Art by Medium: Burlap

A rare and well painted Cuban landscape by wonderful artist Domingo Enriquez. Domingo Ramos Enriquez's oeuvre encompasses a wide array of Cuban landscape...

Abstract Geometric Composition with Handmade Paper, Fibers and Acrylic on Canvas (Red) Whimsical abstract composition by an unknown artist (20th Century). Red acrylic paint makes up...

Collected Parts 2491 is a unique one-of-a-kind contemporary modern painting relief by Dutch artist Sander Martijn Jonker. His reliefs are made by creating a unique single-use mould i...

Jordi Curós Ventura (1930-2007) - Barcelona - Oil on burlap Oil measures 73x60 cm. Frameless.. Jordi Curós Ventura (Olot, Girona, March 4, 1930) is a Cata...

The sweetness that characterizes the work of Mexican painter Jose Maria de Servin (1917-83) is a melancholy and placid one. While he worked in the most modern of styles, he adapted i...

ZURA (Georgian-American, b. 1969) DEMNA BABIES, 2024 Mixed media H. 35 x W. 12 x D. 10 in. (89 x 30 x 25 cm) Clear acrylic plexiglass included Zura’s Demna Babies are edgy, mixed-me...

American School, Portrait of a Woman, Oil on Burlap, circa 1920, apparently unsigned, painted wood frame. Image: 23.5" H x 26.5" W; frame: 27.75" H x 30.75" W.

Collage No. 26 by Kim Fonder is an abstract original artwork that embodies a rich blend of layered paper and organic textures. Crafted on burlap over panel, this large-scale piece at...

OCBLK009102723 Oil, bitumen, graphite, marble powder, burlap on canvas 72" X 60" I am a visual artist whose work investigates small and large -scale abstraction primarily in the med...

Born in 1944 in the canton of Fribourg, Gilbert Pauli currently lives in Geneva, where he devotes himself to painting and sculpture, a passion he developed from his childhood. His fa...

Born in 1944 in the canton of Fribourg, Gilbert Pauli currently lives in Geneva, where he devotes himself to painting and sculpture, a passion he developed from his childhood. His fa...

Covered Parts 24113 is a unique one-of-a-kind contemporary modern painting relief by Dutch artist Sander Martijn Jonker. His reliefs are made by creating a unique single-use mould in...

Colorful and expressive abstracted seascape with thick impasto dynamically swirling together by California artist Richard Lofton (American, 1908-1966). Signed and dated "RICHARD LOFT...

Painting on burlap by Jose Maria de Servin of an Abstract Naive Lion animal using bright colors and geometric patterns. In this piece the artist simplifies the representation of the ...

Stephen Edlich Ouverture, with Cypress Forms, 1982 Signed, dated and titled on the stretcher Acrylic paint, mixed media, and burlap on canvas 60 x 40 inches An artist who worked in the post-cubist and constructivist traditions, Stephen P. Edlich gained a considerable amount of acclaim in the 1970s and 1980s for his collages, sculpture, and paintings. His promising career was cut short due to his untimely death at age 45 in 1989. Edlich was born in New York City. He received his undergraduate degree with a major in fine arts studies from New York University in 1967. During his college years, he traveled to London, where he met the art dealer Victor Waddington and created his first white on white collage. In that same year, he attended a major exhibition of the work of Ben Nicholson, which would be influential source in his art. Edlich returned to England in 1967, where he met Barbara Hepworth and Patrick Heron in London and traveled to St. Ives, Cornwall, long a favorite artists' haunt. Edlich began creating acrylic reliefs...

Ralph Rosenborg (American, 1913-1992) "American Landscape, Sky and Shore, 1973" Oil on canvas. Signed 'Rosenborg' (lower right). Titled (verso). 30 x 40 in Ralph Rosenborg (1913–199...

Jinni Oil, bitumen, graphite, marble powder, burlap on canvas 63" X 60" I am a visual artist whose work investigates small and large -scale abstraction primarily in the medium of pa...

Sognare I by artist Kim Fonder is a abstract contemporary white, grey, and gold mixed media on burlap painting that has texture and is minimal. This painting meausures 67 x 49 and is priced at $5,900. Kim Fonder loves texture and touch. Her paintings and furniture reflect her infatuation with these two characteristics. From the materials Fonder selects, to the way she crafts each piece; these two attributes remain her focus. She seeks to honor Leonardo Da Vinci’s words, “Simplicity is the ultimate sophistication. Born Corvallis, Oregon creative director, aberson exhibits master of science in applied behavioral studies, school psychometrics bachelor of science degree education group shows and juried exhibitions biting the apple, IAO gallery, oklahoma city, oklahoma 1999 mayfest invitational gallery tulsa, oklahoma may 1999 biting the apple,IAO gallery, may 2001 mayfest invitational gallery may 2002 j joseph gierek fine art/ group show tulsa, oklahoma 2003-2004 oklahoma visual artists coalition “visionmakers” January 2006 “oklahoma friendly” oklahoma artist guild, march 2008 -honorable mention- “personal space” gallery RFD swainsboro, georgia october 2008 tubac center for the arts tubac, arizona october 2008 artspace international juried exhibition raleigh, north carolina november 2008 gallery shows fashionhaus, manhattan, new york june 2008 jordan art gallery corsicana, texas october 2008 marziart international galerie, hamburg, germany october 2008 helen yi, chicago, illinois october 2008 exhibit by aberson tulsa, oklahoma april 2009 fashionhaus, manhattan, new york 2010 leslie powell...

The ghostly figures of a man and horse are set against the epic backdrop of a forested landscape and atmospheric blue sky. Peter Hoffer's paintings evoke nostalgia for classical, rom...

Middle Ground Oil, bitumen, graphite, marble powder, burlap on canvas 48" X 60" I am a visual artist whose work investigates small and large -scale abstraction primarily in the medi...

ZURA (Georgian-American, b. 1969) DEMNA BABIES, 2024 Mixed media H. 35 x W. 12 x D. 10 in. (89 x 30 x 25 cm) Clear acrylic plexiglass included Zura’s Demna Babies are edgy, mixed-me...

The sweetness that characterizes the work of Mexican painter Jose Maria de Servin (1917-83) is a melancholy and placid one. While he worked in the most modern of styles, he adapted i...

Framed 29 X 23 Image 18 X 24 The sweetness that characterizes the work of Mexican painter Jose Maria de Servin (1917-83) is a melancholy and placid one. While he worked in the most modern of styles, he adapted it to an anecdotal folk-art approach distinctly his own. When he was an infant, de Servin's family moved with him to Guadalajara. A city of history and culture, Guadalajara had a thriving artistic community with strong connections to Europe. His brothers Antonio and Miguel became artists as well, and in later years they worked collaboratively. As a teenager, de Servin studied at one of Mexico's Schools of Open-Air Painting, free art-teaching institutions sponsored by the government. Later de Servin became a pupil of the painter Chucho Reyes, known for his improvisational watercolor variations on traditional Mexican themes. This interest in imagery particular to Mexico would be of great significance to de Servin. De Servin also studied under the more traditional painter Jose Vizcarra. In the early 1930s de Servin joined the Pintores Jovenes de Jalisco, or Young Painters of Jalisco. An influence of critical importance to de Servin was Pablo Picasso. One of the originators of Cubism, the Spanish painter soon departed from its quasi-scientific and optical basis to create lively and humorous geometrical abstractions. It was this Cubism, personal and decorative, that de Servin adopted. His earliest Cubist works mimic Picasso, while during the second stage of his career, his works become smooth and polished, with an emphasis on gentle surface textures. After these cautious years, however, a rough boldness enters along with dominating colors of earth and sand. Modernists like de Servin were interested in exploring what they considered primitive artmaking styles. The adoption of a native manner and native themes is in keeping with Modernist tenets, as is the use of nontraditional materials. De Servin's portraits of peasants, large-eyed and simply rendered, recall children's drawings. The rough burlap ground contrasts with the playful imagery and delicate range of color. The figures, all children or child-like adults, are all curves and simple shapes arranged harmoniously. De Servin's cubism is free from grotesquerie as it celebrates the simplicity of its subjects. De Servin worked with the social-realist Jose Orozco on several large mural commissions in Guadalajara, including one at the Legislative Palace. While their styles were dissimilar, both made use of Mexican imagery to glorify the common people. A sought-after muralist in his own right, de Servin brought the rich colors and endearing characters of his panels to his larger-scale work. For 15 years, de Servin taught summer art classes at the University of Arizona. His career was marked by many one-man shows, both in North America and Europe. In recent years, his striking style has attracted increased notice from critics and the public. His style is a unique conglomerate of tradition, history, legends, heroes, old customs and folklore. It is a self-standing style, recognizable, cheerful, whimsical and a happy creation. Naïve art is any form of visual art that is created by a person who lacks the formal education and training that a professional artist undergoes (in anatomy, art history, technique, perspective, ways of seeing). Unlike folk art, naïve art does not necessarily evince a distinct cultural context or tradition. Naïve art is recognized, and often imitated, for its childlike simplicity and frankness. Paintings of this kind typically have a flat rendering style with a rudimentary expression of perspective. One particularly influential painter of "naïve art" was Henri Rousseau (1844–1910), a French Post-Impressionist who was discovered by Pablo Picasso. Naïve art is often seen as outsider art that is by someone without formal (or little) training or degree. While this was true before the twentieth century, there are now academies for naïve art. Naïve art is now a fully recognized art genre, represented in art galleries worldwide. Museums devoted to naïve art now exist in Kecskemét, Hungary; Riga, Latvia; Jaen, Spain; Rio de Janeiro, Brasil; Vicq France and Paris. "Primitive art" is another term often applied to art by those without formal training, but is historically more often applied to work from certain cultures that have been judged socially or technologically "primitive" by Western academia, such as Native American, sub saharan African or Pacific Island art (see Tribal art). This is distinguished from the self-conscious, "primitive" inspired movement primitivism. Another term related to (but not completely synonymous with) naïve art is folk art. There also exist the terms "naïvism" and "primitivism" which are usually applied to professional painters working in the style of naïve art (like Paul Gauguin, Mikhail Larionov, Paul Klee). At all events, naive art can be regarded as having occupied an "official" position in the annals of twentieth-century art since - at the very latest - the publication of the Der Blaue Reiter, an almanac in 1912. Wassily Kandinsky and Franz Marc, who brought out the almanac, presented 6 reproductions of paintings by le Douanier' Rousseau (Henri Rousseau), comparing them with other pictorial examples. However, most experts agree that the year that naive art was "discovered" was 1885, when the painter Paul Signac became aware of the talents of Henri Rousseau and set about organizing exhibitions of his work in a number of prestigious galleries. The Earth Group (Grupa Zemlja) were Croatian artists, architects and intellectuals active in Zagreb from 1929 to 1935. The group included the painters Krsto Hegedušić, Edo Kovačević, Omer Mujadžić, Kamilo Ružička, Ivan Tabaković, and Oton Postružnik, the sculptors Antun Augustinčić, Frano Kršinić, and the architect Drago Ibler. A term applied to Yugoslav (Croatian) naive painters working in or around the village of Hlebine, near the Hungarian border, from about 1930. Some of the best known naive artists are Dragan Gaži, Ivan Generalić, Josip Generalić, Krsto Hegedušić, Mijo Kovačić, Ivan Lacković-Croata, Franjo Mraz, Ivan Večenaj and Mirko Virius. Camille Bombois (1883–1970) Ferdinand Cheval, known as 'le facteur Cheval' (1836–1924) Henry Darger (1892–1973) L. S. Lowry (1887–1976) Grandma Moses, Anna Mary Robertson (1860–1961) Nikifor (1895–1968) Poland, Horace Pippin (1888–1946) Jon Serl (1894-1993) United States Alfred Wallis (1855–1942) Scottie Wilson (1890–1972) Gesner Abelard...

'Oblique Ombre' textile installation by Fiber artist Jane Knight. Comprised of 31 elements and signed with a copper metal plaque. Jane Knight (19...

The sweetness that characterizes the work of Mexican painter Jose Maria de Servin (1917-83) is a melancholy and placid one. While he worked in the most modern of styles, he adapted i...

Manana Blanca II Oil, bitumen, graphite, marble powder, burlap on canvas 73" X 70" I am a visual artist whose work investigates small and large -scale abstraction primarily in the m...

Cala Pragonda Oil, bitumen, graphite, marble powder, burlap on canvas 66" X 56" I am a visual artist whose work investigates small and large -scale abstraction primarily in the medi...

Box of Strings Oil, bitumen, graphite, marble powder, burlap on canvas 72" X 60" I am a visual artist whose work investigates small and large -scale abstraction primarily in the med...

"Ego 097" is an exceptional unique artwork by the spanish artist, Chidy Wayne, part of the acclaimed "Ego" series. While the series explores identity and self-reflection across diver...

Spanish Windows II Oil, bitumen, graphite, marble powder, burlap on canvas 48" X 72" I am a visual artist whose work investigates small and large -scale abstraction primarily in the...

The Parade Oil, bitumen, graphite, marble powder, burlap on canvas 72" X 60" I am a visual artist whose work investigates small and large -scale abstraction primarily in the medium ...

Untitled (43) Hanna Eshel, Israeli (1926) Date: 1965 Oil and Assemblage on Burlap, signed and dated verso Size: 39 x 31 in. (99.06 x 78.74 cm) Frame Size: 45 x 37 inches

Framed 29 X 23 Image 18 X 24 The sweetness that characterizes the work of Mexican painter Jose Maria de Servin (1917-83) is a melancholy and placid one. While he worked in the most modern of styles, he adapted it to an anecdotal folk-art approach distinctly his own. When he was an infant, de Servin's family moved with him to Guadalajara. A city of history and culture, Guadalajara had a thriving artistic community with strong connections to Europe. His brothers Antonio and Miguel became artists as well, and in later years they worked collaboratively. As a teenager, de Servin studied at one of Mexico's Schools of Open-Air Painting, free art-teaching institutions sponsored by the government. Later de Servin became a pupil of the painter Chucho Reyes, known for his improvisational watercolor variations on traditional Mexican themes. This interest in imagery particular to Mexico would be of great significance to de Servin. De Servin also studied under the more traditional painter Jose Vizcarra. In the early 1930s de Servin joined the Pintores Jovenes de Jalisco, or Young Painters of Jalisco. An influence of critical importance to de Servin was Pablo Picasso. One of the originators of Cubism, the Spanish painter soon departed from its quasi-scientific and optical basis to create lively and humorous geometrical abstractions. It was this Cubism, personal and decorative, that de Servin adopted. His earliest Cubist works mimic Picasso, while during the second stage of his career, his works become smooth and polished, with an emphasis on gentle surface textures. After these cautious years, however, a rough boldness enters along with dominating colors of earth and sand. Modernists like de Servin were interested in exploring what they considered primitive artmaking styles. The adoption of a native manner and native themes is in keeping with Modernist tenets, as is the use of nontraditional materials. De Servin's portraits of peasants, large-eyed and simply rendered, recall children's drawings. The rough burlap ground contrasts with the playful imagery and delicate range of color. The figures, all children or child-like adults, are all curves and simple shapes arranged harmoniously. De Servin's cubism is free from grotesquerie as it celebrates the simplicity of its subjects. De Servin worked with the social-realist Jose Orozco on several large mural commissions in Guadalajara, including one at the Legislative Palace. While their styles were dissimilar, both made use of Mexican imagery to glorify the common people. A sought-after muralist in his own right, de Servin brought the rich colors and endearing characters of his panels to his larger-scale work. For 15 years, de Servin taught summer art classes at the University of Arizona. His career was marked by many one-man shows, both in North America and Europe. In recent years, his striking style has attracted increased notice from critics and the public. His style is a unique conglomerate of tradition, history, legends, heroes, old customs and folklore. It is a self-standing style, recognizable, cheerful, whimsical and a happy creation. Naïve art is any form of visual art that is created by a person who lacks the formal education and training that a professional artist undergoes (in anatomy, art history, technique, perspective, ways of seeing). Unlike folk art, naïve art does not necessarily evince a distinct cultural context or tradition. Naïve art is recognized, and often imitated, for its childlike simplicity and frankness. Paintings of this kind typically have a flat rendering style with a rudimentary expression of perspective. One particularly influential painter of "naïve art" was Henri Rousseau (1844–1910), a French Post-Impressionist who was discovered by Pablo Picasso. Naïve art is often seen as outsider art that is by someone without formal (or little) training or degree. While this was true before the twentieth century, there are now academies for naïve art. Naïve art is now a fully recognized art genre, represented in art galleries worldwide. Museums devoted to naïve art now exist in Kecskemét, Hungary; Riga, Latvia; Jaen, Spain; Rio de Janeiro, Brasil; Vicq France and Paris. "Primitive art" is another term often applied to art by those without formal training, but is historically more often applied to work from certain cultures that have been judged socially or technologically "primitive" by Western academia, such as Native American, sub saharan African or Pacific Island art (see Tribal art). This is distinguished from the self-conscious, "primitive" inspired movement primitivism. Another term related to (but not completely synonymous with) naïve art is folk art. There also exist the terms "naïvism" and "primitivism" which are usually applied to professional painters working in the style of naïve art (like Paul Gauguin, Mikhail Larionov, Paul Klee). At all events, naive art can be regarded as having occupied an "official" position in the annals of twentieth-century art since - at the very latest - the publication of the Der Blaue Reiter, an almanac in 1912. Wassily Kandinsky and Franz Marc, who brought out the almanac, presented 6 reproductions of paintings by le Douanier' Rousseau (Henri Rousseau), comparing them with other pictorial examples. However, most experts agree that the year that naive art was "discovered" was 1885, when the painter Paul Signac became aware of the talents of Henri Rousseau and set about organizing exhibitions of his work in a number of prestigious galleries. The Earth Group (Grupa Zemlja) were Croatian artists, architects and intellectuals active in Zagreb from 1929 to 1935. The group included the painters Krsto Hegedušić, Edo Kovačević, Omer Mujadžić, Kamilo Ružička, Ivan Tabaković, and Oton Postružnik, the sculptors Antun Augustinčić, Frano Kršinić, and the architect Drago Ibler. A term applied to Yugoslav (Croatian) naive painters working in or around the village of Hlebine, near the Hungarian border, from about 1930. Some of the best known naive artists are Dragan Gaži, Ivan Generalić, Josip Generalić, Krsto Hegedušić, Mijo Kovačić, Ivan Lacković-Croata, Franjo Mraz, Ivan Večenaj and Mirko Virius. Camille Bombois (1883–1970) Ferdinand Cheval, known as 'le facteur Cheval' (1836–1924) Henry Darger (1892–1973) L. S. Lowry (1887–1976) Grandma Moses, Anna Mary Robertson (1860–1961) Nikifor (1895–1968) Poland, Horace Pippin (1888–1946) Jon Serl (1894-1993) United States Alfred Wallis (1855–1942) Scottie Wilson (1890–1972) Gesner Abelard...

Artist/Designer; Manufacturer: Armando Reveron (Venezuelan, 1889-1954) Marking(s); notes: signed Materials: oil on burlap Dimensions (H, W, D): 16"h, 19.5"w; 24.5"h, 28.25"w frame Ad...

1960s Handwoven textile piece by world-renowned fiber artist Romeo Reyna. Pieces by Reyna of this scale took months to complete and were mostly only available by commission and are r...

Elizabeth Jordan is an artist working primarily in sculpture and whose work uses multiple materials to produce unique, organic forms. In addition to a solo and group shows at Ivy Bro...

Seated woman in a pink suit strong yet warm color consistent with the artist's palette. It is painted on jute a coarse type of burlap mounted on a cradled wood board . Framing recomm...

ZURA (Georgian-American, b. 1969) DEMNA BABIES, 2024 Mixed media H. 35 x W. 12 x D. 10 in. (89 x 30 x 25 cm) Clear acrylic plexiglass included Zura’s Demna Babies are edgy, mixed-me...

Monumental 'Sunburst" by renowned Detroit fiber Artist Jane Knight. The Sunburst is comprised of sixty-nine elements of hand twined in multicolored wool fibers and is and was commiss...

Kim Fonder COLLAGE CINABRO I mixed media on burlap over panel 24.00 X 24.00 in $1,300.00

"Feria De Sombreros (The Hat Market)" by Peruvian artist Ernesto Gutierrez is a 2008 oil on jute painting, signed lower right. 36" x 46" art 48" x 58" framed Ernesto Gutierrez was ...

Kim Fonder loves texture and touch. Her paintings and furniture reflect her infatuation with these two characteristics. From the materials Fonder selects, to the way she crafts each ...

"El Baile (The Dance)" is an original oil painting on Jute by Ernesto Gutierrez. The artist signed the piece in the lower right. This painting depicts five figures dancing and playin...

BLANCO IV by artist Kim Fonder is a white and grey contemporary abstract minimalist mixed media on burlap painting that measures 64 x 64 and is priced at $6,800. Kim Fonder loves texture and touch. Her paintings and furniture reflect her infatuation with these two characteristics. From the materials Fonder selects, to the way she crafts each piece; these two attributes remain her focus. She seeks to honor Leonardo Da Vinci's words, “Simplicity is the ultimate sophistication. Born Corvallis, Oregon creative director, aberson exhibits master of science in applied behavioral studies, school psychometrics bachelor of science degree education group shows and juried exhibitions biting the apple, IAO gallery, oklahoma city, oklahoma 1999 mayfest invitational gallery tulsa, oklahoma may 1999 biting the apple,IAO gallery, may 2001 mayfest invitational gallery may 2002 j joseph gierek fine art/ group show tulsa, oklahoma 2003-2004 oklahoma visual artists coalition “visionmakers” January 2006 “oklahoma friendly” oklahoma artist guild, march 2008 -honorable mention- “personal space” gallery RFD swainsboro, georgia october 2008 tubac center for the arts tubac, arizona october 2008 artspace international juried exhibition raleigh, north carolina november 2008 gallery shows fashionhaus, manhattan, new york june 2008 jordan art gallery corsicana, texas october 2008 marziart international galerie, hamburg, germany october 2008 helen yi, chicago, illinois october 2008 exhibit by aberson tulsa, oklahoma april 2009 fashionhaus, manhattan, new york 2010 leslie powell...

"Dora Y Su Bebe" is Peruvian artist Ernesto Gutierrez's 2001 oil on jute canvas. 20" x 20" art 29" x 31" framed Ernesto Gutierrez was born in Lima, Peru in 1939, his father a Spani...

Edges of a Summit II Oil, bitumen, graphite, marble powder, burlap on canvas 60" X 72" I am a visual artist whose work investigates small and large -scale abstraction primarily in t...

Elizabeth Jordan is an artist working primarily in sculpture and whose work uses multiple materials to produce unique, organic forms. In addition to a solo and group shows at Ivy Brown...

Covered Parts 24112 is a unique one-of-a-kind contemporary modern wall sculpture painting relief by Dutch artist Sander Martijn Jonker. His reliefs are made by creating a unique sing...

Black and White Textured Minimalist Composition in Acrylic on Canvas Minimalist composition by an unknown artist (20th Century). The background of this piece is textured using heavy...

After Joan Miró “Barcelona” 1973 — Rare Limited Edition Lithograph on Burlap Exceptional and rare limited edition lithograph on burlap (arpillera) created after Joan Miró in 1973, d...

Joan Joseph Garí (1922) - Rambla de las flores Barcelona - Oil on burlap Oil measures 33x41 cm. Frameless. Painter born in Granollers in 1922. Trained in his hometown and at the Sch...

This is an abstract 3D wall sculpture in wood, acrylic, rope, and ink. it is from artist Paul Cava's "Wood Work" series, which applies the collage aesthetic he has incorporated into ...

„The Way #6”, mixed media (soil, pearl glue, oil, powder pigment, rosin) on jute, 140 x 150, 2012 Series “The Way” by Marta Pokojowczyk contains mixed media paintings on jute create...

Banksy Gross Domestic Product (after) Banksy Welcome Mat - Urban Graffiti Street Art edition of 500 unsigned, unnumbered This mat is hand stitched using ...

Shipping Procedure Ships in a well-protected tube from Nigeria This work is unique, not a print or other type of copy. Accompanied by a Certificate of Authenticity. About Artist Bor...

Covered Parts 24111 is a unique one-of-a-kind contemporary modern wall sculpture painting relief by Dutch artist Sander Martijn Jonker. His reliefs are made by creating a unique sing...

Oil on burlap. Oil measures 50x65 cm. Frameless.

Covered Parts 24114 is a unique one-of-a-kind contemporary modern painting relief by Dutch artist Sander Martijn Jonker. His reliefs are made by creating a unique single-use mould in...

Signed lower right, 'Orloff' for Alexandre Orloff (Polish-Russian, 1899-1979), also known as Alexander Konstantinovich Orlov (Russian: Александр Константинович Орлов), and painted ci...

Oil on canvas by Madé Gourdon, France, 1960s. "Dream". with frame: 70x61 cm - without frame: 55x46 cm. 10F format. Signed "Madé Gourdon" in the lower left. In its frame Montparnasse....