Art by Medium: Oil

Antique American school modernist painting. Very well done and an usual subject! Oil on board. Framed. No signature found.

Path Along The River - Oil On Canvas Oil painting depicting a pathway along a river bank. A walkway is seen to the right of the calm river, greenery surrounding, with pink and purpl...

3933 Antique oil on canvas in an ornate period frame Image size 16.5x11"

Initialed upper right 'A.B.' for Axel Bentzen (Danish, 1893-1952) painted circa 1925. Axel Bentzen studied art as a child and, by the age of 14, was copying Old Master paintings at ...

Arthur Clifton Goodwin Trinity Church, Boston, 1928 Signed lower left Oil on canvas 30 x 36 inches Provenance: Sotheby’s New York, American Art, May 24, 1990, Lot 166 Private Collec...

Antique American impressionist venice cityscape. Oil on canvas. Framed. Signed.

Joaquin Terruella Matilla (1891-1957) - Parrot - Oil cardboard Oil measures 14x10 cm. Frame measures 25x20 cm. Joaquim Terruella Matilla (1891 - 1957) Joaquim Terruella Matilla, ne...

Oil on canvas by Charles PICART LE DOUX (1881-1959), France, 1924. The Italian. Very beautiful work where post-impressionism embellished with a few cubist touches form a harmonious w...

In his artwork entitled, “Harbor Scene,” Frederick J. Mulhaupt paints a number of boats docked in a narrow harbor strait.

Léon Laurent Galand 1872 – 1960 Signed and dated 1928 bottom left Artwork Size: 25.75 x 36" (66 x 92cm) Artwork Size with Frame: 32.75 x 43" (83 x 109cm) Oil on Canvas Discounted ...

Antique American impressionist oil painting of a fall landscape by George A. Renouard (American, 1884-1954). Oil on board. Signed. Framed.

Painted engraved wood, 20.5cm x 13.5cm, (41cm x 34cm framed). (Provenance: Félix Marcilhac, a French art historian who collected Art Deco objects; Sotheby’s, Paris, 11 March 2014) A painter, wood engraver, printer, editor, illustrator, and bookbinder of Swiss origin, Schmied established himself in France, where he was later naturalized. He is considered a major artist in the Art Deco style, particularly in the area of publishing. His books were very expensive...

1927 Carmel by the Sea - Beach, California Coastline - Oil on Linen Seascape oil painting of the Carmel coastline by Charles Henry Harmon (American, 1859-1936). Vibrant blue Pacific waves crash along Carmels white sands, with a walk way on the cliffs above. A lush green sycamore tree is seen to the left, beyond the cliffs. Vibrant greenery is seen on either side of the walkway, depicting colors of greens, yellows, and browns. Signed "Charles Harmon 1927" lower left. Charles Henry Harmon was born on December 23, 1859 in Mansfield, Ohio. He moved to San Jose, California with his family in 1874 and at an early age was apprenticed to local portrait painter Louis Lussier. He later spent one year working in a local photography studio re-touching negatives. His youth was spent visiting the art galleries of San Francisco and, with no formal training, he began sketching and painting in 1883 in the beautiful Santa Clara Valley. He painted many landscapes of that area and made trips to the remotest parts of the Sierra and the Monterey Peninsula where he painted many coastal scenes. He began exhibiting in San Jose in the 1880s. By the turn of the century, his works were handled exclusively by Gump's and he was recognized as one of California's foremost painters. In 1905 he established a studio in Denver and for seven years concentrated on the rugged landscape of the Rocky Mountains. While there, the Santa Fe, Western Pacific, and Colorado, Midland railroads commissioned him to paint scenes along their routes. After his time in Colorado, he returned to San Jose where he remained for the rest of his life. Harmon died there on October 14, 1936 and is buried in Oak Hill...

François FORICHON 1865-1952, French Still life with greens apples Painting, oil on canvas Signed "F. Forichon" and dated 1929 Painting: 46 x 33 cm (18.1 x 13 inches) Original wooden ...

Work on canvas Green wooden frame and gold borders 51 x 43 x 2.5 cm

Painted engraved wood, 20.5cm x 13.5cm, (41cm x 34cm framed). (Provenance: Félix Marcilhac, a French art historian who collected Art Deco objects; Sotheby’s, Paris, 11 March 2014) A painter, wood engraver, printer, editor, illustrator, and bookbinder of Swiss origin, Schmied established himself in France, where he was later naturalized. He is considered a major artist in the Art Deco style, particularly in the area of publishing. His books were very expensive...

Narcisse HENOCQUE (1879-1952) Nature morte aux prunes Oil on canvas Size : 43 x 58 cm Signed lower right Framed Size with frame : 66 x 79 cm

Here for your consideration is a very well executed original oil on board painting by the American artist, George A. Traver. Signed lower right. Signed and titled verso. National Academy of Design exhibition label verso. (1923) Condition is very good; no issues. The painting done in an impressionist style depicting a mother and her child picking wild flowers in a field. A beautiful variety of greens and blues dominate the composition. The figures are painted with a soft white palette are equally well done. The painting has recently been professionally cleaned. The painting is housed in its original wood frame with a hand hammered copper metal wrap over wood. The frame is from the arts and crafts period and is in fine condition. Overall framed measurements are 18.75 by 4.75 inches. Provenance: A Sarasota, Florida collector. In 1864, George Traver was born in Corning, New York. George Traver was working as an artist in New York City by the 1890's. He studied with J. Alden Weir, Henry Siddons Mowbray and Thomas Wilmer Dewing...

Signed figurative oil on original canvas by French post impressionist painter Eugene Antoine Durenne. The work depicts a young woman wearing a blue dress looking in a mirror. A seams...

This gorgeous, vibrant Scottish Impressionist landscape oil painting is by noted Glasgow artist William Pratt. Painted in 1920 the composition is sheep, shepherd and sheepdog in the...

Signed lower right, 'André Prévot-Valéri' (French, 1890-1959) and painted circa 1920. André Prévot-Valéri was the son of the landscape painter, August Prévot-Valéri (1857-1930), and...

Joaquin Terruella Matilla (1891-1957) - Landscape - Oil cardboard Oil measures 10x14 cm. Frame measures 20x25 cm. Joaquim Terruella Matilla (1891 - 1957) Joaquim Terruella Matilla,...

This lovely Art Deco portrait oil painting is by noted British prolific society portrait artist Leon Sprinck. Painted in 1924 it is a half length portrait of a beautiful blonde woman, stood smiling at the artist/viewer, her head tilted to one side. We don't know the sitter's name or her relationship to the artist but her pose suggests a degree of familiarity and warmth between them. She is wearing a sleeveless black dress with beautiful Art Deco motifs, a long string of pearls...

Rendered with an alla prima paint application and quick gestural brushstrokes, "Tender Family Portrait - Mother and Child" reflects Margery Ryerson's deep knowledge of academic training. Reyerson studied with Robert Henri at The Art Students League. This painting is aesthetically pleasing and communicates a sense of maternal tenderness from a female artist. Margery Ryerson did a book on her former teacher. Henri's philosophical and practical musings were collected by former pupil Margery Ryerson and published as The Art Spirit (1923), a book that remained in print for several decades. Signed. Lower Left Margery Austen Ryerson (September 15, 1886 - 1989) was an American artist, painter, etcher, lithographer and watercolorist.Her work is included in the collections of the Smithsonian American Art Museum Biography Ryerson earned her Bachelor's of Fine Arts in English from Vassar College in Poughkeepsie, New York, after attending private schools in Morristown. She went on to study under Charles Hawthorne at the Cape Cod School of Art in Provincetown, Massachusetts, and with Robert Henri at the Art Students League in New York. During the years 1920 through 1940 Ryerson taught in New York settlement houses. There she got the privilege to paint and draw the children in their care. The subjects of these paintings were often the children of the underclass and immigrants. Her artistic technique and subjects gained universal recognition and appealed to many people. Miss Ryerson is most known for her portraits...

Female Illustrator of the Golden Age, Ruth Mary Hallock, paints a sensitive, heartwarming portrait of Mother and Child in a post-impressionist style. Richly saturated hues and gestur...

Rivière Saulaie à Lyons-la-Forêt, Eure by Paulémile Pissarro (1884-1972) Oil on canvas 60 x 73 cm (23 ⁵/₈ x 28 ³/₄ inches) Signed lower left, Paulémile - Pissarro. Signed and titled...

This lovely large Impressionist view of St Paul's from the Thames is by Dutch artist Jacobus Cossaar who also worked under the name Ko Cossaar. It was painted during his eight years ...

Sparkling landscape painting on canvass by Marion Butler Ewald of Pennsylvania. The painting measures 28" x 26" and is contained in a frame that measures 39" x 37". The painting is m...

This absolutely charming portrait of a Pekingese dog called Dodo is attributed to much loved Scottish artist Samuel Fulton. Famous as an animal artist and chiefly a painter of dogs, this has got to be one of his best if you are a Pekingese fan. Painted circa 1920, Dodo, a lovely little black and tan dog is sat profile but is turning to look at the artist/viewer. Beneath him is a beautiful orange and brown Persian rug...

Lyrical landscape painting by William Scwartz. A Song Without Words (1927) Oil on canvas 16" x 20" 21 ½" x 25 ½" x 2 ½" framed Signed and dated "W.S. 27" lower right. Titled and dated "A song without Words by William S. Schwartz Chicago 1927" verso. About this artist: Born in Smorgon, Russia in 1896, William Schwartz began studying art at a young age. He immigrated to the United States as a teenager, and worked briefly as a house painter. Schwartz eventually ended up in Illinois, and studied with Ivan Trutnev and Karl Buehr at the Art Institute of Chicago. He held a variety of jobs, including as a singer, but ultimately pursued painting as a vocation. Despite choosing art over music, his interest in music would influence several of his paintings - notably his Symphonic Forms series. In Chicago Schwartz was friends with many other modernists of the time including Ivan Albright, Aaron Bohrod, and Anthony Angarola...

Signed lower right, 'Helge' for Helge Jensen (Danish, 1899 - 1986) and painted circa 1925. This Danish Post-Impressionist first studied with Harald Giersing (1915-1916) before initi...

Signed upper right, 'Oda Lauritsen' for Oda Lauritsen Isbrand (Danish, 1904-1987) and dated, upper left, '1928'. A powerful oil portrait of the artist's husband-to-be, the notable D...

Antique American impressionist nocturnal seascape by John Rummell (1861 - 1942). Framed. Signed. Artist Bio: John Rummell (American, 1861-1942) was a noted landscape and portra...

Ville by LÉOPOLD SURVAGE (1879-1968) Oil and graphite on canvas 73.4 x 60 cm (28 ⁷/₈ x 23 ⁵/₈ inches) Signed and dated lower right, Survage 24 This work is an early 1924 painting...

Signed post impressionist still life oil on canvas circa 1928 by French painter Jean Dufy. This vibrantly coloured work depicts red and yellow flowers in a vase with pears placed bes...

Georges D’Espagnat was a Post-Impressionist painter, muralist, illustrator, and theater designer. After moving to Paris at the age of 18 to study painting, he became involved with pr...

Great Wall Street piece by John R. Grabach (March 2, 1886 – March 17, 1981) with expressive colors and figures. Grabach was a renowned American painter, best known for his evocative...

This lovely Impressionist Colourist oil painting is a fine example of the work of noted Scottish landscape and animal artist George Smith. He was particularly known for his paintings...

Oil on canvas by Charles Kvapil, France, ca.1920. "On the edge of the lake". with frame: 78x58.5x6 cm - 30.7x23x2.4 inches - without frame: 65x46 cm - 25.6x18.1 inches. 15M format. S...

This lovely Art Deco portrait oil painting is by noted British artist James P Barraclough. Painted circa 1923 it is a seated portrait of a young woman holding a book on her lap. She is wearing a blue satin dress with lace cuffs and collar and is gazing warmly at the artist and viewer. The illumination on her features is superb. A lovely Art Deco period oil portrait...

A fine large full-length portrait of an English Setter stud in a landscape. Painted by J C Wilson in 1921, this oil gouache oil on canvas is a beautiful depiction of the breed. The...

Jim’s of Lambertville Fine Art Gallery is proud to present this piece by Charles Morris Young (1869 – 1964). Born in Gettysburg, Pennsylvania Charles Morris Young lived most of his life in Radnor. He was recognized as a pioneer in creating American Impressionist landscapes, especially snow scenes. Young is also known for his golfing, equestrian, and hunting scenes. He studied at the Pennsylvania Academy of the Fine Arts with Thomas Eakins, Robert Vonnoh, and Thomas Anschutz. In 1897, Young set off to Paris with his wife, for continued art studies at the Academie Colarossi. Living for a time in Giverny, he became acquainted with Claude Monet, recalling how in moments of frustration Monet would throw paintings...

Signed oil on panel nude circa 1920 by French post impressionist painter Georges D'Espagnat. The work depicts a nude woman laying a patch of green grass on top of a hill with a view of the valley in the distance. Signature: Signed lower right Dimensions: Framed: 16"x20" Unframed: 9"x13" Provenance: A certificate of authenticity for this work is available from Mr. Jean Dominique Jacquemond upon request Private French collection From the beginning of his career, it was a constant concern of Georges d'Espagnet to assert his originality. His studies at the École des Arts Décoratifs, Paris, did not last very long, for he wanted immediate independence and decided to follow courses in the private academies of Montparnasse. In about 1900, he became acquainted with Maurice Denis, Bonnard and Vuillard, and his collaboration with Denis led to a renewal of religious art in France. In 1903, d'Espagnet was one of the founders of the Salon d'Automne, and was appointed professor in charge of studios at the École des Beaux-Arts, Paris, in 1934. He illustrated a number of books: Rémy de Gourmont's Evil Prayers ( Oraisons mauvaises) (1896), The Saints of Paradise ( Les Saintes du paradis) (1898), Simone (1907), Sistine ( Sixtine) (1922); Alphonse Daudet's The Immortal ( L'Immortel) (1930); André Gide's The Pastoral Symphony ( La Symphonie pastorale); Francis Jammes' Clearings in the Sky ( Chairières dans le ciel) (1948). D'Espagnet belongs to the group of artists who made the Courrier Français so successful. The drawings of his which are published in it are strongly expressive and some bear comparison with the designs of the great Renaissance masters. He also contributed to L'Image. He often placed cheerful nudes in a landscape, reminding us that, though he moved away from the Fauves, he retained their freedom of colour and arabesque. He painted many portraits, including those of Albert André, André Barbier, Victor Boucher, Déodat de Séverac, Albert Marque, André Marty and Albert Roussel. He also painted mural decorations, including a wall for the Palais de la Découverte (1937), the ceiling of the Victor Hugo Room in the Palais du Luxembourg (1939), a decorative panel for the Palais de Justice, Toulouse (1941) and interior decorations for private houses. His landscapes are Impressionist in inspiration, and work for a certain sobriety, an intimacy, both in their composition - one, two or three sketched figures and large open spaces - and in the choice of colours and treatment with the special hazy brushstroke that marks his style. D'Espagnet took part in a number of annual Parisian exhibitions, including the Salon des Indépendants, the Salon de la Société Nationale des Beaux-Arts, the Salon d'Automne (from 1903 to 1949, except in special circumstances), the Salon de la Libre Ésthétique, Brussels (1899, 1901), the Berlin Secessionists (1940). He also exhibited at the first Salon de la Société de la Gravure sur Bois. Among other exhibitions were 1912, A Century of French Art ( Centenaire de l'art français), St Petersburg; 1916, Kunstverein, Winterthur; 1918, 1926, Galerie M. Bertheim, Paris; 1930, Contemporary French Art...

Antique American impressionist oil painting portrait. Oil on canvas. Signed. Framed.

Work on cardboard Golden wooden frame 41 x 51 x 6 cm

Jacob Kramer is a Jewish artist who migrated with his family to Leeds to escape the Russian pogroms when Kramer was only eight. This portrait oil painting was painted when Kramer was...

This vibrant Post Impressionist oil on canvas painting is by Bernard Fleetwood Walker circa 1925. The painting is of a French vineyard with the picturesque landscape running up to a hillside village. The impressionist palette really gives one the sense of it being a hot summer's day. Signed lower left. Provenance. Midlands estate. Condition. Oil on board, 18 inches by 14 inches approx and in excellent condition. Framed in a complimentary frame 25 inches by 21 inches framed and in good condition. Bernard Fleetwood-Walker , PPRBSA, (1893-1965) was an English artist and teacher of painting. In variably known as B. Fleetwood-Walker, he was born in Birmingham, a twin and one of five children. His father William Walker was an electrical engineer and co-inventor of the Walker-Wilkins battery, while his mother Electra Amelia (née Varley) was granddaughter of the 19th century watercolourist Cornelius Varley...

This lovely Scottish Colourist portrait oil painting is by noted Scottish female artist Helen Ainslie Wingate. She was the daughter of Sir Charles Lawton Wingate who was president of...

This superb British exhibited Post Impressionist oil painting is by much sought after noted artist Harry Morley. It was painted in 1921 and exhibited that year at the Royal Academy L...

Oil on canvas by Edith Desternes (1901-2000), France, 1920s. The Church Notre-Dame de l'Assomption in Auvers-sur-Oise. This church has been painted in 1890 by Vincent van Gogh. At first glance, one is struck by the strength of this work. Then, on examination, one is captivated by this depth of soul and technique. Edith Desternes uses a thick paint here where black, and dark colors, play a privileged role. Thus the contrast between the warm and cold tones, surrounded by black, create an intense luminosity reminiscent of stained glass windows from the Middle Ages. Georges Rouault is present in this powerful work. With frame : 87x66 cm - 34.25x26 inches ; without frame : 81x60 cm - 31.9x23.6 inches ; 25P Format. Signed "E. Desternes" lower right (see photo). On the back, we notice the pictorial material dropped by the artist, it is not a restoration. The condition is excellent ! Céline Édith Desternes was born in Paris on February 21, 1901. She was the daughter of Louis Desternes (1864-1936), professor at the Lycée...

Antique American modernist interior scene of figures eating lunch by the shovel full. Really well painted and unusual scene. A rare early work by Justin Murray (1912 - 1987). Sign...

This painting is hand signed by the artist at the lower left corner Provenance: Twentieth Century Art, Christie's Amsterdam, 5th June 2007, lot 36, page 26. Condition: Good

Oscar Lycke was a Swedish artist from Sundsvall. He is best known for his impressive colourful landscape paintings in a national romantic and realism styl...

Fine early 20th century impressionist oil painting on artist board. This painting is a quality example from the Buck Cou...

A very beautiful large signed oil on canvas by Gustave Loiseau depicting figures in the street at Pont Aven in brittany. The work is signed lower left and unlined on its original canvas. This work will be included in the forthcoming catalogue raisonné of Gustave Loiseau currently being prepared by Didier Imbert...

Matthew Tipton satirical illustration, painting depicting the controversial, 1925 Scopes trial. Lawyers Clarance Darrow and WM Jennings Bryan. Oil on canvas. 20 x 24 on framed 28.25 ...

Signed and dated oil on canvas landscape by Russian Realist painter Ivan Fedorovich Choultse. This stunning piece depicts the winter sun shining down on a thick blanket of snow. The bare trees are creating blue shadows on the white snow and a stream runs through the landscape. The pale blue of the bright sky is just visible behind the trees. Signature: Signed lower left & dated 1921 Dimensions: Framed: 30"x35" Unframed: 21"x26" Provenance: Burlington Paintings - London (original labels verso) He was born in Saint-Petersburg, Russia, into a family of German origin (Schultze — original spelling of his family name – had lived in Russia since the 17th century). His first education was in electrical engineering. At the same time he tried to paint landscapes. When he was already thirty years old, he showed his first essays to a famous painter and member of Russian Academy of fine arts Constantin Jakovlevich Kryzhitsky (1858) —1911), who then invited Choultsé to study art. Other significant influences were Russian painter Arkhip Ivanovich Kuindzhi (1841 —1910) and Swiss painter Alexander Calame (1810–1864). Together with Kryzhitsky in 1910 Choultsé travelled to Spitzbergen, where he painted many Arctic landscapes (Datskiy and Medvezhiy islands, Saint Magdalene's bay of the Spitzbergen archipelago etc.). After losing both of his teachers (Kuindzhi died in 1910 and Kryzhitsky committed suicide the year after) Choultsé begins to master his very own style of painting. Grand Duchess Olga Alexandrovna...

Oil painting of a study of "Blue Boy" standing with his hat in his left hand by Mary Welch (American, 1875-1967). Circa 1918. Signed "M. Welch" lower left and gifted circa "1955" on verso. Image: 6"L x 9"H. Mary Welch, born 10 years after the end of the Civil War, was a woman ahead of her time. She signed her paintings M. Welch, hoping that potential buyers wouldn't discover she was a woman. More often than not, when they learned her sex, art dealers lost interest. The Hutchinson artist never married, never had children. But when she died in 1967, she left an impressive body of paintings, many of them familiar Kansas landscapes...