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Alexandra Rozenman"The Family", Landscape, Cat, Bird, Dragon, Blue, Watercolor, Collage, 20202020
2020
$500
£380.14
€438.69
CA$699.87
A$783.66
CHF 408.88
MX$9,548.36
NOK 5,188.35
SEK 4,932.74
DKK 3,274.56
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About the Item
Alexandra Rozeman’s “The Family (everything is temporary)” is 12 x 9 inches watercolor-collage on paper. Three playful figures are made out of painted and patterned paper. A whimsical bird, a cat with wings and a dragon with rabbit ears are in motion inside the picture. Warm greys and soft light blues give us a feeling of a very large and open landscape. 12 x 9 inches this piece is signed and titled on the back and initialed on the front.
This piece is one from Rozeman’s collage series with an idea of taking something apart and bringing it back together. Rozenman creates colored paper but also uses old watercolors and drawings as one of her materials.
Alexandra Rozenman immigrated to America from the Soviet Union in 1989. Russian, European and American myths of national destiny and private identity take on a utopian dimension as she absorbs and expresses the psychology of otherness as fundamental aspects of her own identity. She wants her art to be like a well-worn military wool blanket that gives you warmth, love, and history. The artist states. Whatever degree of abstraction defines my thinking and visual self-identification it has all to do with the search for my own image in a great existential sea of sweeping change. Rozenman is represented by Fountain Street Gallery based in Boston, MA.
- Creator:Alexandra Rozenman (1971, Russian, Jewish)
- Creation Year:2020
- Dimensions:Height: 12 in (30.48 cm)Width: 9 in (22.86 cm)
- Medium:
- Movement & Style:
- Period:
- Condition:
- Gallery Location:Natick, MA
- Reference Number:Seller: Rozenman_The Family1stDibs: LU50036638752
Alexandra Rozenman
Alexandra Rozenman immigrated to America from the Soviet Union in 1989. Russian, European and American myths of national destiny and private identity take on a utopian dimension as she absorbs and expresses the psychology of otherness as fundamental aspects of her own identity. She wants her art to be like a well-worn military wool blanket that gives you warmth, love, and history. The artist states. Whatever degree of abstraction defines my thinking and visual self-identification it has all to do with the search for my own image in a great existential sea of sweeping change. Rozenman is represented by Fountain Street Gallery in Boston, MA.
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