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Art by Medium: Engraving

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Period: 19th Century
Medium: Engraving
The Twin Rocks of Capri; I Faraglioni a Capri
Located in Middletown, NY
London: Gebbie & Husson Co., 1879 Héliogravure and engraving on cream wove paper, 10 1/4 x 12 1/4 inches (258 x 310 mm), full margins. In good condition with some very minor margina...
Category

Late 19th Century English School Art by Medium: Engraving

Materials

Photogravure, Engraving

La Place Saint Georges, Paris
Located in Middletown, NY
London: Gebbie & Husson Co., 1879. Héliogravure and engraving on cream wove paper, 10 1/4 x 12 1/4 inches (258 x 310 mm), full margins. In good condition with some very minor margin...
Category

Late 19th Century French School Art by Medium: Engraving

Materials

Handmade Paper, Engraving, Photogravure

The Philanthropic Reform in St. George's Field
Located in Middletown, NY
London: James Whittle & Richard Holmes Laurie, 1814. Engraving with hand coloring in watercolor on wove paper, 11 1/2 x 17 1/4 inches (290 x 437 mm). Condition issues include signif...
Category

Early 19th Century English School Art by Medium: Engraving

Materials

Engraving, Watercolor, Handmade Paper

Landscape - Etching by J. F. Raffaelli - Late 19th Century
Located in Roma, IT
Etching and drypoint. Hand signed. Very good condition.
Category

Late 19th Century Modern Art by Medium: Engraving

Materials

Etching, Drypoint

The Mother's Hope, Regency stipple portrait engraving, 1815
Located in Melbourne, Victoria
Adam Buck (1759–1833) was an Irish neo-classical portraitist and miniature painter and engraver principally active in London. 300mm by 208mm (sheet).
Category

Early 19th Century English School Art by Medium: Engraving

Materials

Engraving

George Washington, early 19th century portrait engraving
Located in Melbourne, Victoria
'Giorgio Washington' Stipple engraving by Giovanni Antonio Sasso (active 1809-1816) after Jean Bosio (1767-1832), 1818. 220mm by 155mm (platemark) 295mm by 220mm (sheet) George W...
Category

Early 19th Century Victorian Art by Medium: Engraving

Materials

Engraving

The Body of Tee, a Chief, as preferred after Death, in Otaheite (Tahiti)
Located in Paonia, CO
The Body of Tee a chief as preferred after Death in Otaheite (Tahiti) is from the 1784 First Edition Atlas Accompanying Capt. James Cook and King; Third and Final Voyage of Capt...
Category

1870s Realist Art by Medium: Engraving

Materials

Engraving

Crinium Giganteum
Located in London, GB
REDOUTÉ, Pierre-Joseph. Crinium Giganteum Paris, Chez L’Auteur, 1802-16 The highest peak of Redoute's artistic and botanical achievement... Among the most important monuments of...
Category

Early 19th Century Naturalistic Art by Medium: Engraving

Materials

Handmade Paper, Engraving

Drongo / Duc; Pl. 140
Located in Mount Vernon, NY
Hand-colored engraving by P. Fitzer for Dictionnaire pittoresque d’histoire naturelle et des phénomènes de la nature, edited by French entomologist Felix Edouard Guerin-Meneville (17...
Category

19th Century Art by Medium: Engraving

Materials

Engraving

Iris Florentina
Located in London, GB
REDOUTÉ Pierre-Joseph. Iris Florentina Paris, Chez L’Auteur, 1802-16 The highest peak of Redoute's artistic and botanical achievement... Among the most important monuments of bo...
Category

19th Century Naturalistic Art by Medium: Engraving

Materials

Handmade Paper, Engraving

Narcissus
Located in London, GB
REDOUTE, Pierre-Joseph. Narcissus Paris, Chez L’Auteur, 1802-16 The highest peak of Redoute's artistic and botanical achievement... Among the most important monuments of botanic...
Category

19th Century Naturalistic Art by Medium: Engraving

Materials

Engraving, Handmade Paper

George Brookshaw (1751-1823), Black Apricot; Breda Apricot; Brussels Moor Park A
Located in Bristol, CT
Print Sz: 11 1/2"H x 9 1/2"W Frame Sz: 19 1/4"H x 16 3/4"W Publisher: Longman, Hurst, Rees, Orme & Brown Plate XX George Brookshaw, also known as G. Brown, was a notable English ...
Category

Early 1800s Art by Medium: Engraving

Materials

Engraving

George Brookshaw (1751-1823), Pear Cluster, PL XLIX
Located in Bristol, CT
Print Sz: 11 1/2"H x 9 1/2"W Frame Sz: 19 1/4"H x 16 3/4"W Publisher: Longman, Hurst, Rees, Orme & Brown Plate XLIX George Brookshaw, also known as G. Brown, was a notable Englis...
Category

Early 1800s Art by Medium: Engraving

Materials

Engraving

George Brookshaw (1751-1823), Fruit Cluster, PL XII
Located in Bristol, CT
Print Sz: 11 1/2"H x 9 1/2"W Frame Sz: 19 1/4"H x 16 3/4"W Publisher: Longman, Hurst, Rees, Orme & Brown Plate XII George Brookshaw, also known as G. Brown, was a notable English...
Category

Early 1800s Art by Medium: Engraving

Materials

Engraving

Francisco De Goya Desastres de guerra Sera lo mismo 1edition original art print
Located in Miami, FL
Francisco De Goya (Spain, 1746-1828) 'Será lo mismo (Estampa 21)', ca.1810-1014 Serie: Desastres de la guerra burnished aquatint, etching on wellum paper...
Category

1810s Romantic Art by Medium: Engraving

Materials

Drypoint, Vellum, Etching, Aquatint

Lilium Superbum
Located in London, GB
REDOUTÉ, Pierre-Joseph. Lilium Superbum Paris, Chez L’Auteur, 1802-16 The highest peak of Redoute's artistic and botanical achievement... Among the most important monuments of b...
Category

19th Century Naturalistic Art by Medium: Engraving

Materials

Engraving, Handmade Paper

Iris Pratensis
Located in London, GB
REDOUTÉ, Pierre-Joseph. Iris Pratensis Paris, Chez L’Auteur, 1802-16 The highest peak of Redoute's artistic and botanical achievement... Among the most important monuments of bo...
Category

19th Century Naturalistic Art by Medium: Engraving

Materials

Handmade Paper, Engraving

Pancratium Calathiforme
Located in London, GB
REDOUTÉ, Pierre-Joseph. Pancratium Calathiforme Paris, Chez L’Auteur, 1802-16 The highest peak of Redoute's artistic and botanical achievement... Among the most important monume...
Category

19th Century Naturalistic Art by Medium: Engraving

Materials

Handmade Paper, Engraving

Billingsgate
Located in Middletown, NY
Etching printed in dark brownish black ink on cream laid paper, 6 x 8 7/8 inches (152 x 226 mm); full margins. Extremely minor and unobtrusive band of toning along the top sheet edg...
Category

Mid-19th Century Impressionist Art by Medium: Engraving

Materials

Drypoint, Laid Paper, Etching

George Brookshaw (1751-1823), Blue Muscadine Grape, PL XXXVIII
Located in Bristol, CT
Print Sz: 11 1/2"H x 9 1/2"W Frame Sz: 19 1/4"H x 16 3/4"W Publisher: Longman, Hurst, Rees, Orme & Brown Plate XXXVIII George Brookshaw, also known as G. Brown, was a notable Eng...
Category

Early 1800s Art by Medium: Engraving

Materials

Engraving

George Brookshaw (1751-1823), Apple Cluster, PL LX
Located in Bristol, CT
Print Sz: 11 1/2"H x 9 1/2"W Frame Sz: 19 1/4"H x 16 3/4"W Publisher: Longman, Hurst, Rees, Orme & Brown Plate LX George Brookshaw, also known as G. Brown, was a notable English painter and illustrator from London. His early career was spent as a London cabinet-maker specializing in painted furniture, often with floral decorations. Brookshaw also published supplementary drawing manuals on fruit, flowers, and birds. Pomona Britannicaa London 1804-1812 Engravings with original hand-coloring George Brookshaw's splendid "Pomona Brittanica" is a masterpiece among 19th-century British flower books. The publication of the "Pomona" marked the re-emergence of the acclaimed artist into the public eye after a total disappearance of nearly a decade. Initially a cabinet-make specializing in painted furniture decorated with borders of flowers, Brookshaw appears to have abandoned this career at about the same time as he parted company with his wife and began living with Elizabeth Stanton, and under the assumed name of G. Brown (c.1794-1804). During this time he earned a living as a teacher of flower-painting and on the proceeds of his first painting manual "A New Treatise on Flower Painting", 1797. Characterized by the highest standards of production and artistic quality, the superb illustrations that Brookshaw drew and engraved for the "Pomona" remain perhaps the most sumptuous and distinctive of the early 19th century. This magnificent and stylistically unique work took Brookshaw nearly ten years to produce. Rivaled only by Dr. Robert Thornton...
Category

Early 1800s Art by Medium: Engraving

Materials

Engraving

George Brookshaw (1751-1823), Cherry Cluster, PL V
Located in Bristol, CT
Print Sz: 11 1/2"H x 9 1/2"W Frame Sz: 19 1/4"H x 16 3/4"W Publisher: Longman, Hurst, Rees, Orme & Brown Plate V George Brookshaw, also known as G. Brown, was a notable English painter and illustrator from London. His early career was spent as a London cabinet-maker specializing in painted furniture, often with floral decorations. Brookshaw also published supplementary drawing manuals on fruit, flowers, and birds. Pomona Britannicaa London 1804-1812 Engravings with original hand-coloring George Brookshaw's splendid "Pomona Brittanica" is a masterpiece among 19th-century British flower books. The publication of the "Pomona" marked the re-emergence of the acclaimed artist into the public eye after a total disappearance of nearly a decade. Initially a cabinet-make specializing in painted furniture decorated with borders of flowers, Brookshaw appears to have abandoned this career at about the same time as he parted company with his wife and began living with Elizabeth Stanton, and under the assumed name of G. Brown (c.1794-1804). During this time he earned a living as a teacher of flower-painting and on the proceeds of his first painting manual "A New Treatise on Flower Painting", 1797. Characterized by the highest standards of production and artistic quality, the superb illustrations that Brookshaw drew and engraved for the "Pomona" remain perhaps the most sumptuous and distinctive of the early 19th century. This magnificent and stylistically unique work took Brookshaw nearly ten years to produce. Rivaled only by Dr. Robert Thornton...
Category

Early 1800s Art by Medium: Engraving

Materials

Engraving

Fritillaria Imperialis
Located in London, GB
REDOUTÉ, Pierre-Joseph. Fritillaria Imperialis Paris, Chez L’Auteur, 1802-16 The highest peak of Redoute's artistic and botanical achievement... Among the most important monument...
Category

Early 19th Century Naturalistic Art by Medium: Engraving

Materials

Handmade Paper, Engraving

"Le premier pas" Engraving by Herman Eichens - 50x70 cm
Located in Geneva, CH
Paint by Anatole Vely Engraved by Herman Eichens Entered according to act of congress in the year 1878 by M. Kneeler & co in the office of the librarian of congress at Washington New...
Category

1870s Realist Art by Medium: Engraving

Materials

Engraving

Hæmanthus Multiflorus
Located in London, GB
REDOUTÉ, Pierre-Joseph. Hæmanthus Multiflorus Paris, Chez L’Auteur, 1802-16 The highest peak of Redoute's artistic and botanical achievement... Among the most important monument...
Category

19th Century Naturalistic Art by Medium: Engraving

Materials

Engraving, Handmade Paper

Gladiolus Cardinalis
Located in London, GB
REDOUTÉ, Pierre-Joseph. Gladiolus Cardinalis Paris, Chez L’Auteur, 1802-16 The highest peak of Redoute's artistic and botanical achievement... Among the most important monuments...
Category

19th Century Naturalistic Art by Medium: Engraving

Materials

Handmade Paper, Engraving

Downing College, Cambridge engraving by Samuel Sparrow after Henry Barker
Located in London, GB
To see our other original maps, scroll down to "More from this Seller" and below it click on "See all from this Seller" - or send us a message if you cannot find the poster you want....
Category

1810s Art by Medium: Engraving

Materials

Engraving

"New York - Taken from the Northwest angle of Fort Columbus, Governor's Island"
Located in New York, NY
New York - Taken from the north west angle of Fort Columbus Governor's Island, 1846 Engraved by Henry Papprill after a sketch by F. Catherwood, published by Henry J. Megarey Hand-colored engraving on paper Image 16 x 26 1/2 inches Henry A. Papprill (1816–1903) was a British engraver. Noted as an aquatint engraver from 1840. His plates were published from 1840 till 1883 mainly by Ackermann of the Strand. Papprill was born in Holborn, London. Lived for much of his life at Wharton Street, Lloyd Square, London. Papprill is thought to have been based in New York City for brief period in the mid-1840s. His work in the USA appears to classify him as an American engraver but he was based and gained his reputation and bulk of his work in England. He produced a series of works for Ackermann & Co from 1840 beginning with four plates called "The Jolly Squire", with verses, after James Pollard. In the following years Papprill engraved a number of military plates for Ackermann as well a series of engravings of New York (1846-9) for H.I.Megarey (published in New York). The most notable of these are: "The North West Angle of Fort Columbus, Governor's Island" (the Catherwood-Papprill view) and New York from the Steeple of St. Paul's Church, Looking East, South & West." (The Hill-Papprill view) listed in the American Historical Prints - Early Views of American Cities, etc: I.N.Phelps Stokes & Daniel C. Haskell. New York Public Library 1932. Papprill also produced for Ackermann a series of sporting prints after G. H. Laporte between 1860 and 1865. These were entitled: Racing, Hunting and Coursing. He also produced a series of shipping prints...
Category

1840s Art by Medium: Engraving

Materials

Aquatint, Engraving, Paper

NOCTURNE: PALACES
Located in Portland, ME
Whistler, James A. M. NOCTURNE: PALACES. Glascow 200, Kennedy 202. Etching and drypoint with platetone, 1879-80. From the Second Venice Set. Signed on the tab with the butterfly in pencil. Printed in sepia on laid paper with no visible watermark. Trimmed just outside the platemark, leaving the tab. In excellent condition. As with all of the Whistler Nocturnes, each impressions of this print is different, dependng on how Whistler wiped and manipulated the platetone. 11 5/8 x 7 7/8 inches (plate and sheet, plus the tab). Framed to 20 x 16 inches. Provenance: Collection of Thomas Jefferson Coolidge, Jr. with his collection stamp (Lugt 1429) verso; Kennedy Galleries, with its inventory number a65609 in pencil verso, and with another inscription, "FWCX" in pencil, verso. Thomas Jefferson Coolidge, 1831-1920, was a great-grandson of Thomas Jefferson, a powerful Boston businessman, and an Ambassador to France. In 1875 he became the manager of the largest textile mill in America, the Amoskeag Mill in Manchester New Hampshire, and had major financial interests in the textile, banking, railroad, publishing and electrical industries. In 1880 he became the President of the Atchison, Topeka & Santa Fe Railway. He was one of the founders of the United Fruit Company...
Category

1870s Art by Medium: Engraving

Materials

Drypoint, Etching

embossed engraving
Located in Henderson, NV
Medium: embossed engraving. Printed in 1897 and published in London for The Studio. Image size: 5 x 3 3/8 inches (130 x 85 mm). Sheet size: 11 x 7 5/8 inches (282 x 193 mm). This imp...
Category

1890s Art Nouveau Art by Medium: Engraving

Materials

Engraving

Francisco De Goya Disparates Disparate desordenados 1edition original art print
Located in Miami, FL
Francisco De Goya (Spain, 1746-1828) 'Disparates. Disparate desordenado (estampa 7)', ca.1815-1819 etching, aquatint, dry point on vellum paper 11.7 x 15.9 in. (29.6 x 40.3 cm.) 1st ...
Category

1810s Romantic Art by Medium: Engraving

Materials

Aquatint, Drypoint, Vellum, Etching

Ma fille! Monsieur Cabanel - Drypoint by Félicien Rops - 1850s
Located in Roma, IT
Etching Héliogravure and drypoint. Signed with artist's monogram. Hand titled. Second state.  Good condition. Ref. Rouir 905; Exteens 411. 
Category

1850s Surrealist Art by Medium: Engraving

Materials

Drypoint

René de Laudonnière Sablais (de Burdigale). After Crispjin van de Passe I
Located in Middletown, NY
Paris: 1861 Etching, drypoint, and engraving on cream laid paper, 6 x 4 1/4 inches (152 x 108 mm), full margins. Dog-eared left corner, extending 3-inches into the sheet, but well ou...
Category

Mid-19th Century French School Art by Medium: Engraving

Materials

Laid Paper, Etching, Drypoint, Engraving

Set 5 Antique French Engravings Ancient Roman Artefacts & Figures
Located in Cirencester, Gloucestershire
Set of 5 black and white engravings French School, 19th century each paper (unframed) : 9 x 12 inches provenance: private collection condition: good and sound condition, old foxing s...
Category

19th Century Rococo Art by Medium: Engraving

Materials

Engraving

Set of 4 Ancient Greek Monuments Pantheon Athens Antique French Engravings Set
Located in Cirencester, Gloucestershire
Set of 4 Antique French Black & White Engravings Ancient Greek views and monument landmarks including the Pantheon, Athens. each paper : 9 x 12 inches...
Category

19th Century Renaissance Art by Medium: Engraving

Materials

Engraving

Marica Sabini, antique botanical blue flower engraving
Located in Melbourne, Victoria
Engraving with original hand-colouring. 1834. 230mm by 155mm. From Paxton's 'Magazine of botany and register of flowering plants' by Sir Joseph Paxton.
Category

Mid-19th Century Naturalistic Art by Medium: Engraving

Materials

Engraving

LE PETIT ENTERREMENT (The Small Funeral)
Located in Portland, ME
Buhot, Felix. LE PETIT ENTERREMENT (The Small Funeral). B/G 154. Second state of two. Etching, roulette, aquatint and drypoint printed in blue on tan wove paper, 1880. 3 3/8 x 4 1/2 inches; 86 x 115 mm., (sheet 8 3/8 x 10 3/8 inches; 215 x 264 mm.). Signed with the red owl...
Category

1880s Art by Medium: Engraving

Materials

Drypoint, Etching

Statue d'Homme d'État
Located in Middletown, NY
Wood engraving on extremely fine onion skin paper, signed in ink and numbered 13/35. 10 3/4 x 7 inches (272 x 177 mm), full margins. From the special ...
Category

Late 19th Century French School Art by Medium: Engraving

Materials

Engraving, Handmade Paper

Azalea Pulchra, antique botanical flower engraving
Located in Melbourne, Victoria
Engraving with original hand-colouring. 1834. 230mm by 155mm. From Paxton's 'Magazine of botany and register of flowering plants' by Sir Joseph Paxton.
Category

Mid-19th Century Naturalistic Art by Medium: Engraving

Materials

Engraving

The Pedestrian Carriage, or Walking Accelerator by Marks, T.L.
Located in Middletown, NY
A wonderful image of a dandy riding a "bone shaker" bicycle. The Pedestrian Carriage, by T. S. Marks London: McLeary, c1850. Steel engraving with hand co...
Category

Mid-19th Century Victorian Art by Medium: Engraving

Materials

Watercolor, Handmade Paper, Engraving

(after) John Constable mezzotint "Summer Evening"
Located in Henderson, NV
Medium: mezzotint (engraved by David Lucas after the John Constable painting). This impression was printed in 1831 on laid paper for the "English Landscape" series. Image size: 5 1/2...
Category

1830s Art by Medium: Engraving

Materials

Mezzotint

Set of Six Botanical Prints
Located in New York, NY
These colored engravings are from Edward Joseph Lowe's 1861 book "Beautiful Leaved Plants. Being a Description of the Most Beautiful Leaved Plants ...
Category

1860s Art by Medium: Engraving

Materials

Laid Paper, Engraving

Spiders, antique English natural history engraving prints, 1837
Located in Melbourne, Victoria
Depicts species of spiders. Copper-line engraving with original hand-colouring. From Baron Georges Cuvier's (1769-1832) 'Animal Kingdom', published in London in 1837. 210mm by 125...
Category

19th Century Naturalistic Art by Medium: Engraving

Materials

Engraving

Spear-leaved Helonias, Henry Andrews antique botanical flower engraving print
Located in Melbourne, Victoria
'Helonias bullata - Spear-leaved Helonias' Native of Carolina, North America. Original copper-line engraving with original hand-colouring from Henry Andrews' 'The Botanist's Repos...
Category

Early 19th Century Naturalistic Art by Medium: Engraving

Materials

Engraving

Tropaeolum Majus Atrosanguineum, antique botanical nasturtium flower engraving
Located in Melbourne, Victoria
Engraving with original hand-colouring. 1834. 230mm by 155mm. From Paxton's 'Magazine of botany and register of flowering plants' by Sir Joseph Paxton.
Category

Mid-19th Century Naturalistic Art by Medium: Engraving

Materials

Engraving

American Revolution Map Drawn For John Marshall's "Life Of Washington" First Acc
Located in Bristol, CT
A Map Of The Country Which Was The Scene Of Operations Of The Northern Army: Including The Wilderness Through Which Gerneral Arnold Marched To Attack Plate VI Map Sz: 11"H x 9 1/4"W...
Category

Early 1800s Art by Medium: Engraving

Materials

Paper, Engraving

Ribes sanguineum, antique botanical pink flower engraving
Located in Melbourne, Victoria
Engraving with original hand-colouring. 1834. 230mm by 155mm. From Paxton's 'Magazine of botany and register of flowering plants' by Sir Joseph Paxton.
Category

Mid-19th Century Naturalistic Art by Medium: Engraving

Materials

Engraving

La Perruche Javane, Pl. 69
Located in Austin, TX
Artist: Jacques Barraband Title: La Perruche Javane Pt 69 Year: 1801 - 1805 Medium: Engravings with Original Hand-Coloring Sheet Size: 20" x 13.38" About the Artist: Jacques Barraba...
Category

Early 1800s Art by Medium: Engraving

Materials

Archival Paper, Engraving

Spiders, antique English natural history engraving prints, 1837
Located in Melbourne, Victoria
Depicts species of spiders. Copper-line engraving with original hand-colouring. From Baron Georges Cuvier's (1769-1832) 'Animal Kingdom', published in London in 1837. 210mm by 125...
Category

19th Century Naturalistic Art by Medium: Engraving

Materials

Engraving

Self-portrait with Raised Sabre - Engraving after Rembrandt - 19th Century
Located in Roma, IT
Self-portrait with Raised Sabre is an engraving on ivory-colored paper realized by Charles Amand Durand after an etching by Rembrandt dated 1634. This wonderful piece of art belongs ...
Category

19th Century Old Masters Art by Medium: Engraving

Materials

Engraving

Abraham Raimbach After David Wilkie RA - Framed 1817 Engraving, The Rent Day
Located in Corsham, GB
This fine early 19th century engraving by Abraham Raimbach, shows the bustling interior of David Wilkie's original painting 'The Rent Day'. A detailed inscription with both artists n...
Category

Early 19th Century Art by Medium: Engraving

Materials

Engraving

La Bonne faisant son Marché
Located in New York, NY
A superb, richly-inked impression of this scarce drypoint printed in dark brownish black on cream laid paper. Second state (of 4), with the drypoint work on the windows upper right. ...
Category

1880s Impressionist Art by Medium: Engraving

Materials

Laid Paper, Drypoint

Zinnea violacea coccinea, antique botanical red flower engraving
Located in Melbourne, Victoria
Engraving with original hand-colouring. 1834. 230mm by 155mm. From Paxton's 'Magazine of botany and register of flowering plants' by Sir Joseph Paxton.
Category

Mid-19th Century Naturalistic Art by Medium: Engraving

Materials

Engraving

Two-coloured-leaved Cineraria. Andrews antique botanical flower engraving print
Located in Melbourne, Victoria
'Cineraria Aurita - Two-coloured-leaved Cineraria' Native of the Canary Islands. Original copper-line engraving with original hand-colouring from Henry Andrews' 'The Botanist's Re...
Category

Early 19th Century Naturalistic Art by Medium: Engraving

Materials

Engraving

Greenshank (View of St. Augustine & Spanish Fort East Florida) /// Bird Audubon
Located in Saint Augustine, FL
Artist: John James Audubon (American, 1785-1851) Title: "Greenshank (View of St. Augustine & Spanish Fort East Florida)" (Plate CCLXIX - 269; part No. 54) Portfolio: The Birds of America, Havell Edition Year: 1835 Medium: Original Hand-Colored Engraving with Aquatint on double-elephant folio, J. Whatman paper Limited edition: approx. 180 Printer: Robert Havell Jr., London, England Publisher: John James Audubon, London, England Framing: Recently framed in an ornate black and gold moulding with fabric rag matting and gold filet Framed size: 26.25" x 31.75" Sheet size: 21.75" x 27.25" Platemark size: 15" x 20.63" Image size: 12" x 18" Condition: The sheet is laid down to board. Light toning and discoloration to sheet. The occasional pinhole or faint surface abrasion. In otherwise good condition with good colors Rare Notes: Provenance: private collection - Denver, CO. Engraved, printed, and hand-colored by English artist Robert Havell Jr. (1793-1878). Comes from Audubon's monumental book volume "The Birds of America", (Havell Edition, 1827-1838), which consists of 435 hand-colored, life-size prints, made from engraved plates, with each sheet originally measuring around 39" x 26". The would be "J. Whatman 1835" watermark is likely missing due to its trimming. The composition was probably painted in England in 1835, using a preserved specimen. Since no other than Audubon has ever claimed to have seen this European...
Category

1830s Victorian Art by Medium: Engraving

Materials

Watercolor, Engraving, Aquatint, Intaglio

Spiders, antique English natural history engraving prints, 1837
Located in Melbourne, Victoria
Depicts species of spiders. Copper-line engraving with original hand-colouring. From Baron Georges Cuvier's (1769-1832) 'Animal Kingdom', published in London in 1837. 210mm by 125...
Category

19th Century Naturalistic Art by Medium: Engraving

Materials

Engraving

The Ship Builder and His Wife by Johannes Pieter de Frey
Located in Middletown, NY
Etching with engraving on cream laid paper which is watermarked with a fancy "M," 9 1/2 x 12 3/16 inches (240 x 308 mm), narrow margins. In good condition with some scattered light a...
Category

Early 19th Century Dutch School Art by Medium: Engraving

Materials

Laid Paper, Engraving, Etching

Spiders, antique English natural history engraving prints, 1837
Located in Melbourne, Victoria
Depicts species of spiders. Copper-line engraving with original hand-colouring. From Baron Georges Cuvier's (1769-1832) 'Animal Kingdom', published in London in 1837. 210mm by 125...
Category

19th Century Naturalistic Art by Medium: Engraving

Materials

Engraving

Engraving art for sale on 1stDibs.

Find a wide variety of authentic Engraving art available on 1stDibs. There are many well-known artists whose body of work includes ceramic sculptures. Not every interior allows for large Engraving art, so small editions measuring 0.4 inches across are also available Prices for art made by famous or emerging artists can differ depending on medium, time period and other attributes. On 1stDibs, the price for these items starts at $106 and tops out at $981,948, while the average work can sell for $3,322.

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