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Barbara d'Antuono
False pretext on red background Barbara d'Antuono Contemporary textile art Haiti

2024

$5,590.52
£4,234.95
€4,800
CA$7,744.91
A$8,686.44
CHF 4,548.95
MX$105,548.66
NOK 57,764.07
SEK 54,764.40
DKK 36,546.08

About the Item

Textile painting hand-embroidered Unique work Hand-signed and dated lower left by the artist “I sew like some people recite mantras. I don't decide anything in advance. Images emerge, without any particular coherence with each other, but they are there and I feel an urgency to give them substance. Sew, suture, close these wounds, graft one fabric onto another, but also “embroider” to give meaning, to sometimes testify to my deep desire to bring together the two cultures that inhabit me. Human tissue, psychic tissue, where the back and forth of the needle digs holes/empties through which my demons escape. Damaged, torn tissues... and my attempts to join the edges hollowed out by this gap which continues to open: the fault of being... hemostasis impossible in all cases" explains Barbara d'Antuono. Barbara d'Antuono is now exhibited at the Quai Branly Museum in Paris in the exhibition "Zombis".
  • Creator:
    Barbara d'Antuono (1961, Corsican)
  • Creation Year:
    2024
  • Dimensions:
    Height: 25.6 in (65 cm)Width: 31.89 in (81 cm)Depth: 1.97 in (5 cm)
  • Medium:
  • Movement & Style:
  • Period:
  • Condition:
  • Gallery Location:
    Paris, FR
  • Reference Number:
    1stDibs: LU1034115724572

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Kopel's 12-year-old sister Chava was turned over to the Germans by a Polish family and murdered. The brothers were arrested by the Germans, but were saved thanks to the connections of Nina Gerstein, Kopel's drama teacher. They hid in an attic until they were discovered, fled and moved to Riga, where they were caught and sent to the Stutthof concentration camp where they were imprisoned until the end of the war. They were put to work maintaining and cleaning trains and took part in one of the death marches. In July 1946, Kopel and Moshe sailed to Helsingborg, Sweden, as part of operation "Folke Bernadotte", in which Sweden took in ill survivors for rehabilitation. Once he recovered, Kopel worked in a publishing house and later was appointed director of the local branch of the Halutz movement. In 1950 Kopel and Moshe made aliyah to Israel. Kopel worked as a survey for the Survey of Israel Company. In 1951, he enlisted to the Communication Corps and served as a military draftsman. 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Two years later he won three other awards: First and third prize for designing a poster for Israel Independence Day, celebrating 12 years of the State of Israel. Also that year Kopel won first prize for a poster to mark the 25th Zionist Congress. In 1964 he entered the Independence Day poster competition on the theme of aliyah and won first and second prize. Four years later he again entered the competition on the theme of 20 years of Israel's independence and won first prize. The poster was styled like a Holy Ark curtain with two lions and a menorah at its centre. This poster appeared on the cover of the famous book Jewish Art and Civilization, edited by Geoffrey Wigoder as well as the record Voices of 20 Years, 1948-1968, edited by Yossi Godard. In April 1971 he won first prize in the Independence Day poster competition for the fourth time. 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