Miniature Mixed Media

Dimensions w/Frame: 10" x 7 1/2" x 1 1/2" A George F. Welch Abstract Copper Enamel Wall Art Plaque Inscribed signature on the lower right of the plaqu...

Plastic Jesus is a Los Angeles based street artist that specializes in bold stencil and installation work, inspired by world news events, society, the urban environment, culture and ...

Hand cut paper

Plastic Jesus is a Los Angeles based street artist that specializes in bold stencil and installation work, inspired by world news events, society, the urban environment, culture and ...

Nick Knight vinyl record art 2007: Off-set print on vinyl record. Unsigned. Measure: 12 x 12 inches Excellent condition Published by Visionaire Fashion, 2...

Tom Binger "Head IV" Medium: Mixed Media Year: 2018, Signed Size: 14.5 x 10.25 x 2 inches Tom Binger finds it interesting that during a time in which the internet is quickly becomin...

7542 is an artwork made by the Italian artist  Renato Spagnoli  (Livorno, 1928-Livorno, 2019) in 1975. Mixed media Hand signed, titled and dated on the back

"A Very Confusing Game I" is an original piece by NDA made from collaged mixed media mounted to panel. This piece measures 16”h x 12”w and is signed en verso. NDA is a public and g...

"All Parts of the Animal" is an original piece by NDA made from collaged acrylic canvas mounted to panel. This piece measures 12"h x 16"w. NDA is a public and gallery artist based o...

‘I have been working on eggshells since I was 8 years old, learning the traditional Ukrainian art of pysanky from my mother. This artistic and cultic use of eggs informs my work to t...

The Castle and the Garden is a very beautiful mixed media drawing, pastel and watercolor, realized by Jean Fou (20th century). The artwork is in good conditions. Hand-signed by th...

Gloria Dudfield Leaning in Chair 1960's Gouache and Charcoal on Paper 11.75"x17.75" unframed. Gloria (Fischer) Dudfield July 12, 1922 – May 27, 2015 Came from a portfolio of her wor...

Paula Valenzuela Spiral of Energy, 2025 Watercolor, alcohol ink and crayon on paper 14 x 10 inches This one-of-a-kind work on paper comes unframed and ships in a tube. Paula Valenz...

The goat plays a strange role in mythology and legend; perhaps its ambivalence, appearing on both sides of the spectrum, give it the appeal it enjoys. Most ancient cultures from the Assyrians via the ancient Greeks and Vikings have a goat appear in their legends. Berlin’s goat skulls...

This small abstract vessel by Connecticut-based ceramicist, Jon Puzzuoli, is made with glazed ceramic and 18k gold luster. The bottom, matte white base of the vessel is exposed under...

May Wilson (1905–1986) was an American artist and figure in the 1960s New York City avant-garde art world. A pioneer of the feminist and mail art movement, she is best known for her Surrealist junk assemblages and her "Ridiculous Portrait" photo collages. Wilson was born in Baltimore, Maryland, into an underprivileged family. Her father died when she was young. She was reared by her Irish Catholic mother, who sewed piecework at home. Wilson left school after the ninth grade to become a stenographer/secretary to help support her family. When she turned 20, she married a young lawyer, William S. Wilson, Jr., and give birth to her first child. She continued to work until the birth of her second child, after which she devoted her energies primarily to mothering and homemaking. In 1942, the couple had prospered enough to move to Towson, Maryland, where she began to take correspondence courses in art and art history from several schools, including the University of Chicago. In 1948, after the marriage of their daughter, the couple moved to a gentleman's farm north of Towson, where she pursued painting and gave private art lessons to neighbors. She exhibited her paintings, scenes of everyday life painted in a flat, purposefully primitive manner in local galleries and restaurants. In 1952 and 1958, she won awards for work submitted to juried exhibitions at the Baltimore Museum of Art. In 1956, her son, the writer Williams S. Wilson, gave to Ray Johnson, the founder of the New York Correspondence School, his mother's address. This began a friendship and artistic collaboration between Johnson and Wilson, which would last the remainder of her life. Wilson became an integral part of Johnson's mail art circle and was initiated into the New York avant-garde through letters and small works that she exchanged with Robert Watts, George Brecht, Ad Reinhardt, Leonard Cohen, Arman, and many others. When her marriage dissolved, she moved to New York City in the spring of 1966, aged 61, taking up residence first in the Chelsea Hotel and then in a studio next door, where she threw legendary soirées and became known as the "Grandma Moses of the Underground". By the time she arrived, Wilson was already working with photomontage collage techniques. Encouraged by Johnson, who had sent her magazines through the mail, she scissored patterns into images of pin-up girls and muscle men until they resembled doilies or snowflakes, as Wilson called them. She decorated her hotel room and later her studio on West 23rd Street with these and other manipulated, found object images. Around this time, she also began her series of neo Dada "Ridiculous Portraits", for which she would ride the subway to Times Square, where she made exaggerated faces in photo booths. She then would cut and paste her photo-booth face onto postcards, along with Old Master reproductions, fashion shoots, and softcore Playboy magazine pornography. Long before artists such as Cindy Sherman and Yasumasa Morimura embarked on similar critical projects, Wilson's "Ridiculous Portraits" sent up the ubiquitous sexism and ageism that exists in popular and fine-art images of women. At the age of 70, she converted a nude photograph of herself into a stamp that she pasted on envelopes. Her collages and humorous self-portraits were made as gifts and mail-art items for her friends and were not widely known until after her death. Her work was contemporaneous with the Arte Povera artists Jannis Kounellis and ‎Michelangelo Pistoletto. She was also an innovator of junk art assemblages that incorporated real objects, such as high-heel shoes, bed sheets, sauce pans, toasters, liquor bottles, ice trays, and wrapped baby dolls. Her sculptures were inspired by Surrealist and Dada practices and are similar in spirit to Yayoi Kusama's contemporary accumulations. Wilson was the subject of a 1969 experimental documentary by Amalie R. Rothschild, "Woo Hoo? May Wilson". Since her death, May Wilson's work has been featured in numerous exhibitions and retrospectives at the Baltimore Museum of Art, Maryland; Gracie Mansion Gallery, New York; the Morris Museum, Morristown, N.J.; the Pavel Zoubok Gallery, New York City; and The University of the Arts, Philadelphia. Selected Exhibitions 2010 "Seductive Subversion: Women Pop Artists, 1958-1968", University of the Arts, Philadelphia (traveling exhibition) 2008 "1968/2008: The Culture of Collage", Pavel Zoubok Gallery, New York, City 2008 "Ridiculous Portrait: The Art of May Wilson", Morris Museum, Morristown, New Jersey 2008 "Woo Who? May Wilson", Pavel Zoubok Gallery, New York City 1995 [Retrospective], The Baltimore Museum of Art, Maryland 2001 "May Wilson: Ridiculous Portraits and Snowflakes", Gracie Mansion Gallery, New York, City 2001 "Inside Out: Outside In-The Correspondence of Ray Johnson and May Wilson", Sonoma Museum of Visual Art, California 1991 "May Wilson: The New York Years", Gracie Mansion Gallery, New York City 1973 "Sneakers", Kornblee Gallery, New York City 1973 "Small Works: Selections from the Richard Brown Baker Collection of Contemporary Art", RISD Museum, Providence, Rhode Island 1971 Corcoran Gallery of Art, Washington, D.C. 1970 "Sculpture Annual 1970", Whitney Museum of American Art, New York City 1965 The Baltimore Museum of Art, Baltimore, Maryland 1962 The Johns Hopkins University, Baltimore, Maryland 1957 Bookshop Gallery, Baltimore, Maryland Public collections Whitney Museum of American Art (New York City) The Baltimore Museum of Art (Baltimore, Maryland) Brooklyn Museum (Brooklyn, New York) References William S. Wilson, "May Wilson: Constructing Woman (1905-1986)", in Ann Aptaker, ed., Ridiculous Portrait: The Art of May Wilson, ed. Ann Aptaker, Morristown, N.J.: Morris Museum, Camhi, Leslie, "Late Bloomer", Village Voice, December 18, 2001 Giles, Gretchen, "Cosmic Litterers: Artists Ray Johnson and May Wilson: Taking the Cake", "Northern California Bohemian," June 14–20, 2001 McCarthy, Gerard, "May Wilson: Homespun Rebel", Art in America, vol. 96, no. 8, September 2008, pp. 142–47 Sachs, Sid and Kalliopi Minioudaki, Seductive Subversion: Women Pop Artists, 1958-1968. Philadelphia: The University of the Arts, 2010, ISBN 978-0789210654 Wilson, William S. Art is a Jealous Lover: May Wilson: 1905-1986, andy warhol...

John Peters 1927-2019 "Golden Statue" 2005 Collage on board 7"x9" Came from a portfolio of the artist's work

Ana Hefco's (Miami based) "I Was Here" is an original, handmade mixed media painting made with layered resin that depicts a shore with bright blue water and shiny golden sand and roc...

Ana Hefco's (Miami based) "On The Beach" is an original, handmade mixed media painting made with layered resin that depicts a shore with bright blue water and shiny golden sand and r...

Ana Hefco's (Miami based) "I Wish I was There" is an original, handmade mixed media painting made with layered resin that depicts a shore with bright blue water and shiny golden sand...

Eva Ennist, a mixed media and fiber artist, travels extensively through the Far East, gathering materials and techniques for her practice. The sculpture "NESTING LOTUS #3" is a prime...

Jo Yarrington has always been interested in chance and the found {moment, object, person}. How random experiences click in to place, form a narrative, reveal a truth. All the work ...

Depeche Mode Giant 3D Vintage Button - Hand made giant 3D vintage button by British artist, Tony Dennis, AKA Tapedeck Art Artwork printed onto vinyl and wrapped onto a hand spun aluminum button, hand finished, powder coated, epoxy resin to protect, individually aged, polished, hand signed and numbered. * Available in two sizes: Large - 40cm (17 5/8”) diameter Giant - 60cm (23 5/8”) diameter * Limited edition of only 10 made in each size * These 3D button limited editions are taken from Tape Decks...

Colorful abstract contemporary circular painting by Houston, TX artist David Hardaker. Signed, titled, and dated by the artist on the reverse. Currently on view in "David Hardaker: R...

BLONDIE - Hand made giant 3D vintage button by British artist, Tony Dennis, AKA Tapedeck Art Artwork printed onto vinyl and wrapped onto a hand spun al...

New Design - "Sex, Drugs and The ROLLING STONES" - Hand made giant 3D vintage button by British artist, Tony Dennis, AKA Tapedeck Art Artwork printed onto...

For those not already acquainted: Stephen Gammell, in addition to being a very prolific studio artist, is also a great teller, appreciator, and illustrator of stories. For one so con...

Esther Traugot obscures natural objects within hand-crocheted coverings, in a curious and aesthetically intriguing attempt to preserve nature and prevent its decay. She refers to the...

Title: The Chief Medium: Mixed Media Year: 2018 Signed Size: 16 x 15 x 10.25 inches Tom Binger finds it interesting that during a time in which the internet is quickly becoming the ...

Linda Turner, raised both in NYC and Northern Virginia, resides in Brooklyn, NY. She achieved a BFA in Surface Design/Textile Design from the Fashion Inst...

This is a one of a kind original painting by southern California artist, Kathleen Kane Murrell. Its dimensions are 12" x 12" x 2" (HxWxD). It is acrylic on canvas, Japanese paper, pa...

Fully costumed Harlequin sits before the hot swirling background looking reflective after his performance. With his ceruse coated face he is the archetypal image of our perception of...

Coloured inks and pastel on paper Signed Gestural abstraction Outsider art Artist’s statement : "Painting, for me, is an expressive endeavor in which one depicts the evolution of the various facets of the artistic self. There is, on each canvas, a tension where violence and stillness naturally coexist. By playing with different materials, I seek to establish a sort of unexpected dialogue between these states, and aspire to express this tension through profusion of color. The canvas is the stage that allows me to unite narration with the action of painting the fantastic—even the outrageous---and the everyday. I develop scenarios borrowed from the imagination, which join fantasy, even fables, with the everyday. Pulling threads from each domain, I bring together the mythical and the quotidian, so that the worlds of reality and fantasy merge. I rely on “creatures,” improbable little characters that could exist in some other realm or dimension. They materialize, issuing forth from the surprising, unbelievable and wondrous world of childhood. Human or animal, both find themselves entangled in inextricable and melancholic situations. These inextricable situations create distance; the humor comes through this breach. It is the absurdity of their predicaments that manifests the humor in the work. In each of my paintings, the sentiments are heightened by an intentional, provocative tone that transforms the work. An Otherness is attributed to objects; objects become personified, and by their very presence, they become witnesses or guinea pigs torn between and bound to their dilemma. The titles of my paintings, whether invented or quotations taken out of context, come from literature, theater, or song lyrics. Accident and chance are often major actors in my work.” Emmanuelle Messika BIOGRAPHY : Emmanuelle Messika was born in France in 1979. She works and lives in Paris. STUDIES 1999-2005 École Nationale Supérieure des Beaux-Arts de Paris Diplômée en Juin 2005 2004 Échange universitaire à Hunter College, New York NY, USA 1993-1999 Ateliers des Beaux-Arts de la Ville de Paris, Montparnasse PERSONAL EXHIBITIONS : 2019 Claire Corcia Gallery, Paris 2018 Claire Corcia Gallery, Paris Outsider Art Fair, Paris 2012 Art Contemporain Sèvres, "La Chartreuse", Sèvres 2011 Espace Seven, Galerie De Vos, Paris 2010 Les Trois Baudets, Paris Galerie Mariska Hammoudi, Paris Galerie Crous -Beaux-Arts, Paris L'Apparemment Café, Paris 2009 Espace Rachi, Paris 2008 Galerie Console, Paris 2007 Exposition Place du Québec, Mairie du sixième, Paris 2006 Galerie Eonnet-Dupuis, Paris 2005 Galerie Crous Beaux Arts, Paris 2004 The Mark Bar, "Bring your own flashlight", Brooklin, New York 2003 Le Glaz’art, Paris 2002 9 rue Dauphine, Paris 2001 Galerie Gauche, École des Beaux-Arts, Paris 2000 La grosse caisse, Paris La liberté, Paris GROUP SHOWS 2011 Chic Art Fair, Galerie Mariska Hammoudi Galerie De Vos, Espace Seven 2010 Galerie Mariska Hammoudi, Paris Chic Dessin, avec Cherry Gallery...

Myril Adler "Flare" c.1960s Intaglio etching collage, ink on paper 4.75"x2.75" site unframed Signed and titled in ink Myril Adler, was born on September 22, 1920 in Vitebsk, Russia ...

This work is made up of two photograms on archival quality photographic paper, representing Adam and Eve. Each photogram is 18X 24 cm. A photogram is a photographic image made witho...

Myril Adler Untitled c.1960s Intaglio etching collage, ink on paper 3.75"x1.75" site unframed Signed in ink lower right Myril Adler, was born on September 22, 1920 in Vitebsk, Russi...

Myril Adler Untitled c.1960s Intaglio etching collage, ink on paper 3.75"x1.75" site unframed Signed in ink lower right Myril Adler, was born on September 22, 1920 in Vitebsk, Russi...

Horse race  is an artwork attribuited to Monique Boillat (1933, France).  Work made on paper, placed between two sheets of glass.  21 x 25 cm; Sheet 13 x 6 cm. Very good conditions. 

Sunil Das - Durga 97 - 10 x 8 inches (unframed size) Durga the Third Eye. Mixed Media on Board Inclusive of shipment in ready to hang form. In Indian Mythology the Goddess Durga h...

Limoges porcelain in "Bleu de Sèvres" and gold. Artist: Salvador Dali Exclusive limited edition to 2000 copies "Raynaud & Co. Limoges", France, 1968. "Silhouette de Faust" drawn by...

Part of the Mångata series, "Bubble Gum Pink" is an intimate, minimalist painting meticulously handcrafted on wood using diverse, layered techniques. This artwork combines the raw ma...

keywords; #sinuous, focus on material, sculptural folds, Aldo Chaparro, use of common materials, creased crinkled and wrinkled, angular, abstract sculpture, angular, process-oriented...

Pioneer Activists is an ongoing series of artworks by Suzanne Benton. Consisting largely of monoprints with Chine collé where the artist references suffragists, feminists, writers an...

This small abstract collage painting by Deborah T. Colter is made with mixed media on panel. It features found paper and paint, with a colorful muted palette. The found paper include...

Harlequin On Fire from the studio of Sax Berlin. Vivid colour reflects the face of Harlequin; he gazes back as the fire rages; will he plunge into the inferno...

Nancy Baker Cahill
 Distortions, 2023
 Graphite and Mixed Media
 14 x 11 in; 35.6 x 27.9 cm (unframed) Distortions visualizes multispace in an imagined perceptual blend of human and...

Tulips is a modern artwork realized by Edouard Maubert in 19th Century. Hand colored etching. Includes frame. Good conditions (yellowing of paper).

Jogen Chowdhury Cross Hatch, Pen & Ink on Paper 11 x 10 Inches 28 x 25.4 cm 2016 (Price on request ) Style : He has immense contribution in inspiring young artists of India. J...