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Loli DiSantoSkybourne2025
2025
About the Item
Loli DiSanto’s Skybourne (2025) is a serene and radiant mixed media piece measuring 20 x 20 x 2.5 inches. A delicate hand-cut metal butterfly, wrapped in soft textile and encrusted with flatback crystals, hovers above a multicolored spin painting. The background swirls with dreamy shades of pastel blue and light purple, creating a soothing, cloud-like movement that evokes the feeling of open skies and gentle breezes. The butterfly, with its reflective surfaces and textured form, appears to float effortlessly within this tranquil atmosphere, offering a sense of lightness and upward motion. DiSanto’s signature use of embellishment and craftsmanship transforms this work into a meditation on freedom, transformation, and ethereal beauty. Skybourne invites the viewer into a quiet, contemplative moment, where color and form lift the spirit skyward.
- Creator:Loli DiSanto
- Creation Year:2025
- Dimensions:Height: 20 in (50.8 cm)Width: 20 in (50.8 cm)Depth: 2.5 in (6.35 cm)
- Medium:
- Movement & Style:
- Period:
- Condition:
- Gallery Location:Fort Lauderdale, FL
- Reference Number:1stDibs: LU574316437292

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Since his first solo show at the Fischbach Gallery in 1977, Slonem’s work has been showcased internationally hundreds of times, most recently at the Moscow Museum of Modern Art and the State Russian Museum in St. Petersburg. In 2017 and 2018, he was featured by the National Museum of the Republic of Kazakhstan, the National Gallery in Bulgaria, and in countless galleries across the United States and around the world.
His flair and admiration for far-flung destinations has been a staple of his life since childhood. Slonem was born in 1951 in Kittery, Maine, and his father’s position as a Navy officer meant the family moved often during Hunt’s formative years, including extended stays in Hawaii, California and Connecticut. He would continue to seek out travel opportunities throughout his young-adult years, studying abroad in Nicaragua and Mexico; these eye-opening experiences imbued him with an appreciation for tropical landscapes that would influence his unique style.
After graduating with a degree in painting and art history from Tulane University in New Orleans, Slonem spent several years in the early 1970s living in Manhattan. It wasn’t until Janet Fish offered him her studio for the summer of 1975 that Slonem was able to fully immerse himself in his work. His pieces began getting exhibited around New York, propelling his reputation and thrusting him into the city’s explosive contemporary arts scene. He received several prestigious grants, including from Montreal’s Elizabeth Greenshields Foundation, the National Endowment for the Arts, and the Cultural Counsel Foundation’s Artist Project, for which he painted an 80-foot mural of the World Trade Center in the late 1970s. He also received an introduction to the Marlborough Gallery, which would represent him for 18 years.
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