Small Mixed Media

A rare eglomisé work by Léon Masson (1911–1987). The piece was crafted in France circa 1940. This captivating mirrored glass panel painting, masterfully executed in the eglomisé tech...

A reproduction of The Book of Hours contains plates on adjacent pages depicting Portrait of René on the left and Nativity (Holy Family) on the right. Sheppard combines these two page...

Keishi paints with the classic Japanese technique called Nihonga - he prepares the paper with gold leaf, then paints on top with mineral pigments, thus creating a special perspective...

Femme à la mandoline by Georges Manzana Pissarro (1871-1961) Mixed media on paper 48 x 31 cm (18 ⁷/₈ x 12 ¹/₄ inches) Signed lower right, manzana. Executed circa 1910 This work is a...

The series Geometric Alphabet is part of my series Geometric Abstract, in which the abstract game is used in the form of asemic writing with geometric shapes. Here Peters recreates h...

Jasper Johns Letter ("one either jumps into the water or doesn't"), 1996 Hand signed letter framed on top of a Time Magazine cover depicting a work by the artist Hand signed by Jasper Johns underneath a typewritten letter by his secretary (JJ/st) Frame Included This listing consists of a typewritten letter, hand signed by Jasper Johns in response to one sent by the present addressee. While we do not see the fan's letter that prompted this response from Johns, it's not too difficult to guess, as Jasper Johns replies, stating, in part, "I wish I felt I could advise you but I can't. One either jumps in the water or doesn't. There doesn't seem to be any in-between." No truer words could have been spoken regarding the artist's life. Underneath this letter, is a vintage Time Magazine cover, presumably from the same year, depicting a Jasper Johns Flag...

This is a beautiful patchwork piece by Zita Chocarro. Her exploration of color plays with form and contrast, as the intersection of the shapes she uses masterfully come together to ...

Lovely work from the artist.

Lovely work from the artist.

Beth Shields is a distinguished abstract artist whose work has captivated collectors and audiences worldwide. Based in Santa Cruz, California, Beth has dedicated her life to artistic...

Author: Tang Chenghua Title:Series The Exotic Landscape No.22-7 Date: 2022 Medium: Mixed Media Dimension: 49 x55 cm About Tang Chenghua Tang Che...

This artwork is dedicated to the moment of wheat blossoming — one of the most vital plants that feeds humanity. The green spikes unfolding in shades of white and yellow symbolize ren...

Xiao Wen Xu is a Chinese-born Canadian artist based in Toronto, Canada, Her artistic practice is deeply influenced by her profound appreciation for the natural world. In her series, ...

Alexandra Chiou says of her work… My latest series is about the transformative journey of healing after personal loss. I draw on nature and memory to create dimensional works on pap...

This artwork titled In "My Heart Feel the Embrace of Sacred Feeling, Goethe 19C II" is a mixed media (Acrylic paint and collage) on wood panel by California artist Millicent Thomkins...

This year, 2024, the artist Ruth Vidal (1998, Isla de Arousa) launches her latest research into painting and games. These works are based on the references that the artist draws from...

Italian artist Fabio Coruzzi merges painting and photography into one imaginative image that offers a new outlook on an otherwise ordinary urban scene. His artworks represent an authenticity unlike any other: layered, textural, controversial, open to imagination, colorful, personal, and inspiring. Coruzzi’s work encapsulates not only urban environments, but the inhabitants as well. Irony is laced between figures drawn with an energetic architectural hand. His work is colorful, funny, and biting through resolutely rendered vignettes of people and places. Coruzzi used acrylic paint and spray paint to create this one-of-a-kind original artwork on paper. This colorful 16-inch high by 20-inch wide artwork is framed in a white wood frame. Size and price include frame. This artwork is signed on the front. Convenient local Los Angeles shipping. Affordable Continental U.S. and worldwide shipping also available. A certificate of authenticity issued by the art gallery is included. Fabio Coruzzi was born in Foggia, Italy in 1975, and now resides in Southern California, USA. Remarking on his work in conjunction with his perspective on urban environments, Fabio states: "I wish that each painting I make should be like a poem of the place where I've been. I wish to become a poet of our time, like somebody would tell: "I've been there", but telling that my way, telling the audience that, no matter where we are, in a boulevard or in a restaurant, each single place is like an empty box that needs to be filled with the intense energy of our existence. Each place leaves a mark, like a scar, inside us. I wish that scar becomes poetry." Winner of the 2021 ENEGANART Prize, Coruzzi's work has been widely collected and exhibited internationally, with great acclaim for his faithfully candid approach to city life and human idiosyncrasy: "It’s a melting pot of different gestures, different perspectives. Mixed media mold together these different perspectives, creating the urban environment. Contemporary culture is made of controversy: modernity includes ugliness, imperfection, and contamination, anything that creates texture." REPRESENTATION Artspace Warehouse, Los Angeles, CA, USA EXHIBITIONS 2023 Solo show, Fabio Coruzzi: Statements, Artspace Warehouse, Los Angeles, CA 2022 “Breakthrough Artists of the Affordable Art Scene”, Artspace Warehouse, Los Angeles, CA 2021 Palazzo Strozzi, Firenze, Italy Artspace Warehouse, Los Angeles, CA 2020 LA Art Show – Los Angeles, CA 2019 Artspace Warehouse – Los Angeles 2017 AAF New York, NY 2016 Topography of Life – Artspace Warehouse – Los Angeles New York Affordable Art Fair – New York 2015 New York Affordable Art Fair – New York 2015 Pop Art Shakeup – Artspace Warehouse – Los Angeles 2014 Why War? – The Freud Museum – London Affordable Art Fair Hampstead – London Papergirl Belfast - PS2 House - Belfast Affordable Art Fair Battersea, London – Bicha Gallery London Art Fair – Bicha Gallery 2013 AAF Singapore – Bicha Gallery Sound Sight Exhibition – Shaw Gallery, Trinity School – London Affordable Art Fair Battersea – Bicha Gallery Cityscapes – Medici Gallery – London Affordable Art Fair Stockholm – represented by Bicha Gallery Not A Drop – 4749 Tanner Street Gallery – London Going Underground - Shoreditch Town Hall...

Robin Winters (American, born 1950), Untitled (Red Face) from "Cherry Block Series" 1986, monotype, pencil signed and dated lower right, plate: 6"h x 8.5"w, overall (with frame): 22.25"h x 18.25"w. Provenance: Property from a Private Collection, San Francisco. Winters was invited to make monotypes at Experimental Workshop in San Francisco, (they printed Richard Bosman, Sam Francis, Claire Falkenstein, Deborah Oropallo and Kenneth Noland and many more greats). Winters chose to paint on wood blocks rather than the more usual metal plates in order to capture the organic quality of the natural material. He exploited a salient characteristic of the monoprint in Ghost Story by adding new painted elements onto the increasingly faint ghost images that result from successive impressions from a single block. In so doing he achieved the effect of transparent layers of color and shadow imagery. Winters's brightly-colored monotypes portray an array of figures and landscapes (and an occasional still-life) that, although can be seen in the context of a general trend away from abstraction that has marked the 1980s, defy strict stylistic categorization. They are neither realistic nor abstract, psychological self-examinations nor narrative fictions, but they contain elements of all of these approaches. Like Jonathan Borofsky, Winters derives much of his subject matter from dreams, believing that through his private fears and obsessions he can touch similar emotions in others. Although at first glance Winters's images look as if they could have been made by a child, closer attention reveals sly art historical references to Jackson Pollock and Pattern Painting (the drip and splatter backgrounds), Mark Rothko (the three-part horizontal compositions) and Minimalism (the gridded Cherry Block Series: Bread Beat). Robin Winters (born 1950 in Benicia, California) is an American conceptual, multi-disciplinary, artist and teacher based in New York. Winters is known for creating solo exhibitions containing an interactive durational performance component to his installations, sometimes lasting up to two months. Winters first emerged in the burgeoning Soho NYC art scene of the 1970s. An early practitioner of the Relational Aesthetics (social interaction as an art medium) Winters also created in works through sculpture, installation, performance, painting, drawing and prints. His art maintains a whimsical spirit, and he often returns to ongoing themes involving faces, boats, cars, bottles, hats and jesters or fools. Winters has incorporated such devices as blind dates, double dates, dinners, fortune telling, and free consultation in his performances. Throughout his career he has engaged in a wide variety of media, such as performance art, film, video, writing prose and poetry, photography, installation art, printmaking, drawing, painting, ceramic sculpture, bronze sculpture, and glassblowing. Winters was born in Benicia, California in 1950 to lawyer parents. As a child his hobby was collecting glass bottles found on the beach and under old buildings, which would later influence him as an artist. In 1968, Winters had his first durational performance, entitled Norman Thomas Travelling Museum. The artist drove a Volkswagen bus decorated in collage, many of the images relating to current events and politics. Inside was what the artist described as a “reliquary” containing many objects, including a bottle collection. Winters took the van to shopping centers and even as far as Mexico. That same year, Winters opted not to register for the military draft. Although he was deemed fit to serve, Winters refused. In 1975 the resulting legal proceedings finally came to a close after it was proven that the artist had been harassed by the local draft board. In his teens and early twenties, Winters became acquainted with several local artists who helped shape his aesthetic, most notably Manuel Neri and Robert Arneson. By the early 1970s, Winters was studying at the San Francisco Art Institute (SFAI) and had relocated to San Francisco. At this time Winters became friends with the Bay Area conceptual artists Terry Fox and Howard Fried, and participated in several of Fried's performance works. In 1972 Winters was accepted into the Whitney Independent Study Program in New York City. After coming to New York City, Winters helped support himself by working for various artists, among them the performance artist Joan...

Introducing the latest creation from Lebanese American artist Sally K, a mesmerizing series of embellished mixed media artworks that redefine the boundaries between art and beauty. S...

Complete title: Autorretrato Dentro del Origen del Deseo (The Origin of Desire - Self-Potrait Inside of the Desire's Origin) Mari Ito was born in Tokyo, Japan in 1980. She majored i...

Blurring the distinction between figure and abstract settings, Swiss artist Edith Konrad’s spectral forms—human in shape—inhabit muted abstract environm...

Experimentation with different materials, textures and techniques in each of his paintings has been a point of discovery and a major part of Raul de la Torre’s artwork. In his Fils I...

Ralph Arnold, 'Cascade', mixed media: acrylic, pencil, conté crayon, marker, oil; 1986-88. Signed 'Arnold' and dated '86-88' in pencil, lower right. A fin...

Italian artist Fabio Coruzzi merges painting and photography into one imaginative image that offers a new outlook on an otherwise ordinary urban scene. His artworks represent an auth...

Mary Baumeister Studio Leftover Fetich, 1953, 1967 Unique Mixed Media 3-D Assemblage Ink Signed, dated, titled, annotated "Edition Original" and numbered 52/75. Shadow box frame Incl...

French mid 20th century Montparnasse style picture frame Wood and plaster Internal measurement (to house painting or mirror): 18 x 13 inches Overal outer measurements: 24 x 19 inches Provenance: from a collection in Paris Condition: all old picture frames...

Nancy Cohen Weighted, 2025 paper pulp and handmade paper 24 x 10 in. (coh114)

Metamorphosis I is the first piece in Kiva Ford's "Metamorphosis" series exploring the life cycles of various animals. Drawing from his training as a scientific glassblower, Ford e...

Original Alexander McVickar acrylic & mixed media collage painting.

This is an Patrick Guyton “Goldie With Red Chop” Painting Original. In good condition. Measures 19x19. I have 2 of these one is brand new and that one i...

By using mixed media and expressive sketching techniques the artist Maris Abilevs manages to convey the atmosphere of intimacy, eroticism and arousal

Summer Lawn (Elegant Collage of Three Female Figures Playing Croquet) by Olan Quattro 2025, gouache, paper, and acrylic on wood panel, 24 x 18 inches Olan Quattro's subtle and sophi...

After Blue Eyes, 2021 by a.muse is 24" x 18" x 3/16” acrylic and oil stick painting on canvas mounted on archival board. The work is signed, titled,...

Barcelona native artist Raul de la Torre's vibrant abstract mixed media artworks pay homage to textiles. De La Torre allows the materials to take over during the process and collabor...

"ART DISEASE Pillsbox" Acrylic, glass, Capsules 24x18x2" - (wall hanging or lays flat)

With cultural icons and world events acting as inspiration, artist Soren Grau strives to communicate meaning through figures and colors. He paints in a stre...

Pioneering female abstract artist Elsie Driggs paints stylized abstract organic forms in a warm palette of orange browns and tope. She merges abstraction with some figuration. A structured face composed of lines and tone emerges from an orange background. It's 1939, and even though Driggs is not well known, she is preceding many of the marquee names of abstraction by a decade. Although under the radar, this is a major work and is titled on the back stretcher is " Egyptian Gothic." It features the artist's inventiveness with her fine pencil lines incorporated in flat washes of color and collage elements. Signed lower right and inscribed on frame verso with title, artist and the date of 1939. Provenance, Christie's, Freemans. Framed under glass.. Elsie Driggs (1898 – July 12, 1992 in New York City) was an American painter known for her contributions to Precisionism, America's one indigenous modern-art movement before Abstract Expressionism, and for her later floral and figurative watercolors, pastels, and oils. She was the only female participant in the Precisionist movement, which in the 1920s and 1930s took a Cubist-inspired approach to painting the skyscrapers and factories that had come to define the new American landscape. Her works are in the collection of the Whitney Museum of American Art, the Houston Museum of the Fine Arts, the Fine Arts Museums of San Francisco, the James A. Michener Art Museum in Pennsylvania, and the Columbus Museum of Art, among others. She was married to the American abstract artist Lee Gatch. Career Born in Hartford, Connecticut, Driggs grew up in New Rochelle, a suburb of New York City, in a family that was supportive of her artistic interests. After a summer spent painting with her sister in New Mexico in her late teens, she felt she had found her life's calling. At twenty, she enrolled in classes at the Art Students League of New York, where she studied under George Luks and Maurice Sterne, both of whom were charismatic, inspirational figures in her early life. She also attended the evening criticism classes held at the home of painter John Sloan. Driggs spent fourteen months in Europe from late 1922 to early 1924, drawing and studying Italian art. There she met Leo Stein, first in Paris and later in Florence, who became an important intellectual influence, and who urged her to study Cézanne. He also introduced her to the works of Piero della Francesca, the Renaissance artist for whom she felt throughout her life the greatest admiration.[1] Driggs eventually settled in New York City, where she found representation with the progressive Charles Daniel Gallery.[2] (Advised that the old-fashioned and misogynistic Daniel would be unlikely to take on a woman artist, she signed the works she left for his consideration simply "Driggs" and waited to meet him in person until he had expressed his eagerness to include her in his gallery.)[3] In sympathy with those artists Daniel represented who were part of the burgeoning Precisionist movement, such as Charles Demuth, Charles Sheeler, George Ault, Niles Spencer, and Preston Dickinson, she too painted "the modern landscape of factories, bridges, and skyscrapers with geometric precision and almost abstract spareness."Impressionism and academic or Ashcan realism represented the past, in Driggs' view, and she intended to be resolutely modern. She was an attractive and engaging woman, but her demeanor belied a strong ambition and a clear sense of what it would take to make her mark in the New York art world. Driggs was part of the pre-eminent first group of Precisionist painters, including Demuth and Sheeler, who exhibited at the Daniel Gallery in the 1920s. Although a later group of Precisionist painters, including Louis Lozowick, Ralston Crawford and others, came on the American Art scene during the 1930s, Driggs felt that the style came to an end with the 1929 stock market crash.[5] In 1926 she painted her most famous work, Pittsburgh, a dark and brooding picture now in the permanent collection of the Whitney Museum of American Art, which depicts the gargantuan smokestacks of the Jones & Laughlin steel mills in Pittsburgh. Its focus is an overpowering mass of black and gray smokestacks, thick piping, and crisscrossing wires with only clouds of smoke to relieve the severity of the image, yet it was an image in which she found an ironic beauty. She called the picture "my El Greco" and expressed surprise that viewers in later years interpreted the painting as a work of social criticism. Like the other Precisionists (e.g., Demuth, Charles Sheeler, Louis Lozowick, Stefan Hirsch), she was concerned with applying modernist techniques to renderings of the new industrial and urban landscape, not in commenting on potential dangers the overly mechanized modern world of 1920s America might present. If anything, Precisionism, like Futurism, was a celebration of man-made energy and technology. One year later, she painted Blast Furnaces, in a similar vein. As noted above, Piero della Francesca's mural depicting "The Story of the True Cross" in Arezzo, with its tubular, static and frozen forms was the major influence on Driggs' "Pittsburgh" (it may have been the major influence for "Blast Furnaces" as well).[7] After Pittsburgh, Driggs' most acclaimed work was probably Queensborough Bridge...

Artist Len Klikunas paints to modify experienced reality through visual perception. Klikunas focuses on the larger idea behind his original abstract minimalist artworks. The work is ...

As a child, Ryan Van Der Hout owned a telescope and was fascinated by the sight of the moon in the night sky. This iconic image of the moon as viewed from earth is re-imagined when V...

Cambre 7-21 Bronze and Vermont slate 21" (height) x 14.5" (width) x 4.5" (depth) Stone and metal, usually granite or slate, and found object steel are central in my sculpture. The i...

Fallen Angel, 2019 collage on paper 15 3/4 H x 11 13/16 W in. 40 H x 30 W cm The artist’s collages describe a series of characters composed of different materials – cardboards, text...

The surfaces Susan Washington works with are derived from her memories of the graffitied subway car, public telephone booths, and rolling steel cages that secure neighborhood stores ...

As a uniform of toil, a symbol of status, or a protective accessory, the bandana is an archetype of Americana. Western heroes like John Wayne wore them around their necks in a flouri...

This series of works by the Danish artist Peter Kramer (Roskilde, 1959) with numerous exhibitions between Spain and Denmark are entitled "365 urns", in which the artist works with ti...

Inspired by contemporary fashion, Nilraya Bundasak’s colorful textile paintings celebrate adornment and individuality through the application of fabric and embroidery to canvases of re-purposed materials. Inspired by the beauty and uniqueness that fashion offers, as well as the emotional dynamism of femininity, she creates large-scale works resplendent with bright luxurious fabrics and detailed stitching. This one-of-a-kind textile art...

Los Angeles street artist Gary John exploded onto the international art scene during the Art Basel Miami art fair in 2013. John’s playfully bold work quickly gained attention and he was named one of 20 standout artists at the 2014 NY Affordable Art Fair. His works have been represented by Artspace Warehouse since 2013. His contemporary artworks continue to be exhibited at major international art fairs in the United States, Asia and Europe, including Los Angeles, New York, London, Singapore and Hong Kong. Celebrities and major art collectors worldwide have acquired his timeless artworks, which have seen a significant increase in value. This original artwork is 23 inches high by 22 inches wide, and is a pop art composition painted onto newspaper featuring a Batman robot toy...

Artist Len Klikunas paints to modify experienced reality through visual perception. Klikunas focuses on the larger idea behind his original abstract minimalist artworks. The work is ...

Signed "Chwast" in Pencil Lower Right "Jekyll Becomes Hyde." Original illustration for a German edition of Robert Louis Stevenson's Strange Case of Dr. Jekyll and Mr. Hyde, (Frankfu...

Mary Spain (American, 1934-1983) Man with Feather in His Cap Mixed media Signed lower right, signed and titled verso 11.5 x 7.75 inches 19.25 x 15.25 inches, framed Set in a realm o...

Textured Abstract Expressionist Composition in Acrylic on Board Textured and detailed abstract composition by Loretta Burton Youngman (American, b. 1943). Red and charcoal blue patc...

Laura Bidwa I Can Hear the Key, 2020 oil and latex paints on panel 22 x 17 in (Bid009) Bidwa’s recent paintings are composed of layers of oil, latex, and spray paints on panels that...

"Lath Study II" is an original wood, joint compound, and white paint sculpture by Seth Clark measuring 24”h x 24”w x 2.75”d. This piece ships ready-to-hang framed as pictured. "My ...

Xiao Wen Xu is a Chinese-born Canadian artist based in Toronto, Canada, Her artistic practice is deeply influenced by her profound appreciation for the nat...

Rodrigo Franzão is a Brazilian contemporary artist renowned for his innovative exploration of textile and mixed media art. With a background in Literature, Arts, and Art History, Fra...

Fonfria's work explores human behavior and social rules with a critical eye and humor, touching on personal themes such as dreams, fears, and memories. The images come from old magaz...