Cardboard Still-life Drawings and Watercolors

Expressionist ink and pastel crayon drawing of flowers in vase. Framed in a vintage cobalt blue glass original frame Hand signed and dated Framed it measures 13.5 X 10.5 The actual paper is 7.5 X 5.5 Born in 1897, Ben-Zion Weinman celebrated his European Jewish heritage in his visual works as a sculptor, painter, and printmaker. Influenced by Spinoza, Knut Hamsun, and Wladyslaw Reymont, as well as Hebrew literature, Ben-Zion wrote poetry and essays that, like his visual work, attempt to reveal the deep “connection between man and the divine, and between man and earth.” An emigrant from the Ukraine, he came to the US in 1920. He wrote fairy tales and poems in Hebrew under the name Benzion Weinman, but when he began painting he dropped his last name and hyphenated his first, saying an artist needed only one name. Ben-Zion was a founding member of “The Ten: An Independent Group” The Ten” a 1930’s avant-garde group, Painted on anything handy. Ben-Zion often used cabinet doors (panels) in his work. Other members of group included Ilya Bolotowsky, Lee Gatch, Adolph Gottlieb, Louis Harris, Yankel Kufeld, Marcus Rothkowitz (later known as Mark Rothko), Louis Schanker, and Joseph Solman. The Art of “The Ten” was generally described as expressionist, as this style offered the best link between modernism and social art. Their exhibition at the Mercury Gallery in New York held at the same time as the Whitney Annual Exhibition of Contemporary American Painting, included a manifesto concentrating on aesthetic questions and criticisms of the conservative definition of modern art imposed by the Whitney. Ben-Zion’s work was quickly noticed. The New York Sun said he painted “furiously” and called him “the farthest along of the lot.” And the triptych, “The Glory of War,” was described by Art News as “resounding.” By 1939, The Ten disbanded because most of the members found individual galleries to represent their work. Ben-Zion had his first one-man show at the Artist’s Gallery in Greenwich Village and J.B. Neumann, the highly esteemed European art dealer who introduced Paul Klee, (among others) to America, purchased several of Ben-Zion’s drawings. Curt Valentin, another well-known dealer, exhibited groups of his drawings and undertook the printing of four portfolios of etchings, each composed of Ben-Zion’s biblical themes. He worked as a WPA artist. Ben-Zion’s work is represented in many museums throughout the country including the Metropolitan, the Whitney, and the Museum of Modern Art in New York, the Art Institute of Chicago, the Philadelphia Museum of Art and the Phillips Collection, Washington. The Jewish Museum in New York opened in 1948 with a Ben-Zion exhibition. Ben-Zion consistently threaded certain subject matter—nature, still life, the human figure, the Hebrew Bible, and the Jewish people—into his work throughout his life. "In all his work a profound human feeling remains. Sea and sky, even sheaves of wheat acquire a monolithic beauty and simplicity which delineates the transient as a reflection of the eternal. This sensitive inter- mingling of the physical and metaphysical is one of the most enduring features of Ben-Zion's works." (Excerpt from Stephen Kayser, “Biblical Paintings,” The Jewish Museum Catalogue, 1952). Mystical Imprints: Marc Chagall, Ben-Zion, and Ben Shahn presents the print work of three prominent 20th century Jewish artists born in the Russian Empire. Among these seventy pieces are etchings and lithographs from Chagall’s Bible series...

Still Life and Figure is an original Contemporary artwork realized in 1958 by Sergio Barletta (Bologna, 20 November 1934). Original China Ink, tempera and Watercolor. Hand-signed and dated on the lower left corner: Barletta 58. Mint conditions. Passepartout included (total dimensions: cm 35.5 x 40. Image Dimensions: 20 x 22 cm Sergio Barletta (Bologna, 20 November 1934). He made his debut at a very young age for the Saturday insert of the Gazzetta del Popolo Fuorisacco, and in the same years he collaborated with various magazines as an illustrator. In 1968 he created the comic strip Mr. Manager for Rinascita, but following the magazine's refusal to publish it as it was too politicized, the strip landed on the magazines Ca Balà and Eureka, to which he also contributed with self-contained tables. Subsequently he collaborates as a satirical cartoonist with Italian and European magazines. For his irreverent and merciless style he has been compared to Jules Feiffer...

Elsa Peretti goes out for a drink, 2024 by Manuel Santelices From the Art, culture & society series Unframed Movies, TV. and magazines are constant source of inspiration. Fame, as f...

Expressionist ink drawing of wheat stalks There is an inscription "Happy New Year" on verso Hand signed Framed it measures 7.75 X 5.75 The actual paper is 3 X 3.5 Born in 1897, Ben-Zion Weinman celebrated his European Jewish heritage in his visual works as a sculptor, painter, and printmaker. Influenced by Spinoza, Knut Hamsun, and Wladyslaw Reymont, as well as Hebrew literature, Ben-Zion wrote poetry and essays that, like his visual work, attempt to reveal the deep “connection between man and the divine, and between man and earth.” An emigrant from the Ukraine, he came to the US in 1920. He wrote fairy tales and poems in Hebrew under the name Benzion Weinman, but when he began painting he dropped his last name and hyphenated his first, saying an artist needed only one name. Ben-Zion was a founding member of “The Ten: An Independent Group” The Ten” a 1930’s avant-garde group, Painted on anything handy. Ben-Zion often used cabinet doors (panels) in his work. Other members of group included Ilya Bolotowsky, Lee Gatch, Adolph Gottlieb, Louis Harris, Yankel Kufeld, Marcus Rothkowitz (later known as Mark Rothko), Louis Schanker, and Joseph Solman. The Art of “The Ten” was generally described as expressionist, as this style offered the best link between modernism and social art. Their exhibition at the Mercury Gallery in New York held at the same time as the Whitney Annual Exhibition of Contemporary American Painting, included a manifesto concentrating on aesthetic questions and criticisms of the conservative definition of modern art imposed by the Whitney. Ben-Zion’s work was quickly noticed. The New York Sun said he painted “furiously” and called him “the farthest along of the lot.” And the triptych, “The Glory of War,” was described by Art News as “resounding.” By 1939, The Ten disbanded because most of the members found individual galleries to represent their work. Ben-Zion had his first one-man show at the Artist’s Gallery in Greenwich Village and J.B. Neumann, the highly esteemed European art dealer who introduced Paul Klee, (among others) to America, purchased several of Ben-Zion’s drawings. Curt Valentin, another well-known dealer, exhibited groups of his drawings and undertook the printing of four portfolios of etchings, each composed of Ben-Zion’s biblical themes. He worked as a WPA artist. Ben-Zion’s work is represented in many museums throughout the country including the Metropolitan, the Whitney, and the Museum of Modern Art in New York, the Art Institute of Chicago, the Philadelphia Museum of Art and the Phillips Collection, Washington. The Jewish Museum in New York opened in 1948 with a Ben-Zion exhibition. Ben-Zion consistently threaded certain subject matter—nature, still life, the human figure, the Hebrew Bible, and the Jewish people—into his work throughout his life. "In all his work a profound human feeling remains. Sea and sky, even sheaves of wheat acquire a monolithic beauty and simplicity which delineates the transient as a reflection of the eternal. This sensitive inter- mingling of the physical and metaphysical is one of the most enduring features of Ben-Zion's works." (Excerpt from Stephen Kayser, “Biblical Paintings,” The Jewish Museum Catalogue, 1952). Mystical Imprints: Marc Chagall, Ben-Zion, and Ben Shahn presents the print work of three prominent 20th century Jewish artists born in the Russian Empire. Among these seventy pieces are etchings and lithographs from Chagall’s Bible series...

This artwork depicts the Ranger, last J-class racing yacht to race for the America's Cup, defeating the Endeavour II in 1937. The artist can draw custom designs on demand, feel free...

Edouard Detaille (1848-1912) A trophy of arms 11.5 x 20 cm Pen and ink with heightenings of white gouache on paper Signed and dated 1885 lower right and annotated "Armée française...

Summer party at the Hoyt House, 2024 by Manuel Santelices From the Art, culture & society series Ink and watercolor on paper Image size: 12 in. H x 9 in. W Unframed Movies, TV. and...

A French Art Deco illustrative drawing, hand painted in ink and gouache on blue laid paper. The design includes a collection of fashion accessories, handbags, gloves, hats, and perfu...

This artwork depicts a three-masted schooner named Freedom, hailing from New-York. The boat has brown booms, masts, keel and bow, and black and orange hull...

"Some far away speech" is an original ink and watercolor work on paper by Brian Spolans. The piece ships framed as pictured and measures 20.5in x 28.5in. Alternative custom framing...

This artwork depicts a Canadian schooner named Mohawk, hailing from Vancouver. The boat has blue booms, brown masts, black and white hull, red keel and bow. The artist can draw cus...

Ink on tracing paper Hand-signed and dated lower left