Art by Medium: Cardboard

Laimonis Bubieris (1934-2012) Yachts, cardboard/oil, 57x69 cm

Beautiful landscape of a California springtime river scene by Ralph Edward Joosten (American, 1928-2009). Signed "R. Joosten" lower left. Unframed. Image, 24.25"H x 18"W. Mr. Jooste...

Laimonis Bubieris (1934-2012) Costs of channels, cardboard/oil, 36x54.5 cm

Summer day. Oil on cardboard, 40x50 cm Alfejs Bromults (1913.3.IV - 1991.11.I) His first professional education was at National University at studies to R.Suta, J. Bine and G. Skil...

Red Optical Composition is an original artwork realized by the Italian contemporary master, Carlo Montesi in 1966. In good conditions. Tempera, oil pai...

Wonderful palette knife impasto painting of the Matterhorn from the Italian side with Breuil-Cervinia in forefront by Northern California artist Beatrice Ash...

Winter landscape. 1980. Oil on cardboard, 24x32.5 cm

Luminosa opera con rose in giardino Nikolaj LATYSHENKO (Artjomovsk, Ucraina, 1937) MUSEI Novgorod, Museo delle Belle Arti Mosca, Collezione del Ministero della Cultura Arkhangelsk,...

Wonderful 1970's California landscape of a field with structures and telephone poles by Patricia Gren-Hayes (American, b. 1932), 1970. Signed lower right corner. Titled "Bud's Lane,"...

Carnations and roses. 1990, cardboard, oil, 92x67 cm

Autumn flowers. 1992, oil on cardboard, 65x50 cm Still life with pink asters in green jug Olgerts Jaunarajs (1907-2003) He was so-called legend of ...

Spring birches. 1990. Cardboard, oil, 70x95 cm Edgars Vinters (1919-2014) Edgars Vinters is working in oil, watercolor and monotype techniques. He pain...

Dynamic abstract landscape painting in the San Francisco Bay Area Abstract Expressionist School-style by an unknown California artist (American, 20th Century), c.1965. Unframed. Imag...

Behind the barn 1950s. Oil on cardboard. 42,5x49,5 cm "Behind the Barn" is likely to be a captivating and nostalgic artwork that celebrates the beauty of rural life and the tranquility of the countryside. Through the careful composition and skillful use of oil paints, the artist aims to transport viewers to a simpler and idyllic time, where nature and agriculture coexist in harmony. Aleksandra...

Serene mid-century winter landscape with a cabin near a lake covered in snow and tall mountains in the distance by W. Dunn. Signed "W. Dunn" lower left. Displayed in a giltwood frame...

Dedication to Picasso. 1991, assemblage, cardboard, wood, acrylic, 49,5x59,5 cm Georgs Barkans (1925-2010) Textile artist, architect, artist Professional education: University of La...

Mid Century Garden Landscape, "In the Old Spanish Garden" by Florence Nuez A charming Spanish home is the focus of this lovely mid century landscape painting by Santa Cruz, Californ...

Frederick Vezin (1859 Torresdale Philadelphia - 1933 Düsseldorf), Autumn Landscape in the Sunlight, oil on canvas, mounted on cardboard, 32 x 41 cm (inside measurement), 44 x 51 cm (frame), signed and dates lower right "F. Vezin. [19]05". - Cardboard slightly curved, small inconspicuous retouch at the centre of the upper edge of the picture. About the artwork Although the painting appears to be a sketch, Frederick Vezin considered it to be a finished work of art, as evidenced by his signature on the lower right. And it is precisely this sketchy quality that leads to an understanding of the painting, which was certainly created in the landscape itself: the natural phenomena were to be depicted artistically at the moment of their observation. This is not done by meticulously sketching nature, but - and here Vezin follows the teaching of French Impressionism - by illustrating nature in its visual fullness. The artist's eye is, as it were, immersed in the visuality of nature, which is made visible by his hand. The painting is therefore not a reflection of the landscape, but its artistic intensification. This intensification also includes the fact that the foreground of the painting - corresponding to the field of vision - eludes a detail-oriented close-up view. Instead, the spatula-like application of paint, the vertical structure of which corresponds to the structure of the floral growth, has the effect of making nature tangible in its colourful substance. At the same time, the foreground, which remains indeterminate in its concrete objectivity, creates an atmospheric space that connects with the actual protagonist of the picture, the group of trees, which flares up in shades of red and brown. Here, too, the leaves are more speckled than clearly outlined. It is precisely this 'sketchiness' that opens up a visual experience that makes the landscape accessible in its visual fullness, thus revealing its essence. In addition to this abundance, the landscape is presented as a structure of order in that the composition of the picture makes the composition of the landscape visible. For example, the group of trees forms a distinct dark green shadow, which is repeated in the shadows cast by the trees behind it. A patterned diagonal axis is created in the picture, which is composed in this way by the landscape itself. Strictly speaking, this is a cultivated landscape: a fence at the bottom and a low stone wall at the top, running from left to right, are two elements that also have a strong compositional effect. And on the top of the hill, a stone house is embedded in the landscape as the brightest surface in the picture. Nature and culture here form a harmonious synthesis, giving the painting an Arcadian touch. In order to give the landscape as much space as possible, the horizon line is raised, but the design of the sky is also crucial. The clouds, combined with the shapes of the trees, create a bright blue sky. To the European eye, such a sky is reminiscent of a summer landscape. Accordingly, within the seasonal cycle, the blue sky is reserved for summer, and French Impressionism is also primarily an ode to summer. In Vezin's painting, however, the brilliant blue sky stands above an autumnal landscape, some of the trees even defoliated. It can therefore be assumed that the painting was made not in Europe but in the United States, and that it illustrates the proverbial Indian summer, making Frederick Vezin a pioneer of American landscape painting. About the artist Frederick Vezin was the son of a French immigrant to the United States and a German-born mother. This predestined him to promote artistic exchange between the old and new worlds. Having spent part of his schooling in Germany, in 1876, at the age of 20, he enrolled at the Düsseldorf Academy of Art, where he studied with Peter Janssen the Elder, Eduard von Gebhardt and Wilhelm Sohn, among others. He graduated in 1883, settled in Munich and returned to Düsseldorf in 1895, where he lived until his death in 1933. A native of the United States, he travelled to the country frequently and became a popular portrait and society painter. His artistic talent, however, was most evident in his landscape paintings. Trained in French Impressionism, he developed a virtuoso use of colour and a free brushwork that remained tied to the landscape motif, opening up the landscape itself in a new way. Frederick Vezin turned his attention primarily to the landscape of his homeland, becoming a pioneer of modern American landscape...

Restful landscape of a river running through a valley lightly dusted in snow and snow capped mountains in the background by Franklin D. Stanley (American, 20th century). Signed "F. D. Stanley" lower left. Signed, titled "My Angels...

Morning mood in a fishing village. Oil on cardboard, 64x68.5 cm Aleksandr Rodin (1922-2001) Painter Born in a family of farmers. Wife Rasma Lace - art scholar. Studied at the Stali...

Beautiful mid century watercolor of a little store in Aptos, California by listed artist Jon Blanchette (American, 1908-1987). Unframed. Signed "Jon Blanchette" lower right. Location...

Still life with pears. Oil on cardboard, 50 x 60 cm Aleksandr Rodin (1922-2001) Painter Born in a family of farmers. Wife Rasma Lace - art scholar. Studied at the Stalingrad Schoo...

Port. Big Ship 1964. Oil on cardboard, 55x70 cm He learned at State Technique of Riga, architecture department. 1937 –Latvian academy of Art, landscape Studio of V. Purvitis, with ...

Aleksandra Belcova (1892-1981) Studied at the Art School in Penza (1912-1917), State Free Art Workshops in Petrograd with N. Altman (1918-1919). Together with her husband Romans Su...

Beautiful rustic seascape of calm waves along the rocky coast in Davenport by California artist Esposito (American, 20th Century). Signed "Esposito '59" lower right. Presented in rus...

Tulips in a vase. Oil on cardboard, 45 x 30 cm Aleksandr Rodin (1922-2001) Painter Born in a family of farmers. Wife Rasma Lace - art scholar. Studied at the Stalingrad School of A...

Rocky seashore. 1980, cardboard, oil, 48x66 cm Edgars Vinters (1919-2014) Edgars Vinters is working in oil, watercolor and monotype techniques. He paints landscapes in different seasons and flowers. In 1970 the significant place in his creativity takes city landscapes. As a ten-year-old boy...

Excellent condition! Very good provenance

Cats Cardboard, mixed media, 75x29 cm ALEKSANDRS DEMBO (1931. Paris – 1999. Riga) Born in 1931 in Paris, France, died in 1999 in Riga, Latvia. Professional training: Janis Rozental...

Autumn landscape. Oil on cardboard, 39x50 cm is a landscape painter and a student of Vilhelms Purvitis. Vilhelms Purvitis one of the founders of the Latvian National School of Paint...

Summerhouse. Cardboard, oil, 33x48 cm Harijs Veldre (Bullis till 1947) (1927.8.III – 1999.6.V) Harijs Veldre learned in Riga school of applied arts (1942 – 43), in studio of L. Svem...

Spring in the forest. 1978, oil on cardboard, 50x35 cm Landscape with trees at spring Valiahmetov Amir Hasnulovitch (1927 07 01 Kazan - 2014 Moscow) He graduated a Art Institut of M...

Arturs Nikitins (born 1936) - painter, graphic artist. 1962 – graduated from the Latvian Art Academy, Graphic Department with the diploma work “The workers of Novorosijsk” under th...

At the Port. 1966, oil on cardboard, 56x69,5 cm He learned at State Technique of Riga, architecture department. 1937 –Latvian academy of Art, landscape Studio of V. Purvitis, with d...

Autumn foliage. 1990. Cardboard, oil, 95x70 The composition showcases the vibrant beauty of nature during the fall season. The dominant feature of the painting is the foliage itsel...

Windy day. 1981, oil on cardboard, 40x62 cm

Together. Cardboard, oil, 50x39.5 cm Double portrait of a man and woman Vladimir Borisovich Glushenkov (May 21, 1948, Riga - December 26, 2009, Riga.) - painter, graphic artist, po...

A classic mid-century California mountain scene of Payne Lake near Mammoth Mountain in the Sierra Nevadas, by Clare Shipton Mayhew (Mrs. J.O. Harvey)....

Old town . Oil on cardboard 47,x68 cm. Leonids Maurins (1934-2012) From 1954 to 1961 studied at J. Rozentāls Riga Art School From 1961 to 1969 studied at the Art Academy of Latvia, Pedagogical Department. 1969 - work as tutor at evening courses at the Chair of design, Latvian Academy of Arts. 1969 - first participation in an exhibition of Republican (7th Exhibition of Young Artists in Riga). From 1969 to 1970 - execution of the artist`s first monumental decorative painting for cafe "Allegro". 1975 - participation in the exhibition of young artists in Dzintari, Exhibition Hall (G. Liepina, L. Maurins, B. Vasilevskis, M. Tabaka). 1976 - the artist was accepted as member of the Latvian Artists...

Birches. 1957, oil on board, 45x60 cm Edgars Vinters (1919-2014) Edgars Vinters is working in oil, watercolor and monotype techniques. He paints landsc...

Still life with a bottle. 1994, oil on cardboard, 93,5 x 101 cm The artwork was published in the catalog - "Jānis Zemītis Glezniecība. Painting." Publish...

Mom, birth, baby, green, motherhood, Mother's Day KLARA VLASOVA (Moscow, 1926-2022) MUSEUMS St. Petersburg, State Russian Museum Moscow, Pushkin Museum Moscow, Museum of History ...

Collage, 1988 Handsigned by the artist in pencil Mixed media and collage on cardboard Dated October 23, 1988 Frame dimensions: 48 x 54 cm 36.00 cm. x 42.00 cm. 14.17 in. x 16.54 in...

Sunset. Cardboard, oil, 50x70 cm

colors- abstract original paper acrylic painting.framed Original paper by the famous Spanish artist Josep Tharrats. Acrylic on paper. Perfect condition. Certificate of originality ...

Gulf of the river. Oil on cardboard, 31,2x45,5 cm Albins Dzenis (1907.19. XII Riga –1998) 1935 – Graduating Latvian Art Academy, department of Decorative painting by guidance of J....

Autumn Landscape. 1976. Oil on cardboard, 22x31 cm Edgars Vinters (1919-2014) Edgars Vinters is working in oil, watercolor and monotype techniques. He paints landscapes in different...

Bouquet of flowers in a vase. Oil on cardboard 70x62 cm impasto painting in earth color gamma

Haystacks. 1984, cardboard, oil, 40x49.5 cm Edgars Vinters (1919-2014) Edgars Vinters is working in oil, watercolor and monotype techniques. He paints landscapes in different season...

Ship repair. 1956, oil on canvas, cardboard, 43,5x61,5 cm landscape with boats Dontsov German (1916. Saratow, Russia – 2001. Riga, Latvia) His professional carrier began...

Evening sun. 1954, oil on cardboard, 33x61 cm

Bridge in the Sydney. 1984, oil on cardboard, 51x61 cm

Boulders near the field. 1983, cardboard, oil, 68x94 cm

Collage, 1989 Single work Handsigned by the artist in pencil Mixed media and collage on cardboard Dated February 6, 1989 Frame dimensions: 47 x 61.5 cm 32.00 cm. x 46.00 cm (image)...

Birch grove. Oil on cardboard. 27, 5 x 21, 3 cm

Sunny path. Cardboard, oil, 66x43 cm The painting portrays a path illuminated by sunlight. The artist has used oil paints on cardboard to capture the play of light and shadow, creat...

Sunny autumn forest edge. 1960, cardboard, oil, 36x50 cm Edgars Vinters (1919-2014) Edgars Vinters is working in oil, watercolor and monotype techniques. He paints landscapes in dif...

Ships in port. Oil on cardboard, 56,5x64,5 cm He learned at State Technique of Riga, architecture department. 1937 –Latvian academy of Art, landscape Studio of V. Purvitis, with dip...