Vertical Still-life Drawings and Watercolors

Work on cardboard Golden wooden frame 48 x 40 x 3.5 cm

Delicate watercolor, pen and ink floral study of Japanese irises, with brilliant attention to detail and a signature delicate style, by California artist Deborah Eddy (American, b.19...

'Glowing Peonies in Tall Vase' by master watercolorist Gary Bukovnik, who fuses sensual vitality with fluid yet powerful colorations to create floral images of great depth, intensity, and size. Internationally exhibited and celebrated worldwide, Bukovnik’s iconic works express a spiritual exultation - a joie de vivre - a vivid celebration of beauty. The painting captures the season of nature’s rebirth when the world awakes from its winter repose — Forever Spring...

300K, 100 OBVERSE LEFT "WATERMELON NOTE" From the series Currency Chinese ink on Fabriano paper 250 g. Image size: 30 cm H x 15 cm W Frame size: 43 cm H x 28 cm W x 4 cm D Tinted p...

Very fine original antique English botanical watercolour paintings depicting this beautiful depiction of a flower/ plant. The work came t...

A very fine original antique English botanical watercolour painting depicting this beautiful depiction of a flower/ plant. The work came...

This contemporary still life expressive painting, titled "Vitamins in a Bowl", is a vibrant and energetic work by French artist Natalya Mougenot. Part of her still-life series, this ...

A very fine original antique English botanical watercolour painting depicting this beautiful depiction of a flower/ plant. The work came...

Very fine original antique English botanical watercolour paintings depicting this beautiful depiction of a flower/ plant. The work came to us from a private collection in Surrey, Eng...

Treasured Gift - a single feather, original drawing created with gouache and pastel on handmade paper by Susan Manchester. 21 1/2 x 16 1/2 inches. Pro...

'Union Square Cherry Tree' watercolor on paper. Gary Bukovnik, who fuses sensual vitality with fluid yet powerful colorations to create floral images of great depth, intensity, and s...

In his hyperrealist drawing, "Paper Wasp Series No. 2," David Morrison uses colored pencil to render, in overwhelming detail, an abandoned wasp nest. He crea...

'Geraniums' by master watercolorist Gary Bukovnik, who fuses sensual vitality with fluid yet powerful colorations to create floral images of great depth, intensity, and size. Intern...

300K, 100 OBVERSE RIGHT "WATERMELON NOTE" From the series Currency Chinese ink on Fabriano paper 250 g. Image size: 30 cm H x 15 cm W Frame size: 43 cm H x 28 cm W x 4 cm D Tinted...

Very fine original antique English botanical watercolour paintings depicting this beautiful depiction of a flower/ plant. The work came to us from a private collection in Surrey, Eng...

'Resurrection lilies' watercolor on paper. Gary Bukovnik, who fuses sensual vitality with fluid yet powerful colorations to create floral images of great depth, intensity, and size. ...

Two very fine original antique English botanical watercolour paintings depicting this beautiful depiction of a flower/ plant. The work came to us from a private collection in Surrey,...

Sean Lyman is a Professor of Painting and Drawing at Missouri State University, with an extensive list of international exhibitions and work in public permanent collections including...

Van Amerige - Carrot, Year: 1969, Medium: Color Marker and Pencil Drawing, Image Size: 13.75 x 10.75 inches, Size: 22.25 x 15 in. (56.52 x 38.1 cm)

A very fine original antique English botanical watercolour painting depicting this beautiful depiction of a flower/ plant. The work came...

(Note: This work is part of our exhibition Connected by Creativity: WPA Era Works from the Collection of Leata and Edward Beatty Rowan) Watercolor...

Vibrant watercolor, pen and ink floral study of hot pink roses in full bloom, with brilliant attention to detail and a signature delicate style, by California artist Deborah Eddy (Am...

Two very fine original antique English botanical watercolour paintings depicting this beautiful depiction of a flower/ plant. The work came to us from a private collection in Surrey,...

The artist has covered New York collections for over 16 years and has interviewed, as a journalist, several fashion designers and personalities for different publications. He loves t...

Still Life is a Watercolour drawing realized by Armin Guther in 1990. Hand-signed and dated on the lower right corner. Very Good conditions The Flowers is represented through soft...

This series of works stems from the reflection on the value attributed to objects (metals and precious stones), established culturally and historically by society. By means of the tw...

Robert Kipniss (American, b. 1931) At Dawn, 1975 Pencil on paper 10 1/2 x 7 1/4 in. Framed: 14 2/3 x 11 1/3 in. Signed upper right: Kipniss '75 Verso bears Hirschl & Adler Galleries Label Robert Kipniss, painter and printmaker, was born in New York City in 1931. He creates essentially monochromatic*, stylized vistas with natural and architectural elements intended to evoke an elegiac, nearly surrealistic mood in haunting, silent landscapes; the melancholy of nostalgia. Trees, in mid and far-distance, form clusters or act as misty individuals containing a haunted, indefinable presence, witnesses to the foreground drama of more specific shape, form and detail, often a close-up tree. Kipniss studied at the Art Students League* in 1947; Wittenberg University in Springfield, Ohio, 1948-50; and the University of Iowa, receiving a BA degree in English literature in 1952, and an MFA in painting and art history in 1954. The artist employs a meticulous technique combining a multiplicity of specific strokes, whether with brush, pencil or print-maker's needle and burin*, to create the essence of his generalized, non-specific forms. Light and darkness are clearly Kipniss' compositionally constructive elements. They also exist as contestants in the emotional drama at the heart of each work of art. The contrast, and sometimes combat, between these two opposites, symbolically represent with blackness -- ideas of threat, fear, trouble, evil; with whiteness safety, redemption, fulfillment and good. In Kipniss' 1995 mezzotint*, Clear Vase and Landscape, with a foreground image of precisely leafy stalks, the vase holding them, nearly invisible in its transparency, suggests an almost Salvador Dali-like surrealist device. This central image dominates but seems to invite association with, and commentary from, the surrounding clumps and individual round-topped, yet cedar-like trees. His mezzzotint, For Stella," 1997, depicts a gently twisting, curving, pale and smoothly-barked foreground, leafless tree limb or trunk, like a female human body, suggesting weakness, fatigue, an inability to deal with the staccato background screen of textured bush that seems to uncomfortably impinge upon it. This print is arguably a metaphor for a delicate soul struggling to overcome the prickly difficulties of domineering life. The classic mezzotint process, invented in the middle of the 17th Century, is the reverse of most of the other print-making media, since the artist works from a black ground to increasingly lighter areas. The copper plate is first roughened by a "rocker," creating a burr over the entire surface (the more burr left intact, the more ink it holds, the darker the final finished print). The artist, Robert Kipniss, in this instance, gradually burnishes, smoothes down the burr in varying degrees to produce the gradations of lights and darks of the final design. The deepest darks in the final picture are those areas on the plate that have been little touched after the initial roughening. Mezzotint relies on shade and tone rather than outline for its effect, which fits the Kipniss style of atmospheric* masses of value. A recent oil painting by Robert Kipniss, Hillside Silhouettes, 2001, 40 x 29, is somewhat more complex in composition than many, with four cubically-constructed houses each set in their own zones, seemingly unrelated to one another, with receding hills and similarly isolated, increasingly misty trees beyond. In his career, Robert Kipniss has had over 40 one-man shows since the first in New York in 1951, including an important retrospective exhibition at the Associated American Artist Gallery, New York in 1977. Many of these one-man exhibitions have been mounted by over 50 museums in the United States, South America and Europe, including the Chicago Art Institute, Metropolitan Museum of Art, Museum of Modem Art, Whitney Museum of American Art, Library of Congress and British Museum in London. Robert Kipniss is represented in the permanent collections of the institutions above, among many others, as well as the Philadelphia Museum of Art; New York Public Library; Museum of Fine Arts, Boston; Detroit Art Institute; Yale University Museum; National Collection of Fine Arts, Smithsonian Institution; Museum of Fine Arts, Houston; Los Angeles County Museum of Art; Portland Art Museum; and the New Orleans Museum of Art. He was elected to the National Academy of Design* in 1980, and to the Royal Society of Painter-Printmakers, London in 1998 Robert Kipniss can be referenced in numerous publications, including Who's Who in American Art from the 1950s to the present, and multiple reviews in periodicals like Art News, Art in America and Art Forum. There are also three important catalogues raisonne published on his work. Robert Kipniss has received many awards: 1965 - Ohio University National Drawing Show, Purchase Prize 1976 - National Academy of Design, New York City, The Ralph Fabri Prize 1978 - The Print Club of Philadelphia, Charles M Lea Prize 1979 - Charlotte Printmakers Society, Purchase Award 1979 - Society of American Graphic Artists, Printmaking Award 1979 - Wittenberg University, Springfield, OH, Honorary Doctorate 1980 - Elected to the National Academy of Design, New York City 1980 - Audubon Artists, New York City, Silver Medal 1980 - National Academy of Design, New York City, The Leo Meissner...

Two very fine original antique English botanical watercolour paintings depicting this beautiful depiction of a flower/ plant. The work came to us from a private collection in Surrey,...

Very fine original antique English botanical watercolour paintings depicting this beautiful depiction of a flower/ plant. The work came to us from a private collection in Surrey, Eng...

This delicate watercolour painting depicts a beautiful still life of white magnolia and catkins flowers, arranged in a short translucent vase. The composition has been signed by the ...

GUIA FEDEX, 2022 (Framed) by Rodrigo Spinel From The Series Terms and Conditions Chinese ink on Fabriano paper 250 g. Frame size: 52 cm H x 43 cm W x 4 cm D Image size: 32 cm H x 2...

This series of works stems from the reflection on the value attributed to objects (metals and precious stones), established culturally and historically by society. By means of the tw...

Katie DeGroot A Delicate Dance, 2025 watercolor on paper 30 x 23 in. (groo123)

Roses, Violet, Line Drawing by Jeffry Mitchell, 2010 Additional information: Dimensions: 20 x 16 in About artist: Jeffry Mitchell’s primary medium is ceramic and he is well versed ...

Clausen, 2022 (Framed) by Rodrigo Spinel From The Series Terms and Conditions Chinese ink on Fabriano paper 250 g. Frame size: 44 cm H x 37 cm W x 4 cm D Image size: 32 cm H x 25 c...

The more transcendental the representation, the more it tends to evoke it through its prodigies. Such is the case of the Double standard series in the words of the artist "It is a process of visual archeology through a search for human representations conditioned by their ritual, aesthetic or utilitarian meaning where a resignification of beauty patterns is proposed, a game with female representation with its multiple meanings, functions and forms” James Bonachea...

Vibrant mid-century watercolor still-life of bright pink roses with petals falling on the table by Celia B. Michelena (American/Mexican, 1910-2006). Signed "Ce...

'Bakery, 2022' a highly collectable original watercolor by internationally acclaimed American Realist James Torlakson. The art is 24 x 18 inches and 33 x 27 inches professionally fra...

Whimsical 1970's hand painted botanical silkscreen of a spider plant by Babette Joslyn Bauman Eddleston (American, 1922-1990). This limited edition screen print has splashes of color painted in by hand. The edition number 22/270 is written lower left. It is titled "Spider Plant" and signed "Babette Eddleston...

'Neighbor's Roses' watercolor on paper. Gary Bukovnik, who fuses sensual vitality with fluid yet powerful colorations to create floral images of great depth, intensity, and size. In...

The more transcendental the representation, the more it tends to evoke it through its prodigies. Such is the case of the Double standard series in the words of the artist "It is a pr...

The more transcendental the representation, the more it tends to evoke it through its prodigies. Such is the case of the Double standard series in the words of the artist "It is a process of visual archeology through a search for human representations conditioned by their ritual, aesthetic or utilitarian meaning where a resignification of beauty patterns is proposed, a game with female representation with its multiple meanings, functions and forms” James Bonachea...

This series of works stems from the reflection on the value attributed to objects (metals and precious stones), established culturally and historically by society. By means of the tw...

GUIA DHL, 2021 (Framed) by Rodrigo Spinel From The Series Terms and Conditions Chinese ink on Fabriano paper 250 g. Frame size: 52 cm H x 43 cm W x 4 cm D Image size: 32 cm H x 25...

This delicate drawing is made with silverpoint on prepared archival board. The exploration of ephemerality, and the fragility of nature, its textures and movement, is the focus of this work by Margot Glass. The exquisite beauty of a group of simple feathers, often overlooked or considered mundane, is discovered and elevated through close examination and exquisite drawing by the artist. Signed and titled on verso and initialed on recto, lower right corner. Framed in a silver frame, 10 x 8 inches (unframed), 12 x 10 inches (framed). Glass draws with pure silver not only for the delicacy of line the metal point provides, but also for the allure of using a semiprecious metal as a drawing material. Working on an archival board allows the gleam and luster and delicate reflective silver properties of the metallic medium to present as soft and textured against the ground. The surface is primed with traditional silverpoint ground. The silverpoint ground is slightly chalky when dry to provide a subtle toothy surface to grab the silver particles. Glass is interested in the tradition of using nature as idealized ornament in art and design while seeking to carefully observe as accurately as possible in all the irregularity and imperfection. The metallic lines enhance the decorative qualities of the filigree patterns formed by the minute details in each object. Her compositions are tightly cropped to bring the subject as close to the edge of the picture plane as possible. Margot Glass’s work been exhibited widely in the United States and internationally. Glass’s education includes studies in the Brown/RISD Exchange Program, Brown University...

The artist has covered New York collections for over 16 years and has interviewed, as a journalist, several fashion designers and personalities for different publications. He loves t...

Whimsical 1970's hand painted botanical silkscreen of baby's tears plant by Babette Joslyn Bauman Eddleston (American, 1922-1990). This limited edition screen print has splashes of color painted in by hand. The edition number 96/270 is written lower left. It is titled "Baby's Tears" and signed "Babette Eddleston...

Vase at Dusk - Expressionist Still Life Original Oil Painting by Wright Brightly colored flowers sit in a vase on a table against hues of dark green giving the feel of darkness cree...

Jonas Wood Original basketball drawing bound in monograph (Hand Signed Book), 2017 Original drawing. hand signed and dated. held in limited edition hardback monograph. Boldly signed ...

'Roses' original watercolor painted in 2021 in mainly red with pink, green and blue, from Cleveland-born and educated Gary Bukovnik who has lived in California for over 40 years. Buk...

'Camellia' watercolor on paper. Gary Bukovnik, who fuses sensual vitality with fluid yet powerful colorations to create floral images of great depth, intensity, and size. Internatio...

Ink and watercolor drawing realized by Gabriel Fourmantraux (1886-1984) in 1930s. Matted, mat dimensions cm. 45x24. Very good condition. Gabriel Fourmantraux was an important fren...

Fortuny Rose, original drawing created with Conté & Pastel on Fabriano watermarked, handmade paper, by Susan Manchester. Museum quality frame included...

Andy Warhol (1928-1987) is arguably the most important American artist of the 20th century. He not only defined Pop Art, but has had an unrivalled and lasting influence on artists an...

'Tall Iris no.1' original watercolor painted in 2021 in brilliant and subtle shades of red and orange from Cleveland-born and educated Gary Bukovnik who has lived in California for o...

50000 Reverso Izquierdo (Framed) by Rodrigo Spinel From The Series Paper money is white Chinese ink on Fabriano paper 250 g. Image size: 29.7 cm H x 14 cm W Frame size: 41 cm H x ...

French Landscape by Bernard Labbe (French mid 20th century) original watercolour on artist paper, unframed size: 11.75 x 8 inches condition: very good and ready to be enjoyed. prov...

André Masson (1896-1987) Surrealistic flower Original colour pencil drawing Signed with the artist's stamp on the back (see photo) On 30.5 x 29 cm tracing paper (11.8 x 11.4 inche...