Renaissance Drawings and Watercolor Paintings
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Style: Renaissance
Untitled (Renaissance Female Nude Figure Study), 1963, Ian Hornak — Drawing
By Ian Hornak
Located in Auburn Hills, MI
Original drawing on archival paper, circa 1963. Paper Size: 18 x 23 inches. Provenance: Estate of Ian Hornak, East Hampton, New York. Notes: Created during Hornak’s undergraduate st...
Category
1960s Renaissance Drawings and Watercolor Paintings
Materials
Charcoal, Archival Paper
Untitled (Renaissance Female Figure Study), 1963, Ian Hornak — Drawing
By Ian Hornak
Located in Auburn Hills, MI
Original drawing on archival paper, circa 1963. Paper Size: 18 x 23 inches. Provenance: Estate of Ian Hornak, East Hampton, New York. Notes: Created during Hornak’s undergraduate st...
Category
1960s Renaissance Drawings and Watercolor Paintings
Materials
Charcoal, Archival Paper
Untitled (Renaissance Female Nude Figure Study), 1963, Ian Hornak — Drawing
By Ian Hornak
Located in Auburn Hills, MI
Original drawing on archival paper, circa 1963. Paper Size: 18 x 23 inches. Provenance: Estate of Ian Hornak, East Hampton, New York. Notes: Created during Hornak’s undergraduate st...
Category
1960s Renaissance Drawings and Watercolor Paintings
Materials
Charcoal, Archival Paper
Untitled (Renaissance Female Nude Figure Study), 1963, Ian Hornak — Drawing
By Ian Hornak
Located in Auburn Hills, MI
Original drawing on archival paper, circa 1963. Paper Size: 18 x 23 inches. Provenance: Estate of Ian Hornak, East Hampton, New York. Notes: Created during Hornak’s undergraduate st...
Category
1960s Renaissance Drawings and Watercolor Paintings
Materials
Charcoal, Archival Paper
Untitled (Renaissance Female Nude Figure Study), 1963, Ian Hornak — Drawing
By Ian Hornak
Located in Auburn Hills, MI
Original drawing on archival paper, circa 1963. Paper Size: 18 x 23 inches. Provenance: Estate of Ian Hornak, East Hampton, New York. Notes: Created during Hornak’s undergraduate st...
Category
1960s Renaissance Drawings and Watercolor Paintings
Materials
Charcoal, Archival Paper
Untitled (Renaissance Female Figure Study), 1964, Ian Hornak — Drawing
By Ian Hornak
Located in Auburn Hills, MI
Original drawing on archival paper, circa 1964. Paper Size: 18 x 23 inches. Provenance: Estate of Ian Hornak, East Hampton, New York. Notes: Created during Hornak’s undergraduate st...
Category
1960s Renaissance Drawings and Watercolor Paintings
Materials
Charcoal, Archival Paper
Untitled (Renaissance Female Nude Figure Study), 1964, Ian Hornak — Drawing
By Ian Hornak
Located in Auburn Hills, MI
Original drawing on archival paper, circa 1964. Paper Size: 18 x 23 inches. Provenance: Estate of Ian Hornak, East Hampton, New York. Notes: Created during Hornak’s undergraduate st...
Category
1960s Renaissance Drawings and Watercolor Paintings
Materials
Charcoal, Archival Paper
Untitled (Renaissance Female Nude Figure Study), 1964, Ian Hornak — Drawing
By Ian Hornak
Located in Auburn Hills, MI
Original drawing on archival paper, circa 1964. Paper Size: 18 x 23 inches. Provenance: Estate of Ian Hornak, East Hampton, New York. Notes: Created during Hornak’s undergraduate st...
Category
1960s Renaissance Drawings and Watercolor Paintings
Materials
Charcoal, Archival Paper
Untitled (Renaissance Female Nude Figure Study), 1963, Ian Hornak — Drawing
By Ian Hornak
Located in Auburn Hills, MI
Original drawing on archival paper, circa 1963. Paper Size: 18 x 23 inches. Provenance: Estate of Ian Hornak, East Hampton, New York. Notes: Created during Hornak’s undergraduate st...
Category
1960s Renaissance Drawings and Watercolor Paintings
Materials
Charcoal, Archival Paper
Untitled (Renaissance Female Nude Figure Study), 1963, Ian Hornak — Drawing
By Ian Hornak
Located in Auburn Hills, MI
Original drawing on archival paper, circa 1963. Paper Size: 18 x 23 inches. Provenance: Estate of Ian Hornak, East Hampton, New York. Notes: Created during Hornak’s undergraduate st...
Category
1960s Renaissance Drawings and Watercolor Paintings
Materials
Archival Paper, Graphite
Untitled (Renaissance Female Nude Figure Study), 1963, Ian Hornak — Drawing
By Ian Hornak
Located in Auburn Hills, MI
Original drawing on archival paper, circa 1963. Paper Size: 18 x 23 inches. Provenance: Estate of Ian Hornak, East Hampton, New York. Notes: Created during Hornak’s undergraduate st...
Category
1960s Renaissance Drawings and Watercolor Paintings
Materials
Charcoal, Archival Paper
Untitled (Renaissance Female Nude Figure Study), 1963, Ian Hornak — Drawing
By Ian Hornak
Located in Auburn Hills, MI
Original drawing on archival paper, circa 1963. Paper Size: 18 x 23 inches. Provenance: Estate of Ian Hornak, East Hampton, New York. Notes: Created during Hornak’s undergraduate st...
Category
1960s Renaissance Drawings and Watercolor Paintings
Materials
Charcoal, Archival Paper
Untitled (Renaissance Female Nude Figure Study), 1963, Ian Hornak — Drawing
By Ian Hornak
Located in Auburn Hills, MI
Original drawing on archival paper, circa 1963. Paper Size: 18 x 23 inches. Provenance: Estate of Ian Hornak, East Hampton, New York. Notes: Created during Hornak’s undergraduate st...
Category
1960s Renaissance Drawings and Watercolor Paintings
Materials
Charcoal, Archival Paper
Untitled (Renaissance Female Nude Figure Study), 1963, Ian Hornak — Drawing
By Ian Hornak
Located in Auburn Hills, MI
Original drawing on archival paper, circa 1963. Paper Size: 18 x 23 inches. Provenance: Estate of Ian Hornak, East Hampton, New York. Notes: Created during Hornak’s undergraduate st...
Category
1960s Renaissance Drawings and Watercolor Paintings
Materials
Charcoal, Archival Paper
Untitled (Renaissance Female Nude Figure Study), 1963, Ian Hornak — Drawing
By Ian Hornak
Located in Auburn Hills, MI
Original drawing on archival paper, circa 1963. Paper Size: 18 x 23 inches. Provenance: Estate of Ian Hornak, East Hampton, New York. Notes: Created during Hornak’s undergraduate st...
Category
1960s Renaissance Drawings and Watercolor Paintings
Materials
Charcoal, Archival Paper
Untitled (Renaissance Hand Study), 1963, Ian Hornak — Drawing
By Ian Hornak
Located in Auburn Hills, MI
Original drawing on archival paper, circa 1963. Paper Size: 18 x 23 inches. Provenance: Estate of Ian Hornak, East Hampton, New York. Notes: Created during Hornak’s undergraduate st...
Category
1960s Renaissance Drawings and Watercolor Paintings
Materials
Charcoal, Archival Paper
Untitled (Renaissance Male Nude Figure Study), 1963, Ian Hornak — Drawing
By Ian Hornak
Located in Auburn Hills, MI
Original drawing on archival paper, circa 1963. Paper Size: 18 x 23 inches. Provenance: Estate of Ian Hornak, East Hampton, New York. Notes: Created during Hornak’s undergraduate st...
Category
1960s Renaissance Drawings and Watercolor Paintings
Materials
Charcoal, Archival Paper
Untitled (Renaissance Male Nude Figure Study), 1963, Ian Hornak — Drawing
By Ian Hornak
Located in Auburn Hills, MI
Original drawing on archival paper, circa 1963. Paper Size: 18 x 23 inches. Provenance: Estate of Ian Hornak, East Hampton, New York. Notes: Created during Hornak’s undergraduate st...
Category
1960s Renaissance Drawings and Watercolor Paintings
Materials
Archival Paper, Graphite
Untitled (Renaissance Female Nude Figure Study), 1964, Ian Hornak — Drawing
By Ian Hornak
Located in Auburn Hills, MI
Original drawing on archival paper, circa 1964. Paper Size: 18 x 23 inches. Provenance: Estate of Ian Hornak, East Hampton, New York. Notes: Created during Hornak’s undergraduate st...
Category
1960s Renaissance Drawings and Watercolor Paintings
Materials
Charcoal, Archival Paper
Untitled (Renaissance Female Nude Figure Study), 1963, Ian Hornak — Drawing
By Ian Hornak
Located in Auburn Hills, MI
Original drawing on archival paper, circa 1963. Paper Size: 18 x 23 inches. Provenance: Estate of Ian Hornak, East Hampton, New York. Notes: Created during Hornak’s undergraduate st...
Category
1960s Renaissance Drawings and Watercolor Paintings
Materials
Ink, Archival Paper
Untitled (Renaissance Male Nude Figure Study), 1963, Ian Hornak — Drawing
By Ian Hornak
Located in Auburn Hills, MI
Original drawing on archival paper, circa 1963. Paper Size: 18 x 23 inches. Provenance: Estate of Ian Hornak, East Hampton, New York. Notes: Created during Hornak’s undergraduate st...
Category
1960s Renaissance Drawings and Watercolor Paintings
Materials
Charcoal, Archival Paper
Untitled (Renaissance Female Nude Figure Study), 1963, Ian Hornak — Drawing
By Ian Hornak
Located in Auburn Hills, MI
Original drawing on archival paper, circa 1963. Paper Size: 18 x 23 inches. Provenance: Estate of Ian Hornak, East Hampton, New York. Notes: Created during Hornak’s undergraduate st...
Category
1960s Renaissance Drawings and Watercolor Paintings
Materials
Archival Paper, Graphite
The Captive, Study of a Naked Youth, Red Chalk Study, Carracci Gallery
By Annibale Carracci
Located in London, GB
Red chalk on paper
Image size: 5 x 8 1/2 inches (12.75 x 21.5 cm)
Mounted
This 18th century drawing is after the work of the 16th Century Italian artist Annibale Carraci. This figure, along with many more, were painted by Carraci in the Palazzo Farnese in a space now known as the Carracci gallery. The Carracci gallery is considered as one of the most important Renaissance commissions in Rome. This figure, along with five other companions, were known as 'The Captives'. They were designed by the artist to appear trapped in the architectural spaces in the walls and sat around the fresco that featured Perseus and Andromeda.
Similarly to the original drawings, this artist has taken considerable care to sculpt his form with light and shadow, gently blending strokes on the smooth-skinned cheek and distinctly denoting the direction of hair strands.
Annibale Carracci
Annibale Carracci (1560–1609) was the most admired painter of his time and the vital force in the creation of Baroque style. Together with his cousin Ludovico (1555–1619) and his older brother Agostino (1557–1602)—each an outstanding artist—Annibale set out to transform Italian painting. The Carracci rejected the artificiality of Mannerist painting, championing a return to nature coupled with the study of the great northern Italian painters of the Renaissance, especially Correggio, Titian, and Veronese.
During the 1580s, the Carracci were painting the most radical and innovative pictures in Europe. Annibale not only drew from nature, he created a new, broken brushwork to capture movement and the effects of light on form. His Two Children Teasing a Cat marks a new chapter in the history of genre painting. The revolutionary potential of this new kind of painting would be taken up over a decade later by Caravaggio, who must have seen the Carraccis’ work while traveling from Milan to Rome in 1592.
The Carracci saw themselves as heir to a great artistic tradition, and they consciously situated themselves within the history of northern Italian painting. Annibale and Agostino visited Parma and Venice to study the work of Correggio, Titian, Tintoretto, and Veronese. Their altarpieces and secular fresco cycles in Bologna reasserted a northern Italian emphasis on color, light, and the study of nature, but with a new focus on emotive communication. Their success led to Annibale being invited to Rome to work for the powerful Farnese family (1595). Ludovico remained in Bologna to direct the academy they founded. Through the next generation of painters—Francesco Albani, Domenichino, Guido Reni, Giovanni Lanfranco, and Guercino—Bolognese painting became the dominant force in seventeenth-century art.
In Rome, Annibale’s painting was transformed through his first-hand encounter with classical antiquity and the art of Michelangelo and Raphael. Individual scenes of ancient mythology are surrounded by an elaborate illusionistic framework with feigned statues, in front of which sit muscular nude figures seemingly lit from the actual windows (Galleria Farnese ceiling). The corners are opened to painted views of the sky. When unveiled in 1600, the ceiling was instantly acclaimed as the equal of any work in the past. In combining northern Italian naturalism with the idealism of Roman painting, Annibale created the basis of Baroque art. His only challenger in Rome was Caravaggio, whose relation with the past was combative rather than assimilative. Moreover, Caravaggio’s art...
Category
18th Century Renaissance Drawings and Watercolor Paintings
Materials
Chalk, Paper
The Captive, Study of a Naked Man, Red Chalk Study, Carracci Gallery
By Annibale Carracci
Located in London, GB
Red chalk on paper
Image size: 11 x 5 1/2 inches (28 x 14 cm)
Mounted
This 18th century drawing is after the work of the 16th Century Italian artist Annibale Carraci. This figure, along with many more, were painted by Carraci in the Palazzo Farnese in a space now known as the Carracci gallery. The Carracci gallery is considered as one of the most important Renaissance commissions in Rome. This figure, along with five other companions, were known as 'The Captives'. They were designed by the artist to appear trapped in the architectural spaces in the walls and sat around the fresco that featured Perseus and Andromeda.
Annibale Carracci
Annibale Carracci (1560–1609) was the most admired painter of his time and the vital force in the creation of Baroque style. Together with his cousin Ludovico (1555–1619) and his older brother Agostino (1557–1602)—each an outstanding artist—Annibale set out to transform Italian painting. The Carracci rejected the artificiality of Mannerist painting, championing a return to nature coupled with the study of the great northern Italian painters of the Renaissance, especially Correggio, Titian, and Veronese.During the 1580s, the Carracci were painting the most radical and innovative pictures in Europe. Annibale not only drew from nature, he created a new, broken brushwork to capture movement and the effects of light on form. His Two Children Teasing a Cat marks a new chapter in the history of genre painting.
The revolutionary potential of this new kind of painting would be taken up over a decade later by Caravaggio, who must have seen the Carraccis’ work while traveling from Milan to Rome in 1592.The Carracci saw themselves as heir to a great artistic tradition, and they consciously situated themselves within the history of northern Italian painting. Annibale and Agostino visited Parma and Venice to study the work of Correggio, Titian, Tintoretto, and Veronese. Their altarpieces and secular fresco cycles in Bologna reasserted a northern Italian emphasis on color, light, and the study of nature, but with a new focus on emotive communication. Their success led to Annibale being invited to Rome to work for the powerful Farnese family (1595). Ludovico remained in Bologna to direct the academy they founded. Through the next generation of painters—Francesco Albani, Domenichino, Guido Reni, Giovanni Lanfranco, and Guercino—Bolognese painting became the dominant force in seventeenth-century art.
In Rome, Annibale’s painting was transformed through his first-hand encounter with classical antiquity and the art of Michelangelo and Raphael. Individual scenes of ancient mythology are surrounded by an elaborate illusionistic framework with feigned statues, in front of which sit muscular nude figures seemingly lit from the actual windows (Galleria Farnese ceiling). The corners are opened to painted views of the sky. When unveiled in 1600, the ceiling was instantly acclaimed as the equal of any work in the past. In combining northern Italian naturalism with the idealism of Roman painting, Annibale created the basis of Baroque art. His only challenger in Rome was Caravaggio, whose relation with the past was combative rather than assimilative. Moreover, Caravaggio’s art...
Category
18th Century Renaissance Drawings and Watercolor Paintings
Materials
Chalk, Paper
La Bella Attrice
Located in Mokena, IL
La Bella Attrice, 7.75 x 5.5 inches. Graphite and White Chalk on Toned Paper. Drawing by artist Justas Varpucanskis. This piece utilizes the "rules of craftsmanship" as outlined in C...
Category
21st Century and Contemporary Renaissance Drawings and Watercolor Paintings
Materials
Chalk, Graphite
Untitled (Renaissance Male Figure Study), 1964, Ian Hornak — Drawing
By Ian Hornak
Located in Auburn Hills, MI
Original drawing on archival paper, circa 1964. Paper Size: 14 x 11 inches. Provenance: Estate of Ian Hornak, East Hampton, New York. Notes: Created during Hornak’s undergraduate st...
Category
1960s Renaissance Drawings and Watercolor Paintings
Materials
Graphite, Archival Paper
19th Century Italian Miniature Painting The Madonna & Child, Signed original
By J. Canava
Located in Cirencester, Gloucestershire
The Madonna & Child
by J. Canava, Italian late 19th century
miniature painting on ceramic, framed within velvet inset and frame
image measures 3.2...
Category
Late 19th Century Renaissance Drawings and Watercolor Paintings
Materials
Gouache
19th Century Italian Miniature Painting The Madonna & Child, Signed original
By J. Canava
Located in Cirencester, Gloucestershire
The Madonna & Child
by J. Canava, Italian late 19th century
miniature painting on ceramic, framed within velvet inset and frame
image measures 3.2...
Category
Late 19th Century Renaissance Drawings and Watercolor Paintings
Materials
Gouache
Study of a Man, Old Master Drawing, Figure, Roman Study, Lombard
Located in Greven, DE
Old Master Drawing by the Circle of Lambert Lombard. Drawing/ Study of a Man in Renaissance Style, later signed "F. Floris".
Study of a Man
Lombard li...
Category
16th Century Renaissance Drawings and Watercolor Paintings
Materials
Handmade Paper
The Adoration Of The Christ Child Fine Renaissance Old Master Painting Large
Located in Cirencester, Gloucestershire
Artist/School: After Filippo Lippi, Italian 1406-1469. The work is most likely by an English hand, late 19th century
Title: The Adoration of the Christ ...
Category
19th Century Renaissance Drawings and Watercolor Paintings
Materials
Watercolor
Untitled (Abstract African American Male Figure Study)
By Ian Hornak
Located in Fairfield, CT
Artist: Ian Hornak (1944-2002)
Title: Untitled (Abstract African American Male Figure Study)
Year: 1963
Medium: Ink on heavy archival paper
Size: 1...
Category
1980s Renaissance Drawings and Watercolor Paintings
Materials
Ink
Untitled (Abstract Cadaver Study)
By Ian Hornak
Located in Fairfield, CT
Artist: Ian Hornak (1944-2002)
Title: Untitled (Abstract Cadaver Study)
Year: 1963
Medium: Ink on heavy archival paper
Size: 16.75 x 14 inches
Condition: Good
Provenance: Notes: A ra...
Category
1980s Renaissance Drawings and Watercolor Paintings
Materials
Ink
Study for Statue - Pencil Drawing by Giovanni Fontana - Early 17th Century
Located in Roma, IT
Study for Statue is an original drawing in pencil on paper, realized by the architect and engineer Giovanni Fontana (1540-1614).
The state of preservation of the artwork is good exc...
Category
Early 17th Century Renaissance Drawings and Watercolor Paintings
Materials
Pencil
A Self Portrait
Located in Storrs, CT
A Self Portrait. c. 1932. Ink drawing on wove paper. 3 1/2 x 2 1/4 (sheet 10 x 7). Provenance: the artist's daughter. Unsigned. A unique silhouette housed in an archival French doubl...
Category
Early 20th Century Renaissance Drawings and Watercolor Paintings
Materials
Ink
Abandono - Study of lights and volumes
By Theo Toy
Located in San Miguel de Allende, Guanajuato
Original Theo Toy watercolor
Suave 2 - Study of lights and volumes
Watercolor on paper.
Signed by the artist.
Unframed. Please contact us if you would like framing options.
Category
Early 2000s Renaissance Drawings and Watercolor Paintings
Materials
Archival Paper, Watercolor
Suave 2 - Study of lights and volumes
By Theo Toy
Located in San Miguel de Allende, Guanajuato
Original Theo Toy watercolor
Suave 2 - Study of lights and volumes
Watercolor on paper.
Signed by the artist.
Unframed. Please contact us if you would like framing options.
Category
Renaissance Drawings and Watercolor Paintings
Materials
Archival Paper, Watercolor
Farm House in Holland
Located in New York, NY
Rembrandt can Rijn (Attr)
Ink and brawn wash.
Collection stamp of A. Firmin-Didot (1790-1876) on the reverse.
Another unrecognized stamp on the reverse.
Ex Collection family Fran...
Category
Renaissance Drawings and Watercolor Paintings
Materials
Ink
Renaissance drawings and watercolor paintings for sale on 1stDibs.
Find a wide variety of authentic Renaissance drawings and watercolor paintings available for sale on 1stDibs. Works in this style were very popular during the 21st Century and Contemporary, but contemporary artists have continued to produce works inspired by this movement. Many Pop art paintings were created by popular artists on 1stDibs, including Ian Hornak, Theo Toy, Gerald Leslie Brockhurst, and Rembrandt van Rijn. Frequently made by artists working with Paper, and Archival Paper and other materials, all of these pieces for sale are unique and have attracted attention over the years. Not every interior allows for large Renaissance drawings and watercolor paintings, so small editions measuring 2.5 inches across are also available. Prices for drawings and watercolor paintings made by famous or emerging artists can differ depending on medium, time period and other attributes. On 1stDibs, the price for these items starts at $700 and tops out at $19,972, while the average work sells for $1,450.
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