Vertical Still-life Drawings and Watercolors

Signed LR Recognized as one of America’s leading etchers and watercolorists during the early twentieth century, Sears Gallagher depicted a variety of subjects ranging from New England landscapes and European subjects to views of Monhegan Island, Maine. Born in Boston in 1869, Gallagher has impressive family lineage extended back to the Pilgrim fathers and to the first Governor Bradford. He began his art education locally, studying drawing with the Italian artist, Tomasso Juglaris, and watercolor painting with the Samuel P.R. Triscott. He made his first submission to the annual exhibitions at the Boston Art Club in 1887, exhibiting a drawing entitled "Evening News." Gallagher later refined his skills at the Académie Julian in Paris, working under Benjamin Constant and Jean-Paul Laurens during 1895-96. During his three-years abroad (1894-96), he made summer visits to popular artists’ colonies such as Grèz-sur-Loing, where he painted and sketched en plein air. He also spent time in Italy and England. Gallagher began his career in Boston, working as an artist-reporter for a local newspaper and illustrating textbooks for the publishing firm of Ginn and Company. However, by the early 1900s he had established himself as a professional artist specializing in etchings and watercolors. By 1920, he had produced 138 etchings of the historic streets and landmarks of Boston, such as Copley Square, the Old State House, and Trinity Church. He was also fond of marines, producing etchings as well as oil and watercolor views of Monhegan Island, Maine, where he spent his summers, as well as Plymouth and Nantucket on Cape Cod. His work includes landscapes painted during autumn trips to Jackson, New Hampshire, as well as views of New York, Venice and England’s Cornish seacoast. Gallagher exhibited at the major national annuals in United States, and had several solo shows at Doll and Richards Gallery in Boston. His work also appeared at the Paris salons and at the Paris Exposition of 1900. Gallagher’s memberships included the Guild of Boston Artists, the Boston Society of Water Color Painters, the Brooklyn Society of Etchers and the Chicago Society of Etchers. He won several awards and prizes, among them the Logan Prize for etching at the Art Institute of Chicago in 1922 and the City of Boston Tercentenary medal...

A Collection of Botanical Watercolours: Drawings of British Plants Emily Stackhouse (1811-1870) perfectly illustrates the Victorian fascination with the countryside in this remark...

Lois Field (Am. 1923 - 2010) Untitled Gouache and graphite on board, 1947 11 3/4” x 9” Signed and dated Lois Field ‘47, lower left Provenance The artist, Webster Groves, MO (ca. 200...

A Collection of Botanical Watercolours: Drawings of British Plants Emily Stackhouse (1811-1870) perfectly illustrates the Victorian fascination with the countryside in this remark...

11"x14" pen and ink painting on paper with depicting a flower and vines with planks of wood with nails and a defined wood grain. This drawing pairs elemen...

11"x14" pen and ink painting on paper with depicting long stemmed flowers and planks of wood with a defined wood grain. This drawing pairs elements of man...

ink and watercolor on paper, 30"x 26" This painting is from as series of ink and watercolor paintings that depict ad-hoc structures, similar to tree houses or forts. The ...

Available unframed ink on paper, 8"x10" Jesse Lambert was born in Hudson, NY and grew up in rural New Hampshire and New York City. Jesse received a BFA from Cooper Union and a MF...

Signed (at lower right): FJK [partial]

A Collection of Botanical Watercolours: Drawings of British Plants Emily Stackhouse (1811-1870) perfectly illustrates the Victorian fascination with the countryside in this remark...

A Collection of Botanical Watercolours: Drawings of British Plants Emily Stackhouse (1811-1870) perfectly illustrates the Victorian fascination with the countryside in this remark...

A Collection of Botanical Watercolours: Drawings of British Plants Emily Stackhouse (1811-1870) perfectly illustrates the Victorian fascination with the countryside in this remark...

R.F. Alvarez The Plant I Keep Forgetting to Water Signed, l.r. Colored pencil on paper 8.25 x 5.5 inches

Mountain Range Benjamin Benno, American (1901–1980) Date: 1938 Watercolor and ink on paper, signed and dated lower left Size: 20 x 16 in. (50.8 x 40.64 cm)

Benjamin Benno was a British-born American artist, best known for his Cubist and abstract works. This artwork is signed and dated. Abstract Structure with Cup Benjamin Benno, Americ...

Benjamin Benno was an British-born American artist, best known for his Cubist and abstract works. This artwork is signed and dated. Abstract Composition #1 Benjamin Benno, American ...

Spring Flowers, Oil on Board by Dorothea Sharp Additional information: Medium: Oil on Board 50.8 x 40.6 cm 20 x 16 in Signed Dorothea Sharp was born in Kent and is best known for h...

Donelle Woolford Six Dick Jokes, 2012 Bic pen and archival inkjet on Hähnemuhle German Etching paper, in six parts 33 3/4 x 32 6/10 inches (85.73 x 82.87 cm) in six parts, each she...

Alexander Ross Untitled, 2007 Watercolor, colored pencil, gouache and graphite on paper Framed Dimensions: 28 x 25.5 inches (71.1 x 64.8 cm) Image Dimensions: 23 x 22 inches (58.4 ...

Signed and dated in pencil, l.l. Contact gallery for price This work is offered by ClampArt in New York City.

Avant-Garde Argentine

Leandros Pigades Conjugation of a Greek Word, 2015 graphite on paper 36 x 28 cm

St. Ives in Cornwall, England is synonymous with art of various forms. In the Tea Bowl series Berlin captures the essence of this ancient form in a high classical style representatio...

pencil, watercolor, acrylic and gouache on paper