Skip to main content
Want more images or videos?
Request additional images or videos from the seller
1 of 6

Sigmund Menkes
Expressionist Figure Study

$1,800
£1,364.45
€1,593.13
CA$2,521.29
A$2,838.15
CHF 1,501.71
MX$35,203.78
NOK 18,552.49
SEK 17,743.82
DKK 11,885.53
Shipping
Retrieving quote...
The 1stDibs Promise:
Authenticity Guarantee,
Money-Back Guarantee,
24-Hour Cancellation

About the Item

Genre: Expressionist Subject: Figures Medium: Ink Surface: Paper Dimensions w/Frame: 14 1/4" x 12 1/4" Zygmunt (Sigmund) Menkes born in Lviv (Galicia, Austro-Hungarian Empire) Polish painter of Jewish origin, born in 1896 in Lvov, died in 1986 in Riverdale, New York. Member of the École de Paris group in the 1920s and 1930s. From the beginning of 1935 he lived and worked in the United States; he was a representative of the Expressionist Colorism movement. Menkes began his artistic studies in 1912 at the Industrial School in Lviv. At the same time he worked as a restorer of rural churches. Between 1919 and 1922 he supplemented his studies at Krakow's Academy of Fine Arts and in 1922 expanded on this education and broadened his artistic skills in the private studio of Alexander Archipenko in Berlin. In 1923 Menkes settled in Paris, where he became a member of the École de Paris - a community that was primarily made up of artists hailing from Central and Eastern Europe who rented inexpensive studios in the "La Ruche" building in the Montparnasse district. Menkes developed close friendships with Eugeniusz Zak and Marc Chagall. Two years later, Menkes made the decision to settle permanently in France. He participated in a series of the city's salons, including the Salon d'Automne (1924, 1925, 1927), the Salon des Independants (1925-1928), and Tuileries Salon (1928, 1929, 1931, 1938). He presented his works in a number of Parisian galleries, among them, the Bernheim, de France, and Le Portique. In 1930 the artist traveled to the United States to present his work in Cleveland and New York. He also exhibited his paintings in Canada and England. He visited Poland frequently, spent time in Berlin in 1928, and toured Spain with Artur Nacht-Samborski in 1935, moving to the United States the same year. In 1936 Menkes had his first solo exhibition in New York at the Sullivan Gallery on 57th Street. He also worked with the Associated American Artists Gallery and the French Art Gallery, and for years was a lecturer at the Art Students League. Solo exhibitions of his work were organized by the Galerie Le Portique in Paris (1928), the Friends of Fine Arts Society in Lviv (1930), and at the Jewish Society for Support of the Fine Arts in Warsaw (1931). In Poland the artist was a member of groups with a Coloristic orientation, including Nowa Generacja (New Generation) and Zwornik (Keystone), participating in their exhibitions in Lviv (1932, 1935) and Warsaw (1935, 1938). Menkes received a series of important distinctions for his work, including the Carol H. Beck Medal of the Pennsylvania Academy of Fine Arts (Philadelphia, 1943), the Gold Medal of the Corcoran Gallery (Washington, D.C., 1947), the Andrew Carnegie Award of the National Academy of Design (New York, 1955), and the Alfred Jurzykowski Award (New York, 1967). Menkes's repertoire included figural compositions, portraits, nudes, still lifes, and landscapes. Early in his career his paintings exhibited a Fauvist aesthetic. Menkes's creative stance was especially strongly influenced by the work of Henri Matisse. Women depicted in interiors were a frequent motif; their approximated shapes were surrounded by fluid, bending contour lines that at times broke free of the color areas they surrounded. There was a decorative value in his canvasses, deriving from the inclusion of various fabric and wallpaper designs in the composition. Menkes also frequently painted scenes from the lives of the Jewry, depicting religious rituals and rabbis penetrating the words of the Torah. With time he intensified the expressiveness of his paintings, using only color patches to build forms, placing paint on canvas quickly and spontaneously. The artist's signature, signed with vigor in vermilion red, was also an important element in the structure of his compositions. Menkes's works of the late 1920s and the 1930s are compared with Chaim Soutine's Expressionistic formulas of representation. The artist drew his iconography from the Bible, saturating his religious scenes with nostalgia (Ecce Homo). His landscapes, painted in provincial towns and the mountains of southern France, emanate sensuality and demonstrate the artist's extreme sensitivity for the qualities of color and light. Menkes also created a moving series of World War II paintings depicting Jews enclosed in the Warsaw Ghetto and murdered there by the Nazis. These works were distinct for their washed out dominant blues and grays. In time the artist began to paint increasingly complicated configurations of lines, thickened line configurations, and richly textured planes. His expansive still lifes and interior scenes - often depicting the artist's studio in Riverdale, New York - were composed of balanced, multi-directional configurations of lines. Figures and objects were melded ever more precisely with backgrounds, while his color schemes, dominated by hues of blue, black and white, evoked nostalgia. Lively accents were restricted to small patches of pink and yellow. In his later works, which bordered on abstract allusions, we encounter a radical turn towards geometric forms painted in a range of intense, strong, contrasting colors. In addition to painting oils on canvas, Menkes produced gouaches, watercolors, and drawings. He also created a series of sculptures, primarily during a prolonged visit to Italy with Jacques Lipchitz. The work of Mr. Menkes, an Expressionist, won many awards and hangs in major art institutions and private collections, including the recently closed Museum of the Jeu de Paume in Paris; the Philadelphia Museum of Art; the Whitney Museum in Manhattan; the Wichita (Kan.) Museum; the Newark Museum; the Corcoran Museum in Washington; the Cranbrook Academy in Detroit; the Jewish Museum in Manhattan; the Betsalel Museum in Jerusalem, and the Tel Aviv Museum. Among the awards he received were the Clark Prize of the Corcoran Gallery, in 1941; the Carol H. Beck Medal of the Pennsylvania Academy, in Philadelphia, in 1943; the Andrew Carnegie award from the National Academy of Design, in Manhattan, in 1955, and the National Academy award for foreign painters, in 1963.
  • Creator:
    Sigmund Menkes (1896 - 1986, American, Polish)
  • Dimensions:
    Height: 14.25 in (36.2 cm)Width: 12.25 in (31.12 cm)
  • Medium:
  • Movement & Style:
  • Period:
  • Condition:
    frame has some wear.
  • Gallery Location:
    Surfside, FL
  • Reference Number:
    1stDibs: LU38211809392

More From This Seller

View All
German Expressionist Drawing, Watercolor Painting Jules Pascin Cuba Scene 1910
By Jules Pascin
Located in Surfside, FL
Genre: German Expressionist Subject: Woman, Cuban Scene Medium: watercolor paint, ink or pencil Surface: Paper This is hand signed lower right. There is an inscription at bottom e...
Category

1910s Expressionist Figurative Drawings and Watercolors

Materials

Paper, Ink, Watercolor

Expressionist Miniature Drawing Wheat Stalks American Modernist Ben Zion WPA
By Ben-Zion Weinman
Located in Surfside, FL
Expressionist ink drawing of wheat stalks There is an inscription "Happy New Year" on verso Hand signed Framed it measures 7.75 X 5.75 The actual paper is 3 X 3.5 Born in 1897, Ben-...
Category

1950s Expressionist Still-life Drawings and Watercolors

Materials

Ink

Pastel, Ink Drawing Rocks And Cloud Landscape Jewish American Modernist WPA
By Ben-Zion Weinman
Located in Surfside, FL
Miniature Landscape Provenance: Virginia Field, Arts administrator; New York, N.Y. Assistant director for Asia House gallery. (she was friends with John von Wicht and Andy Warhol) Born in 1897, Ben-Zion Weinman...
Category

Mid-20th Century Expressionist Landscape Drawings and Watercolors

Materials

Pastel, Ink, Watercolor

Abstract Drawing Watercolor Painting Totem Column Jewish American Modernist WPA
By Ben-Zion Weinman
Located in Surfside, FL
Miniature Abstract Totem. Signed with initials. Provenance: Virginia Field, Arts administrator; New York, N.Y. Assistant director for Asia House gallery. (she was friends with John v...
Category

Mid-20th Century Expressionist Abstract Drawings and Watercolors

Materials

Ink, Watercolor

Original German Expressionist Drawing Ernst Ludwig Kirchner Women Dancing
By Ernst Ludwig Kirchner
Located in Surfside, FL
Ernst Ludwig Kirchner ( Germany 1880-1938 ) Expressionist Female Women Dancing Mixed Media on Paper Drawing or Painting Expressionism Dimensions: 20" L 16" H in This bore a sticker from Christies auction house and another collection sticker verso but they have been inadvertently removed. I do have the photo. Ernst Ludwig Kirchner (1880 – 1938) was a German expressionist painter and printmaker and one of the founders of the artists group Die Brücke or "The Bridge", a key group leading to the foundation of Expressionism in 20th-century art. He volunteered for army service in the First World War, but soon suffered a breakdown and was discharged. His work was branded as "Entartete Kunst" or "degenerate" by the Nazis in 1933, and in 1937 more than 600 of his works were sold or destroyed. Ernst Ludwig Kirchner was born in Aschaffenburg, Bavaria. His parents were of Prussian descent and his mother was a descendant of the Huguenots, a fact to which Kirchner often referred. As Kirchner's father searched for a job, the family moved frequently and Kirchner attended schools in Frankfurt and Perlen until his father earned the position of Professor of Paper Sciences at the College of technology in Chemnitz, where Kirchner attended secondary school. Although Kirchner's parents encouraged his artistic career they also wanted him to complete his formal education so in 1901, he began studying architecture at the Königliche Technische Hochschule (royal technical university) of Dresden. The institution provided a wide range of studies in addition to architecture, such as freehand drawing, perspective drawing and the historical study of art. While in attendance, he became close friends with Fritz Bleyl, whom Kirchner met during the first term. They discussed art together and also studied nature, having a radical outlook in common. Kirchner continued studies in Munich from 1903 to 1904, returning to Dresden in 1905 to complete his degree. In 1905, Kirchner, along with Bleyl and two other architecture students, Karl Schmidt-Rottluff and Erich Heckel, founded the artists group Die Brücke ("The Bridge") later to include Emil Nolde, Max Pechstein and Otto Mueller. From then on, he committed himself to art. The group aimed to eschew the prevalent traditional academic style and find a new mode of artistic expression, which would form a bridge (hence the name) between the past and the present. They responded both to past artists such as Albrecht Dürer, Matthias Grünewald and Lucas Cranach the Elder, as well as contemporary international avant-garde movements. As part of the affirmation of their national heritage, they revived older media, particularly woodcut or woodblock prints. Kirchner's studio became a venue which overthrew social conventions to allow casual love-making and frequent nudity. Group life-drawing sessions took place using nude models from the social circle, rather than professionals, and choosing quarter-hour poses to encourage spontaneity. In 1911, he moved to Berlin, where he founded a private art school, MIUM-Institut, in collaboration with Max Pechstein with the aim of promulgating "Moderner Unterricht im Malen" (modern teaching of painting). This was not a success and closed the following year, when he also began a relationship with Erna Schilling that lasted the rest of his life. In 1917, at the suggestion of Eberhard Grisebach [de], Helene Spengler invited Kirchner to Davos where he viewed an exhibition of Ferdinand Hodler paintings. "When I was leaving, I thought of Vincent Van Gogh's fate and thought that it would be his as well, sooner or later. Only later will people understand and see how much he has contributed to painting". In 1921 Kirchner visited Zurich at the beginning of May and met the dancer, Nina Hard, whom he invited back to Frauenkirch (despite Erna's objections). Nina Hard would become an important model for Kirchner and would be featured in many of his works. Kirchner began creating designs for carpets which were then woven by Lise Gujer. In 1925, Kirchner became close friends with fellow artist, Albert Müller...
Category

Early 20th Century Expressionist Figurative Drawings and Watercolors

Materials

Paper, Ink

Expressionist Color Drawing Cobalt Glass Vintage Frame Modernist Ben Zion WPA
By Ben-Zion Weinman
Located in Surfside, FL
Expressionist ink and pastel crayon drawing of flowers in vase. Framed in a vintage cobalt blue glass original frame Hand signed and dated Framed it measures 13.5 X 10.5 The actual ...
Category

1950s Expressionist Still-life Drawings and Watercolors

Materials

Paper, Oil Crayon, Pastel, Ink

You May Also Like

Disegno espressionista belga del XX secolo firmato inchiostro su carta
Located in Florence, IT
il disegno è firmato JR in basso a destra e lo riporta alla mano del poliedrico artista belga Jean Raine. Egli iniziò come amico di André Breton e quindi nella corrente del surrealis...
Category

Mid-20th Century Expressionist Figurative Drawings and Watercolors

Materials

Paper, Ink

California Grizzly
By Jim Holyoak
Located in Santa Monica, CA
Photograph
Category

21st Century and Contemporary Expressionist Animal Drawings and Watercolors

Materials

Ink

Mid Century Italian Tablescape With Red Cloth, 1956, Circle of Giorgio Morandi
By Giorgio Morandi
Located in Cotignac, FR
Mid Century Italian watercolour on paper of a tablescape, signed and dated (1956) bottom right. The artist is currently unknown. Presented under glass in original, period plain woo...
Category

Mid-20th Century Expressionist Still-life Drawings and Watercolors

Materials

Paper, Ink, Watercolor

Artist and Model, colorful nude male dog monoprint chine colle
By Jenny Toth
Located in Brooklyn, NY
Woodcut and hand-painted paper collage
Category

Early 2000s Expressionist Figurative Drawings and Watercolors

Materials

Paper, Archival Ink, Mixed Media

Brown Horses
By Gustav Rehberger
Located in West Hollywood, CA
We are proud to present a just arrived series of original pen and ink and ink wash drawings by Austrian/American artist Gustav Rehberger. These works were acquired directly from the ...
Category

1940s Expressionist Animal Drawings and Watercolors

Materials

Ink

Lone Horse
By Gustav Rehberger
Located in West Hollywood, CA
We are proud to present a just arrived series of original pen and ink and ink wash drawings by Austrian/American artist Gustav Rehberger. These works were acquired directly from the ...
Category

1940s Expressionist Animal Drawings and Watercolors

Materials

Ink