Cardboard Still-life Drawings and Watercolors

A ca. 1931 delightful watercolor still life at a table; a study in yellow by artist Harold Haydon. Harold Emerson Haydon was born in Fort William, Ont...

Pastel and Coloured pencils on Hahnemühle archival paper 300g - Original Drawing, Interior, Flowers Work Title : Bouquet Artist : Gabriel Riesnert (Fr...

Large, colourful, Mid Century French watercolour of a tablescape by Roger Decaux. Signed bottom left. Roger DECAUX was born in 1919 in Dombasle sur Meurthe in the Lorraine. He studied art in Paris with Gino Severini and Jan Brusselmans...

Stamped, verso, with estate stamp for Victor Di Gesu (American, 1914-1988) and painted circa 1955. Winner of the Prix Othon Friesz, Victor di Gesu first attended the Los Angeles Art...

Coloured Pencils and pastel on Hahnemühle paper - Realistic Figurative original Drawing, Colorful, Interior. Work Title : Intérieur Provence Artist : Gabriel Riesnert...

Stamped, verso, with estate stamp for Victor Di Gesu (American, 1914-1988) and created circa 1955. An elegant and powerful work by this well-exhibited and well-listed California pai...

"The painting White Peony is a delicate, refined watercolor made on cotton paper in a light delicate scale with the inclusion of ultramarine and noble pink. Peony is one of the most...

Abstract Composition, Kitchen Utensils. Ink and watercolor of kitchen implements. Hand signed in Hebrew upper left. Dimensions: (Frame) H 25" x 18" (Sight) H 18.5" x W 11.75" Bergner, Yosl (Vladimir Jossif) (b Vienna, 13 Oct 1920). surrealist, surrealism. belongs to the generation of people uprooted from childhood landscapes and forced by circumstance to build a life elsewhere. Uniquely, he became an Israeli without shedding his Jewish cosmopolitan-refugee identity, an identity he zealously guarded in the melting pot of Israel of the "fifties" and "sixties". In the years that have passed since he acquired his art education at the Melbourne National Gallery Art School in Australia, concepts in the art world have changed many times over. from the Jewish paintings and the depictions of Australian Aborigines through the children of safed, the wall paintings, the masks, the angels and kings, the still lifes, the "Surrealistic" paintings, the toys and flowers, the paintings inspired by the Bird-head Haggadah, the Kafka paintings, the Pioneers, the Kimberley fantasy (about his father's excursion in 1933 to northern Australia, in search of a "territory for the Jews"), Brighton Beach and the seascapes inspired by Eugene Boudin, through the chairs in the "Kings of Nissim Aloni" episode to the "Zionists" and the recent "Tahies". "During the six years that Bergner has lived in Israel," wrote Eugene KoIb, Direct. or of the Tel Aviv Museum, in the catalog of the Bergner exhibit in 1957, "he has established himself among Israeli artists." Bergner was indeed one of the artists who represented Israel in the Venice Biennial (1956; 1958) and in the Sao Paulo Biennial in 1957; this, in spite of the fact that Yosl Bergner did not harness his art to serve the Zionist ethos, that being, at the time, the order of the day (his paintings were in fact rejected at first as being those of a "Diaspora Jew"); he didn't "naturalize" himself by alliance to the country's landscape or its special light, nor did he turn to abstract painting. Painter of "the Jewish condition". the painter involved in Nissim Aloni's theater and the popular illustrator of poetry books and literary texts, he stuck to the narrative which drew its images from his childhood world, from Yiddish and from the Jewish culture of Poland in whose bosom he grew, with its literature, theater and fantasy. From this point of view his position as an "outsider", first in Australia and later in Israel, like that of the European Jew on the periphery of the dominant culture, afforded him a special dialectic vantage point from which to view his human and cultural surroundings. He was and remains a figurative painter even when he verges on the abstract. Israeli painter of Austrian birth, active in Australia. He grew up in Warsaw. His father, the pseudonymous Jewish writer Melech Ravitch, owned books on German Expressionism, which were an early influence. Conscious of rising anti-Semitism in Poland, Ravitch visited Australia in 1934 and later arranged for his family to settle there. Bergner arrived in Melbourne in 1937. Poor, and with little English, his struggle to paint went hand-in-hand with a struggle to survive. In 1939 he attended the National Gallery of Victoria’s art school and came into contact with a group of young artists including Victor O’Connor (b 1918) and Noel Counihan...

"Bleakhouse 2-18-21" is a painting by Kathryn Keller. The painting is 20 inches tall and 14 inches wide. It is not framed. "Bleakhouse 2-18-21" is watercolor on paper and was complet...

A watercolour and gouache on paper of pink chrysanthemums or oillets in a vase. The painting is monogram signed bottom right but as yet undeciphered. The painting is framed in a mode...

"Paying Attention" is a painting by Kathryn Keller. The painting is 20 inches high and 14 inches wide. It is not framed. "Paying Attention" is watercolor on paper and was completed i...

THUNDER ROLL is a watercolor on Arches paper by Fleur Thesmar. The artwork measures 22x30". It is professionally framed in white, with UV protection and anti-glare glass. Framed it measures 26x34". A recurring subject for the artist, a world traveller, is memory and landscape, possessions and identity. In "Thunder Roll" we see cherished wine glasses in a carton being packed or unpacked, either way in a state of transition. The play of light on the glass and on the wrapping paper suggests sunny days and warm moments. And the presence of the leaves adds a natural, wholesome energy to this home. From Fleur Thesmar – "The painting "Thunder Roll" is part of a body of work called “Removal” which features semi-realistic still lives of clothes, bubble wrap and sometimes cardboard and glasses. It questions themes​ such as possession and identity, removal and travel, memories and storage. It also resonates with landscapes and here, with the summer fields in France before the storm. I store memories of large tables, wine glasses and lace napkins...