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Revised Hunt Crop w/ Bone Handle 2003 Graphite Drawing

Art Sz: 8"H x 11 1/2"W Provenance: Gillian Dupont's The Old Habit Tack Shop Marshall, VA

Art Sz: 11"H x 7"W Provenance: Gillian Dupont's The Old Habit Tack Shop Marshall, VA

Art Sz: 7"H x 11"W Provenance: Gillian Dupont's The Old Habit Tack Shop Marshall, VA

Art Sz: 5 1/2"H x 11"W Provenance: Gillian Dupont's The Old Habit Tack Shop Marshall, VA

Pencil Study #12 2016-01-01 cca. Graphite on paper 12 x 7 inches Jessica Keiser currently resides in New Haven, Connecticut. Keiser's style is Naturalistic, concerned with the inti...

Pencil Study #10 2016 Graphite on paper 13 x 6 inches Jessica Keiser currently resides in New Haven, Connecticut. Keiser's style is Naturalistic, concerned with the intimacy of th...

Confrontation is an original Drawing in Pencil artwork realized by Antony Roland. Good conditions. Hand-signed. The artwork is depicted through soft strokes in a well-balanced com...

James Stroudley 1906 -1985 Portrait of a Hunter Graphite on paper Image size: 24 x 15 inches James Stroudley was born in London on 17 June 1906, the son of James Stroudley, showcard and ticket writer. He studied at Clapham School of Art (1923-27) and then at the Royal College of Art (1927-30), where his teachers included Alan Gwynne-Jones and William Rothenstein. As a recipient of the first Abbey Scholarship he was able to spend three years in Italy from 1930, where he absorbed the influences of Giotto and Piero della Francesca, and produced one of the last wholly satisfying decorative cycles by a Rome Scholar of the period. From 1934, he exhibited at the Royal Society of British Artists, and was elected to its membership in the following year. From the Second World War – in which he worked with the Camouflage Unit – Stroudley taught at St Martin’s School of Art and was a visiting lecturer at the Royal Academy Schools. Though he continued to live in London, his later work, exhibited at the Royal Academy from 1955, indicated regular painting trips to Kent and Sussex coasts. However, much of his later work was abstract. In 1971, his former student, Peter Coker...