Joseph Yeager

Stone Monument to a Forest Cabin, Mid-Century Landscape

c.1940s-1950s

Graceful depiction of seated nude female figure by Joseph Yeager (American, 20th Century). Unsigned, but was acquired with a collection of Joseph Yeager works directly from the estate. This piece is on heavy bond paper with ragged edges. No frame. Joseph "Joe" Yeager (American, 20th Century) was raised in Cleveland Ohio, where he went to art school at night and started his art career at 19. He was a commercial artist for the Cleveland Press...

Charming mid century watercolor landscape of a cottage in the woods, executed with phenomenal attention to detail, by Joseph Yeager (early-mid 20th Century) on heavy bond watercolor paper with ragged edges. Signed "Joe Yeager...

1838 John Ridge A Cherokee Indian and Interpreter Lithograph with Applied Watercolor The lithograph depicts John Ridge, a Cherokee interpreter, by Charles Bird King (American, 1785 - 1862), published 1838. Compared to other indian portraits in tribal regalia, King's rendering of John Ridge appears to be different. King portrayed John Ridge in Anglo-American clothing, sitting at a desk with a document and pen in hand—hinting at Ridge’s education and career as tribal leader and politician. King was known for his realistic and sensitive renderings of his sitters, and his ability to capture their physical features and attire with dignity and attention to detail. Condition: Good; tonal aging due to age; previous mat tonal aging marks Presented in new conservation mat Paper size: 19.75"H X 14"W Image size: 15"H x 10"W Mat size:24"H x 16"W John Ridge received his education at Foreign Mission School in Cornwall, Connecticut and served as clerk of the Cherokee National Council. When King painted...

1842 Wakechai (Crouching Eagle) A Saukie Indian Chief Lithograph with Applied Watercolor The lithograph depicts Wakechai, also known as Crouching Eagle, who was a member of the Sauk and Fox delegation. King renders Wakechai with exceptional detail. The Saukie Chief is adorned with fine accoutrements such as a white fur robe...

Philip Reisman paints the raw street life of New York City. Whether he's painting a barmaid or a street hobo, Reisman is a people painter. He studied at the Art Students League with ...

Original Magazine Illustration for a magazine like Harper's, Vanity Fair, Life, Look, and Judge Shinn was an American realist painter and member of the Ashcan School. He also exhibited with the short-lived group known as "The Eight," Work is framed in an attractive gilt frame Morris Weiss collection...

Robert Henri Self Portrait / Sketch on verso Estate stamped lower right Ink on paper, graphite on paper 12 1/2 x 8 inches Born Robert Henry Cozad in Cincinnati, Ohio, Robert Henri became one of the leading personalities in American art, known for his teaching skills, ethnic portraits, especially spirited children, and insistence that artists should adhere to social realism and give rein to their own artistic instincts. During his growing up years, he lived between Cincinnati and Cozad, Nebraska, founded by his father John Jackson Cozad, a gambler and real estate promoter. When Robert was about 10 years old, his family moved to Cozad in Dawson County. Tension existed between John Cozad and the established ranchers who resented development, and a rancher attacked Cozad, who in self defense shot the man to death. Fearing for his life, he, his wife and two sons sneaked out of town and re convened in Atlantic City where they disguised their identity by taking other names. The father was later cleared of the charge, but he changed his name to Richard H. Lee, and passed his two sons off as adopted children named Frank Southern and Robert Henri. Robert chose a variation of his middle name to rhyme with "buckeye" to symbolize his Ohio roots. From Atlantic City, as a young man, he attended boarding school in New York City. He, having shown early art talent, studied at the Pennsylvania Academy of Fine Arts as a student of Thomas Anschutz and Thomas Hovenden...

Stunning use of cross-hatching. Close up this is an abstract drawing. Ink on Strathmore Bristol Board - Perfect Condition and looks better in person. Elegantly matted but not frame...