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Christine SoBlue on Blue (Single 36 x 36 inch monotype collage mounted on wood panel)2020
2020
$2,000
£1,526.99
€1,764.42
CA$2,807.62
A$3,129.39
CHF 1,641.88
MX$38,214.91
NOK 20,789.79
SEK 19,649.52
DKK 13,168.67
About the Item
This collage on wooden panel was made by cutting up and reassembling hand-printed botanical cyanotypes (blueprints or sunprints) of leaves from my own garden. While cyanotypes are traditionally a dark blue and crisp white, I double-exposed the prints used here to have only shades of blue. Every inch of the cyanotype papers was exposed to light for a certain amount of time, causing each area to turn a different shade of blue.
I am a longtime fan of Japanese Shibori, all types of west African indigo dying techniques and Indian block-printed fabrics. I did not use a printing press to make my collage prints but rather sunlight and 19th century photographic chemicals, but I try to achieve some of the same effects.
There is a slim 1/4 inch white painted wood border of the wood panel when viewed from the front.The 1.5 inch deep wooden sides of the panel are painted a bright white making it unnecessary to frame this piece.
- Creator:Christine So (1970, American)
- Creation Year:2020
- Dimensions:Height: 36 in (91.44 cm)Width: 36 in (91.44 cm)Depth: 1.5 in (3.81 cm)
- Medium:
- Movement & Style:
- Period:
- Condition:
- Gallery Location:Oakland, CA
- Reference Number:1stDibs: LU2737216480152
Christine So is an American printmaker, photographer and painter living in the hills across the bay from her hometown, San Francisco. She is best known for her blue and white cyanotype photographs of forests shrouded in fog. The Foggy Woods series is ever-growing as the artist continually hikes these hills which are often foggy at dawn. She explores radically different ways to use this antique photographic medium with and without out a camera. At times her blue prints look like screen prints. At others like abstract watercolors. Besides printing photographs from negatives, botanicals using entire branches, altering the chemical recipe to obtain novel colors, and creating abstract cyanotypes of deliberate patterns, she also paints images using the light-sensitive solution and prints a pattern within them. These last works she calls “cyanotype paintings”. The multiple-day process depends on being able to see while painting in a dark room so as to not expose the light-sensitive painted silhouette before it’s time. She named her series of botanical paintings which have a fine blue and white pattern “Delft Garden” after the Dutch painted porcelain. Clients include: Timothée Chalamet, Starbucks, Mayo Clinic (Jacksonville), Jumaira Resort, Lux Habitat Sotheby’s International (Dubai), Wyndham Worldmark Hotels, Kimpton Hotel Monaco (Salt Lake City) , Mazars Accounting, Limelight Hotel Mammoth (California), MD Anderson Hospital (Houston), Oncology Center, Houston Methodist Hospital.
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