Pastel Portrait Drawings and Watercolors

Medium: Charcoal, White Pastel on Canson MiTientes Paper Signature: Signed Lower Right Dimensions: 25.00" x 19.00" Unframed

Medium: Charcoal, White Pastel on Canson MiTientes Paper Signature: Signed Lower Right Dimensions: 25.00" x 19.00" Unframed

Medium: Charcoal and White Pastel on Canson MiTientes paper Signature: Signed Lower Right Dimensions: 25.00" x 19.00" Unframed

Willem DELSAUX Ixelles 1862 - 1954 Gimbergen Profile portrait of « Allah Dita »,Indian soldier of the British Indian colonial army Pastel on paper Signed lower right, dated 1918 and...

Sterner, Albert (American. 1863-1946). PORTRAIT OF HAROLD STERNER. Charcoal and pastel on paper, not dated, but 1912, as the subject is stated to be aged 17. Signed, lower right. 16 ...

Henri ROYER Nancy 1869 - 1938 Paris Woman seen from behind Pastel Monogrammed in red "HR" lower right 39 x 26 cm sheet 55 x 41 cm frame Provenance: Estate of the artist's family Pa...

Henri ROYER Nancy 1869 - 1938 Paris Portrait of a women Pastel and black pencil on paper Monogrammed in pencil "HR" on the lower right 37 x 31 cm feuille 50 x 42 cm passe partout Pr...

Dated to the lower right. Presented in a gilt frame. On paper.

Signed and dated to the lower right. Presented in a part gilt frame. On paper.

Original colored crayons and pastel drawing on paper. Hand signed and dated on front by David Hockney. Artwork size 16.75 x 14inches. Frame size approx 27 x 24 inches. Provenance...

"Everybody Kisses a Fool Sometime" is a pastel signed by Della Wells. It depicts a black woman kissing a figure wearing a white mask and a comedia del'arte costume also known as the ...

French School of the 18th century Woman portrait Pastel on paper mounted on canvas Pastel: 46.5 x 63 cm (18.3 x 24.8 inches) Frame: 57 x 71 cm (22.4 x 28 inches) Very good condition ...

Lola Carnaval Enrique Grau, Colombian (1920–2004) Date: 1992 Charcoal and Pastel, signed, titled and dated Size: 43.25 x 39.5 in. (109.86 x 100.33 cm) Frame Size: 58.25 x 52.5 inches

Portrait of an Indian woman. Drawing with black chalk, white chalk and blood. Signature to be identified. Date (19)56. A hole in the sheet on the right side, otherwise good condition...

Stunning pastel work by Paula Humphris a Cornish artist more well known now for her pottery. Signed and dated 1985. Very evocative of the Art Deco Period. very pretty ! Image size ...

A delightful pastel portrait of Jake the Golden Whippet. Presented in a complimenting contemporary frame with double card mount. Signed and titled to the lower edge and labelled to t...

Pastel on paper, signed bottom right Image size: 12 x 14 1/2 inches (30.5 x 36.75 cm) Contemporary style hand made frame This is a touching drawing of a young girl who is seen smili...

A striking head and shoulders portrait study of a man wearing a fedora and red suit. He stares straight at the viewer in an almost confrontational stance, with bright blue eyes looki...

Untitled is a contemporary arteork realized by Julio Galan in 1988. Mixed colored pastel on paper. Hand signed and dated on the higher margin. Provenanc...

Rabbi in the synagogue at prayer wearing tallit and tefillin. Hugó Scheiber (born 29 September 1873 in Budapest – died there 7 March 1950) was a Hungarian modernist painter. Hugo Scheiber was brought from Budapest to Vienna at the age of eight where his father worked as a sign painter for the Prater Theater. At fifteen, he returned with his family to Budapest and began working during the day to help support them and attending painting classes at the School of Design in the evening, where Henrik Papp was one of his teachers. He completed his studies in 1900. His work was at first in a post-Impressionistic style but from 1910 onward showed his increasing interest in German Expressionism and Futurism. This made it of little interest to the conservative Hungarian art establishment. However, in 1915 he met the great Italian avant-gardist Filippo Tommaso Marinetti and the two painters became close friends. Marinetti invited him to join the Futurist Movement. The uniquely modernist style that he developed was, however, closer to German Expressionism than to Futurism and eventually drifted toward an international art deco manner similar to Erté's. In 1919, he and his friend Béla Kádar held an exhibition at the Hevesy Salon in Vienna. It was a great success and at last caused the Budapest Art Museum to acquire some of Scheiber's drawings. Encouraged, Scheiber came back to live in Vienna in 1920. A turning point in Scheiber's career came a year later, when Herwarth Walden, founder of Germany's leading avant-garde periodical, Der Sturm, and of the Sturm Gallery in Berlin, became interested in Scheiber's work. Scheiber moved to Berlin in 1922, and his paintings soon appeared regularly in Walden's magazine and elsewhere. Exhibitions of his work followed in London, Rome, La Paz, and New York. Scheiber's move to Germany coincided with a significant exodus of Hungarian artists to Berlin, including Laszlo Moholy-Nagy and Sandor Bortnyik. There had been a major split in ideology among the Hungarian avant-garde. The Constructivist and leader of the Hungarian avantgarde, Lajos Kassák (painted by Hugó Scheiber in 1930) believed that art should relate to all the needs of contemporary humankind. Thus he refused to compromise the purity of his style to reflect the demands of either the ruling class or socialists and communists. The other camp believed that an artist should be a figurehead for social and political change. The fall out and factions that resulted from this politicisation resulted in most of the Hungarian avant gardists leaving Vienna for Berlin. Hungarian émigrés made up one of the largest minority groups in the German capital and the influx of their painters had a significant effect on Hungarian and international art. Another turning point of Scheiber's career came in 1926, with the New York exhibition of the Société Anonyme, organized by Katherine Dreier. Scheiber and other important avant garde artists from more than twenty-three countries were represented. In 1933, Scheiber was invited by Marinetti to participate in the great meeting of the Futurists held in Rome in late April 1933, Mostra Nazionale d’Arte Futurista where he was received with great enthusiasm. Gradually, the Hungarian artists began to return home, particularly with the rise of Nazism in Germany. Kádar went back from Berlin in about 1932 and Scheiber followed in 1934. He was then at the peak of his powers and had a special flair in depicting café and cabaret life in vivid colors, sturdily abstracted forms and spontaneous brush strokes. Scheiber depicted cosmopolitan modern life using stylized shapes and expressive colors. His preferred subjects were cabaret and street scenes, jazz musicians, flappers, and a series of self-portraits (usually with a cigar). his principal media being gouache and oil. He was a member of the prestigious New Society of Artists (KUT—Képzőművészek Új Társasága)and seems to have weathered Hungary's post–World War II transition to state-communism without difficulty. He continued to be well regarded, eventually even receiving the posthumous honor of having one of his images used for a Russian Soviet postage stamp (see image above). Hugó Scheiber died in Budapest in 1950. Paintings by Hugó Scheiber form part of permanent museum collections in Budapest (Hungarian National Museum), Pecs (Jannus Pannonius Museum), Vienna, New York, Bern and elsewhere. His work has also been shown in many important exhibitions, including: "The Nell Walden Collection," Kunsthaus Zürich (1945) "Collection of the Société Anonyme," Yale University Art Gallery, New Haven, Connecticut (1950) "Hugó Scheiber: A Commemorative Exhibition," Hungarian National Museum, Budapest (1964) "Ungarische Avantgarde," Galleria del Levante, Munich (1971) "Paris-Berlin 1900-1930," Centre Georges Pompidou, Paris (1978) "L’Art en Hongrie, 1905-1920," Musée d’Art et l’Industrie, Saint-Etienne (1980) "Ungarische Avantgarde in der Weimarer Republik," Marburg (1986) "Modernizmus," Eresz & Maklary Gallery, Budapest (2006) "Hugó Scheiber & Béla Kádár," Galerie le Minotaure, Paris and Tel Aviv (2007) Hugó Scheiber's paintings continue to be regularly sold at Sotheby's, Christie's, Gillen's Arts (London), Papillon Gallery (Los Angeles) and other auction houses. He was included in the exhibition The Art Of Modern Hungary 1931 and other exhibitions along with Vilmos Novak Aba, Count Julius Batthyany, Pal Bor, Bela Buky, Denes Csanky, Istvan Csok, Bela Czobel, Peter Di Gabor, Bela Ivanyi Grunwald, Baron Ferenc Hatvany, Lipot Herman, Odon Marffy, C. Pal Molnar...

Mathilde MAUJAN VAN DONGHEN (1868-1960) Portrait of a Woman with a Cigarette, circa 1910 Pastel on paper Signed "M. van Donghen" lower right 52 x 43 cm Sold in its original frame Bo...

A charming portrait depicting the bust of a soldier. Drawn in 1941, the picture was drawn at the height of World War II. Signed and dated. Presented in a gilt frame with stick and ri...

Winter Landscape is a drawing realized by Alberto Ziveri in 1947. Pastel on paper. Hand-signed. In good conditions.

This early 20th-century pastel by Herbert Johnson Harvey (1884-1928) depicts the artist dressed in traditional peasant clothing while surreptitiously whispering. Harvey carried an a...

A wonderful naive pair of 18th Century portraits of Mr and Mrs Rogers, (A pair). The details are: English school, circa 1784 Mr and Mrs Rogers Pastel on paper Inscribed with sitter...

Untitled Portrait figurative, no date. Reverse by Celso Castro-Daza Pencil and watercolor or archival paper Image size: 40 H in. x 59 in. W On the back of the painting: Desnudo con...

Poncho Jueves 26 de Mayo, "Requiem por la condesa Nubia Brashi", 2016 Pencil on archival paper Image size: 59 H in. x 40 in. W On The back of the painting: Carlos. Martes 24 de May...

Carlos. Martes 24 de Mayo, 2016 by Celso Castro Pastel on archival paper Image size: 59 H in. x 40 in. W On The back of the painting: Poncho Jueves 26 de Mayo, "Requiem por la con...

Rafael Duran Benet (1931-2015) - Sit woman - Pastel Drawing measurements 62x42 cm. Frame measurements 82x62 cm. Rafael Duran Benet (Terrassa, 1931 - Barcelona, 2015) is a Catalan painter...

An expressive pastel sketch of a young woman with dark hair. Well presented in a simple wood frame. Signed to the lower right. On paper.

A charming pastel study depicting a seated woman clasping her hands to her face. The artist captures the portrait in bold pastel colours, creating a vibrant, dynamic composition. Sig...

A charming pastel study of two blacksmiths who are father and son, both of the name of John Oddys. The artist capture them both outside of the smithy forge. Unsigned. Presented in an...

Pastel on paper Image size: 6 x 7 inches (15.25 x 17.75 cm) Mounted Peter Gardner Peter Gardner was born in London in 1921. He studied at the Hammersmith School of Art between 193...

This drawing full of freshness presents us with the profile of an elegant lady, drawn by Augustin de Saint-Aubin on a beautiful summer day in 1776, during the early months of Louis X...

The Nude is a drawing realized by Alberto Ziveri in 1938. Hand-signed. In good conditions. The artwork is represented through deft strokes masterly. Alberto Ziveri (Rome,1908 – 1...

Signed lower left, 'M. Kestor' for Mary Peterson Kestor (American, 1948-2021) and painted circa 1965. Born in Iowa, Mary Kestor first studied at the University of Northern Iowa, whe...

This enigmatic 1920's Art Deco portrait is by noted Russian born British artist Jacob Kramer. Worked in chalk/pastel on paper it is a portrait of 'Grace'. There is strong emphasis on...

'Chez Maxim's', pastel and gouache on fine art paper, by André Meurice (circa 1950s - 60s). The artist depicts the glamorous clientele at the entryway to...

This work was part of "Body Politics", the August/September 2022 exhibition marked the debut of this work in the region (New Orleans), and the first time any of these works have been...

This charming mid-19th-century pastel by Maltese artist George Bonavia (1818-1901) depicts a young British officer in uniform. Upstanding with his right...

A French art deco pastel portrait by Louis-Jean Beaupuy. The work is signed and dated bottom right. Presented in carved and gilded wood frame. Beaupuy has captured all the charm and...

A charming pastel study of a glamorous lady in a long coat and exaggerated scarf and muffs running with a long haired lurcher. Signed with a monogram to the lower right. Presented in...

A delicate, turn of the century, pastel portrait of a young french girl in a blue dress with white collar. Well-presented in a complimenting gilt and blue frame. Signed and dated to ...

Lucien-Victor Guirand de Scevola (1871-1950) Portrait of a young woman Pastel on paper 38 x 28 cm (oval) Framed under glass in a vintage framing : 45 x 35 cm A label on the back "1928 Portrait de femme Etude au pastel de Guirand de Scévola" (see photographs please) This pastel study is of course not signed, as the label on the back of the frame gives its attribution to Guirand de Scévola and, equally interestingly, the date 1928, but in fact the artist's style and execution are immediately recognisable without the need for a signature. This type of woman with a bun is typical of the models the artist loved. Her mysterious air recalls his Symbolist period, and pastel is hisr preferred medium because it lends itself to all the characteristics typical of his art. Lucien-Victor Guirand de Scévola ( 1871 – 1950) was a French painter. He was student of Fernand Cormon and Pierre Dupuis...

A charming oil pastel study of a woman seated on a daybed. She wears light, loose fitting clothing and a large straw hat. The artist captures the women in an a series of expressive m...

Bernard Nacion Untitled (DeBeers), Late 20th Century Mixed media on artist board 19 3/4 x 15 in. This illustration shows a woman wearing a sparkling diamond wedding ring, framed wit...

Wolf Kahn Melany (The Artist's Daughter), 1970 Pastel on paper painting Hand signed by Wolf Kahn on the front Unique Frame included: newly matted and framed in a museum quality wood ...

A late 20th Century watercolour and pastel drawing of machines in a landscape by British artist Paul Chambers. The painting is signed bottom right and carries an exhibition label for...

A strikingly sized and engaging three-quarter length portrait of a refined woman in an elegant green dress and pearls with her two beloved dogs on her lap. The artist has signed ille...

The Milky Way is a charcoal and pastel drawing realized by Mino Maccari (1924-1989) in 1975. Hand-signed on the lower margin. Good condition on a little paper. Mino Maccari (Sien...

Pastel on paper on canvas, initialled lower left "ND" Image size: 13 ¾ x 22 ½ inches (35 x 57 cm) Gilt frame This fine Art Nouveau picture executed around 1900, depicts an auburn ha...

Signed with initials to the lower left corner. Inscribed to the reverse. On paper.

A bright and engaging portrait of the famed comedian Victoria Wood (1953 - 2016). She wears a vibrant yellow jersey with a vivid blue stripe running across it. In the background are ...

A charming study of a Scottish boy in traditional dress. The artist captures the young boy in colourful pastel detail, showing the patterns in his uniform...

Susan Kiefer Canray and BoisSec Pastel on paper Year: 2004 Size: 19x25in COA provided Ref.: 924802-1664 Framed pastel portrait of beloved Creole musicians Canray Fontenot and BoisSe...

Faces is a linocut realized by Mino Maccari in the 1940s. 50 x 30 cm. Handisigned in the lower right part. Edition of 12 copies. Reference; Cat. Meloni , pag 367, n.1741. Good c...

Artist's Self-Portrait in Pastel on Paper Bright yellow and ochre make up this self-portrait in chalk pastels by Michael William Eggleston (American, 20th Century). Unsigned, but acquired with a collection of the artist's work. Mat size: 30"H x 24"W Paper size: 24"H x 18"W Presented in a new soft peachy cream mat with foam core backing. Michael William Eggleston (American, 20th Century) is a San Francisco...

A fine pastel portrait of brown eyed Border Collie Misty, by the well-listed animal portraitist Marjorie Cox (1915-2003). Smartly mounted in a handsome gilt-effect frame with the art...