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David Richardson4 of Hearts
About the Item
During street fighting in Ramadi and Fallujah, Iraq, Richardson noted the impact of stray gunfire and its decaying effect on the city. One particular memory he has is of a plywood sign featuring the figure of a man hoisting a barbell over his head, an advertisement for a local gym. As months passed, the sign splintered to near oblivion, first the figure’s legs, then his head and arms, and finally, most of his torso disappeared as the fighting smoldered on. Nearly ten years later, Richardson began to develop his own bullet-ridden and splintered war motifs.
In wartime, cards are the time killer’s friend, a way to pass time between patrols, operations, and the work of war. In Iraq, U.S. troops were issued playing card decks featuring Iraqi officials wanted by the U.S. Government. In the Shotgun Paintings, Richardson references the design of these cards with images stenciled on building material commonly used in Iraq - corrugated tin and plywood. Echoing the effect of random gunfire, Richardson used a shotgun to perforate the paintings and simulate the chaos he witnessed in combat. Through the imagery, the idea that luck is an inherent part of life, particularly evident in games of chance and warfighting is preserved.
Colonel David Richardson was born in Michigan and is currently based in Arlington, VA. He was taught to paint by his mother, an artist and teacher, in his youth. Richardson draws inspiration from his experience in the US Marine Corps and Homer's Iliad to create his works. A master of oil painting, Richardson also works in acrylic and metal.
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View All8 of Spades
Located in New York, NY
During street fighting in Ramadi and Fallujah, Iraq, Richardson noted the impact of stray gunfire and its decaying effect on the city. One particular memory he has is of a plywood sign featuring the figure of a man hoisting a barbell over his head, an advertisement for a local gym. As months passed, the sign splintered to near oblivion, first the figure’s legs, then his head and arms, and finally, most of his torso disappeared as the fighting smoldered on. Nearly ten years later, Richardson began to develop his own bullet-ridden and splintered war motifs.
In wartime, cards are the time killer’s friend, a way to pass time between patrols, operations, and the work of war. In Iraq, U.S. troops were issued playing card decks featuring Iraqi officials wanted by the U.S. Government. In the Shotgun...
Category
2010s Symbolist Mixed Media
Materials
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Stat of Lib
Located in New York, NY
During street fighting in Ramadi and Fallujah, Iraq, Richardson noted the impact of stray gunfire and its decaying effect on the city. One particular memory he has is of a plywood sign featuring the figure of a man hoisting a barbell over his head, an advertisement for a local gym. As months passed, the sign splintered to near oblivion, first the figure’s legs, then his head and arms, and finally, most of his torso disappeared as the fighting smoldered on. Nearly ten years later, Richardson began to develop his own bullet ridden and splintered war motifs.
In wartime, cards are the time killer’s friend, a way to pass time between patrols, operations, and the work of war. In Iraq, U.S. troops were issued playing card decks featuring Iraqi officials wanted by the U.S. Government. In the Shotgun...
Category
2010s Symbolist Mixed Media
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Following a tour in Iraq, Richardson was posted to Seoul Korea for two years. There, he saw how the Koreans used large...
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R3 No.3
Located in New York, NY
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Following a tour in Iraq, Richardson was posted to Seoul Korea for two years. There, he saw how the Koreans used large, brightly c...
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Myth of Progress (AI) No. 1
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Category
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Nele Zirnite (1959)
2003 Associate Professor, Art Department, the Latvian Christian Academy
2000 M.F.A., the Latvian Art Academy
1995 – 2003 Lecturer, Graphic Arts Department, the Latvian Art Academy
1988 – present Member, the Latvian Artists' Union
1984 B.F.A., the Latvian Art Academy
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2005 – Grand Prix Biennial of small graphics, GRAFIX, Breclav, Czech Republic
2003 – Award and Prize - Professional performing in 6.th exhibition of Small forms of Art, Gallery Riga, Latvia
1998 – Prize, Riga in Contemporary Art, Bastejs Gallery, Riga, Latvia
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1997 – Riga City Council Award, Riga in Contemporary Art, Riga, Latvia
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1987 – Second Prize, Roads and People, Smiltene, Latvia
1987 – Diploma, 13th Graphic Art Exhibition, Riga, Latvia
1987 – Special Prize, Miniature Graphic Triennial, Riga, Latvia
1984 – Award, Best Drawing Artist of the Year, Vilnius Art Institute, Lithuania
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2015 – ORIGIN, Daugavpils Mark Rothko Art Centre, Latvia
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2013 – Transfusion, Oslo 12, Raum D, Basel, Switzerland
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2009 – Reservoir of Time, Solo Exhibition, National Museum of Art, Riga, Latvia
2008 – Nele Zirnite Solo Exhibition, Xativa, Spain
2008 – Meiles slenis, Galerija "Dalia", Vilnius, Lithuania
2007 – NEXUS, Riga’s Gallery, Riga, Latvia
2007 – Art Gallery of Mary Olla Miller, Panama City, FL, USA
2006 – NEXUS, Gallery ARTima, Vilnius, Lithuania
2005 – NEXUS, Ciurlionis Art Gallery, Chikago, ASV
2004 – Graphic, Gallery BAS, Naperville, ASV
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2003 – Etchings by Nele Zirnite, Monroe County Community College Library, Monroe, MI, USA
2001 – Traces of the Wings, Ivonna Veiherte Gallery, Riga, Latvia
2000 – Art Gallery of Mary Olla Miller, Panama City, FL, USA
1999 – Flowers, Bastejs Gallery, Riga, Latvia
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