Art by Medium: Oil
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838
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441
666
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878
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1,543
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31
29
27
25
23
1,958
5,335
26,135
59,403
561
569
1,055
1,279
1,233
1,750
2,079
1,814
1,840
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858
6
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3,574
2,396
1,958
1,120
962
Period: 18th Century and Earlier
Medium: Oil
French School, 17th Century, 'Portrait of the Marquise de Grugieres', oil canvas
Located in Petworth, West Sussex
French school, 17th Century
Portrait of the Marquise de Grugieres
Oil on canvas
26.1/4 x 21.5/8 in. (66.7 x 54.8 cm.)
In a gilded composite frame, later production (possible early 1...
Category
17th Century Old Masters Art by Medium: Oil
Materials
Oil, Canvas
Nicolas de Largillière - Portrait of a Lady, Paris, circa 1695
Located in PARIS, FR
Nicolas de Largillière (Paris, 1656-1746)
Portrait of a lady, circa 1695
Oil on canvas (relined): 76 x 61 cm
Framed: h. 97 cm, l. 82 cm
To be included in the forthcoming catalogue ra...
Category
1690s Old Masters Art by Medium: Oil
Materials
Canvas, Oil
Adam and Eve in paradise, studio of Jan Brueghel the Younger, 17th century
Located in PARIS, FR
Studio of Jan Brueghel the Younger
17th century Antwerp school
Oil on oak panel, h. 37 cm, w. 49 cm
Tortoiseshell veneered baroque style frame...
Category
Mid-17th Century Old Masters Art by Medium: Oil
Materials
Oil, Wood Panel
Dipinto Natura Morta con Funghi e Fiori XVIII secolo
Located in Milan, IT
Olio su tela.
Una delicata composizione di fiori è collocata dentro una sorta di culla di legno, con funghi e frutti per terra; lo sfondo è in esterno, ma poco definito da macchie v...
Category
18th Century Other Art Style Art by Medium: Oil
Materials
Oil
A pair of 18th century Italian landscapes with classical ruins and figures
By Giovanni Paolo Panini
Located in Bath, Somerset
A pair of 18th century Italian landscapes with classical ruins and figures, circa 1750.
Circle of Giovanni Panini (1691-1765)
Thomas Agnew and Sons, Lo...
Category
18th Century Old Masters Art by Medium: Oil
Materials
Canvas, Oil
Portrait Of King Edward VI (1537-1553) as Prince Of Wales, 16th Century
Located in Blackwater, GB
Portrait Of King Edward VI (1537-1553) as Prince Of Wales, 16th Century
English School - Oil on panel - circa 1547
Large 16th Century portrait of Edward VI as Prince Of Wales, oil...
Category
16th Century Art by Medium: Oil
Materials
Wood Panel, Oil
Fine 17th Century Flemish Old Master Oil Painting Travellers Country Landscape
Located in Cirencester, Gloucestershire
Travellers in a Country Landscape
circle of Jacques d'Arthois (Flemish 1613-1686)
oil on canvas, framed
frame: 13.5 x 18.5 inches
canvas: 11 x 16 inches
provenance: private collectio...
Category
17th Century Old Masters Art by Medium: Oil
Materials
Oil
De Wit Flowers Still life Paint Oil on canvas 18th Century Flemish Cupids Art
Located in Riva del Garda, IT
Jacob De Wit (Amsterdam, 1695 - 1754) attributable/ workshop
Pair of Cupids with Garland of Flowers
Oil on canvas
91 x 103 cm. - Framed 104 x 115 cm.
Provenance: Christie's (London, Old master Painting 12.12.1996) lot 82
This magnificent composition depicts two cupids holding a garland of flowers, placed on a fine architecture with bas-reliefs and masks, presumably the top of a fountain.
One of the two cupids sympathetically holds a part of it with his hands, while his head turns towards the viewer; the second cupid, on the other hand, must have clumsily broken the thread holding its end, and is sitting sullenly with a torch and a tear streaking his chubby cheek.
The work, given its stylistic features and compositional taste, can be attributed to the Flemish artist Jacob de Wit (Amsterdam, 1695 - 1754), or to an artist from his workshop, with his typical triumphal and opulent style, which reveals clear influences from Rubens and Van Dijck, but also from Gerard de Lairesse...
Category
18th Century Old Masters Art by Medium: Oil
Materials
Oil
Abraham and the Sacrifice of His Son Isaac by Adriaen Van Stalbemt, C. 1605-1610
Located in Stockholm, SE
Artist: Adriaen van Stalbemt (Stalbempt) 1580-1662
Title: Abraham and the Sacrifice of His Son Isaac “Das Opfer des Abraham”
According to the Old...
Category
Early 1600s Old Masters Art by Medium: Oil
Materials
Copper
Cercle of Ambrosius Francken, Adoration of the shepherds, 17th century Antwerp
Located in PARIS, FR
Adoration of the shepherds,
Cercle of Ambrosius Francken,
Early 17th century Antwerp school
Oil on oak panel: h. 55 cm, w. 43 cm (21.65 in x 16.93 in)
17th c. ebonized and moulded f...
Category
Early 17th Century Old Masters Art by Medium: Oil
Materials
Oil, Wood Panel
Mid 18th century Rococo Chinoiserie Corner capboard with Exotic Flowers and bir
Located in Firenze, IT
This wall corner capboard is painted with chinoiserie ornaments.
With exotic flowers, plants, birds and insects.
Most likely inspired by drawings on Chinese porcelain.
Some touch-ups...
Category
Mid-18th Century Rococo Art by Medium: Oil
Materials
Wood, Lacquer, Oil
Judith and Salome, a pair of oil paintings on canvas by Francesco Conti
Located in PARIS, FR
This widely referenced pair of paintings is one of Francesco Conti’s most successful productions. Francesco Conti is one of the finest painters of 18th-century Florence. In the shimmering colors typical of his best work, he represents two opposite characters from the Bible: the virtuous Judith, whose courage saves her people by cutting off the head of the invader Holofernes, and the depraved Salome, who under the influence of her mother becomes responsible for the beheading of the prophet John the Baptist.
The artist's talent lies in his ability to treat these two macabre subjects with a light touch, presenting us with two attractive women who seem to twirl with glee amidst the severed heads...
1. Francesco Conti, the “Florentine Tiepolo”
Francesco Conti is a major painter of the Florentine school of the 18th century; he can even probably be considered, along with Giovanni Domenico Ferretti (1692-1768), as one of the two main painters of the second quarter of the Florentine 18th century.
Born in Florence in 1682, Francesco Conti began his apprenticeship in the workshop of Simone Pignoni (1611 - 1698), a disciple of Francesco Furini; he was also influenced by the Venetian Sebastiano Ricci. A protégé of Marquis Riccardi, he accompanied him to Rome between 1699 and 1705, where he frequented Carlo Maratta's studio. He settled permanently in Florence in 1705.
Painted exclusively on canvas, the majority of his work consists of religious subjects, altarpieces or private devotional works. It is likely that Conti himself was a devout churchgoer, as evidenced by his affiliation, in the third decade of the eighteenth century, to the Society of the Disciples of Saint-John-the-Baptist, and his entry, at the end of his life, into the fraternity of the Venerable Society of the Holy Trinity.
In Florence, Conti worked for the Grand Duchy's major patrons, including the last Medici - in particular Giangastone and Annamaria Luisa, Electress Palatine - and confirmed his role as a reference painter under the Lorraine Regency, as master of the Public Drawing School, which was closely linked to the institute responsible for the manufacture of semi-precious stone mosaics, then located in the Uffizi complex.
Matteo Marangoni, an art critic of the early 20th century, praised his "brushwork full of elegance and true spirit of the 18th century", pointing out that Conti was "probably one of the best colorists" of the Florentine school of his time. These two characteristics led the art historian Paolo dal Poggetto to nickname him the "Florentine Tiepolo".
2. Judith and Salome, two biblical characters opposing each other
These two paintings form a pair presenting two biblical episodes, which have in common the depiction of a "heroine" carrying the severed head of a man.
While the Salome episode might at first appear to be an echo of the Old Testament story of Judith, each character is the exact opposite of the other. Judith, whose story is told in the Book of Judith, is a beautiful young widow from Bethulia who, accompanied by her maid, went into the camp of the invading Assyrians and won the confidence of Holofernes, the general commanding the enemy army. Invited to a great feast on the fourth evening, she took advantage of Holofernes' drunkenness to cut off his head. “She went up to the bedpost near Holofernes’ head, and took down his sword that hung there. She came close to his bed, took hold of the hair of his head, and said, “Give me strength today, O Lord God of Israel!” Then she struck his neck twice with all her might, and cut off his head. Next she rolled his body off the bed and pulled down the canopy from the posts. Soon afterward she went out and gave Holofernes’ head to her maid, who placed it in her food bag...
Category
1710s Old Masters Art by Medium: Oil
Materials
Canvas, Oil
Herminia and the Shepherds, a painting by Francesco de Mura (Napoli 1696 - 1782)
Located in PARIS, FR
In this masterly painting, Francesco de Mura presents the meeting of Herminia and the shepherds, a famous episode taken from the seventh canto of Torquato Tasso's Jerusalem Delivered...
Category
1760s Old Masters Art by Medium: Oil
Materials
Canvas, Oil
Perroneau Portrait Lady Woman Paint Oil on canvas 18th Century Old master French
Located in Riva del Garda, IT
Jean-Baptiste Perroneau
(Paris, 1715 – Amsterdam, 1783)
Portrait of a lady
Oil on oval canvas
60 x 50 cm. - In frame 77 x 66 cm.
Work accompanied by expertise: Raffaelle Colace (Cremona), Ferdinando Arisi
Reference bibliography: d’Arnoult, Dominique (2014) Jean-Baptiste Perronneau, c 1715-1783, un portraitiste dans l’Europe des Lumières
Excerpt from the expertise of Dr. Colace:
This refined portrait of a lady is a perfect example of the style of Jean-Baptiste Perroneau, a very talented French painter, whose most beautiful works are located, just like this one, between the fifth and sixth decades of the eighteenth century.
"Perroneaeu is more naturally colored than La Tour, the est, in the peinture de poussière colorée, tout plein de tons clairs, frais, presque humides": this is how his brothers wrote about him in La Maison d...
Category
18th Century Old Masters Art by Medium: Oil
Materials
Oil
Louis XIV and his army at the crossing of the Rhine by Adam-Frans van der Meulen
By Adam Frans van der Meulen
Located in PARIS, FR
Adam-Frans van der Meulen (Bruxelles, 1632 - Paris, 1690)
Louis XIV and his army at the crossing of the Rhine 12 June 1672
Signed A.F VANDERMEULEN at the right low corner
Oil on can...
Category
1670s Old Masters Art by Medium: Oil
Materials
Canvas, Oil
Large 18th Century Italian Oil Painting Venice Canal Many Buildings & Figures
By Francesco Guardi
Located in Cirencester, Gloucestershire
The Venetian Canal
Italian artist, 18th century
circle of Francesco Guardi (Italian 1712-1793)
oil on canvas, framed
framed: 23.5 x 32.5 inches
canvas: 20 x 29.5 inches
provenance: p...
Category
18th Century Old Masters Art by Medium: Oil
Materials
Oil, Canvas
French school late 18th Century, Portrait of a young man, oil on metal
Located in Paris, FR
French school late 18th Century
Portrait of a young man
oil on metal
10.2 x 7.7 cm
Framed under glass : 24.4 x 21.8 cm
This small portrait painting, quite original in its technique...
Category
Late 18th Century Old Masters Art by Medium: Oil
Materials
Oil
Carataco painting in front of Emperor Claudius 18th century
Located in Milan, IT
Oil on Canvas. Northern European school of the 18th century.
Carataco was a Celtic king of the Briton tribe Catuvellauni and leader of the anti-Roman resistance and famous as a freed...
Category
18th Century Other Art Style Art by Medium: Oil
Materials
Oil
Gallant party in the park. French School. Mid-18th century
Located in Milan, IT
The scene depicts a feast within a park enclosed by walls with arched gateways opening onto the countryside, and adorned on the right with an amphora on a small column and in the center, behind the figures, with a gushing fountain, with statues of cherubs and shells.
Two couples of richly dressed ladies and gentlemen entertain themselves gallantly, surrounded by servants; one of the men is playing the violin, crouching in front of his lady, who, flanked by the damsel, follows the melody on the score held up by the dark-haired man at her side, while two musicians accompany the playing with flute and a mandolin; the other couple, in an attitude of intimate dialogue, listens on the left, while on the right the hunter returning from the hunt also observes the scene.
Particularly prominent in the scene is the rich dress of the lady in the center, characterized by the wide back folds falling from her shoulders to create a cape. Such a dress corresponds to what was called "robe à la Watteau," named after the French painter Antoine Watteau who first portrayed ladies wearing this pattern.
Antoine Watteau (1684 -1721), a French painter considered one of the most influential French exponents of Rococo painting, was the forerunner of the pictorial genre of gallant scenes, a genre that developed in France from the late 1600s and continued throughout the following century.
The gallant scenes could be considered as the aristocratic version of the genre scene: characterized by music, dances, pleasant conversations between ladies and gentlemen surrounded by servants, they tended to enhance the costumes, fashionable clothes, and environments of the upper class, conveying a kind of detachment from the real times and places, projecting the viewer into an almost theatrical atmosphere of gestures, looks, colors and stage lights.
Moreover, Watteau, along with the Fêtes galantes cycles, also distinguished himself for those inspired by the theater, absorbing his passion for the scenes and characters of that milieu from Claude Gillot...
Category
Mid-18th Century Other Art Style Art by Medium: Oil
Materials
Oil
F Cesare Bimerman (1821-1890) Forest Landscape With Travelers and Cattle
Located in San Francisco, CA
F Cesare Bimerman (1821-1890) Forest landscape with travelers and cattle.
Oil on Canvas
Relined
29x35.37
Category
Late 18th Century Art by Medium: Oil
Materials
Oil
LARGE OLD MASTER LATE 18th CENTURY CIRCLE of THOMAS GAINSBOROUGH OIL PAINTING
By (circle of) Thomas Gainsborough
Located in Ferndown, GB
OLD MASTER LATE 18th /EARLY 19th CENTURY CIRCLE of THOMAS GAINSBOROUGH OIL PAINTING
Fine OIL PAINTING Old Master 18th Century R.A artist in a ...
Category
18th Century Realist Art by Medium: Oil
Materials
Oil
Deposizione di Cristo nel sepolcro. Pittore lombardo (Giuseppe Meda?) 1560-1570
Located in Milan, IT
Olio su tela. La grande scena racconta la Deposizione di Cristo dalla Croce, condensando due momenti della narrazione: il Compianto della Madonna sul corpo del Cristo e la deposizion...
Category
18th Century and Earlier Other Art Style Art by Medium: Oil
Materials
Oil
David and Abigail, fourth decade of the 17th century
Located in Milan, IT
The painting, done in oil on canvas, depicts the meeting between King David and Abigail, as narrated in the biblical text from the First Book of Samuel (I Samuel 25:1-34).
David, left without food in the wilderness with his army, seeks relief from the wealthy Nabal, who contemptuously denies him any help, ungrateful of the benevolence he previously received from the king. Upon hearing the rejection, the ruler intends to take revenge by killing his entire lineage. Abigail, Nabal's beautiful and wise wife, decides to right the wrong and bring David plenty of food and gifts. In the king's presence the woman humbles herself, winning his forgiveness and benevolence. Soon afterwards widowed, she will in fact become his bride.
The broad scene depicts the climax of the Old Testament episode, the moment when the woman prostrates herself before David and his servants prepare to deliver the gifts.
The biblical event is here a pretext, as is customary in modern-age painting, for staging the colorful description of a sumptuous procession, which can be divided into two parts, almost two wings of a crowd divided specularly: on the left David with his dignitaries and the army; on the other, Abigail's retinue, handmaids, servants leading dromedaries and donkeys laden with food.
The crowded group of figures is set in a natural proscenium: above a low horizon, barely hinted at by distant blue mountains, rises on the left side a craggy rocky cliff, the shelter of the army led by the ruler.
The 'somatic intonation of the characters, as well as the choice of metallic chromatics and the play of light on the shiny fabrics refer to a clear Flemish matrix, particularly the influence of the frothy and sumptuous painting of Rubens and Van Dyck.
As well set forth in the expert report prepared by Professor Giuseppe Sava, the work is to be attributed to Vincent Malò...
Category
17th Century Other Art Style Art by Medium: Oil
Materials
Oil
Circle of Jean Honore Fragonard (1732–1806) A Painting of Three Putti and Fire
Located in New York, NY
Circle of Jean Honore Fragonard (French 1732–1806) An Exceptional Painting of Three Putti and Fire, circa 1795.
Masterfully painted in the late ...
Category
18th Century Rococo Art by Medium: Oil
Materials
Oil, Cotton Canvas
Penitent Magdalene, c. 1750.
By Giuseppe Maria Crespi, Lo Spagnuolo
Located in Milan, IT
Painting done in oil on canvas. The figure of Magdalene is depicted here, in keeping with tradition, with long red hair; with a gesture of sorrowful dedication she fixes her gaze on ...
Category
Mid-18th Century Other Art Style Art by Medium: Oil
Materials
Oil
Madonna and Child with St. John, c. 1540-1560. Attributed to Carlo Portelli
Located in Milan, IT
The painting features Our Lady holding the Child, who extends his hand toward the wooden cross, the symbol of the future Passion, and St. John. Behind the three figures a rocky mount...
Category
18th Century and Earlier Other Art Style Art by Medium: Oil
Materials
Oil
17th Century Italian Old Master Oil - Presentation of the Virgin in the Temple
Located in Cirencester, Gloucestershire
Artist/ School: 17th Century Italian School
Title: The Presentation of the Virgin in the Temple
Medium: oil painting on canvas, framed
Size: canvas: 21” x 16” (53.3 x 40.8cm)
Pro...
Category
17th Century Old Masters Art by Medium: Oil
Materials
Oil
Gimcrack with jockey up, wearing the colours of 1st Earl Grosvenor
Located in Stoke, Hampshire
John Nost Sartorius (London 1759-1828)
Gimcrack with jockey up, wearing the colours of Richard Grosvenor, 1st Earl Grosvenor
Inscribed and signed 'Gi...
Category
18th Century Old Masters Art by Medium: Oil
Materials
Oil
Portrait of count Evreux, French, 18th c. studio of Hyacinthe Rigaud, circa 1705
Located in PARIS, FR
Portrait of Henri-Louis de la Tour d'Auvergne, Comte d'Evreux
Studio of Hyacinthe Rigaud (1659-1743)
Early 18th century French school, circa 1705
Oil on canvas
Dimensions: h. 72 cm, w. 57.5 cm
Louis XIV period gilded and richly carved wood frame with flowered corners.
Framed: h. 96 cm, w. 80 cm
Henri-Louis de la Tour d'Auvergne (1679-1753), Count of Evreux at the age of 24.
The young man is depicted standing, seen at mid-height, turned three-quarters, against a background of a sky filled with cannon smoke.
Head turned to the left, a large wig falling over his shoulders, a youthful face with plain cheeks, a delicate smile from thin lips, a gentle, benevolent facial expression.
The right hand rests on the command staff in the foreground, while the left arm is bent and the hand rests on the hip. He is wearing a white sash of command, the floating drapery of which appears to his right.
Fully armored, his only visible adornments are the blue velvet facings at the joins of the armor pieces and the sleeves of fine white lace.
Power and charisma emanate from this military portrait. The young man's stature, bearing and head carriage convey the image of a valiant warrior.
The theatrical lighting abundantly illuminates the face and creates strong metallic reflections in the armor. Despite his static stance, the hair blowing in the wind enlivens the painting, lending a dynamism and vigor that amplify the model's belligerent attitude.
Our work is a studio version by Hyacinthe Rigaud, the original of which was executed by the artist himself in 1703. This original portrait of the Comte d'Evreux is now housed in the Gemälde Galerie - Alte Meister in the collections of the Kassel Museum.
This portrait, one of the artist's most successful, was exhibited in 1704 at the Salon de l'Académie des Beaux-Arts and received rave reviews. As for the Compte d'Evreux, as soon as the original was created, he was satisfied with the artist's work and directly commissioned several replicas, which were executed by the studio between 1703 and 1705. These studio versions, as in the case of our painting, were intended as gifts from the Count to his wartime companions or members of his family.
Our work is listed in the catalog raisonné of Hyacinthe Rigaud written by the artist's specialist Mr. Stéphane Perreau (published in 2004)
Provenance: former private collection in Dijon, Burgundy
Henri-Louis de la Tour d'Auvergne, le comte d'Evreux was the fourth son of the Duc de Bouillon, Godefroy-Maurice de La Tour...
Category
Early 18th Century Old Masters Art by Medium: Oil
Materials
Canvas, Oil
Fine 17th Century Italian Old Master Oval Portrait of Lady on Copper Wooden Frm
Located in Cirencester, Gloucestershire
Portrait of a Lady
Italian Old Master, 17th century
oil on copper, framed
framed: 8.75 x 7.75 inches
painting: 5 x 4 inches
provenance: private collection, England
condition: very go...
Category
17th Century Old Masters Art by Medium: Oil
Materials
Copper
Huge 17th Century Spanish Old Master Oil Painting Wounded Pilgrim with Angel
Located in Cirencester, Gloucestershire
The Pilgrim and Angel
Spanish School, 17th Century
oil on canvas, gilt framed
framed: 48 x 37 inches
canvas: 43 x 32 inches
provenance: private collection, Barcelona, Spain
condition...
Category
17th Century Baroque Art by Medium: Oil
Materials
Oil, Canvas
'St. Peter Giving Communion', Old Master, Milanese Figural, Romanesque, Baroque
Located in Santa Cruz, CA
A substantial, mid-seventeenth century oil showing a group of men assembled in a neo-classical landscape beside a placid river; a lyrical and dynamic figural work showing both fine c...
Category
Mid-17th Century Art by Medium: Oil
Materials
Oil, Canvas
Dipinto Ritratto dell'Imperatore Vitellio XVIII secolo
Located in Milan, IT
Olio su tela.
Aulo Vitellio Germanico Augusto è uno degli Undici Imperatori romani che furono ritratti a mezzo busto in una serie realizzata da Tiziano nel 1536-40 per Federico II, ...
Category
18th Century Other Art Style Art by Medium: Oil
Materials
Oil
Painting Young man lighting a pipe 18th century
Located in Milan, IT
Oil on Canvas.
The painting offers a half-length portrait of a young man in deshabillé who is lighting his pipe by drawing fire with a stick from the candle placed in front of him o...
Category
18th Century Other Art Style Art by Medium: Oil
Materials
Oil
Huge 18th Century Italian Old Master Oil Painting Still Life Fruit in Basket
Located in Cirencester, Gloucestershire
Classical Still Life of Fruit in Basket with other objects
Italian artist, 18th century
oil on canvas, unframed
canvas: 24.5 x 33 inches
provenance: private collection, UK
condition:...
Category
18th Century Old Masters Art by Medium: Oil
Materials
Oil
Storm See Water Landscape Vernet 18th Century Paint Oil on canvas Old master
Located in Riva del Garda, IT
Claude-Joseph Vernet (Avignon, 1714 - Paris, 1789)
workshop of
The Storm on the Lighthouse
1750/60
Technique: Oil on canvas
Dimensions: 48 x 67 cm / framed 77 x 93 cm
We share a highly pleasing work, a splendid marine executed by a talented painter from the workshop of the Frenchman Claude-Joseph Vernet, depicting a coastal view set in a Mediterranean port with the sea still stormy.
The focal point of the composition is the large lighthouse at the entrance to the port, which, due to the power of the sea, was unable to bring to safety the ship that had crashed against the rocks, while the silhouette of a second sailing ship can be glimpsed in the distance.
The canvas shows in full the pictorial, chromatic and narrative characteristics of the great master Vernet's coastal landscapes, characterised by the inimitable atmospheric conditions always hovering between darkness and light, storm and calm, instilling the observer with contrasting feelings, made even more intense by a palette of vibrant and highly contrasting colours.
A similar composition, from which our author must necessarily have drawn, also attributed to the workshop of Claude Joseph Vernet is to be found in France, in Nantes, at the Musée d'Arts.

The effects of the light create a visual drama in the contrast between the darkness of the rain-laden storm clouds and the gash of clear sky that is opening up, pierced by the timid rays of light. The real magic of the painting is the painter's highly personal use of light and colour, with chiaroscuro effects that accentuate its three-dimensionality and movement.
The compositional typology, as well as the quality of execution and attention to detail we are dealing with, are typical elements of the 'prototypes' conceived by the master, later taken up around the middle of the 18th century by his best pupils.
Similar versions can be found in the most important international museums and private collections, belonging to a large series of paintings that the master created, together with his collaborators, during his stay in Italy.
Vernet lived in Rome for twenty years (1734 - 1753), becoming particularly popular with English aristocrats who stopped there on their Grand Tour. International fame followed him from Rome to France, and to his English and French clients he added German princes...
Category
18th Century Old Masters Art by Medium: Oil
Materials
Oil
John the Baptist
By Francesco Curradi
Located in London, GB
Oil on canvas
Image size: 17 x 21 inches (43 x 53 cm)
18th Century Carlotta frame
Provenance
Private Country Estate England
When depicting John the Baptist artists often added an o...
Category
17th Century Art by Medium: Oil
Materials
Canvas, Oil
Ships Heading to Sea - Dutch 17th century Old Master marine art oil painting
Located in London, GB
This fantastic Dutch Old Master marine oil painting is by noted Dutch marine artist Abraham Storck. Painted circa 1670 the composition is a number of ships heading out to sea, their sails billowing and banners and flags blowing in the wind. The sea is also choppy and clouds race over head. It is an ambitious, busy nautical scene and Storck has perfectly captured the energy and movement of the ships and smaller vessels. This is an excellent example of a 17th century Dutch Old Master oil painting.
Provenance: Part of a private collection of Flemish & European paintings.
Koller Auctions in Switzerland in 2011.
Bonhams 2020.
Condition. Oil on canvas, 25 inches by 24 inches and in good condition.
Frame. Housed in an ornate 23 carat gilt carved Lely period frame with name plate, 32 inches by 31 inches and in excellent condition.
Abraham Storck (1644-1708) was a Dutch painter, who enjoyed a reputation for his marine paintings, topographical views and Italianate harbour scenes. Storck was also an outstanding draughtsman. Storck was baptized in the Noorderkerk, a Protestant church in the Jordaan. His father was the painter Jan Jansz Sturck (or Johannes Storck) (1603-1673), from Wesel; his mother was Teuntje (Apolonia) Jacobs. The couple married in 1628. Storck had two brothers, who were also painters using the name Sturckenburch until c. 1688 after which they started calling themselves Storck or Sturck. It is likely they were all trained with their father in the family workshop and joined the local Guild of Saint Luke, otherwise it was impossible to sell any painting. Circa 1666 Storck established his workshop producing naval, harbor scenes as well as landscape paintings and city scapes. In 1670 he traveled with his brother Jacob and worked in Germany. In 1694, at age 49, he married the widow Neeltje Pieters van Meyservelt. At the end of his life he lived on Kattenburg near the harbour. Storck's marine and river scenes were influenced by the two Willem van de Veldes (the elder and the younger), Ludolf Bakhuizen...
Category
1670s Old Masters Art by Medium: Oil
Materials
Oil
Francesco Zuccarelli Venetian master - 18th century landscape painting - Knights
Located in Varmo, IT
Francesco Zuccarelli (Pitigliano 1702 - Florence 1788) - River landscape with knights and medieval village.
53 x 70 cm without frame, 64.5 x 80.5 cm with frame.
Antique oil paintin...
Category
Mid-18th Century Rococo Art by Medium: Oil
Materials
Canvas, Oil
Banquet Attrib to Van Den Hoecke Religious Oil on Table Old Master 17th Century
By Gaspar van den Hoecke (Antwerp, 1585 - 1648)
Located in Riva del Garda, IT
Gaspar van den Hoecke (Antwerp, 1585 - 1648)
Herod's banquet
Early 17th century
oil on panel, with gold highlights (in the guise of Salome and in the curtains of the building in the background)
56 x 80 cm.
framed 72 x 90 cm.
Note: The painting probably dates from an original by Frans II Francken (1581 - 1642), which is shown under the number 0000344789 in the RKD.
Valuable oil painting on panel depicting King Herod and the beautiful Jewish princess Salome according to the episode taken from the Gospel of Matthew (14.3-11), which sees her as the protagonist in the story of the martyrdom of John the Baptist. The event shown is a cross between history and legend, a myth faced for centuries by artists in every field: Caravaggio in painting, Oscar Wilde in theater, Richard Strauss...
Category
17th Century Old Masters Art by Medium: Oil
Materials
Oil
The Fox Hunting Party, dated 1770 John Nost SARTORIUS (1759-1828)
By John Nott Sartorius SNR
Located in Blackwater, GB
The Fox Hunting Party, dated 1770
John Nost SARTORIUS (1759-1828) - names of the hunting party fully inscribed by the artist verso
Large 18th Century English Fox Hunting Party land...
Category
18th Century Art by Medium: Oil
Materials
Oil, Canvas
The Adoration of the Magi by Joseph van Bredael
Located in New Orleans, LA
Joseph van Bredael
1688-1739 Flemish
The Adoration of the Magi
Oil on copper
Painted on copper and exhibiting an exquisite luminosity, this exceptional painting...
Category
Late 17th Century Old Masters Art by Medium: Oil
Materials
Copper
18th century Portrait of a young girl, Miss Cator in a landscape, white dress
By John Russell
Located in Woodbury, CT
Portrait of a young British Girl, in her white dress with Pink Sash.
Choosing to acquire an 18th-century portrait of a young girl by English artist John Russell is an opportunity to...
Category
1780s Old Masters Art by Medium: Oil
Materials
Canvas, Oil
Late 18th Century British Oil Painting Figures by Blacksmiths Forge Landscape
Located in Cirencester, Gloucestershire
The Blacksmiths Forge
British artist, late 18th century
Circle of Julius Caesar Ibbetson (1759-1817)
oil on board, unframed
board: 11 x 14.5 inches
provenance: private collection, En...
Category
Late 18th Century English School Art by Medium: Oil
Materials
Oil
Huge 18th Century Italian Old Master Oil Painting Still Life Fruit Flowers & Jug
Located in Cirencester, Gloucestershire
Classical Still Life of Fruit in Basket with other objects
Italian artist, 18th century
oil on canvas, unframed
canvas: 24.5 x 33 inches
provenance: private collection, UK
condition:...
Category
18th Century Old Masters Art by Medium: Oil
Materials
Oil
Still Life Of Pears, Apples and Grapes in an upturned basket, 17th Century
Located in Blackwater, GB
Still Life Of Pears, Apples and Grapes in an upturned basket, 17th Century
circle of BARTHOLOMEUS ASSTEYN (1607-1667)
Huge 17th Century Dutch Still Life of apples, pears and grape...
Category
17th Century Art by Medium: Oil
Materials
Canvas, Oil
OLD MASTER OIL PAINTING 18th CENTURY Scottish School FINE DETAIL GOLD GILT FRAME
Located in Ferndown, GB
DESCRIPTION
OLD MASTER OIL PAINTING 18th CENTURY Scottish School
FINE DETAIL
GOLD GILT FRAME
NEW COLLECTION Of RARE PIECES OF Scottish HISTORY
Description
( Late 18th centur...
Category
18th Century Realist Art by Medium: Oil
Materials
Oil
Terwesten Woman Allegory Art Paint Oil on canvas 17/18th Century Old master
Located in Riva del Garda, IT
Mattheus Terwesten (The Hague, 1670 - 1757)
Portrait of a young woman with palette and brushes, as Allegory of the art of Painting
Oil on canvas
160 x 91 cm. - In frame 178 x 107 cm...
Category
17th Century Old Masters Art by Medium: Oil
Materials
Oil
Saint Alexander Sanz Paint Oil on canvas Old master 17/18th Century Old master
Located in Riva del Garda, IT
Bernard Lucas Sanz (Germany, 1650 - Bergamo post 1710)
Saint Alexander
Oil on canvas (98 x 72 cm./ In frame 125 x 96 cm.)
The painting, depicting Saint Alexander of Bergamo and data...
Category
18th Century Old Masters Art by Medium: Oil
Materials
Oil
Large Flemish Painting Dutch School 18Th View Of Village Characters And Animals
Located in Roma, IT
an important and large painting 220x208 cm of a dutch village with building characters and animals. The painting present a group of
farmers in a convi...
Category
18th Century Flemish School Art by Medium: Oil
Materials
Oil
Dipinto Paesaggio con Architettura
Located in Milan, IT
Olio su tela. Scuola nord-italiana del XVIII secolo.
Secondo il gusto del XVIII secolo, il paesaggio proposto è dominato dai resti di un antico tempio, vestigia delle glorie passate...
Category
18th Century Other Art Style Art by Medium: Oil
Materials
Oil
OIL PAINTING FRENCH By ? Beautiful lady of Nobility in a Gold Neoclassical Frame
Located in Ferndown, GB
OIL PAINTING By ? Beautiful lady of Nobility in a Neoclassical Frame
FINE Portrait OIL PAINTING Old Master Early 19th Century
French artist
...
Category
18th Century Realist Art by Medium: Oil
Materials
Oil
Adriaen van Ostade (follower of) - A Woman Dancing to the Music from a Violin
Located in Stockholm, SE
Adriaen van Ostade (follower of)
A Women Dancing to the Music from a Violin
oil on oak panel
panel size 10.23 x 15.35 inches (26 x 39 cm)
frame 15.74 x 21.25 inches (40 x 54 cm)
f...
Category
18th Century Old Masters Art by Medium: Oil
Materials
Panel, Oil
Portrait of a Lady by Fountain in Landscape - Dutch Old Master art oil painting
Located in London, GB
This superb Dutch Old Master portrait oil painting is attributed to circle of Nicolaes Maes. Painted circa 1670, the painting is of a lady, sat by a classical fountain with statue an...
Category
1670s Old Masters Art by Medium: Oil
Materials
Oil
Madonna and child, Italian school, 18th century
Located in DEVENTER, NL
Italian School, 18th century
Depicted are the Madonna and Child Jesus, the virgin Mary is holding the Child Jesus lovingly in her arms. The child, lying on a bundle of cloth and with...
Category
18th Century Art by Medium: Oil
Materials
Canvas, Oil
Shepherd with Sheep, Cows and a Goat in a Landscape by Jan Frans Soolmaker
Located in Stockholm, SE
This painting depicts a pastoral scene that is attributed to the artist Jan Frans Soolmaker, an artist known for his Italianate landscapes and scenes that often feature equestrian and Arcadian elements. The painting is not signed but is attributed to Soolmaker, relating it to a known signed work by the artist that was sold at Sotheby’s London in 1999.
The scene is suffused with the warm glow of a setting or rising sun, casting a soft light that is characteristic of Soolmaker’s landscapes. It shows a shepherd guiding a group of cattle across a shallow stream, with the animals taking center stage in the composition. The animals are rendered with careful attention to their forms and the play of light on their bodies, which is a hallmark of Soolmaker's work. The landscape is composed of a rocky terrain with trees and shrubbery, creating a sense of depth and natural beauty that invites the viewer to explore the scene further.
The background suggests a vast, open landscape with distant mountains, which adds to the Italianate feel of the painting. The sky is dramatic, with clouds catching the light of the sun, contributing to the overall serene yet dynamic atmosphere of the work.
The provenance of the painting is notable, having been in the possession of significant historical figures such as Swedish Prince Fredrik Adolf, and later The collection of Pär Ulmgren, The collection of Gösta Stenman, and Engineer and politician Gustaf Henry Hansson.
Potential buyers have the option of choosing between a newly made gold frame or an older brown frame, which allows for personalization in how the work is presented.
Soolmaker’s work is often compared to that of Dutch painter Nicolaes Berchem, whose style he emulated. Soolmaker's landscapes reflect a similar sensitivity to light and composition, making his works sought after for their beauty and historical significance. Despite the smaller body of work left by Soolmaker, due to his short career, his paintings are valued for their craftsmanship and the legacy of the artist’s brief but impactful contribution to the Dutch Italianate landscape genre.
Information:
Jan Frans Soolmaker (Flanders 1635‑1685)
Shepherd with Sheep...
Category
17th Century Old Masters Art by Medium: Oil
Materials
Oil, Canvas
18th century portrait of a Spaniel dog with fruit in a wooded landscape.
By Tobias Stranover
Located in Woodbury, CT
Outstanding early 18th-century portrait of a seated Spaniel dog in a landscape with an array of fruits.
Attributed to the work of Tobias Stranover.
...
Category
1730s Old Masters Art by Medium: Oil
Materials
Oil
Tavern scene with drunken peasants enjoying dancing and drinking, after Teniers
Located in DEVENTER, NL
Charming tavern scene depicting drunken peasants enjoying dancing and drinking in front a farmhouse/ tavern in a landscape. Painted in great detail in vivid colors on a hand cut oak ...
Category
18th Century Art by Medium: Oil
Materials
Oil, Wood Panel
Oil art for sale on 1stDibs.
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