Gary Bukovnik

SF Symphony Still Life #4

1990

Amaryllis II original watercolor in vibrant red and green from Cleveland-born and educated Gary Bukovnik who has lived in San Francisco for over 40 years. Bukovnik’s art conveys a mo...

'Tall Tulips' original watercolor painted in 2021 in subtle shades of pink with hints of yellow in a clear blue vase from Cleveland-born and educated Gary Bukovnik who has lived in California for over 40 years. Bukovnik’s art conveys a monumental quality. Primarily using the mediums of watercolor, monotype, and lithograph, Bukovnik fuses sensual vitality with fluid yet powerful colorations, creating floral images of great depth and intensity. The paper is 40 x 20 inches. Ships flat and unframed. Although professional framing is available upon request. This is a stunning and wonderful work of art from Gary Bukovnik. In 2003 and 2005, the American Academy in Rome invited Bukovnik to attend the academy as a Visiting Artist and provided him with a room and studio for six weeks. In 2001, he was selected to create a poster for the prestigious List Collection, which creates posters to commemorate programs at Lincoln Center for the Performing Arts in New York. Lincoln Center past contributors have included Roy Lichtenstein, Andy Warhol, Robert Motherwell, Helen Frankenthaler, Alex Katz, Elizabeth Murray, and Donald Sultan. Solo exhibitions include Caldwell Snyder Gallery in San Francisco and in St. Helena, CA; Trajan Gallery in Carmel, CA; Campton Gallery in New York City; Concept Gallery in Pittsburgh, PA; Elins Eagles-Smith Gallery and A.C.T. Gallery in San Francisco, the Bonfoey Gallery in Cleveland and the Erickson Fine Art Gallery in Healdsburg. Other recent exhibitions have been organized by the Butler Institute of American Art, Youngstown, Paula Brown Gallery, Toledo, Neuhoff Gallery, New York; Lisa Kurts Gallery, Memphis; Irving Galleries, Palm Beach; Galerie Kutter, Luxembourg; the Southern Alleghenies. Museum of Art, Johnstown, Pennsylvania; Chin Show Cultural Center, Taipei; Takashimaya, Tokyo; the Hunt Institute for Botanical Documentation, Carnegie Mellon University, Pittsburgh; and Brevard Museum of Art, Melbourne, Florida. Among the artwork displayed at the Brevard Museum of Art was a tapestry based on a Bukovnik watercolor and hand-woven in Aubusson, France by Atelier Raymond Picaud, weavers since the eventeenth century. Atelier Raymond Picaud has been at the forefront of progressive tapestry firms since the 1930s, focusing on images of modern artists such as Alexander Calder, Georges Braque, and Helen Frankenthaler. Bukovnik’s watercolors and monotypes are the subject of Flowers: Gary Bukovnik Watercolors & Monotypes, published by Harry N. Abrams, New York. This book includes a foreword by James J. White, curator at the Hunt Institute for Botanical Documentation; an interview with the artist by Robert Flynn Johnson, curator at the Fine Arts Museums of San Francisco; and an essay about Bukovnik and the depiction of flowers in art...

This artwork "Still Life #1" c.1970 is a colors pastel and crayon on thick paper by American artist Jerry Opper, 1924-2014. It is hand signed in pencil at the lower right corner by the artist. The image size is 22 x 16 inches, sheet size is 24.25 x 18 inches. It is in excellent condition, there are pastel marks on the margin all around the artwork and also on the back, see picture #1. About the artist: Jerry Opper was born in Cleveland, Ohio, on September 5, 1924. He moved to Los Angeles with his family in 1933. After graduating from Hollywood High School, he worked in movie studios and attended art classes at Chouinard Art Institute. In May 1942, Opper was drafted into the army and was then able to study at the Colorado Springs Fine Arts Center while his outfit was stationed in Colorado. Later he was sent to Guam and was discharged in December 1945. Opper returned to Chouinard and his work in movie studios until 1947, when he moved to San Francisco. He enrolled as a full-time student at the California School of Fine Arts (now SFAI) and received his diploma in June of 1950. In 1948, Opper met his wife Gertrud Ruth Friedmann, daughter of artist Gustav Friedmann, whose works are also in the Lost Art Salon collection. It was love at first sight and a few weeks after their first encounter at the Black Cat in San Francisco's North Beach, they got married and enjoyed a passionate, life-long romance. Shortly after he finished school, Opper worked briefly as a decorator’s assistant and then started his career as a commercial artist, working for several firms such as Fibreboard, Beatrix Food and Precision. Working full-time and dedicating himself to having a rich family life occupied most of Opper's time, but he continued to be creative. He was above all a family man with the pride of having raised two exceptional daughters, Erika and Jody. Year after year, Opper would painstakingly craft their Halloween costumes...

George Mauersberger (American, 20th Century) Veg 2, 2004 Watercolor on paper 9 x 12 inches 13 x 16 inches, framed George Mauersberger completed th...