Art by Medium: Paper
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535
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Period: 18th Century and Earlier
Medium: Paper
Return from the Hunt, Pen and Ink 17th Century Artwork, Handmade Gilt Frame
Located in London, GB
Pen and ink, brown wash, heightened with white bodycolour
Image size: 9 x 10 1/2 inches (22.75 x 26.75 cm)
Mounted with hand made gilt frame
Lingelbach presents a scene from the end...
Category
17th Century Art by Medium: Paper
Materials
Paper, Ink
The South East Prospect of Westminster Bridge
By Alfred Benjamin Cole
Located in Middletown, NY
After Giovanni Antonio Canal, called Canaletto
Copper plate engraving with hand coloring on cream laid paper with the Arms of France watermark (a crown in shield topped by a fleur-de-lys and the letters GR), 22 3/4 x 15 3/4 inches (576 x 400 mm), wide to full margins. Multiple vertical and horizontal creases from folding and rolling; none appear to be particularly hard, there is however some associated cockeling. While there is some minor mat tone visible around the perimeter of the sheet, the extensive handcoloring remains extremely fresh and saturated in the intended areas. There are edge tears at each the right and left sheet edge (outside of the image area) due to an improper effort to mount the sheet to a mat. Otherwise in very good condition with all issues being consistent with age.
The print is wrongly titled "The South East Prospect of Westminster Bridge...
Category
Mid-18th Century English School Art by Medium: Paper
Materials
Engraving, Watercolor, Laid Paper
North Side of the Great Court, Sommerset Palace
Located in Middletown, NY
Aquatint printed in brownish ink with extensive hand coloring in watercolor on buff paper, 10 1/4 x 12 1/2 inches (260 x 317 mm) (sheet), uneven narrow to full margins. Laid down to ...
Category
Late 18th Century English School Art by Medium: Paper
Materials
Aquatint, Handmade Paper, Watercolor
The Royal Exchange of London
Located in Middletown, NY
London: A. Churchill & J. Knapton, 1754
Engraving on fibrous laid paper with a "C" watermark, 9 3/4 x 11 3/4 inches (246 x 297 mm), full margins. Significant edge wear including mul...
Category
Mid-18th Century French School Art by Medium: Paper
Materials
Engraving, Laid Paper, Handmade Paper
Mythological combat scene with Roman soldiers on horseback.
By Virgil Solis
Located in Middletown, NY
Pen and brownish black ink on grayish-cream laid paper, 6 1/2 x 8 inches (165 x 175 mm), irregular hexagonal sheet with margins. Some archival repairs along the top sheet edge, scatt...
Category
16th Century Old Masters Art by Medium: Paper
Materials
Pen, Laid Paper, Ink
The plan of St. Martin's Church, St. Martin in the Fields
Located in Middletown, NY
London: Society of Antiqauries London, 1744. Engraving on buff wove paper with a large heraldic watermark with Strasbourg lily with a crown and shied and the letters LVG, 9 1/2 x 14 ...
Category
Mid-18th Century English School Art by Medium: Paper
Materials
Handmade Paper, Engraving
View of the New Trinity House on Tower Hill
Located in Middletown, NY
London: Laurie & Whittle, 1799
Engraving on buff wove paper, 10 3/4 x 15 3/4 inches (271 x 338 mm), uneven narrow to wide margins. Soft vertical fold at the center sheet (as issued)...
Category
Late 18th Century English School Art by Medium: Paper
Materials
Engraving, Handmade Paper
St. Paul's Cross
By James Stow
Located in Middletown, NY
London: Robert Wilkinson, c1620
Engraving on thin Japon paper,16 1/8 x 11 3/4 iches (408 x 297 mm), narrow margins. In good condition with some age-related toning and edge wear, including two small horizontal tears which appear at the right and left center sheet edges. There is a vertical edge tear on the the lower sheet edge which is expertly repaired with a tab of paper tape mounted to the verso, and a soft horizontal fold, as issued. Plate created circa 1620, however printed later, likely early 19th century.
Dr. John King preaching at St. Paul's Cross for James I, his Queen, Charles Prince of Wales...
Category
17th Century English School Art by Medium: Paper
Materials
Engraving, Handmade Paper
The Queen of Great Britain arriving in Portsmouth 25 May 1662 & The Arrival in L
Located in Middletown, NY
Two images of Queen Catharina of Braganza; one before her marriage to King Charles II, the other after, as Queen of Great Britian. Engraved by Matthiäus Merian, father of Maria Sybli...
Category
Mid-17th Century Old Masters Art by Medium: Paper
Materials
Engraving, Laid Paper
Gresham College
Located in Middletown, NY
Etching with engraving on cream laid paper with a Garden of Holland or Maid of Dort Pro Patria watermark, 11 x 14 1/4 inches (278 x 361 mm), thread margins. Lettered with the title in a cartouche at the top-center sheet, continuing "a Latere Occidentali Prospeus AD MDCCXXXIX," with numbers over the image at right that correspond to a key 1 to 29, and with publication details: "Georgius Vertue Londini delineavit et Sculpsit anno MDCCXXXIX". Multiple expert repairs, notably a Y-shaped, expert paper tape repair on the verso. Handling creases, toning. All issues are consistent with age. An impression of this work may be viewed in the permanent collection of the British Museum, registration No. 1880,1113.3963.
A bird's eye view of the college in Broad Street, London, showing the courtyard, adjoining stable yard to the right, and the buildings at the back.
This work was included in Frederick Crace...
Category
Early 18th Century English School Art by Medium: Paper
Materials
Engraving, Etching, Handmade Paper
'Agony in the Garden' Renaissance woodcut print by Virgil Solis after Dürer
By Virgil Solis
Located in Milwaukee, WI
This woodcut print, depicting the 'Agony in the Garden,' is a rare image coming from a small passional. A passional is a common kind of devotional ...
Category
16th Century Northern Renaissance Art by Medium: Paper
Materials
Woodcut, Paper
Folio from Communion of Saints, Reading from the Book of St. Matthew.
Located in Fairlawn, OH
Readings from the "Communion of Saints": folio from an Italian Missal
Pigment on vellum
Mid 17th century
Provenance:
Otto F. Ege (1888-1951)
Phillip Duechnes Bookseller, New York, c. 1948
References And Exhibitions:
Otto F. Ege Box Folio 27
Ege describes these folios as: Epistolary (Epistolarium), Italy, Middle 15th century
Latin Text: Rotunda or Round Gothic Script, square rhetorical neumes
Sister folio are in the following rare book libraries:
Case Western Reserve University
Cincinnati Public Library
Cleveland Institute of Art
Cleveland Public Library
Denison University
Kent State University
Kenyon College...
Category
15th Century and Earlier Old Masters Art by Medium: Paper
Materials
Ink, Vellum
Flamingo Engraving
Located in New York, NY
Original engraving, hand-colored at publication, after the work of Mark Catesby by Johann Michael Seligmann from "Sammlung verschneider auslandischer und seltener Vogel." Nuremberg:...
Category
Mid-18th Century Art by Medium: Paper
Materials
Laid Paper
Fine 1700's Italian Old Master Ink & Wash Drawing Roman Allegorical Insubria
Located in Cirencester, Gloucestershire
'Insubria'
Italian School, 18th century
ink and wash drawing on paper, framed within a light oak wood frame (behind glass)
image size: 10.5 x 7 inches
overall framed: 17 x 13 inches
...
Category
18th Century Old Masters Art by Medium: Paper
Materials
Watercolor, Ink, Archival Paper
Apples
Located in London, GB
WEINMANN, Johann Wilhelm.
Apples
Hieronymous Lenzius, Regensburg, [1735]-1737-1745.
attractive plates, being one of the earliest examples of colour printing.
Johann Weinmann (168...
Category
Early 18th Century Naturalistic Art by Medium: Paper
Materials
Laid Paper, Mezzotint
Horse II, Pastel on Sand Paper, by Sunil Das "In Stock"
By Sunil Das
Located in Kolkata, West Bengal
Sunil Das - Old Horse
11 x 9 inches (unframed size) 18 x 16 ( Expected framed size)
Pastel on Sand Paper
Circa, 1958
( Delivered framed )
A very old unique and rare work by the M...
Category
1650s Modern Art by Medium: Paper
Materials
Paper, Pastel
Melons
Located in London, GB
WEINMANN, Johann Wilhelm.
Melons
Hieronymous Lenzius, Regensburg, [1735]-1737-1745.
attractive plates, being one of the earliest examples of colour printing.
Johann Weinmann (168...
Category
Early 18th Century Naturalistic Art by Medium: Paper
Materials
Laid Paper, Mezzotint
A Pair of Poppies
Located in London, GB
WEINMANN, Johann Wilhelm.
Pair of Poppies
Hieronymous Lenzius, Regensburg, [1735]-1737-1745.
attractive plates, being one of the earliest examples of colour printing.
Johann Wein...
Category
Early 18th Century Naturalistic Art by Medium: Paper
Materials
Laid Paper, Mezzotint
Citrus and Apricots
Located in London, GB
WEINMANN, Johann Wilhelm.
Citrus and Apricots
Hieronymous Lenzius, Regensburg, [1735]-1737-1745.
attractive plate, being one of the earliest examples of colour printing.
Johann ...
Category
Early 18th Century Naturalistic Art by Medium: Paper
Materials
Mezzotint, Laid Paper
English school, circa 1784 'Mr and Mrs Rogers', pastel on paper, a pair
Located in Petworth, West Sussex
A wonderful naive pair of 18th Century portraits of Mr and Mrs Rogers, (A pair).
The details are:
English school, circa 1784
Mr and Mrs Rogers
Pastel on paper
Inscribed with sitter...
Category
18th Century English School Art by Medium: Paper
Materials
Paper, Pastel
Portrait of a Newlywed by Casper Casteleyn, an artist of the Dutch Golden Age
Located in PARIS, FR
This marvelous portrait on vellum is the work of a rare Dutch Golden Age artist, Casper Casteleyn, who has also drawn a closely related portrait now at the Fondation Custodia in Pari...
Category
17th Century Old Masters Art by Medium: Paper
Materials
Chalk, Vellum
Melons
Located in London, GB
WEINMANN, Johann Wilhelm.
Melons
Hieronymous Lenzius, Regensburg, [1735]-1737-1745.
attractive plates, being one of the earliest examples of colour printing.
Johann Weinmann (168...
Category
Early 18th Century Naturalistic Art by Medium: Paper
Materials
Laid Paper, Mezzotint
Java Apples
Located in London, GB
WEINMANN, Johann Wilhelm.
Java Apples
Hieronymous Lenzius, Regensburg, [1735]-1737-1745.
attractive plates, being one of the earliest examples of colour printing.
Johann Weinmann...
Category
Early 18th Century Naturalistic Art by Medium: Paper
Materials
Laid Paper, Mezzotint
Apples
Located in London, GB
WEINMANN, Johann Wilhelm.
Apples
Hieronymous Lenzius, Regensburg, [1735]-1737-1745.
attractive plates, being one of the earliest examples of colour printing.
Johann Weinmann (168...
Category
Early 18th Century Naturalistic Art by Medium: Paper
Materials
Laid Paper, Mezzotint
Coconut/Palm Nut
Located in London, GB
WEINMANN, Johann Wilhelm.
Coconut/Palm Nut
Hieronymous Lenzius, Regensburg, [1735]-1737-1745.
attractive plates, being one of the earliest examples of colour printing.
Johann Wei...
Category
Early 18th Century Naturalistic Art by Medium: Paper
Materials
Mezzotint, Laid Paper
Apples
Located in London, GB
WEINMANN, Johann Wilhelm.
Apples
Hieronymous Lenzius, Regensburg, [1735]-1737-1745.
Johann Weinmann (1683-1741) was a Regensburg apothecary who organized the publication of Phytan...
Category
Mid-18th Century Naturalistic Art by Medium: Paper
Materials
Laid Paper, Mezzotint
Apples
Located in London, GB
WEINMANN, Johann Wilhelm.
Apples
Hieronymous Lenzius, Regensburg, [1735]-1737-1745.
attractive plates, being one of the earliest examples of colour printing.
Johann Weinmann (16...
Category
Mid-18th Century Naturalistic Art by Medium: Paper
Materials
Mezzotint, Laid Paper
A Chinese Nobleman, from The Costume of China, by G.H. Mason, engr. John Dadley
Located in Middletown, NY
London: 1799. Copperplate stipple engraving with hand coloring in watercolor, 17 1/2 x 10 1/4 inches (445 x 260 mm) (sheet), full margins. In very good condition with some minor, lig...
Category
Late 18th Century Old Masters Art by Medium: Paper
Materials
Handmade Paper, Watercolor, Engraving
Harbour with a Round Tower
Located in Middletown, NY
1641. Etching on cream wove paper, 5 1/16 x 7 11/16 inches (128 x 195 mm), narrow margins. Printed 19th century on a remainder which has a partially trimmed, printed image of a Virgi...
Category
Mid-17th Century French School Art by Medium: Paper
Materials
Etching, Handmade Paper
Mount Posillipo Near the Tomb of Virgil, Naples, 1779
Located in Philadelphia, PA
Jean-Claude-Richard de Saint Non
(French, 1727-1791)
Mount Posillipo Near the Tomb of Virgil, Naples, 1779
Watercolor on paper, 15 x 20 inches
Inscribed on verso: (in pencil) "l ' A...
Category
1770s Realist Art by Medium: Paper
Materials
Watercolor, Paper
Village of Lekkerkerk on the River Lek: a 18th century dutch watercolor
Located in Philadelphia, PA
Nicolaes Wicart
(Dutch, 1748-1815)
Village of Lekkerkerk on the River Lek
Watercolor on paper, 8 x 12 inches (sight)
Signed at lower left: "Wicart"
Inscribed in ink on verso: "4 Dorp...
Category
Late 18th Century Realist Art by Medium: Paper
Materials
Paper, Watercolor
19th century view of Raglan Castle by English artist David Hall McKewan
Located in Philadelphia, PA
David Hall McKewan
(English, 1817-1873)
Raglan Castle
Watercolor on paper, 9 x 13 inches (sight)
David Hall McKewan studied watercolor painting under David Cox (the elder) and exhib...
Category
Mid-18th Century Realist Art by Medium: Paper
Materials
Watercolor, Paper
The Captive, Study of a Naked Youth, Red Chalk Study, Carracci Gallery
By Annibale Carracci
Located in London, GB
Red chalk on paper
Image size: 5 x 8 1/2 inches (12.75 x 21.5 cm)
Mounted
This 18th century drawing is after the work of the 16th Century Italian artist Annibale Carraci. This figure, along with many more, were painted by Carraci in the Palazzo Farnese in a space now known as the Carracci gallery. The Carracci gallery is considered as one of the most important Renaissance commissions in Rome. This figure, along with five other companions, were known as 'The Captives'. They were designed by the artist to appear trapped in the architectural spaces in the walls and sat around the fresco that featured Perseus and Andromeda.
Similarly to the original drawings, this artist has taken considerable care to sculpt his form with light and shadow, gently blending strokes on the smooth-skinned cheek and distinctly denoting the direction of hair strands.
Annibale Carracci
Annibale Carracci (1560–1609) was the most admired painter of his time and the vital force in the creation of Baroque style. Together with his cousin Ludovico (1555–1619) and his older brother Agostino (1557–1602)—each an outstanding artist—Annibale set out to transform Italian painting. The Carracci rejected the artificiality of Mannerist painting, championing a return to nature coupled with the study of the great northern Italian painters of the Renaissance, especially Correggio, Titian, and Veronese.
During the 1580s, the Carracci were painting the most radical and innovative pictures in Europe. Annibale not only drew from nature, he created a new, broken brushwork to capture movement and the effects of light on form. His Two Children Teasing a Cat marks a new chapter in the history of genre painting. The revolutionary potential of this new kind of painting would be taken up over a decade later by Caravaggio, who must have seen the Carraccis’ work while traveling from Milan to Rome in 1592.
The Carracci saw themselves as heir to a great artistic tradition, and they consciously situated themselves within the history of northern Italian painting. Annibale and Agostino visited Parma and Venice to study the work of Correggio, Titian, Tintoretto, and Veronese. Their altarpieces and secular fresco cycles in Bologna reasserted a northern Italian emphasis on color, light, and the study of nature, but with a new focus on emotive communication. Their success led to Annibale being invited to Rome to work for the powerful Farnese family (1595). Ludovico remained in Bologna to direct the academy they founded. Through the next generation of painters—Francesco Albani, Domenichino, Guido Reni, Giovanni Lanfranco, and Guercino—Bolognese painting became the dominant force in seventeenth-century art.
In Rome, Annibale’s painting was transformed through his first-hand encounter with classical antiquity and the art of Michelangelo and Raphael. Individual scenes of ancient mythology are surrounded by an elaborate illusionistic framework with feigned statues, in front of which sit muscular nude figures seemingly lit from the actual windows (Galleria Farnese ceiling). The corners are opened to painted views of the sky. When unveiled in 1600, the ceiling was instantly acclaimed as the equal of any work in the past. In combining northern Italian naturalism with the idealism of Roman painting, Annibale created the basis of Baroque art. His only challenger in Rome was Caravaggio, whose relation with the past was combative rather than assimilative. Moreover, Caravaggio’s art...
Category
18th Century Renaissance Art by Medium: Paper
Materials
Chalk, Paper
Architectural Stucco Design, Pen and Ink Drawing, Signed, 18th Century Italian
Located in London, GB
Pen and brown ink and brown and grey washes on paper
Signed top middle
Image size: 10 x 3 3/4 inches (25.5 x 8 cm)
The sketch is a useful example of Bigari's work in the late-Baroqu...
Category
Mid-18th Century Art by Medium: Paper
Materials
Paper, Ink, Pen
Dyeing Paper
Located in Middletown, NY
Japan: circa 1770.
Woodcut on cream laid paper, 7 1/4 x 2 1/2 inches (182 x 63 mm), narrow margins. Laid down to non-archival board with scattered soiling and some adhesive staining...
Category
Late 18th Century Edo Art by Medium: Paper
Materials
Handmade Paper, Woodcut, Laid Paper
The Captive, Study of a Naked Man, Red Chalk Study, Carracci Gallery
By Annibale Carracci
Located in London, GB
Red chalk on paper
Image size: 11 x 5 1/2 inches (28 x 14 cm)
Mounted
This 18th century drawing is after the work of the 16th Century Italian artist Annibale Carraci. This figure, along with many more, were painted by Carraci in the Palazzo Farnese in a space now known as the Carracci gallery. The Carracci gallery is considered as one of the most important Renaissance commissions in Rome. This figure, along with five other companions, were known as 'The Captives'. They were designed by the artist to appear trapped in the architectural spaces in the walls and sat around the fresco that featured Perseus and Andromeda.
Annibale Carracci
Annibale Carracci (1560–1609) was the most admired painter of his time and the vital force in the creation of Baroque style. Together with his cousin Ludovico (1555–1619) and his older brother Agostino (1557–1602)—each an outstanding artist—Annibale set out to transform Italian painting. The Carracci rejected the artificiality of Mannerist painting, championing a return to nature coupled with the study of the great northern Italian painters of the Renaissance, especially Correggio, Titian, and Veronese.During the 1580s, the Carracci were painting the most radical and innovative pictures in Europe. Annibale not only drew from nature, he created a new, broken brushwork to capture movement and the effects of light on form. His Two Children Teasing a Cat marks a new chapter in the history of genre painting.
The revolutionary potential of this new kind of painting would be taken up over a decade later by Caravaggio, who must have seen the Carraccis’ work while traveling from Milan to Rome in 1592.The Carracci saw themselves as heir to a great artistic tradition, and they consciously situated themselves within the history of northern Italian painting. Annibale and Agostino visited Parma and Venice to study the work of Correggio, Titian, Tintoretto, and Veronese. Their altarpieces and secular fresco cycles in Bologna reasserted a northern Italian emphasis on color, light, and the study of nature, but with a new focus on emotive communication. Their success led to Annibale being invited to Rome to work for the powerful Farnese family (1595). Ludovico remained in Bologna to direct the academy they founded. Through the next generation of painters—Francesco Albani, Domenichino, Guido Reni, Giovanni Lanfranco, and Guercino—Bolognese painting became the dominant force in seventeenth-century art.
In Rome, Annibale’s painting was transformed through his first-hand encounter with classical antiquity and the art of Michelangelo and Raphael. Individual scenes of ancient mythology are surrounded by an elaborate illusionistic framework with feigned statues, in front of which sit muscular nude figures seemingly lit from the actual windows (Galleria Farnese ceiling). The corners are opened to painted views of the sky. When unveiled in 1600, the ceiling was instantly acclaimed as the equal of any work in the past. In combining northern Italian naturalism with the idealism of Roman painting, Annibale created the basis of Baroque art. His only challenger in Rome was Caravaggio, whose relation with the past was combative rather than assimilative. Moreover, Caravaggio’s art...
Category
18th Century Renaissance Art by Medium: Paper
Materials
Chalk, Paper
Francisco De Goya Caprichos Los Chinchillas 2nd edition original art print
Located in Miami, FL
Francisco De Goya (Spain, 1746-1828)
'Los Chinchillas (Caprichos. Estampa 50)', ca.1797-1799
burnished aquatint, etching on vellum paper
11.6 x 8.4 in....
Category
1790s Romantic Art by Medium: Paper
Materials
Etching, Laid Paper, Aquatint
Original Vintage Soviet Travel Poster Visitez L'URSS En Auto VW Intourist USSR
Located in London, GB
Original vintage travel poster - Visitez L'URSS en Auto! / Visit the USSR by Car - issued by the Soviet state travel agency Intourist featuring a photomontage design depicting two pe...
Category
15th Century and Earlier Art by Medium: Paper
Materials
Paper
Maximilien de Bethune, Duc de Sully
By (After) Frans Pourbus the Younger
Located in Middletown, NY
A portrait of Maximilien de Bethune, Duc de Sully, the Ambassador from Henry IV of France to James I of England; by Gerard Edelinck, after Franz Pourbus the Younger
Etching on fine ...
Category
Late 17th Century Old Masters Art by Medium: Paper
Materials
Laid Paper, Etching
Francisco De Goya Caprichos Hasta la muerte 2nd edition original art print
Located in Miami, FL
Francisco De Goya (Spain, 1746-1828)
'Hasta la muerte (Caprichos. Estampa 55)', ca.1881-1886
burnished aquatint, etching on vellum paper
12.1 x 8.2 in. (30.8 x 21.1 cm.)
2nd Edition ...
Category
1790s Romantic Art by Medium: Paper
Materials
Etching, Laid Paper, Aquatint
The Monument of London in Remembrance of the Dreadful Fire of 1666
Located in Middletown, NY
Bowles, Thomas III (after John Donowell)
John Bowles & Richard Wilkinson, 1751.
Steel engraving with extensive hand coloring in watercolor on cream wove paper, 10 1/4 x 16 inches (...
Category
Mid-18th Century English School Art by Medium: Paper
Materials
Watercolor, Handmade Paper, Engraving
Francisco De Goya Caprichos Mucho hay que chupar 2nd edition original art print
Located in Miami, FL
Francisco De Goya (Spain, 1746-1828)
'Mucho hay que chupar (Caprichos. Estampa 45)', ca.1797-1799
burnished aquatint, etching on vellum paper
12.2 x 8.4 in. (30.8 x 21.1 cm.)
2nd Edi...
Category
1790s Romantic Art by Medium: Paper
Materials
Etching, Laid Paper, Aquatint
Francisco De Goya Caprichos Bien tirada esta 1st edition original art print
Located in Miami, FL
Francisco De Goya (Spain, 1746-1828)
'Bien tirada está (Caprichos. Estampa 17)', ca.1797-1799
etching, aquatint, dry point on laid paper
12.5 x 8.7 in. (31.5 x 22 cm.)
1st Edition
Ir...
Category
1790s Romantic Art by Medium: Paper
Materials
Etching, Laid Paper, Aquatint
Francisco De Goya Caprichos Nadie se conoce 1st edition original art print
Located in Miami, FL
Francisco De Goya (Spain, 1746-1828)
'Nadie se conoce (Caprichos. Estampa 06)', ca.1797-1799
etching, aquatint, dry point on laid paper
12.5 x 8.7 in. (31.5 x 22 cm.)
1st Edition
Iro...
Category
1790s Romantic Art by Medium: Paper
Materials
Etching, Laid Paper, Aquatint
Francisco De Goya Caprichos Ni asi la distingue 1st edition original art print
Located in Miami, FL
Francisco De Goya (Spain, 1746-1828)
'Ni asi la distingue (Caprichos. Estampa 06)', ca.1797-1799
etching, aquatint, dry point on laid paper
12.4 x ...
Category
1790s Romantic Art by Medium: Paper
Materials
Etching, Laid Paper, Aquatint
Interpres Homeri Pervetustus - Rare Book - 1517
Located in Roma, IT
Interpres Homeri Pervetustus, Scholia Vetera in Rome, 1517.
Vol. in 8º, cm 27.5 x 3 x 21, in Greek.
Missing sheets pp 70 -79, 122-128, 171-189
Binding half-leather and marbeliz...
Category
16th Century Modern Art by Medium: Paper
Materials
Paper
Francisco De Goya Caprichos Tal para cual 1st edition original art print Spanish
Located in Miami, FL
Francisco De Goya (Spain, 1746-1828)
¨Si quebró el Cantaro¨'Tal para cual¨ Serie Caprichos. Estampa 05, ca.1797-1799
etching, aquatint, dry point on laid paper
12.4 x 8.7 in. (31.3 ...
Category
1790s Romantic Art by Medium: Paper
Materials
Laid Paper, Etching, Aquatint
Francisco De Goya Caprichos Correccion 1st edition original art print Spanish
Located in Miami, FL
Francisco De Goya (Spain, 1746-1828)
¨Correccion¨ Serie Caprichos. Estampa 46, ca.1797-1799
etching, aquatint on laid paper
11.6 x 8.1 in. (29.3 x 20.5 cm.)
1st Edition
Iron without ...
Category
1790s Romantic Art by Medium: Paper
Materials
Laid Paper, Etching, Aquatint
Francisco De Goya Caprichos Si quebró el Cantaro 1st edition original art print
Located in Miami, FL
Francisco De Goya (Spain, 1746-1828)
¨Si quebró el Cantaro¨ Series Caprichos. Estampa 25, ca.1797-1799
etching, aquatint, dry point on laid paper
11.6 x 8.1 in. (29.3 x 20.5 cm.)
1st...
Category
1790s Romantic Art by Medium: Paper
Materials
Laid Paper, Etching, Aquatint
Francisco De Goya Caprichos Muchachos al avio 1st edition original art print
Located in Miami, FL
Francisco De Goya (Spain, 1746-1828)
¨Muchachos al avío¨ Series Caprichos. Estampa 11, ca.1797-1799
etching, aquatint, dry point on laid paper
12.4 x 8.7 in. (31.3 x 22 cm.)
1st Edi...
Category
1790s Romantic Art by Medium: Paper
Materials
Etching, Laid Paper, Aquatint
Francisco De Goya Caprichos El de la rollona 1st edition original art print
Located in Miami, FL
Francisco De Goya (Spain, 1746-1828)
'El de la rollona". Serie Caprichos. Estampa 04, ca. 1797-1799
burnished aquatint, etching on laid paper
12.6 x 8.6 in. (32 x 21.8 cm.)
1st Editi...
Category
1790s Romantic Art by Medium: Paper
Materials
Laid Paper, Etching, Aquatint
Frontispiece with stepped fountain.
Located in Middletown, NY
Dujardin, Karel. Frontispiece with stepped fountain; a stone wall with water spout pouring water into a rectilinear basin, from which a second spout pour...
Category
Mid-17th Century Old Masters Art by Medium: Paper
Materials
Handmade Paper, Etching, Laid Paper
Fountains of Rome
Located in Middletown, NY
A charming scene with romping dogs and spectators watching the cascading water play a trick on an unsuspecting man who is sprayed as he descends the steps, as the fountain was design...
Category
Early 17th Century Old Masters Art by Medium: Paper
Materials
Engraving, Etching, Laid Paper
St. John the Baptist in the wilderness , Ecce Agnus Dei (Behold the Lamb of God)
Located in Middletown, NY
Pen and sepia ink and wash on vellum, 8 7/8 x 10 1/2 inches (225 x 267 mm). In very good condition with some modern notations in pencil on the verso, minor cockling, and a 1-inch hor...
Category
Mid-17th Century Old Masters Art by Medium: Paper
Materials
Ink, Watercolor, Vellum, Pencil
Le Coste Nord Ovest Dell' America E Nord Est Dell' Asia Delineate Sulle Ultime O
Located in Bristol, CT
Map Sz: 14 1/2"H x 19 7/8"W
Frame Sz: 21"H x 26 3/8"W
A fine example of Cassini's 1798 map of Alaska, the Bering Strait, and Siberia. Cassini issued this map in his 1798 atlas to illustrate the discoveries made by James Cook. Cook was the first to accurately chart the Alaskan coastline and provide a detailed mapping of the Aleutian Islands. Cook's zigzagging route is shown as he skirts the Aleutian Islands, passes through the Bering Strait into the Arctic Ocean, and then turns back to sail south along the Siberian Coast. Here the Aleutians are collectively identified as Isole Alessiane, though many of the original islands...
Category
1790s Art by Medium: Paper
Materials
Paper
Fountains of Rome; Fontana e castello dell'Acqua
Located in Middletown, NY
Rome: Giovanni Giacomo De Rossi, 1625.
Etching and engraving on cream laid paper, 8 3/8 x 11 1/4 inches (222 x 286 mm), full margins. In good condition with some light yellow discol...
Category
Early 17th Century Old Masters Art by Medium: Paper
Materials
Laid Paper, Engraving, Etching
HOMANN, Johann Baptist (1663-1724) Nova Anglia. Septentrionali Americæ implantat
Located in Bristol, CT
Map Sz: 18 3/4"H x 22 5/8"W
Frame Sz: 27 1/2"H x 31"W
Nuremberg: Homann Heirs, [circa 1740]. Copper-engraved map, with full original colour.
A highly fascinating and attractive ma...
Category
1740s Art by Medium: Paper
Materials
Paper
Carolus de Mallery, by Lucas Vorsetman the Elder after van Dyck
Located in Middletown, NY
An exalted portrait of fellow Flemish engraver and publisher Karel van Mallery.
Lucas Vorsterman the Elder (after Anthony van Dyck).
Carolus de Mallery, from Icones Principum Viror...
Category
Mid-17th Century Old Masters Art by Medium: Paper
Materials
Laid Paper, Engraving, Etching
Paper art for sale on 1stDibs.
Find a wide variety of authentic Paper art available on 1stDibs. While artists have worked in this medium across a range of time periods, art made with this material during the 21st Century is especially popular. If you’re looking to add art created with this material to introduce a provocative pop of color and texture to an otherwise neutral space in your home, the works available on 1stDibs include elements of blue, orange, purple, red and other colors. There are many well-known artists whose body of work includes ceramic sculptures. Popular artists on 1stDibs associated with pieces like this include Stefanie Schneider, Tyler Shields, Richard Heeps, and Kirsten Thys van den Audenaerde. Frequently made by artists working in the Contemporary, Abstract, all of these pieces for sale are unique and many will draw the attention of guests in your home. Not every interior allows for large Paper art, so small editions measuring 0.01 inches across are also available
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