Jason Lincoln Jeffers

serenity 1, Mixed Media on Paper

2024

My work is about dealing with the real world and above all using the images that surround us in everyday life. To lure a participant into new and perhaps unexplored area. I paint wha...

This painting is an encaustic (medium made from beeswax and dammar resin) painting on the cradled wooden panel. Painting is 8"x8". :: Mixed Media :: Minimalism :: This piece comes wi...

Trees are indeed blessed and wise In their silence, they hold secrets Griffith park series is inspired by embracing them and sharing their energy. One of a kind mixed media based...

Modern, minimalism, emotion. Impressions and emotions as a source of expression in painting. Abstract painting is something like seeking the truth. My own truth. Every painting is a...

Johnnie Winona Ross Deep Creek Seeps 10, 2007 Oil paint on acrylic base burnished on Belgian linen Signed twice, dated and titled on the verso; also bears the original Stephen Haller Gallery label\ Canvas is stretched against wooden backing but no outer frame This work was originally sold by the Stephen Haller Gallery which hosted several critically acclaimed, sell-out shows of New Mexico resident Johniie Winona Ross, whose exquisite Minimalist aesthetic really took hold with collectors. The debt to famous New Mexico resident and Minimalist goddess Agnes Martin is obvious, but Winona Ross has a disctinctive style and technique of his own. The process of creating this work was laborious: Ross typically applies as many as 90-100 layers of paint to each canvas, then scrapes the surface with a straight-edged razor to reveal the many layers (and their chronology), and finally burnishing the surface with a Pueblo pottery stone to achieve a soft gloss. Maureen Mullarkey of Studio Matters wrote in 2010: THE LOVELINESS OF JOHNNIE WINONA ROSS' paintings elude translation into either reproduction or verbal description. In 2011, ArtDaily published this announcement from Stephen Haller, publicizing a later exhibition: "Washington Post critic Stephen Parks characterized Ross’s work in this way: “From a distance his canvases appear to be simple, minimal constructions of horizontal stripes with hints of vertical color in the background. Up close the paintings are seen to be extraordinarily beautiful and complex objects that induce a humming meditative state.” Ross grounds his work in the inspiration of the desert of the American Southwest, and borrows techniques from ancient Native American sources, melding them with a distinctly sophisticated and utterly contemporary vision. His use of the Native American technique of burnishing pigment and minerals with a potter’s stone to create a hard surface with a visually warm sheen creates an effect reminiscent of the softening of marble steps...

Includes a Certificate of Authenticity

The Grasses #2 12.0 x 12.0 x 1.6, 3.0 lbs Acrylic on paper Hand signed by artist Artist's Commentary: “'The Grasses #2' is a collaged, mixed-media work inspired by breezy, grassy...

This series of works by the Danish artist Peter Kramer (Roskilde, 1959) with numerous exhibitions between Spain and Denmark are entitled "365 urns", in which the artist works with ti...