Vertical Still-life Drawings and Watercolors

Marilla Palmer Mellow Yellow, 2025 watercolor, sequins, pressed petals, Durabrite prints, stitching on Arches cold press paper 30 x 22 in. (pal254) Marilla Palmer lives and works i...

Ink on tracing paper Hand-signed and dated lower left

'Resurrection lilies' watercolor on paper. Gary Bukovnik, who fuses sensual vitality with fluid yet powerful colorations to create floral images of great depth, intensity, and size. ...

Robert Kipniss (American, b. 1931) At Dawn, 1975 Pencil on paper 10 1/2 x 7 1/4 in. Framed: 14 2/3 x 11 1/3 in. Signed upper right: Kipniss '75 Verso bears Hirschl & Adler Galleries Label Robert Kipniss, painter and printmaker, was born in New York City in 1931. He creates essentially monochromatic*, stylized vistas with natural and architectural elements intended to evoke an elegiac, nearly surrealistic mood in haunting, silent landscapes; the melancholy of nostalgia. Trees, in mid and far-distance, form clusters or act as misty individuals containing a haunted, indefinable presence, witnesses to the foreground drama of more specific shape, form and detail, often a close-up tree. Kipniss studied at the Art Students League* in 1947; Wittenberg University in Springfield, Ohio, 1948-50; and the University of Iowa, receiving a BA degree in English literature in 1952, and an MFA in painting and art history in 1954. The artist employs a meticulous technique combining a multiplicity of specific strokes, whether with brush, pencil or print-maker's needle and burin*, to create the essence of his generalized, non-specific forms. Light and darkness are clearly Kipniss' compositionally constructive elements. They also exist as contestants in the emotional drama at the heart of each work of art. The contrast, and sometimes combat, between these two opposites, symbolically represent with blackness -- ideas of threat, fear, trouble, evil; with whiteness safety, redemption, fulfillment and good. In Kipniss' 1995 mezzotint*, Clear Vase and Landscape, with a foreground image of precisely leafy stalks, the vase holding them, nearly invisible in its transparency, suggests an almost Salvador Dali-like surrealist device. This central image dominates but seems to invite association with, and commentary from, the surrounding clumps and individual round-topped, yet cedar-like trees. His mezzzotint, For Stella," 1997, depicts a gently twisting, curving, pale and smoothly-barked foreground, leafless tree limb or trunk, like a female human body, suggesting weakness, fatigue, an inability to deal with the staccato background screen of textured bush that seems to uncomfortably impinge upon it. This print is arguably a metaphor for a delicate soul struggling to overcome the prickly difficulties of domineering life. The classic mezzotint process, invented in the middle of the 17th Century, is the reverse of most of the other print-making media, since the artist works from a black ground to increasingly lighter areas. The copper plate is first roughened by a "rocker," creating a burr over the entire surface (the more burr left intact, the more ink it holds, the darker the final finished print). The artist, Robert Kipniss, in this instance, gradually burnishes, smoothes down the burr in varying degrees to produce the gradations of lights and darks of the final design. The deepest darks in the final picture are those areas on the plate that have been little touched after the initial roughening. Mezzotint relies on shade and tone rather than outline for its effect, which fits the Kipniss style of atmospheric* masses of value. A recent oil painting by Robert Kipniss, Hillside Silhouettes, 2001, 40 x 29, is somewhat more complex in composition than many, with four cubically-constructed houses each set in their own zones, seemingly unrelated to one another, with receding hills and similarly isolated, increasingly misty trees beyond. In his career, Robert Kipniss has had over 40 one-man shows since the first in New York in 1951, including an important retrospective exhibition at the Associated American Artist Gallery, New York in 1977. Many of these one-man exhibitions have been mounted by over 50 museums in the United States, South America and Europe, including the Chicago Art Institute, Metropolitan Museum of Art, Museum of Modem Art, Whitney Museum of American Art, Library of Congress and British Museum in London. Robert Kipniss is represented in the permanent collections of the institutions above, among many others, as well as the Philadelphia Museum of Art; New York Public Library; Museum of Fine Arts, Boston; Detroit Art Institute; Yale University Museum; National Collection of Fine Arts, Smithsonian Institution; Museum of Fine Arts, Houston; Los Angeles County Museum of Art; Portland Art Museum; and the New Orleans Museum of Art. He was elected to the National Academy of Design* in 1980, and to the Royal Society of Painter-Printmakers, London in 1998 Robert Kipniss can be referenced in numerous publications, including Who's Who in American Art from the 1950s to the present, and multiple reviews in periodicals like Art News, Art in America and Art Forum. There are also three important catalogues raisonne published on his work. Robert Kipniss has received many awards: 1965 - Ohio University National Drawing Show, Purchase Prize 1976 - National Academy of Design, New York City, The Ralph Fabri Prize 1978 - The Print Club of Philadelphia, Charles M Lea Prize 1979 - Charlotte Printmakers Society, Purchase Award 1979 - Society of American Graphic Artists, Printmaking Award 1979 - Wittenberg University, Springfield, OH, Honorary Doctorate 1980 - Elected to the National Academy of Design, New York City 1980 - Audubon Artists, New York City, Silver Medal 1980 - National Academy of Design, New York City, The Leo Meissner...

'Tall Tulips' original watercolor painted in 2021 in subtle shades of pink with hints of yellow in a clear blue vase from Cleveland-born and educated Gary Bukovnik who has lived in California for over 40 years. Bukovnik’s art conveys a monumental quality. Primarily using the mediums of watercolor, monotype, and lithograph, Bukovnik fuses sensual vitality with fluid yet powerful colorations, creating floral images of great depth and intensity. The paper is 40 x 20 inches. Ships flat and unframed. Although professional framing is available upon request. This is a stunning and wonderful work of art from Gary Bukovnik. In 2003 and 2005, the American Academy in Rome invited Bukovnik to attend the academy as a Visiting Artist and provided him with a room and studio for six weeks. In 2001, he was selected to create a poster for the prestigious List Collection, which creates posters to commemorate programs at Lincoln Center for the Performing Arts in New York. Lincoln Center past contributors have included Roy Lichtenstein, Andy Warhol, Robert Motherwell, Helen Frankenthaler, Alex Katz, Elizabeth Murray, and Donald Sultan. Solo exhibitions include Caldwell Snyder Gallery in San Francisco and in St. Helena, CA; Trajan Gallery in Carmel, CA; Campton Gallery in New York City; Concept Gallery in Pittsburgh, PA; Elins Eagles-Smith Gallery and A.C.T. Gallery in San Francisco, the Bonfoey Gallery in Cleveland and the Erickson Fine Art Gallery in Healdsburg. Other recent exhibitions have been organized by the Butler Institute of American Art, Youngstown, Paula Brown Gallery, Toledo, Neuhoff Gallery, New York; Lisa Kurts Gallery, Memphis; Irving Galleries, Palm Beach; Galerie Kutter, Luxembourg; the Southern Alleghenies. Museum of Art, Johnstown, Pennsylvania; Chin Show Cultural Center, Taipei; Takashimaya, Tokyo; the Hunt Institute for Botanical Documentation, Carnegie Mellon University, Pittsburgh; and Brevard Museum of Art, Melbourne, Florida. Among the artwork displayed at the Brevard Museum of Art was a tapestry based on a Bukovnik watercolor and hand-woven in Aubusson, France by Atelier Raymond Picaud, weavers since the eventeenth century. Atelier Raymond Picaud has been at the forefront of progressive tapestry firms since the 1930s, focusing on images of modern artists such as Alexander Calder, Georges Braque, and Helen Frankenthaler. Bukovnik’s watercolors and monotypes are the subject of Flowers: Gary Bukovnik Watercolors & Monotypes, published by Harry N. Abrams, New York. This book includes a foreword by James J. White, curator at the Hunt Institute for Botanical Documentation; an interview with the artist by Robert Flynn Johnson, curator at the Fine Arts Museums of San Francisco; and an essay about Bukovnik and the depiction of flowers in art...

Margot Glass's graphite drawing on black heavyweight paper transforms delicate dandelions into luminous, ghost-like forms. Each fine line is meticulously drawn, creating a richly det...

Disney Legend Mary Blair was also a commercial illustrator for national brands such as Maxwell House Coffee and Beatrice Foods, and two complete national campaigns for Pall Mall ciga...

Margot Glass’s rendering of detail demands close attention. Her play with positive and negative space—the almost imperceptible shade of translucence between leaf veins, or the rich p...

'Large Calla Lily' watercolor on paper. Gary Bukovnik, who fuses sensual vitality with fluid yet powerful colorations to create floral images of great depth, intensity, and size. In...

Marilla Palmer Kissing the Stamen, 2025 watercolor, sequins, pressed petals, Durabrite prints, stitching on Arches cold press paper 30 x 22 in. (pal255) Marilla Palmer lives and wo...

Roses Still Life Watercolor by M Boyer Cooper 1915 Water of bouquet of Roses by California artist M Boyer Cooper circa 1915. (aunt of Opal Nelson Dean). Signed lower right "M. Cooper...

Charles Demuth was one of the most complex, talented, and deeply sensitive artists of the American modern period. Whether he was painting floral still lifes, industrial landscapes, or Turkish bathhouses, art was, for Demuth, fraught with personal meaning. A fixture of the vanguard art scene in New York, Demuth navigated the currents of Modernism, producing some of the most exquisite watercolors and original oil paintings in twentieth-century American art. Demuth was born in Lancaster, Pennsylvania, the only child of a well-to-do family. He had an awkward and introverted childhood shaped by a childhood illness, Perthes, a disease of the hip that not only left him permanently lame, but, as part of the “cure,” bedridden for two years in the care of his mother. This long period of incapacitation had a deep impact on Demuth, who came to see himself as an invalid, an outsider who was different from everyone else. It was perhaps during this period of indoor confinement that his keen interest in art developed. Several relatives on his father’s side had been amateur artists, and, following his convalescence, his mother encouraged his artistic pursuits by sending him to a local painter for instruction. The majority of his early pictures are of flowers, a subject for which Demuth maintained a lifelong passion. Following high school, Demuth enrolled at the Drexel Institute of Art in Philadelphia, a school renowned for its commercial arts program. He advanced through the program rapidly, and, in 1905, at the encouragement of his instructors, he began taking courses at the Pennsylvania Academy of the Fine Arts. The two leading teachers then at the Academy were William Merritt Chase and Thomas Anshutz. Anshutz, himself a former student of Thomas Eakins, was well liked by his students, and is best known as the teacher of Robert Henri, John Sloan, and several of the other artists of the Ashcan School. Demuth, too, adopted a similar idiom, working in a controlled, realistic manner while at the Academy, where he remained until 1910. In 1907, Demuth made his first trip to Europe, staying in Paris. He spent time on the periphery of the art scene composed of the numerous American artists there, including John Marin and Edward Steichen. He returned to Philadelphia five months later, and immediately resumed courses at the Academy. Despite his introduction to advanced modern styles in Europe, Demuth’s work of this period retains the academic style he practiced before the trip. It wasn’t until he had summered at New Hope, Pennsylvania, in 1908 and 1911, that his style began to evolve. New Hope was a prominent American Impressionist art colony whose members were largely affiliated with the Pennsylvania Academy. Demuth dropped the conservative tone of his style and adopted a freer and more colorful palette. Although he remained based in Philadelphia, Demuth frequently went to New York during this period. Many of the same American artists of the Parisian art scene Demuth had encountered on his earlier European trip now formed the nucleus of New York’s avant-garde, which centered around Alfred Stieglitz’s 291 gallery. It wasn’t long before Demuth began to apply modernist-inspired strategies to his work. He was particularly influenced by the watercolor work of John Marin, also a former student of Anshutz, whose bold use of color in the medium Demuth freely adapted into looser washes of color. In 1912, Demuth again left for Paris, this time studying in the Académie Moderne, Académie Colorossi, and Académie Julian. In Paris Demuth met the American modernist Marsden Hartley. Hartley, a principal figure in the expatriate art circle, acted as a mentor to Demuth, and introduced him to the wide array of modern styles currently practiced in Europe. Hartley also introduced Demuth to many of the members of the Parisian avant-garde, including Gertrude Stein. Demuth was an aspiring writer, and he spent many hours in conversation with Stein. He wrote extensively during this period, and published two works shortly after his return to America. He also developed an interest in illustrating scenes from literary texts. From 1914 to 1919, Demuth produced a series of watercolors of scenes from books such as Emile Zola’s Nana and Henry James’s The Turn of the Screw. Upon his return to America, Demuth settled in New York. In 1914, Demuth had his first one-man show at Charles Daniel’s gallery, which promoted emerging modern American artists, including Man Ray, Rockwell Kent, Yasuo Kuniyoshi, Stuart Davis, and Max Weber. Demuth drew closer to the artistic vanguard in New York, becoming friends with many in the Stieglitz and Daniel circles, including Georgia O’Keeffe, Marcel Duchamp, Carl Van Vechten, and Edward Fiske. New York’s cosmopolitan atmosphere and active nightlife appealed greatly to Demuth. In a sketchy style well suited to watercolor, he painted many vaudeville and circus themes, as well as nightclub, café, and bathhouse scenes. Often with Duchamp, Demuth took part in an urban subculture replete with nightclubs, bars, drugs, and sexual permissiveness, which, for a homosexual artist like himself, allowed room for previously unattainable personal expression. Demuth’s pictures of sailors, bathhouses, and circus performers embody a sensual and sexual undercurrent, expressing the artist’s sense of comfort and belonging in the bohemian subculture of New York. Simultaneously, Demuth deepened his interest in floral pictures, painting these almost exclusively in watercolor. His style evolved from the broad color washes of his earlier pictures to more spare, flattened, and sinuous compositions, inspired by the drawings of Aubrey Beardsley and other artists of the Aesthetic Movement. Demuth’s flower watercolors are moody and atmospheric, sensuous and elegant, introspective and yet full of expressive power. Moreover they are beautiful, and are unequivocally among the finest still lifes in American art. Despite numerous subsequent artistic undertakings that led him in a variety of directions, Demuth never stopped painting flower pictures, ultimately adding fruits and other still-life objects to his repertoire. In 1916, Demuth began to develop a style later known as Precisionism, a form of landscape painting infused with Cubism, in which space is divided into precisely drawn geometric regions of color. Demuth first began to paint the landscape in an appropriated Cubist mode while on a trip with Hartley to Bermuda. In these early landscapes, in which the curvilinear forms of trees intersect the geometrically articulated architectural forms, Demuth explored ideas that shaped the future development of modernism in America. The full realization of Demuth’s explorations came after his return to America in 1917, when he turned his attention to industrial subjects. These works derive from a “machine aesthetic,” espoused by New York artists such as Francis Picabia, Joseph Stella, Albert Gleizes, and Duchamp, by which artists viewed machines as embodying mystical, almost religious significance as symbols of the modern world. Rather than painting the skyscrapers and bridges of New York as did most of his like-minded contemporaries, Demuth returned to his home town of Lancaster, where he painted factories and warehouses in a Precisionist idiom. The titles for these pictures are often contain literary references, which serve as clues for the viewer to aid in the decoding of the artist’s meaning. In 1923, Demuth planned a series of abstract “poster portraits” of his friends and contemporaries in the New York art and literary scene. In these “portraits,” Demuth combined text and symbolic elements to evoke the essential nature of his sitters’ distinguishing characteristics. In this fashion, he painted portraits of such artists as Georgia O’Keeffe, John Marin, and Arthur Dove. His most famous poster portrait, I Saw the Figure 5 in Gold...

Katie DeGroot So Natural, 2025 watercolor on paper 40 x 25 in. (groo126)

“Four Dandelions” is an exquisite graphite drawing on black paper by contemporary artist Margot Glass, known for her meticulous botanical renderings. This artwork captures a cluster ...

This painting featuring blooming irises in the garden is an exquisite example of expressive abstraction that immediately captivates the viewer with its dynamic brushstrokes and vivid...

Watercolor on heavy paper realized by Carlo Ravagnan in 1970s. Hand signed lower right. Excellent condition. Carlo Ravagnan was born in Udine on September 4, 1911, died in Venice ...

White Roses in a Glass Stem Vase by Henri Miloch (1898-1979) signed lower left watercolour painting on artist's paper, unframed sheet: 13.5 x 9.75 inches Very pretty still life pa...

This is a beautiful expressionist style drawing by Juanjo Saez. Juanjo's pictorial work is an exploration of color, texture, and movement, creating vibrant compositions that capture ...

Katie DeGroot Nope, 2025 watercolor on paper 40 x 26 in. (groo125)

Gold and Diamanté Leaf Duo Jewelry Design circa mid 20th century by Paul Touzet (French b. 1917) stamped with the designers print original gouache painting, with pencil on tracing pa...

Joe Brainard Eucalyptus Leaves/Bolinas, 1971 Collage on thin board (with original labels from Fischbach Gallery, The Denver Art Museum and University...

Very fine original antique English botanical watercolour paintings depicting this beautiful depiction of a flower/ plant. The work came to us from a private collection in Surrey, Eng...

Maria C. Bernhardsson is a colorful artist who lives and paints in Sweden. Most of her works are influenced by the architecture and geometry of houses. Bernhardsson travels the world...

Howard Halbert (Born 1957) Texas Artist Image Size: 20 x 14 Frame Size: 30 x 24 Medium: pencil on paper "More Than Pretty" HALBERT - Biography Halbert was born and raised in North Ce...

'Roses in a Blue Vase' by master watercolorist Gary Bukovnik, who fuses sensual vitality with fluid yet powerful colorations to create floral imag...

Unsigned. Presented in a gilt frame and wash-line mount. On paper.

Xiao Wen Xu is a Chinese-born Canadian artist based in Toronto, Canada, Her artistic practice is deeply influenced by her profound appreciation for the nat...

Maria C. Bernhardsson is a colorful artist who lives and paints in Sweden. Most of her works are influenced by the architecture and geometry of houses. Bernhardsson travels the world photographing and sketching houses to use as inspiration for her canvas and paper artworks. Within her artworks, Bernhardsson plays with the colors and shadows of individual houses in conjunction with the overall feeling of gazing at a collection of these buildings. She then adds playful details such as flowers and animals to make the houses feel more like homes. This 28-inch high by 20-inch wide one-of-a-kind original mixed media and collage artwork on paper is signed by the artist near the lower right corner. This artwork is unframed. Affordable Continental U.S. and worldwide shipping available. A certificate of authenticity issued by the art gallery is included with this unique artwork. Even with her focus on bold colors and combinations, all of her artworks convey a level of warmth, comfort, and familiarity. The abstract layering of the subjects within her artworks create the ambiguity which leads to the nearly universal familiarity. Maria often paints in strong colors, in many nuances, and a lot of layers. She describes it like this: “The colorway is very important to me when I paint. I love to combine as many colors as possible at the same time. Contrasts, strong colors/ bright pastels, plain/structured, dark/bright in a cubistic, skewed, dreamy, and naive way.” Artspace Warehouse has been representing and exhibiting Maria C Bernhardsson's original artworks since 2018. The gallery has been a 1stdibs partner since 2014 with consistently excellent reviews from clients worldwide. The gallery exhibits a large selection of affordable original artworks from established and emerging international artists with diverse backgrounds at high standards. Artspace Warehouse is known to provide accurate descriptions, images, reliable services, communication, and delivery. REPRESENTATION Artspace Warehouse, Los Angeles, CA EXHIBITIONS 2024 Affordable Art Fair New York, NY Affordable Art Fair Austin, TX 2023 “Urban Ecologies: Cities Are Built for Art” Artspace Warehouse, Los Angeles, CA 2022 Affordable Art Fair New York Partille Castle, Partille, Sweden 2021 Artspace Warehouse, Los Angeles, CA Affordable Art Fair New York 2020 LA Art Show, Los Angeles, CA Art Palm Springs, Palm Springs, CA Affordable Art Fair New York 2019 Affordable Art Fair Hong Kong Artspace Warehouse, Los Angeles, CA Affordable Art Fair New York Kunstwarenhaus, Zurich, Switzerland 2018 Partille Castle, Partille, Sweden Galleri Puckeln, Stockholm, Sweden 2017 River City Gallery, Gothenburg, Sweden Konstriket, Sävedalen, Sweden Nääs fabriker, Tollered, Sweden 2016 Konstriket, Sävedalen, Sweden 2015 Galleri Arken, Gothenburg, Sweden 2014 Nääs fabriker, Tollered, Sweden Galleri Löfström, Hagfors, Sweden Galleri Arken, Gothenburg, Sweden Konstriket, Sävedalen, Sweden The Nordic Council of Ministers, Copenhagen, Denmark 2013 Swedish television SVT, Galleri Media, Gothenburg, Sweden Konstriket, Sävedalen, Sweden 2012 Kulturhallen, Mölndal, Sweden Konstriket, Sävedalen, Sweden 2011 Galleri Backlund, Gothenburg, Sweden 2009 Partille Castle, Partille, Sweden 2007 Särö Konstgalleri, Särö, Sweden Galleri Saltön, Grundsund, Sweden TV & FILM ROAR, Apple TV...

Wonderful watercolor depicting a plant/flower. These were used at a Belgium University to teach the students about botany. Dating from the early 20th century. They are watercolor on ...

Margot Glass's graphite drawing on black heavyweight paper transforms delicate dandelions into luminous, ghost-like forms. Each fine line is meticulously drawn, creating a richly det...

'SF Symphony Still Life #4' by master watercolorist Gary Bukovnik, who fuses sensual vitality with fluid yet powerful colorations to create floral images of great depth, intensity, and size. Internationally exhibited and celebrated worldwide, Bukovnik’s iconic works express a spiritual exultation - a joie de vivre - a vivid celebration of beauty. The painting captures the season of nature’s rebirth when the world awakes from its winter repose — Forever Spring...

Watercolor on heavy paper realized by Carlo Ravagnan in 1960s. Hand signed and dated lower right. Excellent condition. Carlo Ravagnan was born in Udine on September 4, 1911, died ...

"500 Calories al mode" The Perfect Meal - Menu - Dessert - Collograph Watercolor The artwork "500 Calories al mode" by Betty Swift, created one of a group show at San Francisco Stat...

Oval Floral Watercolor watercolour on artist paper, stuck on black paper painting: 12.75 x 10 inches provenance: private collection condition: very good and sound condition

Mid-century French watercolor painting of red tulips in vase against blue/purple background by artist Madeleine Scali, circa 1960. Original ...

A delicate and harmonious symphony of color, this watercolor by Evelyn S. Dubiel presents a beautifully arranged ring of flowers, each petal brought to life with fluid brushstrokes a...

Watercolor on heavy paper realized by Carlo Ravagnan in 1991. Hand signed lower left. Excellent condition. Carlo Ravagnan was born in Udine on September 4, 1911, died in Venice in...

“Dandelion Group” is an exquisite graphite drawing on black paper by contemporary artist Margot Glass, known for her meticulous botanical renderings. This artwork captures a cluster ...

A delightful depiction of vibrant red anthurium lilies on blue textile. Signed to the lower right. Presented in a black wooden frame. On paper.

Medium: Pencil on paper Size: 8 inches (height) x 5 inches (width) Signed: No Condition: Good condition, with slight wear on the edges Provenance: From the artist's estate Descript...

British-born, New Jersey-based, George Drittler was primarily know for landscapes. In this still life that expansive approach serves him well. Richly drawn, with pottery, books and a...

Signed lower right, 'C.A. Bartels' for Cornelius Anton Bartels (Dutch, born 1890) and painted circa 1945. A still-life with a sculpture of the Daoist immortal, Liu Haichan, with a b...

Xiao Wen Xu is a Chinese-born Canadian artist based in Toronto, Canada, Her artistic practice is deeply influenced by her profound appreciation for the nat...

Artist David Morrison creates hyperrealistic, finely detailed pencil drawings of found natural objects, both by observing the object itself under magnification, and also by working f...

'Roses and Agapanthus' original watercolor painted in 2021 in beautiful shades of pinks and blues from Cleveland-born and educated Gary Bukovnik who has lived in California for over ...

This series of works stems from the reflection on the value attributed to objects (metals and precious stones), established culturally and historically by society. By means of the tw...

Drawing size: 50 x 37.5 cm Paper size: 74 x 58 cm Sara Menon was born in 1985 in Palmanova and lives and works in Aquileia, in the province of Udine. She specialized in the restoration of paintings and wooden sculptures in Mantua, a profession she still pursues today, while continuing to experiment with other art forms such as painting, sculpture and illustration. Her passion and activity as a naturalistic and scientific illustrator began in 2002, when she collaborated with medical examiner Gianpiero Ceci, producing a series of anatomical-surgical plates to accompany her publications, mainly related to the field of obstetrics and gynecology. In 2010, through the European Institute of Design in Milan, she had the opportunity to meet and get to know the illustrator Massimo Demma, who allowed her to refine the method and painting techniques used in scientific investigation and the rendering of natural data, as well as further knowledge in the field of naturalistic illustration. She had the opportunity to publish some naturalistic plates for the publishing house Il Prato...

Watercolor on heavy paper realized by Carlo Ravagnan in 1969. Hand signed and dated lower left. Signed also on rear. Excellent condition. Carlo Ravagnan was born in Udine on Septe...

A French Art Deco illustrative drawing, hand painted in ink and gouache on blue laid paper. The design includes a collection of fashion accessories, handbags, gloves, hats, and perfu...

This watercolour is hand signed and dated in pencil by the artist "Heckel 48" [1948] in the lower right image. It is also hand titled in pencil “Gelbe Blüten” [Yellow Flowers] in th...

Very fine original antique English botanical watercolour paintings depicting this beautiful depiction of a flower/ plant. The work came to us from a private collection in Surrey, Eng...

Movies, TV and magazines are constant source of inspiration. Fame, as fleckring and shallow it can be sometimes, is very intriguing to him. The worlds of fashion, society and pop cu...

'Yellow tulips in a tall vase 1' watercolor on paper. Gary Bukovnik, who fuses sensual vitality with fluid yet powerful colorations to create floral images of great depth, intensity,...

A charming still life study depicting white freesias against a floral patterned curtain. Unsigned. Well presented in a simple wooden frame. On paper.

Original drawing by Elizabeth McGhee Elizabeth McGhee (b. 1985, Southern California) completed her BFA in 2009 at the Laguna College of Art and Design, Laguna Beach, CA. She continu...

'Romantic Composition is a tall vase' by master watercolorist Gary Bukovnik, who fuses sensual vitality with fluid yet powerful colorations to create floral images of great depth, i...

A very fine original antique English botanical watercolour painting depicting this beautiful depiction of a flower/ plant. The work came to us from a private collection in Surrey, En...

Artist/ School: English/ American School, 19th century, circa 1860's. Title: Isabella Grapes on the vine. Interesting inscription telling the history of the drawing and how the orig...

A very fine original antique English botanical watercolour painting depicting this beautiful depiction of a flower/ plant. The work came to us from a private collection in Surrey, En...