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Art by Medium: Mylar

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Style: Contemporary
Medium: Mylar
On Decline - Cool toned contemporary tile photo transfer on mylar
Located in New York, NY
matthew Conrdat "On Decline" Mixed media on Mylar 18" x 23" 2015 This item is not framed In this piece you find Conradt stepping back from his larger scaled work to create somewhat ...
Category

21st Century and Contemporary Contemporary Art by Medium: Mylar

Materials

Mixed Media, Mylar

Dejeuner- abstract colorful figurative photography transfer on mylar
Located in New York, NY
Matthew Conradt Dejeuner collage, photo-transfer and acrylic on Mylar 43 x 43 inches 2019 This item is not framed Matthew Conradt’s mixed media works investigate the current disarra...
Category

2010s Contemporary Art by Medium: Mylar

Materials

Mylar, Mixed Media

Gilt Glitches Slowly - large classical contemporary red interior photo transfer
Located in New York, NY
Matthew Conradt Gilt Glitches Slowly Mixed media on Mylar 55 x 63 inches 2017 this item is not framed Matthew Conradt’s mixed media and photo transfer works investigate the current...
Category

2010s Contemporary Art by Medium: Mylar

Materials

Mylar, Mixed Media

Palaver - black / white photo transfer and collage on mylar abstract portraits
Located in New York, NY
Matthew Conradt Palaver mixed media on Mylar 33.5 x 23.5 inches 2018 This item is not framed Matthew Conradt’s mixed media works investigate the current disarray of the American Dre...
Category

2010s Contemporary Art by Medium: Mylar

Materials

Mylar, Mixed Media

Connecticut Cough- sepia tone photo transfer collage on mylar of interior
Located in New York, NY
Matthew Conradt Connecticut Cough mixed media on Mylar 16 x 21 inches 2014 This item is not framed Matthew Conradt’s mixed media works investigate the current disarray of the Americ...
Category

2010s Contemporary Art by Medium: Mylar

Materials

Mylar, Mixed Media

Noise II- large contemporary classical interior photo collage on mylar green
Located in New York, NY
Matthew Conradt "Noise II" Mixed media on Mylar 54" x 54" 2016 this item is not framed Matthew Conradt’s mixed media and photo transfer works investigate the cu...
Category

2010s Contemporary Art by Medium: Mylar

Materials

Mylar, Ink

Still, mixed media, 4 x 6 inches. Abstract printmaking
Located in New York, NY
Mixed Media on Paper Inked Mylar scorched and fused On white BFK Rives Printmaking Paper w/ Pencil and Metal Leaf Edition : Unique
Category

2010s Contemporary Art by Medium: Mylar

Materials

Metal

Form and Matter - Contemporary Abstract Photo Transfer Landscape on Mylar
Located in New York, NY
Matthew Conradt "Form and Matter" mixed media on Mylar 17" x 24" 2016 This item is not framed This contemporary abstract collage and photo transfer has an otherworldly qualit...
Category

21st Century and Contemporary Contemporary Art by Medium: Mylar

Materials

Mixed Media, Mylar

obscure- abstract contemporary interior photo transfer on mylar
Located in New York, NY
Matthew Conradt Obscure mixed media on Mylar 18 x 17 inches 2016 This item is not framed Matthew Conradt’s mixed media works investigate the current disarray of the American Dream. ...
Category

2010s Contemporary Art by Medium: Mylar

Materials

Mylar, Mixed Media

Vicarious - abstract landscape forest photo transfer collage on mylar
Located in New York, NY
Matthew Conradt Vicarious Mixed media on Mylar 44.5 x 39 inches 2017 this item is not framed Matthew Conradt’s mixed media and photo transfer works investigate the current disarray...
Category

2010s Contemporary Art by Medium: Mylar

Materials

Mylar, Mixed Media

To Repeat- Red contemporary interior photo transfer collage on mylar
Located in New York, NY
Matthew Conradt To Repeat Mixed media on Mylar 44 x 59.5 inches 2016 this item is not framed In this piece Conradt shows the disarray that happens within a domestic environment. He...
Category

2010s Contemporary Art by Medium: Mylar

Materials

Mylar, Mixed Media

SheHadItBackwards, grey and pink abstract monotype on paper, pastel tones
Located in New York, NY
Mixed media composite (acrylics, sumi ink and pencil on mylar, fused with Monotype mounted with white thread stitching) on white BFK Rives Printmaking Paper Paper: 15" x 19" At the...
Category

2010s Contemporary Art by Medium: Mylar

Materials

Paper, Ink, Mixed Media, Monotype, Thread, Mylar, Acrylic, Pencil

Portrait of Justin Shanitkvich - Large Scale Charcoal on Mylar Original, Framed
Located in Chicago, IL
Mary Borgman’s work captivates the viewer in several ways. First is their scale. They hang like medieval tapestries, with figures standing as tall as eight feet. There is also their texture – created by using charcoal on Mylar, and the results are richly gestural, with distinct charcoal strokes and eraser marks animating the figure and ground alike. With a flat surface, she creates volume and life. And perhaps the most powerful of all, the viewer is caught be the gazes of the models, who stare forcefully out of the picture. They seem to be examining us every bit as much as we are examining them. These larger-than-life portraits stem from chance encounters that grow into meaningful connections between the artist and her subject. Most are strangers that she approaches on the street. They capture her attention with expressive eyes that show experience and wisdom, distinctive shapes and a casual body language. “I try to honor the people I am drawing by centering them in the format and shooting from slightly below their eye level. I choose an expression that exudes intelligence, self-awareness and complexity. I try to convey their humanness. I want the viewer to feel this person might be someone interesting to know”, says Borgman of her subjects. The intensity with which she conveys the eyes may stem from her many years of communicating in sign language, which is based on sustained eye contact. Borgman loves the directness of drawing. It is immediate, there is no lag time. There is no time waiting for the paint to dry. She works solely in charcoal which she can manipulate to achieve varying degrees of darkness and opacity. It is messy and the artist loves that. Mary Borgman Portrait of Justin Shanitkvich, 2022 charcoal on mylar 53h x 40w in 134.62h x 101.60w cm MBG009 [This work is custom framed in shadow box style with non-reflective Tru-Vue Museum Glass] FRAMED DIMENSIONS 55.25h x 42.50w x 2.25d in 140.34h x 107.95w x 5.71d cm Mary Borgman b. October 4, 1959 St. Louis, MO SELECTED EXHIBITIONS 2017 Grand Opening: Coming Attractions, Gallery Victor Armendariz, Chicago, IL 2013 SOFA Chicago 2013, Ann Nathan Gallery, Navy Pier, Chicago, IL Portraiture Now: Drawing on the Edge, National Portrait Gallery, Arkansas Art Center, Little Rock, AR 2012 Portraiture Now: Drawing on the Edge, National Portrait Gallery, Washington D.C. SOFA Chicago 2012, Ann Nathan Gallery, Navy Pier, Chicago, IL SOFA NY, Ann Nathan Gallery, New York, NY 2011 Gallery Group Ann Nathan Gallery, Chicago, IL SOFA NY, Ann Nathan Gallery, New York, NY 2010 SOFA Chicago 2010: Special Installation at SOFA Café, Navy Pier, Chicago, IL What’s the Buzz on the Playground: Art of Today from St. Louis curated by Mary Sprague...
Category

21st Century and Contemporary Contemporary Art by Medium: Mylar

Materials

Mylar, Charcoal

Metamorphosis no. 3
Located in Burlingame, CA
Dramatic small-scale painting created with oil on mylar mounted on panel by Russian-American artist Elena Zolotnitsky that depicts a “chair” from her “Extinct series” of paintings that features abandoned chairs. Artwork is 6 x 6 inches, Professionally framed 7 x 7 inches. Elena Zolotnitsky is Inspired by the concepts of beauty, adolescence, and passing time. She seeks to create works that are alive with the raw physicality of paint, to which viewers can relate on an emotional level. Artist signed, titled, and dated verso. The condition is new and excellent. Proudly presented by Andra Norris...
Category

21st Century and Contemporary Contemporary Art by Medium: Mylar

Materials

Mylar, Oil, Panel

Reel, mixed media, 4 x 6 inches. Purple abstract print
Located in New York, NY
Mixed Media on Paper Inked Mylar scorched and fused On white BFK Rives Printmaking Paper w/ Pencil and Metal Leaf Edition : Unique
Category

2010s Contemporary Art by Medium: Mylar

Materials

Metal

Message in a Bottle
Located in Burlingame, CA
Sublime yellow roses in a water filled vase, from Elena Zolotnitsky who is Inspired by the concepts of beauty, adolescence, and time passing, Zolotnotsky’s personal and intimate oi...
Category

2010s Contemporary Art by Medium: Mylar

Materials

Gold Leaf

Portrait of Manop - Monumental Portrait, Original Charcoal on Mylar, Framed
Located in Chicago, IL
* Provenance: This artwork was included in Portraiture Now: Drawing on the Edge, at the National Portrait Gallery in Washington DC, 2012-2013. The exhibition traveled to the Arkansas Art Center in Little Rock, AR in 2013. Mary Borgman b. October 4, 1959 St. Louis, MO SELECTED EXHIBITIONS 2017 Grand Opening: Coming Attractions, Gallery Victor Armendariz, Chicago, IL 2013 SOFA Chicago 2013, Ann Nathan Gallery, Navy Pier, Chicago, IL Portraiture Now: Drawing on the Edge, National Portrait Gallery, Arkansas Art Center, Little Rock, AR 2012 Portraiture Now: Drawing on the Edge, National Portrait Gallery, Washington D.C. SOFA Chicago 2012, Ann Nathan Gallery, Navy Pier, Chicago, IL SOFA NY, Ann Nathan Gallery, New York, NY 2011 Gallery Group Ann Nathan Gallery, Chicago, IL SOFA NY, Ann Nathan Gallery, New York, NY 2010 SOFA Chicago 2010: Special Installation at SOFA Café, Navy Pier, Chicago, IL What’s the Buzz on the Playground: Art of Today from St. Louis curated by Mary Sprague...
Category

21st Century and Contemporary Contemporary Art by Medium: Mylar

Materials

Mylar, Charcoal

Margo Vibes 1.2.3.
Located in West Palm Beach, FL
Margo Vibes 1.2.3. projects a playful use of color and shapes. Formed with plaster of Paris with spray paint and encrusted with photography art print cuttings, glass bits, mylar, mir...
Category

2010s Contemporary Art by Medium: Mylar

Materials

Wire

Cherry / Silver / Lace
Located in New Orleans, LA
artwork dimensions (unframed): 20h x 14w inches LAURA TANNER GRAHAM’s drawings and installations are often discussed as part of the Southern Gothic literary tradition, sharing similar themes with authors such as Flannery O’Connor and Eudora Welty. As a Georgia native, Graham’s work seeks to understand the ways in which pattern and printed textiles are informed by social and political movements. Her narratives are tightly bound to antebellum traditions while balancing the changing ideals of the new generation of southern society. Graham received her MFA from the University of Illinois at Urbana-Champaign and a BFA from Florida State University. She has exhibited nationally in both group and solo exhibitions including the Weatherspoon Art Museum, the Ogden Museum of Southern Art, and the Athens Institute of Contemporary Art. She has also been a visiting artist at Tulane University and Valdosta State University. In 2016, Graham was awarded a fellowship and residency at the Ucross Foundation and the Vermont Studio Center. Graham is currently living and making work in Tucson, AZ. STATEMENT Firmly grounded in America’s expansive colonial history, my work interrogates how Southern culture has been idealized as “quintessential America” and the bedrock of traditional American values. Using my familiarity and position within Southern culture, I have created a new visual literacy to demonstrate how America’s nostalgia for tradition has been manipulated in an effort to isolate and disenfranchise. My drawings act as a visual archive of research that examines the consequences of American colonialism and addresses the sense of white fragility that continues to pervade Western culture. In the midst of widespread anxiety over the collective American identity, there has been a revival of many of the country’s unresolved historical battles, including contentious race relations, sexism, nativism, and an ever-growing wage gap. I employ the Americana aesthetic of the old South to parallel historical and contemporary acts of resistance to racial, economic, and gender diversity. Borrowing directly from the decorative arts, the meticulously hand-cut mylar and equally intricate drawing capitalizes on America’s propensity for nostalgia to lure the viewer into confronting injustices through the detached lens of that which has already happened. Through a combination of appropriated and invented imagery, my work contextually constructs contemporary accounts of systemic marginalization, executed under the guise of leisure, embellishment and luxury. The dense visual language invites investigation into the textured surfaces and leads the viewer to reflect on the social textures of contemporary culture while questioning their own complicity in current social constructs. Sourcing from period- specific textiles, turn-of-the-century advertisements, campaign posters, and found family photographs, the collaged images create a singular narrative composition that document the cyclical and systemic nature of marginalization in America. The methodology with which the drawings are constructed echoes historical layers of rules, regulations and hierarchies that are stitched into dominant white American myths. The resulting drawings are indexical in nature, recording the parallels between topics of current debate and 18th century Western expansionism. The disconnect between the delicate nature of the work and the unresolved cultural tensions that it reveals provides a visual record of the inconsistencies of American idealism. My current project explores the South as the embodiment of America’s pastoral traditions and values that are at the center of the “Make America Great Again” movement, a movement which has both exploited and is at odds with a social ideal that simultaneously proclaims itself to be “post- racial” and “post- gender” while identifying with a “pull-yourself-up-by-the-boot-straps” mentality. As one of the earliest colonized areas, the South is often portrayed as a region of racial and gender stability in the face of impending change. I am currently working with research institutions in the South to further understand how the architectural structure of the Southern plantation...
Category

21st Century and Contemporary Contemporary Art by Medium: Mylar

Materials

Mylar, Ink

Still life, Reverse Mylar Painting, Catherine Howe 'Blue Composition (2)'
Located in White Plains, NY
Reverse Mylar Painting, 'Blue Composition (2),' 2017 by Catherine Howe. Oil and acrylic mediums on polyester sheeting, 40 x 30 in. / White Frame: 46 x 40.25 in. Howe's reverse-paint...
Category

2010s Contemporary Art by Medium: Mylar

Materials

Mylar, Oil, Acrylic

Donut Dollies
Located in New Orleans, LA
Artwork dimensions (without frame): 60h x 40w inches During World War II an the Vietnam War, women were encouraged to volunteer to travel to war zones through the Red Cross. They w...
Category

21st Century and Contemporary Contemporary Art by Medium: Mylar

Materials

Mylar, Ink

M1604
Located in Westport, CT
This beautiful orange work is by Cathy Choi. Her pieces are minimalist, colorful and highly glossed surfaces. Finding inspiration from the physical and metaphysical qualities of wate...
Category

2010s Contemporary Art by Medium: Mylar

Materials

Resin, Mylar, Wood Panel, Pigment

Sweet Tea
Located in New Orleans, LA
LAURA TANNER GRAHAM’s drawings and installations are often discussed as part of the Southern Gothic literary tradition, sharing similar themes with authors such as Flannery O’Connor and Eudora Welty...
Category

21st Century and Contemporary Contemporary Art by Medium: Mylar

Materials

Mylar, Ink

Dish
Located in New Orleans, LA
LAURA TANNER GRAHAM’s drawings and installations are often discussed as part of the Southern Gothic literary tradition, sharing similar themes with authors such as Flannery O’Connor and Eudora Welty...
Category

21st Century and Contemporary Contemporary Art by Medium: Mylar

Materials

Mylar, Ink

20.7 x 16.3" Ink on Mylar - Hematite
Located in Los Angeles, CA
This is a beautiful Ink on Mylar by Alexis Portilla, unframed. Hematite is a mineral and is the most important component of iron. In nature, it has a beau...
Category

21st Century and Contemporary Contemporary Art by Medium: Mylar

Materials

Mylar, Ink

26.5x21" Ink on Mylar - Daylight
Located in Los Angeles, CA
This is a beautiful ink on Mylar by Alexis Portilla, unframed. Daylight 26.5 x 21 in. Ink and Mylar mounted on acid free foam core Unframed Framing a...
Category

21st Century and Contemporary Contemporary Art by Medium: Mylar

Materials

Mylar, Ink

Mountain Water Series n. V
Located in Los Angeles, CA
This is a series of five original photo based drawing and painting created on layered mylar as a negative to create the glowing images. The final piece is printed onto archival pigment paper. - Series of 5 original images - Edition of 3 - Signed and numbered by artist - Image dimensions 24" (h) x 19.8" (l); paper size: 30" (h) x 20"(l) - Unframed print - framing available upon request This technique was used to create an art exhibit installed at Los Angeles' Hammer Museum. Christine Nguyen is a Los Angeles based artist. She received her B.F.A from California State University, Long Beach and M.F.A from University of California, Irvine. As an artist, she is inspired by literature, science, nature, astronomy, geology, marine biology. The layering of works, creating depth, process and nature are important elements of her work . For example, salt crystallization has been used on found objects and encrusted on photo based works on paper. The salt crystallization process is similar to preserving some objects, while disintegrating others with time. By incorporating salt crystals onto the photo based paintings, the image presents a mystical otherworldly feel, capturing and refracting light and the slippage of time. Using photography’s processes as a point of departure, Christine Nguyen’s pioneering spirit led her to begin manipulating negatives and onward–creating her own by cutting, layering, and adding on. Nguyen’s subsequent explorations embrace drawing...
Category

21st Century and Contemporary Contemporary Art by Medium: Mylar

Materials

Mylar, Archival Pigment

Barbecue Nation
Located in New Orleans, LA
artwork dimensions (unframed): 59h x 41w inches LAURA TANNER GRAHAM’s drawings and installations are often discussed as part of the Southern Gothic literary tradition, sharing simil...
Category

21st Century and Contemporary Contemporary Art by Medium: Mylar

Materials

Mylar, Ink

Forces- abstract colorful figurative photography transfer on mylar
Located in New York, NY
Matthew Conradt Forces Which Cannot be Ignored collage, photo-transfer and acrylic on Mylar 33.5 x 23.5 inches 2018 This item is not framed Matthew Conradt’s mixed media works inves...
Category

2010s Contemporary Art by Medium: Mylar

Materials

Mylar, Mixed Media

Then Grey and Fluttering- abstract figurative photography transfer on mylar
Located in New York, NY
Matthew Conradt Then Grey and Fluttering collage, photo-transfer and acrylic on Mylar 43 x 43 inches 2018 This item is not framed Matthew Conradt’s mixed media works investigate the...
Category

2010s Contemporary Art by Medium: Mylar

Materials

Mylar, Mixed Media

Merrymaking
Located in New Orleans, LA
LAURA TANNER GRAHAM's drawings and installations are often discussed as part of the Southern Gothic literary tradition, sharing similar themes with authors such as Flannery O’Connor ...
Category

21st Century and Contemporary Contemporary Art by Medium: Mylar

Materials

Mylar, Ink

The Whole Pie
Located in New Orleans, LA
artwork dimensions (unframed): 35.5h x 39w inches LAURA TANNER GRAHAM’s drawings and installations are often discussed as part of the Southern Gothic literary tradition, sharing similar themes with authors such as Flannery O’Connor and Eudora Welty. As a Georgia native, Graham’s work seeks to understand the ways in which pattern and printed textiles are informed by social and political movements. Her narratives are tightly bound to antebellum traditions while balancing the changing ideals of the new generation of southern society. Graham received her MFA from the University of Illinois at Urbana-Champaign and a BFA from Florida State University. She has exhibited nationally in both group and solo exhibitions including the Weatherspoon Art Museum, the Ogden Museum of Southern Art, and the Athens Institute of Contemporary Art. She has also been a visiting artist at Tulane University and Valdosta State University. In 2016, Graham was awarded a fellowship and residency at the Ucross Foundation and the Vermont Studio Center. Graham is currently living and making work in Tucson, AZ. STATEMENT Firmly grounded in America’s expansive colonial history, my work interrogates how Southern culture has been idealized as “quintessential America” and the bedrock of traditional American values. Using my familiarity and position within Southern culture, I have created a new visual literacy to demonstrate how America’s nostalgia for tradition has been manipulated in an effort to isolate and disenfranchise. My drawings act as a visual archive of research that examines the consequences of American colonialism and addresses the sense of white fragility that continues to pervade Western culture. In the midst of widespread anxiety over the collective American identity, there has been a revival of many of the country’s unresolved historical battles, including contentious race relations, sexism, nativism, and an ever-growing wage gap. I employ the Americana aesthetic of the old South to parallel historical and contemporary acts of resistance to racial, economic, and gender diversity. Borrowing directly from the decorative arts, the meticulously hand-cut mylar and equally intricate drawing capitalizes on America’s propensity for nostalgia to lure the viewer into confronting injustices through the detached lens of that which has already happened. Through a combination of appropriated and invented imagery, my work contextually constructs contemporary accounts of systemic marginalization, executed under the guise of leisure, embellishment and luxury. The dense visual language invites investigation into the textured surfaces and leads the viewer to reflect on the social textures of contemporary culture while questioning their own complicity in current social constructs. Sourcing from period- specific textiles, turn-of-the-century advertisements, campaign posters, and found family photographs, the collaged images create a singular narrative composition that document the cyclical and systemic nature of marginalization in America. The methodology with which the drawings are constructed echoes historical layers of rules, regulations and hierarchies that are stitched into dominant white American myths. The resulting drawings are indexical in nature, recording the parallels between topics of current debate and 18th century Western expansionism. The disconnect between the delicate nature of the work and the unresolved cultural tensions that it reveals provides a visual record of the inconsistencies of American idealism. My current project explores the South as the embodiment of America’s pastoral traditions and values that are at the center of the “Make America Great Again” movement, a movement which has both exploited and is at odds with a social ideal that simultaneously proclaims itself to be “post- racial” and “post- gender” while identifying with a “pull-yourself-up-by-the-boot-straps” mentality. As one of the earliest colonized areas, the South is often portrayed as a region of racial and gender stability in the face of impending change. I am currently working with research institutions in the South to further understand how the architectural structure of the Southern plantation...
Category

21st Century and Contemporary Contemporary Art by Medium: Mylar

Materials

Mylar, Ink

Unsettled - contemporary yellow gray interior photography transfer on mylar
Located in New York, NY
Matthew Conradt Unsettled mixed media on Mylar 48 x 50 inches 2017 This item is not framed Matthew Conradt’s mixed media works investigate the current disarray of the American Dream...
Category

2010s Contemporary Art by Medium: Mylar

Materials

Mylar, Mixed Media

Waiting - yellow blue abstract portrait photography transfer on mylar
Located in New York, NY
Matthew Conradt Waiting mixed media on Mylar 21 x 17 inches 2017 This item is not framed Matthew Conradt’s mixed media works investigate the current disarray of the American Dream. ...
Category

2010s Contemporary Art by Medium: Mylar

Materials

Mylar, Mixed Media

fashion 2 - black / white photo transfer and collage on mylar woman portrait
Located in New York, NY
Matthew Conradt’s mixed media works investigate the current disarray of the American Dream. Growing up in the mid-western rust belt, Conradt forages for images in newspapers and maga...
Category

2010s Contemporary Art by Medium: Mylar

Materials

Mylar, Mixed Media

Poor Babies - Suburban Figurative Photo Transfer Collage on Mylar
Located in New York, NY
matthew Conradt "Poor Babies" Mixed media on mylar 36” x 47", 2010 This item is not framed In this piece Conradt pays attention to the anonymity of the figures, disguising their fac...
Category

21st Century and Contemporary Contemporary Art by Medium: Mylar

Materials

Mixed Media, Mylar

Your Pants Are Blue - Blue suburban figural landscape photo transfer on mylar
Located in New York, NY
Matthew Conradt "Your pants Are Blue" Mixed media on mylar 54” x 54” this item is not framed Matthew Conradt’s mixed media and photo transfer works investigate the current disarray ...
Category

21st Century and Contemporary Contemporary Art by Medium: Mylar

Materials

Mixed Media, Mylar

Low Front I
Located in New Orleans, LA
medium: ink on hand-cut mylar Laura Tanner Graham's drawings and installations are often discussed as part of the Southern Gothic literary tradition, sharing similar themes with aut...
Category

21st Century and Contemporary Contemporary Art by Medium: Mylar

Materials

Mylar, Ink

Decorative Borders
Located in New Orleans, LA
medium: ink drawing and thread on hand-cut mylar Laura Tanner Graham's drawings and installations are often discussed as part of the Southern Gothic literary tradition, sharing sim...
Category

21st Century and Contemporary Contemporary Art by Medium: Mylar

Materials

Mylar, Ink

Natural Lure
Located in New Orleans, LA
LAURA TANNER GRAHAM’s drawings and installations are often discussed as part of the Southern Gothic literary tradition, sharing similar themes with authors such as Flannery O’Connor and Eudora Welty. As a Georgia native, Graham’s work seeks to understand the ways in which pattern and printed textiles are informed by social and political movements. Her narratives are tightly bound to antebellum traditions while balancing the changing ideals of the new generation of southern society. Graham received her MFA from the University of Illinois at Urbana-Champaign and a BFA from Florida State University. She has exhibited nationally in both group and solo exhibitions including the Weatherspoon Art Museum, the Ogden Museum of Southern Art, and the Athens Institute of Contemporary Art. She has also been a visiting artist at Tulane University and Valdosta State University. In 2016, Graham was awarded a fellowship and residency at the Ucross Foundation and the Vermont Studio Center. Graham is currently living and making work in Tucson, AZ. STATEMENT Firmly grounded in America’s expansive colonial history, my work interrogates how Southern culture has been idealized as “quintessential America” and the bedrock of traditional American values. Using my familiarity and position within Southern culture, I have created a new visual literacy to demonstrate how America’s nostalgia for tradition has been manipulated in an effort to isolate and disenfranchise. My drawings act as a visual archive of research that examines the consequences of American colonialism and addresses the sense of white fragility that continues to pervade Western culture. In the midst of widespread anxiety over the collective American identity, there has been a revival of many of the country’s unresolved historical battles, including contentious race relations, sexism, nativism, and an ever-growing wage gap. I employ the Americana aesthetic of the old South to parallel historical and contemporary acts of resistance to racial, economic, and gender diversity. Borrowing directly from the decorative arts, the meticulously hand-cut mylar and equally intricate drawing capitalizes on America’s propensity for nostalgia to lure the viewer into confronting injustices through the detached lens of that which has already happened. Through a combination of appropriated and invented imagery, my work contextually constructs contemporary accounts of systemic marginalization, executed under the guise of leisure, embellishment and luxury. The dense visual language invites investigation into the textured surfaces and leads the viewer to reflect on the social textures of contemporary culture while questioning their own complicity in current social constructs. Sourcing from period- specific textiles, turn-of-the-century advertisements, campaign posters, and found family photographs, the collaged images create a singular narrative composition that document the cyclical and systemic nature of marginalization in America. The methodology with which the drawings are constructed echoes historical layers of rules, regulations and hierarchies that are stitched into dominant white American myths. The resulting drawings are indexical in nature, recording the parallels between topics of current debate and 18th century Western expansionism. The disconnect between the delicate nature of the work and the unresolved cultural tensions that it reveals provides a visual record of the inconsistencies of American idealism. My current project explores the South as the embodiment of America’s pastoral traditions and values that are at the center of the “Make America Great Again” movement, a movement which has both exploited and is at odds with a social ideal that simultaneously proclaims itself to be “post- racial” and “post- gender” while identifying with a “pull-yourself-up-by-the-boot-straps” mentality. As one of the earliest colonized areas, the South is often portrayed as a region of racial and gender stability in the face of impending change. I am currently working with research institutions in the South to further understand how the architectural structure of the Southern plantation...
Category

21st Century and Contemporary Contemporary Art by Medium: Mylar

Materials

Mylar, Ink

Low Front IV
Located in New Orleans, LA
[Tucson, AZ ::: b. 1987, Atlanta, GA] LAURA TANNER GRAHAM's drawings and installations are often discussed as part of the Southern Gothic literary tradition, sharing similar themes ...
Category

21st Century and Contemporary Contemporary Art by Medium: Mylar

Materials

Mylar, Ink

Plaything
Located in New Orleans, LA
Plaything, 20”x20”, Ink on Hand-Cut Mylar, 2018 This piece focuses on America's cultural appropriation and exploitation of Mexican culture. Living in the desert Southwest...
Category

21st Century and Contemporary Contemporary Art by Medium: Mylar

Materials

Mylar, Ink

Still life, Reverse Mylar Painting, Catherine Howe, Blue Composition (1)
Located in White Plains, NY
Reverse Mylar Painting, 'Blue Composition (1),' 2017 by Catherine Howe. Molding paste, oil and acrylic mediums on polyester sheeting, 40 x 30 in. / White Frame: 46 x 40.25 in. Howe's...
Category

2010s Contemporary Art by Medium: Mylar

Materials

Mylar, Oil, Acrylic

M1541
Located in Westport, CT
This beautiful blue work is by Cathy Choi. Her pieces are minimalist, colorful and highly glossed surfaces. Finding inspiration from the physical and metaphysical qualities of water....
Category

2010s Contemporary Art by Medium: Mylar

Materials

Resin, Mylar, Wood Panel, Pigment

Lola I
Located in New Orleans, LA
LAURA TANNER GRAHAM’s drawings and installations are often discussed as part of the Southern Gothic literary tradition, sharing similar themes with authors such as Flannery O’Connor and Eudora Welty...
Category

21st Century and Contemporary Contemporary Art by Medium: Mylar

Materials

Mylar, Ink

Three Tier
Located in New Orleans, LA
LAURA TANNER GRAHAM’s drawings and installations are often discussed as part of the Southern Gothic literary tradition, sharing similar themes with authors such as Flannery O’Connor and Eudora Welty...
Category

21st Century and Contemporary Contemporary Art by Medium: Mylar

Materials

Mylar, Ink

26x18" Ink on Mylar - mounted on watercolor paper - Bryce Canyon
Located in Los Angeles, CA
This is a beautiful Ink on Mylar by Alexis Portilla, unframed. Hand of Neptune 26 x 18 in. Ink and Mylar mounted on watercolor paper Unframed Framing av...
Category

21st Century and Contemporary Contemporary Art by Medium: Mylar

Materials

Mylar, Ink

25.5 x 20" Ink on Mylar - Hand of Neptune
Located in Los Angeles, CA
This is a beautiful Ink on Mylar by Alexis Portilla, unframed. Hand of Neptune 25.5 x 20 in. Ink and Mylar mounted on acid free foam core Unframed Fram...
Category

21st Century and Contemporary Contemporary Art by Medium: Mylar

Materials

Mylar, Ink

Mountain Water Series n. I
Located in Los Angeles, CA
This is a series of five original photo based drawing and painting created on layered mylar as a negative to create the glowing images. The final piece is printed onto archival pigment paper. - Series of 5 original images - Edition of 3 - Signed and numbered by artist - Image dimensions 24" (h) x 19.8" (l); paper size: 30" (h) x 20"(l) - Unframed print - framing available upon request This technique was used to create an art exhibit installed at Los Angeles' Hammer Museum. Christine Nguyen is a Los Angeles based artist. She received her B.F.A from California State University, Long Beach and M.F.A from University of California, Irvine. As an artist, she is inspired by literature, science, nature, astronomy, geology, marine biology. The layering of works, creating depth, process and nature are important elements of her work . For example, salt crystallization has been used on found objects and encrusted on photo based works on paper. The salt crystallization process is similar to preserving some objects, while disintegrating others with time. By incorporating salt crystals onto the photo based paintings, the image presents a mystical otherworldly feel, capturing and refracting light and the slippage of time. Using photography’s processes as a point of departure, Christine Nguyen’s pioneering spirit led her to begin manipulating negatives and onward–creating her own by cutting, layering, and adding on. Nguyen’s subsequent explorations embrace drawing and object making alike, each body of work permeated with a sense of profound discovery. –Julie Dickover, Associate Registrar at the Hammer Museum in Los Angeles from 2003 to 2010 Her work has been exhibited locally, nationally and internationally such as at the Hammer Museum, Los Angeles; Kunsthalle zu Kiel, Kiel, Germany; Laguna Beach Art Museum, Laguna Beach;Pasadena Museum of California Art, Pasadena and are in many private collections. --- Images show: - Mountain Water...
Category

21st Century and Contemporary Contemporary Art by Medium: Mylar

Materials

Mylar, Archival Pigment

P.O.P. (Piece of Pie)
Located in New Orleans, LA
artwork dimensions (unframed): 15h x 20w inches LAURA TANNER GRAHAM’s drawings and installations are often discussed as part of the Southern Gothic literary tradition, sharing similar themes with authors such as Flannery O’Connor and Eudora Welty. As a Georgia native, Graham’s work seeks to understand the ways in which pattern and printed textiles are informed by social and political movements. Her narratives are tightly bound to antebellum traditions while balancing the changing ideals of the new generation of southern society. Graham received her MFA from the University of Illinois at Urbana-Champaign and a BFA from Florida State University. She has exhibited nationally in both group and solo exhibitions including the Weatherspoon Art Museum, the Ogden Museum of Southern Art, and the Athens Institute of Contemporary Art. She has also been a visiting artist at Tulane University and Valdosta State University. In 2016, Graham was awarded a fellowship and residency at the Ucross Foundation and the Vermont Studio Center. Graham is currently living and making work in Tucson, AZ. STATEMENT Firmly grounded in America’s expansive colonial history, my work interrogates how Southern culture has been idealized as “quintessential America” and the bedrock of traditional American values. Using my familiarity and position within Southern culture, I have created a new visual literacy to demonstrate how America’s nostalgia for tradition has been manipulated in an effort to isolate and disenfranchise. My drawings act as a visual archive of research that examines the consequences of American colonialism and addresses the sense of white fragility that continues to pervade Western culture. In the midst of widespread anxiety over the collective American identity, there has been a revival of many of the country’s unresolved historical battles, including contentious race relations, sexism, nativism, and an ever-growing wage gap. I employ the Americana aesthetic of the old South to parallel historical and contemporary acts of resistance to racial, economic, and gender diversity. Borrowing directly from the decorative arts, the meticulously hand-cut mylar and equally intricate drawing capitalizes on America’s propensity for nostalgia to lure the viewer into confronting injustices through the detached lens of that which has already happened. Through a combination of appropriated and invented imagery, my work contextually constructs contemporary accounts of systemic marginalization, executed under the guise of leisure, embellishment and luxury. The dense visual language invites investigation into the textured surfaces and leads the viewer to reflect on the social textures of contemporary culture while questioning their own complicity in current social constructs. Sourcing from period- specific textiles, turn-of-the-century advertisements, campaign posters, and found family photographs, the collaged images create a singular narrative composition that document the cyclical and systemic nature of marginalization in America. The methodology with which the drawings are constructed echoes historical layers of rules, regulations and hierarchies that are stitched into dominant white American myths. The resulting drawings are indexical in nature, recording the parallels between topics of current debate and 18th century Western expansionism. The disconnect between the delicate nature of the work and the unresolved cultural tensions that it reveals provides a visual record of the inconsistencies of American idealism. My current project explores the South as the embodiment of America’s pastoral traditions and values that are at the center of the “Make America Great Again” movement, a movement which has both exploited and is at odds with a social ideal that simultaneously proclaims itself to be “post- racial” and “post- gender” while identifying with a “pull-yourself-up-by-the-boot-straps” mentality. As one of the earliest colonized areas, the South is often portrayed as a region of racial and gender stability in the face of impending change. I am currently working with research institutions in the South to further understand how the architectural structure of the Southern plantation...
Category

21st Century and Contemporary Contemporary Art by Medium: Mylar

Materials

Mylar, Ink

Dead Eye #2
Located in New Orleans, LA
artwork dimensions (unframed): 37.5h x 13.5w inches Laura Tanner Graham's drawings and installations are often discussed as part of the Southern Gothic literary tradition, sharing s...
Category

21st Century and Contemporary Contemporary Art by Medium: Mylar

Materials

Mylar, Ink

Dead Eye #1
Located in New Orleans, LA
artwork dimensions (unframed): 37.5h x 13.5w inches Laura Tanner Graham's drawings and installations are often discussed as part of the Southern Gothic literary tradition, sharing s...
Category

21st Century and Contemporary Contemporary Art by Medium: Mylar

Materials

Mylar, Ink

Info-Red Infra-Structure
Located in New Orleans, LA
medium: ink on hand-cut mylar Laura Tanner Graham's drawings and installations are often discussed as part of the Southern Gothic literary tradition, sharing similar themes with aut...
Category

21st Century and Contemporary Contemporary Art by Medium: Mylar

Materials

Mylar, Ink

Lithotomy
Located in New Orleans, LA
medium: ink on hand-cut mylar Laura Tanner Graham's drawings and installations are often discussed as part of the Southern Gothic literary tradition, sharing similar themes with aut...
Category

21st Century and Contemporary Contemporary Art by Medium: Mylar

Materials

Mylar, Ink

Tender Target
Located in New Orleans, LA
Laura Tanner Graham's drawings and installations are often discussed as part of the Southern Gothic literary tradition, sharing similar themes with authors such as Flannery O’Connor ...
Category

2010s Contemporary Art by Medium: Mylar

Materials

Mylar, Ink

Sweet Milk
Located in New Orleans, LA
Laura Tanner Graham's drawings and installations are often discussed as part of the Southern Gothic literary tradition, sharing similar themes with authors such as Flannery O’Connor ...
Category

21st Century and Contemporary Contemporary Art by Medium: Mylar

Materials

Mylar, Ink

Peachtree Battle
Located in New Orleans, LA
Laura Tanner Graham's drawings and installations are often discussed as part of the Southern Gothic literary tradition, sharing similar themes with authors such as Flannery O’Connor ...
Category

21st Century and Contemporary Contemporary Art by Medium: Mylar

Materials

Mylar, Ink

Sweet and Salty
Located in New Orleans, LA
Laura Tanner Graham's drawings and installations are often discussed as part of the Southern Gothic literary tradition, sharing similar themes with authors such as Flannery O’Connor ...
Category

21st Century and Contemporary Contemporary Art by Medium: Mylar

Materials

Mylar, Ink

On the Hunt
Located in New Orleans, LA
Laura Tanner Graham's drawings and installations are often discussed as part of the Southern Gothic literary tradition, sharing similar themes with authors such as Flannery O’Connor ...
Category

21st Century and Contemporary Contemporary Art by Medium: Mylar

Materials

Mylar, Ink

Jane
Located in New Orleans, LA
artwork dimensions (without frame): 33h x 45w x 6d inches Laura Tanner Graham's drawings and installations are often discussed as part of the Southern Gothic literary tradition, sha...
Category

2010s Contemporary Art by Medium: Mylar

Materials

Mylar, Mixed Media, Ink

Mylar art for sale on 1stDibs.

Find a wide variety of authentic Mylar art available on 1stDibs. While artists have worked in this medium across a range of time periods, art made with this material during the 21st Century is especially popular. If you’re looking to add art created with this material to introduce a provocative pop of color and texture to an otherwise neutral space in your home, the works available on 1stDibs include elements of blue, purple, orange, yellow and other colors. There are many well-known artists whose body of work includes ceramic sculptures. Popular artists on 1stDibs associated with pieces like this include Jaanika Peerna, Matthew Conradt, Laura Tanner Graham, and Steven Baris. Frequently made by artists working in the Contemporary, Abstract, all of these pieces for sale are unique and many will draw the attention of guests in your home. Not every interior allows for large Mylar art, so small editions measuring 0.01 inches across are also available

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