Abstract Drawings and Watercolor Paintings

Artist: Stephen Greene, American (1917 - 1999) Title: Untitled Year: 1986 Medium: Acrylic and Mixed Media on Paper, signed and dated l.r. Size: 40 x 30 inches

Original 30in x 20in drawing on paper mounted to wood panel by Austin-based Texas artist Sophie Roach. Sophie Roach is a self-taught artist and illustrator based in Austin, TX. She discovered her passion for compulsive drawing when she was supposed to be paying attention to lectures at the University of Washington. By using familiar shapes, patterns and her own intuition, Roach has created a unique visual language based on spontaneity and rhythm. Her abstract style is playful yet austere, extremely detailed and often vibrantly colored. Her client list includes, among others, Nike, Converse, Complex, Fiat, IBM, Kit & Ace, Austin City Limits...

Abstract expressionist tribal painting of a nude female done in bold, vibrant colors by artist Gustave Alhadeff in 1962 with acrylic paint. Signed in upper right corner. Artist Biography: Born in the Belgian Congo in 1940, Gustave Alhadeff won his first award at the annual art show in Elisabethville, at age 13. His formal art education began with Mr. Marcel Pire (Prix de Rome). He continued his studies at the Michaelis School of Fine Art, with Mr. Van Nesche in Cape Town, South Africa from 1956 to 1957. He was awarded a scholarship from the Art Academy to continue his studies with Mr.Creytens at the "Institute National Superieur des Beaux Arts" in Anvers, Belgium. The following year he entered the class of Mr. Leon Devos...

A, 2012 Pencil on paper 25.20h x 19.80w in Alejandro Thornton was born in 1970 in Buenos Aires. His work can be found in notable international collections including at the Museo de...

"Untitled," Flashe on Paper, 30 x 22 Inches A highly sophisticated series of large and small paintings, drawings and monoprints by Margo Margolis, NY artist who recently retired as...

"Famous Artist Series: Homage to Wassily Kandinsky after 1911 "Sound" woodcut from Klange (Sounds) Ser." is an original mixed media watercolor on paper...

"Metamorphosis" is an original watercolor painting by Jeanne Spicuzza. The artist used abstract marks in green, blue, red, and orange to make this piece. 23 1/4" x 43 1/2" art 28" x 48 3/8" frame Jeanne Marie Spicuzza is a poet, actress, model, filmmaker, philosopher, activist, producer, writer of children's stories, novels, essays, plays and screenplays, watercolor painter and illustrator, composer, lecturer and Master Herbalist. She appears on television, radio and film, as well as at festivals and venues such as Ladyfest, Lollapalooza, Bristol International Poetry Festival, Nuyorican Poets' Café, Green Mill, Pabst Theatre and others. Her films have screened at Portobello Film Festival London, Raleigh Studios, Wisconsin Film Festival and Women in the Directors' Chair. Jeanne Marie is listed in several Who's Who publications, including Who's Who of Emerging Leaders, and has received awards and nominations from Shepherd Express, Fade-In Magazine, the Academy of Motion Picture Arts and Sciences, the Vatican Division of Arts and Culture and others. She was nominated 'Woman of the Year' in 1998 through the National Organization for Women and was selected for inclusion on Wall of Tolerance at The Civil Rights Memorial in Montgomery, Alabama. Segments from her screenplay "Breath of God" are on permanent exhibition at the Brooklyn Museum. She lectures around the world. Jeanne Marie is published in Poets Against War, Quill and Parchment, Shepherd Express, Riverwest Review, Poetry Motel and others. She earned a Bachelor of Arts Degree in philosophy and psychology from the University of Wisconsin-Milwaukee. Her collection of poetry, beautiful terrible & true, in its second printing, and poetry travelogue, My Italia, are available through Libri Publishers. Her self-titled CD, nominated for the Golden Headset Award, is available through Inoculation Records. It was beaten out, by a mere three votes, by James Earl Jones Reads the New Testament! Jeanne Marie shares a deep affinity with medieval visionary, composer and abbess Hildegard von Bingen...

wax pencil on mylar 36 x 36 in

Artist: Sandra Phipps MacDiarmid (American, born 1937) Title: Piccolo VI Year: Circa 1990 Medium: Acrylic and collage on black paper Paper: Wove black Size image: 12.5 x ...

Gouache and collage on Japanese paper. Unframed. This gouache paint with collage on Japanese paper is a result of working with the accidental arrangements of found colored papers th...

An original mixed media pastel and watercolor on paper by American female artist Adele Becker. This work is currently being offered unframed. Proceeds from the sale of this work wi...

Charcoal on paper - unframed. Neill creates works on canvas, linen and paper using a variety of mediums, including graphite, colored pencil, charcoal and paint. Her process involve...

Pigment pencil on Mylar. Unframed. The Maelstrom Series include the most iconic and known of Peerna's works. Starting from the center on a tilted table, she extends her fingers t...

Artist: Sandra Phipps MacDiarmid (American, born 1937) Title: Signature #16 Year: Circa 1990 Medium: Acrylic on paper Size image: 30 x 22.5 inches Size paper: 30 x 22.5 in...

Acrylic on paper - Unframed As a multidisciplinary artist, Snow uses different mediums and supports. Each work results from preliminary studies drawn with pen or pencil and which so...

An original mixed media pastel and watercolor on paper by American female artist Adele Becker. This work is currently being offered unframed. Proceeds from the sale of this work wi...

Artist: Sandra Phipps MacDiarmid (American, born 1937) Title: Piccolo V Year: Circa 1990 Medium: Acrylic and collage on black paper Paper: Wove black Size image: 12.5 x 1...

Acrylic on linen, unframed

These paintings and drawings are based on a structure of repetitive and deliberate gesture that is intuitive but carefully considered. Emily Berger brushes, wipes, rubs, and scrapes,...

Acrylic on paper. Unframed. As a multidisciplinary artist, Snow uses different mediums and supports. Each work results from preliminary studies drawn with pen or pencil and which so...

Artist: Sandra Phipps MacDiarmid (American, born 1937) Title: Afternoon Year: Circa 1990 Medium: Acrylic on paper Paper: Thick wove Size, image: 29.5 x 39.5 inches Size, pape...

Light and airy portrait of a resting nude by David Stephens (American, 20th century). Unsigned, from a collection of his works. Unframed. Image, 22.25"H x 27"L. About the artist - ...

Artist: Sandra Phipps MacDiarmid (American, born 1937) Title: Signature #15 Year: Circa 1990 Medium: Acrylic on paper Size image: 30 x 22.5 inches Size paper: 30 x 22.5 in...

Charcoal and pencil on paper. Note: The painting shown on the wall may not be proportional to the room size.

Charcoal and pencil on paper. Note: The painting shown on the wall may not be proportional to the room size.

Karen Schiff is an artist and wordsmith based in New York; she has always been a reader as well as a visual artist. Her drawings, paintings, installations, and performances combine t...

Artist: Sandra Phipps MacDiarmid (American, born 1937) Title: Signature #13 Year: Circa 1990 Medium: Acrylic on paper Size image: 30 x 22.5 inches Size paper: 30 x 22.5 in...

Artist: Sandra Phipps MacDiarmid (American, born 1937) Title: Signature #14 Year: Circa 1990 Medium: Acrylic on paper Size image: 30 x 22.5 inches Size paper: 30 x 22.5 in...

Artist: Sandra Phipps MacDiarmid (American, born 1937) Title: Opel Year: Circa 1990 Medium: Acrylic, with silver and gold embellishment Paper: Wove Size image: 29.5 x 39.5 ...

Rise Blue Butterfly Watercolor, ink on archival paper Keith Carrington’s experiences have led him to express his talents through the fluid & exactin...

Acrylic on paper. Unframed. As a multidisciplinary artist, Snow uses different mediums and supports. Each work results from preliminary studies drawn with pen or pencil and which so...

These paintings and drawings are based on a structure of repetitive and deliberate gesture that is intuitive but carefully considered. Emily Berger brushes, wipes, rubs, and scrapes,...

These paintings and drawings are based on a structure of repetitive and deliberate gesture that is intuitive but carefully considered. Emily Berger brushes, wipes, rubs, and scrapes,...

These paintings and drawings are based on a structure of repetitive and deliberate gesture that is intuitive but carefully considered. Emily Berger brushes, wipes, rubs, and scrapes,...

Dana Piazza's creates abstract black and white drawings, full of the illusion of depth, movement, and three-dimensionality. His highl...

Junction Disjunction IV Ink on polypropylene 150 x 450 cm Eleanna Martinou was born in Athens (1981). Studied at the Athens School of Fine Arts (2006) and graduated with a MA in the...

Wax pencil on mylar.

Wax pencil on mylar

Signed lower right, 'Beth Ames Swartz' (American, born 1936) and dated 1966. Primarily working in the idioms of abstraction and semi-abstraction, Beth's paintings and mixed-media works are commonly informed by philosophical and spiritual concepts shared by people of different cultural worldviews, and incorporate both symbols and words in the vocabulary of their visual language. Her art practice has been guided by aesthetic philosophies including Wassily Kandinsky’s Concerning the Spiritual in Art and Robert Smithson’s Spiral Jetty, and inspired by various religious and philosophical systems including Native American Healing practices, Buddhism, Jewish Mysticism, and Christianity in order to facilitate communication with viewers on both the conscious and unconscious level. Swartz synthesizes these spiritual traditions in her work with the purpose of revealing the commonality between them. Beth was born in New York City and grew up in Manhattan, and by her mid-teens was studying at the Art Students League in New York in the late 1940s. Her education continued at The High School of Music & Art in New York City, and Cornell University in Ithaca, New York, where she graduated in 1957 with a Bachelor of Science degree, followed by a Master of Arts degree in 1959 from New York University. Beth Ames Swartz exhibited nationwide including at over seventy solo exhibitions including a solo show at The Jewish Museum in New York. In addition, she participated in three major traveling museum exhibitions and her work is held in the permanent collections of numerous major museums including the National Museum of American Art at the Smithsonian. She received the Governor's Individual Artist Award in 2001 in Arizona, and a retrospective of her work was mounted in 2002 at The Phoenix Art Museum, with a monograph about her work co-published by The Phoenix Art Museum and Hudson Hills Press. Swartz explores systems of knowledge by translating philosophical concepts into aesthetic visual experiences. Fellowships, Awards, Grants and Honors: New York, NY - 2003 Veteran Feminists of America, Medal of Honor Phoenix, AZ - 2001 Recipient, Governor's Arts Award, the highest honor in Arizona for one individual who may be a visual or performing artist or a writer. Snowmass Village, CO - 2000 Anderson Ranch, Artist in Residence Phoenix, AZ - 1994 Founder, Culture Care , an international, non-profit organization sponsoring The Sacred Souls Project, to identify, support and honor individuals who demonstrate positive human societal values New York, NY - 1994 Awarded Flow Fund grant for discretionary philanthropic use for non-personal benefit New York, NY - 1994 Panelist, College Art Association, Art, Earth and Medicine: A Healing Approach New York, NY - 1993 Panelist, The Sacred in the Arts Conference New York, NY - 1992 Speaker, MedArts Conference, Research Study on A Moving Point of Balance Stinson Beach, CA - 1991 Speaker, Symposium, Art as a Healing Force New Harmony, IN - 1990 Keynote Speaker, Art and Healing Conference Phoenix, AZ - 1988 Co-Founder, International Friends of Transformative Art (IFTA), an international, non-profit organization for positive global change Payson, AZ - 1988, '87 Project Coordinator, Rim Institute, Transformative Artist's Conference and Workshop Phoenix, AZ - 1985 Governor's Award, Outstanding Women of Arizona - Women Who Create Sun Valley, ID - 1980 Sun Valley Center for the Arts & Humanities, Artist in Residence, The Awesome Space: The Inner and Outer Landscape Hawaii National Park, HI - 1979 Volcano Art Center, Artist in Residence Phoenix, AZ - 1978, '77 Named Master Teacher by State Department of Public Instruction Phoenix, AZ - 1978, '77 Educational Grant for Inquiry Into Fire, Arizona Commission on Arts and Humanities Selected Bibliography and Reference: Davenport’s Art Reference Guide, 2007/8 Edition, p.2468; Arizona/Women '75 (exhibition catalogue). Tucson, AZ: Tucson Art Museum, 1975; Baigell, Matthew. "Art and Spirit: Kabbalah and Jewish-American Artists." Tikkun vol. 14, no.4, (July-August 1999): 59-61 (illus. in b&w of Shen Qi Series: the Cabalistic Scheme of the Four Worlds #5); Beth Ames Swartz, Inquiry Into Fire (exhibition catalog). Scottsdale, AZ: Scottsdale Center for the Arts, 1978. Introduction by Melinda Wortz; Beth Ames Swartz, 1982-1988: A Moving Point of Balance (exhibition catalog). Scottsdale, AZ: A Moving Point of Balance, Inc., 1988. Introduction by John Perreault; Biennial 1979 (exhibition catalog). Phoenix: Phoenix Art Museum, March 9-April 8, 1979, 35-37, 64 (illus. in color Sedona, #23; illus. in b&w, Torah Scroll, #5); Body and Soul: Contemporary Art and Healing (exhibition catalog). Lincoln, MA: DeCordova Museum and Sculpture Park, 1994. Introduction by Rachel Rosenfeld Lafo, Nicholas Capasso, and Sara Rehm Roberts; Cembalest, Robin. "The Ecological Art Explosion." ARTnews vol. 90, no. 6 (summer 1991): 96-105; The First Western States Biennial Exhibition (exhibition catalog). Denver: Western States Art Foundation, 1979. Introduction by Joshua C. Taylor (with illus. in color of Torah Scroll #4); Gablik, Suzi. The Reenchantment of Art. Thames and Hudson: New York, 1991, 155-57; Gadon, Elinor W. The Once and Future Goddess: A Symbol for Our Time. New York: Harper and Row, 1989, 245-46; 248; Henderson, Barbara. "Beth Ames Swartz," A Magazine of Fine Arts vol. 2, no. 15 (April 1976): 34-41; Israel Revisited: Beth Ames Swartz (exhibition catalog). Scottsdale, AZ: Beth Ames Swartz, 1981: 40 pp. Introduction by Harry Rand...

Pencil, colored pencil and charcoal on paper. Note: The painting shown on the wall may not be proportional to the room size.

Watercolor/work on paper - Unframed. It is a “drawing” of color with a brush, line with a needle and thread and pattern and repetition. It is intuitive and playful. Holly Miller...

Martin Palottini Un rio contra ora, 2017 Pencil and acrylic on paper 21h x 19w in 53.34h x 48.26w cm

Untitled (Woman by the Windows) Unsigned. Pastel on board, c. 1915 Created while the artist was in Giverny, France Provenance: Gift of the artist to his wife, Mary Hess Buehr by Descent to the artist's niece, daughter of Will Hess. David Salzman Robert Henry Adams Fine Art, Chicago Ronald C. Sloter, Columbus One of the early Chicago artists to adopt Impressionism, Karl Buehr became a figure and landscape painter. As a figure painter, his specialty became "gorgeously colored images of young women on porches overlooking brilliant summertime gardens." (Kennedy 98) His later work often showed a female figure with serious expression engaging the viewer with a direct stare. In his landscapes, he was noted for his strong coloration. In a December 1896 student exhibition at the Art Institute, a reviewer for the "Chicago Times Herald" described Buehr's landscapes as "blithe and joyous" with "country roads brilliant in sunlight . . . fields rich in summer verdure, under soft skies painted in a high, musical key." (Gerdts 68) Buehr was born as one of seven sons to a prosperous German family who immigrated to America and settled in Chicago in 1869. He was first exposed to his signature style of Impressionism in 1888 when he enrolled in night classes at the Art Institute while working in the shipping department of a lithographic firm near the Institute. He remained a student there until 1897 and was recognized in a "Chicago Times Herald" editorial of June 13, 1897 as one of the Institute's most outstanding pupils. The next year, his art career was temporarily put on hold when he briefly enlisted with the U.S. Army in the Spanish American War. In 1899, he resumed his art studies, this time with Frank Duveneck. He exhibited a painting at the Paris Salon of 1900. In 1905, thanks to a wealthy Chicago patron, Buehr and his family moved to France. They spent the following year in Taormina, Sicily, and spent time in Venice as well. In Paris, Buehr studied at the Academy Julian with Raphael Collin for two years. Then he went to England, enrolling in the London Art School but had returned to Paris by 1908. During this time, he began painting at Giverny, the home of Impressionist leader Claude Monet (1840-1926, and by 1912, Buehr was listing that village as his home address. One of his good friends and associates at Giverny was Frederick Frieseke. One of Buehr's paintings from that time, "News from Home", was exhibited in 1913 at the French Salon in Paris and at the annual exhibit of the Chicago Art Institute. It shows a woman in floral dress sitting on a porch with a background with potted flowers and lush greenery background. Of his painting done at Giverny, Buehr wrote in 1912 to William Macbeth of Macbeth Galleries in New York: "My figures painted in and around Giverny are costumed and in appropriate out door settings." (Gerdts 68) In 1914, he returned to the United States and took a teaching position in Chicago at the Art Institute, which he held for the remainder of his life. He was married to Mary Hess, a painter of miniatures and decorative works. In 1928-29, he was a guest artist at Stanford University. Courtesy: AskArt “Karl Albert Buehr (1866–1952) was a painter born in Germany. Buehr was born in Feuerbach - near Stuttgart. He was the son of Frederick Buehr and Henrietta Doh (Dohna?). He moved to Chicago with his parents and siblings in the 1880s. In Chicago, young Karl worked at various jobs until he was employed by a lithograph company near the Art Institute of Chicago. Introduced to art at work, Karl paid regular visits to the Art Institute, where he found part-time employment, enabling him to enroll in night classes. Later, working at the Institute as a night watchman, he had a unique opportunity to study the masters and actually posted sketchings that blended in favorably with student's work. Having studied under John H. Vanderpoel, Buehr graduated with honors, while his work aroused such admiration that he was offered a teaching post there, which he maintained for many years thereafter. He graduated from the Art Inst. of Chicago and served in the IL Cav in the Spanish–American War. Mary Hess became Karl's wife—she was a student of his and an accomplished artist in her own right. In 1922, he was elected into the National Academy of Design as an Associate member. Art Studies in Europe In 1904, Buehr received a bronze medal at the St. Louis Universal Exposition, then, in 1905, Buehr and his family moved to France, thanks to a wealthy Chicago patron, and they spent the following year in Taormina, Sicily, where the artist painted local subjects, executing both genre subjects and landscapes as well as time in Venice. Buehr spent at least some time in Paris, where he worked with Raphaël Collin at the Académie Julian. Giverny and American Impressionism Prior to this time, Buehr had developed a quasi-impressionistic style, but after 1909, when he began spending summers near Monet in Giverny, his work became decidedly characteristic of that plein-air style but he began focusing on female subjects posed out-of-doors. He remained for some time in Giverny, and here he became well-acquainted with other well known expatriate America impressionists such as Richard Miller, Theodore Earl Butler, Frederick Frieseke, and Lawton Parker. It seems likely that Buehr met Monet, since his own daughter Kathleen and Monet’s granddaughter, Lili Butler, were playmates, according to George Buehr, the painter’s son. His other daughter Lydia died before adulthood due to diabetes. He returned to Chicago at the onset of World War I and taught at The Art Inst for many years. One of his noted pupils at the Art Institute was Archibald Motley...

Changing Perceptions 2, 2015, Mixed Media on Paper, 11 x 9 Inches (Image), 17 x 14 Inches (Paper). This painting on paper is unframed. Playful geometric abstraction of rectangular ...

These paintings and drawings are based on a structure of repetitive and deliberate gesture that is intuitive but carefully considered. Emily Berger brushes, wipes, rubs, and scrapes,...

ABBY GOLDSTEIN Untitled, 2012 8.0 x 11.3 inches; framed in white frame 13 x 16.1 inches watercolor and pencil on paper pencil signed recto American artist, Abby Goldstein has been f...

Untitled Abstraction Pen and ink on paper, 1932 Signed and dated in ink lower center Condition: Excellent Sheet/Image size: 10 3/8 x 6 1/4 inches Frame size: 16 1/2 x 12 1/2" Provena...

Abstract, figurative portrait drawing on paper in antique frame Graphite on paper in vintage frame 26 x 21 inches This graphite portrait on paper draws inspiration from the ancient ...

These paintings and drawings are based on a structure of repetitive and deliberate gesture that is intuitive but carefully considered. Emily Berger brushes, wipes, rubs, and scrapes,...

Charcoal and water on paper. Unframed. Margaret Neill works for a time on a group of pieces in a series, using classic almost primal materials such as graphite, charcoal, paint on t...

Beautiful 1950 drawing by Spanish artist, Federico Castellon (1914-1971). Graphite on wove paper, sheet measures 12 x 18 inches. Excellent condition with no restoration or damage. Signed lower right. Unframed. From a recently discovered collection of over 60 important Castellon drawings and watercolors c.1939-1950. Birth place: Almeria, Spain Death place: New York, NY Addresses: NYC (immigrated 1921; citizen, 1943) Profession: Painter, graphic artist, sculptor, etcher, illustrator, teacher Exhibited: Weyhe Gal., 1934, 1936-40; AIC, 1935-47 (prize, 1938); AFA traveling exh., 1937; WMAA, 1938-45; PAFA, 1938-39, 1940 (prize), 1941-42; Carnegie Inst., 1942; PAFA, 1943-53; Assoc. Am. Ar., 1946 (prize), 1952 (solo); Corcoran Gal, 1947; LOC, 1949 (prize); Paris, France, 1952; Bombay, India, 1952; Gallery 10, 1961; Dintenfass Gal., N.Y., 1963; Phila. Pr. Cl., 1964 (prize); Hudson Gld. A., 1964; Great Neck, L.I., 1964; SAGA, 1964 (prize). In 1953, under the auspices of State Dept. Specialist Div., of I.E.S., he exhibited in Venezuela, Colombia, Peru, Chile, Bolivia, Uruguay, Argentina, Paraguay, with lectures in each country. Awards: F., Spanish Republic, 1934-36; fellow, Guggenheim Fnd., 1941, 1950; Nat. Inst. A. & Let. Grant, 1950. Member: NA; SAGA Work: WMAA; PAFA; MoMA; PMA; MMA; BM; AIC; NYPL; LOC; Univ. KY; San Diego Mus. FA; Newark (NJ) Pub. Lib.; Princeton Univ. (Frank Jewett Mather Coll.). Comments: A Surrealist painter whose imagery of the 1930s was greatly influenced by Dali. His full name was Federico Cristencia de Castellón y Martinez. Teacher: Columbia Univ., 1946-61; Pratt Inst., Brooklyn, 1952-61. Illustrator: Shenandoah, 1941; I Went into the Country, 1941; Bulfinch's Mythology, 1948; The Story of Marco Polo, 1954; The Man Who Changed China, 1954; The Story of J. J. Audubon, 1955; The Little Prince, 1954; The Life of Robert L. Stevenson, 1954. Reproduction of paintings on The Sumerian Civilization" for Life series "The Epic of Man," 1956; 15 paintings on "The History of Medicine" for MD magazine, 1960-61; The Story of Madame Curie...

Bruno Lassalle Untitled, 1993 18.75 x 15.75 inches; framed in natural wood color 21.6 x 19.6 inches oil pastels on board signed 'LASSALLE' and dated recto; stamped verso Bruno Lassa...

Maybe Later 2, 2015, Mixed Media on Paper, 19 x 16 Inches (Image), 28.5 x 22 Inches (Paper). This painting on paper is unframed. Playful geometric abstraction of swirling linear e...

Maybe Later 3, 2015, Mixed Media on Paper, 19 x 16 Inches (Image), 28.5 x 22 Inches (Paper). This painting on paper is unframed. Playful geometric abstraction of swirling linear e...

Notations P, 2007, Mixed Media on Paper, 17.5 x 14 Inches (Image), 29 x 22 Inches (Paper). This painting on paper is unframed. Playful geometric abstraction of swirling linear ele...

Dana Piazza's creates abstract black and white drawings, full of the illusion of depth, movement, and three-dimensionality. His highl...

Exploration 3, 2016, Mixed Media on Paper, 17 x 10.5 Inches (Image), 22 x 15 Inches (Paper). This painting on paper is unframed. Geometric abstraction of textures, geometric shape...

In Every Direction 3, 2015, Mixed Media on Paper, 11 x 9 Inches (Image), 17 x 14 Inches (Paper). This painting on paper is unframed. Playful geometric abstraction of rectangular sh...