect Condition and looks better in person. Elegantly matted but not framed

Portrait of a boy is an original drawing pen realized by Anthony Roaland in 1981. Hand-signed and dated by the artist on the lower right margin. In the foreground the figure is de...

Allan Rohan Crite: 1910-2007. Well listed and important African American artist. He was born in Ne Jersey but moved at a young age to Massachusetts....

At evening. Paper/watercolor. 76x55 cm Malda Muizule Malda Muižule was born in 1937 in the family of a blacksmith. Graduated from Liepāja Applied Arts High School (1957). She conti...

A charming full length watercolour portrait of a young boy, scruffily dressed with crumpled trousers and unlaced shoes. the carries a satchel over his shoulder and scratches his head...

A beautiful mid 19th Century double portrait of two sisters, one leaning her head on her older sister's shoulder, the other leaning into her younger sibling with a supportive arm. The delicacy of the brushwork in the faces of the two girls is typical for water colorists of this period. The painting is unsigned and handsomely presented in a fine Louis XIV gilt frame...

Abstracted Cubist Egyptian Pharaoh Portrait in Pastel on Paper Brightly colored abstract portrait by Michael William Eggleston (American, 20th Centur...

A vibrant full length portrait of a young women, walking her dog through a field of dandelion on a blustery summers day. The artist has signed to the lower right-hand corner. inscrib...

A fine watercolour composition of a gentleman in a landscape. Signed, titled and dated London 1818 verso. Well presented in a brushed gilt frame, with white card mount. Glazed. On wove.

A lovely, early drawing of the Roman god Mercury. Pen and brown ink on cream laid paper, with a partial crown and shield watermark, 7 1/4 x 4 7/8 inches (184x 123 mm) (matrix). In go...

A fine watercolour full body portrait of a beautiful, young debutante in a ball gown and pearl jewelry. The young lady is descending a curved stone staircase...

Work on paper Brown wooden frame with glass pane 35.5 x 29.5 x 1.5 cm

A sensitive portrait study of a woman. Presented glazed in a wash line mount and a distressed gilt-effect wooden frame. Signed and dated to the lower-right edge. Gallery label on the...

Keun Young Park depicts the body in a state of transformation. Her works on paper show floating figures, faces, draped arms and cupped hands, which appear to be disintegrating and re...

An impressive watercolour inscribed 'Roma' to the lower right corner. Well presented in a washline mount (51 x 40cm) with a gilt slip and gilt frame. Signed. On wove.

Brightly colored abstract portrait by Michael William Eggleston (American, 20th Century). An abstracted figure is depicted as having a cat-like eye and sharp teeth, but the exact fea...

Matador 1 is a Contemporary artwork realized in 1964 by the italian Contemporary artist Leo Guida (1992 - 2017). Ink and Watercolor on paper. Hand-signed and dated on the lower lef...

'The Racing Horses', gouache on art paper (circa 1970s), by Pierre Gaillardot. France has produced some of the world’s greatest horses and riders, wi...

Garde du Corps is an original drawing in ink and watercolor realized by Herbert Knotel in 1930/40s. Good condition except for being aged. The artwork is depicted through strong lin...

Nude On The Train is a charcoal Drawing on creamy colored paper realized in 1960 by Mino Maccari in the mid-20th century. Hand-signed on the lower in pencil. Good condition on yell...

Dynamic live drawing of two musicians by Santa Cruz artist Brian Rounds (b. 1968). Drawn at a house concert in Santa Cruz, California, this piece depicts a musical duo called "The Lo...

Untitled (Man at Desk) Pen and ink on paper, 2012 Signed lower right Series: Portraits of Community: Hidden in Plain Sight, 2012 References And Exhibitions: Illustrated: Swarthmore College video for their exhibition "Hidden in Plain Sight," Jan 24- Feb 24, 2013. Born in Fort Worth in 1975, Huckaby has been creating some form of art since his childhood. In 1995, he began his formal art studies at Texas Wesleyan University in Fort Worth. After a brief stay he transferred to Boston University, where he received a BFA degree. He then earned a MFA degree from Yale University in New Haven, Connecticut. Huckaby is known for his powerful use of color and his exploration of cultural roles and the heritage of the African American family. His work has evolved from portraiture to objects and interiors that venerate his personal family legacy rooted in Fort Worth, Texas. Portraying these familiar subjects on a large scale and pushing his use of materials, Huckaby defines the significance of family and tradition while touching on the subject of ethnographic stereotypes in our culture. For the past few years he has concentrated his efforts on a series of quilt paintings. One of the series he created is a tribute to both of his Grandmothers and a celebration of the African American quilting tradition. He used the actual quilts sewn by family members as models for his paintings. These quilts document significant events in his family history. According to Huckaby, the paintings represent an artistic family legacy. The colorful, rhythmic abstracted patterns come together like the musical notes in African American musician John Coltrane's famous jazz composition, A Love Supreme, from which the painting series acquired its name. He has earned national acclaim for his work over the past several years. Huckaby has received the 2001 Louis Comfort Tiffany Award and the 2004 Joan Mitchell Foundation Painters and Sculptors Grant Program Award. More recently, he was the 2008 recipient of the prestigious Guggenheim Fellowship Award, which allowed him to travel the country and paint African-American quilts from private and public collections. Past Guggenheim Fellowship Award winners include Ansel Adams, Langston Hughes, Henry Kissinger, and Isamu Noguchi. He has exhibited at the Resource Center of African American Art in Atlanta, the Danforth Museum in Framingham, and the Studio Museum in Harlem. His work, including a painting titled Study for Little D and the Dollar, in the collection of the Whitney Museum of American Art in New York, can be found in important collections throughout the United States, including the Whitney Museum of American Art, the Museum of Fine Arts Boston, the Art Institute of Chicago, and the Minneapolis Museum of Art. Currently, Huckaby’s 18-by-14-foot oil painting Hidden in Plain Site (2011) is on view in the Amon Carter Museum’s atrium through October. Public Collections: Wichita Falls Museum of Art at Midwestern State University, American Dad African American Museum, Dallas, Texas, Grandmother’s Quilt The Amon Carter Museum of American Art, Fort Worth, Texas, The 99% - Highland Hills The Art Institute of Chicago, Chicago, Illinois, "Girl World" Study for Sustenance Installation Ball State University Museum of Art, Muncie, Indiana, "The Truth about Hip Hop" Study for Sustenance Installation Blanton Museum of Art, Austin, Texas Brandywine Workshop, Philadelphia, Pennsylvania, The 99% - Highland Hills City of Fort Worth, Fort Worth, TX, The Welcome Space Dallas/Fort Worth International Airport, Corporate Aviation, Texas, A Place Between Dallas/Fort Worth International Airport, Hyatt Regency Hotel, Texas, William Madison (Gooseneck Bill) McDonald Fort Worth Central Library, Fort Worth, Texas, Hazel Harvey Peace Portrait Grace Museum, Abilene, Texas, Cobby Harvard Art Museum, Cambridge, MA, Selection from The 99% Holdworth Center, Austin, TX, Selection from The 99% Jesuit Dallas Museum, Dallas, Texas, “Gone But Not Forgotten: Sha” Kansas African American Museum, Wichita, Kansas, Self Portrait (2) McNay Art Museum, San Antonio, Texas, Untitled (Anthony) Minneapolis Institute of Art, Minneapolis, Minnesota (Untitled) Museum of Fine Arts, Boston, Massachusetts, Enocio Museum of Texas Tech University, Lubbock, Texas, Big Momma...