Ink Mixed Media
Color: Gray
Medium: Ink
THE LAND BETWEEN
Located in Oceanside, CA
Abstract mixed medium painting on archival 100% cotton rag paper. Unframed
- Original one of a kind artwork
- Artist Signature on back
- Certificate of Authenticity provided
Why you ...
Category
21st Century and Contemporary Abstract Ink Mixed Media
Materials
Varnish, Oil Pastel, Archival Ink, Oil, Acrylic, Archival Paper, Graphite
DIAPAUSE
Located in Oceanside, CA
Abstract, mixed mediums on black archival paper
- Original one of a kind artwork
- Artist Signature on back
- Certificate of Authenticity provided
Beautiful abstract organic shapes a...
Category
21st Century and Contemporary Abstract Ink Mixed Media
Materials
Oil Pastel, Archival Ink, Oil, Acrylic, Archival Paper, Graphite
Lets Play
Located in Wareham, GB
Lets Play is a mixed media painting on archival paper. The work is unframed and would be shipped in a tube. Alternatively for UK customers the work can be framed at Johnsons Picture ...
Category
2010s Expressionist Ink Mixed Media
Materials
Oil Pastel, Archival Ink, Acrylic, Archival Paper
Call of Lightness
Located in Oceanside, CA
Abstract mixed medium painting on archival 100% cotton rag paper.
- Original one of a kind artwork
- Artist Signature on back
- Certificate of Authenticity provided
Beautiful abstra...
Category
21st Century and Contemporary Abstract Ink Mixed Media
Materials
Varnish, Archival Ink, Oil, Acrylic, Archival Paper
Fret
Located in Oceanside, CA
Ink, Acrylic & Oil Paint on Paper
(Framed under glass)
16.5 x 20 inches
Black and metallic gold ink with white oil paint
Category
21st Century and Contemporary Abstract Ink Mixed Media
Materials
Varnish, Archival Ink, Oil, Acrylic, Archival Paper
Stellar Nebula
Located in Oceanside, CA
Abstract, mixed mediums on 100% cotton rag, archival paper
- Original one of a kind artwork
- Artist Signature on back
- Certificate of Authenticity provided
Beautiful abstract organ...
Category
21st Century and Contemporary Abstract Ink Mixed Media
Materials
Varnish, Archival Ink, Oil, Acrylic, Archival Paper, Graphite
Untitled (Līnea Study), 2022
Located in Washington, DC
Original work on Arches paper by Mary Early.
"The production, or “pouring,” of beeswax elements has become a meditative process that is integral to my art practice, serving as an observation of time, materials, and space. The raw beeswax I use has taken its form at the end of a long series of natural processes followed by a manufacturing process, and once it is in my hands, the studio becomes a factory. I apply my own methods of transforming the material by casting the beeswax into three-dimensional forms. Once I have fixed both a place and a time in the future for a potential installation, I begin to determine how the beeswax lines will take their aggregated shape in that space and, simultaneously, how many lines might be manufactured for that particular space in the amount of time available."
Mary Early (born 1975, Washington, DC) lives and works in Washington, DC. She studied visual art, film, and video at Bennington College, and her work has been exhibited at the United States Botanic Garden, Washington Project for the Arts, the Corcoran Gallery of Art, Second Street Gallery (Charlottesville, VA), Hemphill Fine Arts (Washington DC,) the Austrian Cultural Forum (Washington DC), Galerie Im Ersten (Vienna, Austria), Kloster Schloss Salem (Salem, Germany), Kunstlerbund Tubingen (Tubingen, Germany), and the American University Museum (Washington DC) among other regional and national galleries.
Her early work incorporated formed concrete, tarpaper and paraffin wax, fabricated wood structures, and, increasingly over the years, surfaces coated with wax as a method of preserving or concealing an object within. Recent works have relied solely on solid forms cast in wax, abandoning the use of any permanent armature. Temporary installations are guided by schematic drawings and plans, which then serve as a permanent record.
In 2014 she exhibited her first large-scale installation of wax lines at Second Street Gallery in Charlottesville, VA, followed by temporary installations in response to various historical sites in Salem, Germany (2016) and Tubingen Germany (2017). In 2017 she participated in the exhibition “Twist-Layer-Pour” at the American University Museum, which included Untitled [Curve], an installation of thousands of beeswax lines assembled on the floor of the museum. In spring 2018 she was commissioned to create a temporary installation at the Sun Valley Center for the Arts, Sun Valley Idaho. This work took the form of two intersecting curtains of hanging beeswax lines bisecting a 12’ foot x 18’ foot room, providing an immersive and enclosed viewing space.
Early’s work is included in the collections of the US Department of State/Embassy of Panama, Kimpton Hotels, and the District of Columbia Art Bank among other public and private collections. She is a recipient of the Artist Fellowship Grant from the DC Commission on Arts & Humanities, Washington DC (2020, 2019, 2018, 2017, 2016, 2015, 2014, 2011, 2009, 2007).
Early is the director of HEMPHILL Fine Arts, Washington, DC, and serves on the boards of Hamiltonian Artists and Washington Sculptors Group. She handles the work of contemporary artists and artist estates, including the work of William Christenberry, Colby Caldwell, Hedieh Javanshir Ilchi, Linling Lu, Mingering Mike, Robin Rose, Renée Stout...
Category
21st Century and Contemporary Abstract Geometric Ink Mixed Media
Materials
Wax Crayon, Sumi Ink, Archival Paper, Graphite
Untitled, Figurative, Ink, Brush, Dry Pastel on Paper Jogen Chowdhury "In Stock"
Located in Kolkata, West Bengal
Jogen Chowdhury - Untitled, 14 x 11 inches ( Unframed Size )
Ink with Brush & Dry Pastel on Paper, 2014
Style : He has immense contribution in inspiring young artists of India. Jogen Chowdhury had developed his individual style after his return from Paris.
Jogen Chowdhury has been widely acknowledged to be, the master of the unbroken line. Like Léger, Chowdhury has been stirred by the linear Kalighat pat tradition, but his lines are emotive and used to express and suggest the character of a person. This is done by, distorting the form without breaking the line and in the world of young, contemporary art; distortion has been Jogen Chowdhury’s most significant impact. Perhaps, because of this, a common observation of his work is that his “people” are caricatures. The person feels familiar to the viewer but it is far more individualised - the face is imaginary but the psyche or characteristics are real. The power and beauty of his technique and line is this play between the known and unknown. In Jogen Chowdhury’s work, the figure is always in the foreground, it is primary, it conveys everything. He uses colour to give volume to his figures and the fluidity of his lines bring a sensual aspect to his forms.
About the Artist & his works :
Born : 1939 in Daharpara Village, Faridpur, Bangladesh. Jogen Chowdhury is an eminent Indian painter and considered an important painter of 21st century India.
Family Background:
His father Pramatnath Chowdhury was a Brahmin zamindar. Both his parents took interest in art, Jogen Chowdhury's father Pramatnath Chowdhury painted several mythological scenes from the village theatres and also sculpted various Hindu icons. Whereas his mother was an expert in Alpana drawings.
1939-47 Jogen Chowdhury lived in a village atmosphere. And after partition in 1948, the whole family shifted. Till 1951 the whole family stayed at the police department quarter of his uncle, where on the walls Jogen Chowdhury painted his first painting, 1962 Jogen Chowdhury was employed as Designer in the Handloom Board.
Education:
1955-60: Studied at the Government College of Art and Crafts, Kolkata.
1965 : He went to paris to study in Ecole des Beaux Arts, in William Hayter’s Atelier 17.
Professional Experience:
1968-72 : He worked as an Art-Designer, Madras Handloom Board, Madras.
1970 : A collection of his poems were published, titled 'Hridoy Train Beje Othey'.
1987 : Joined Kala Bhavan , Santiniketan as a professor of painting.
Selected Exhibitions:
1972, 1975 & 1978 respectively : I, III, IV Triennales at New Delhi .
1979: The Sao Paolo Biennale .
1980: The exhibitions at the Fukuoka Museum, Japan.
1982: The Royal Academy, London.
1982: The Hirschhorn Museum, Washington D.C.
1986: The II Havana Biennale
1989: 'Festival of India', in Geneva
2002: Saffron art...
Category
2010s Modern Ink Mixed Media
Materials
Paper, Pastel, Ink, Mixed Media
Haar
Located in Oceanside, CA
Ink, Acrylic & Oil Paint on Paper
(Framed under glass)
16.5 x 20 inches
Black and metallic gold ink with white oil paint
Category
21st Century and Contemporary Abstract Ink Mixed Media
Materials
Varnish, Archival Ink, Oil, Acrylic, Archival Paper
Untitled (Līnea Study), 2022
Located in Washington, DC
Original work by Mary Early. Work is graphite, wax crayon, and sumi ink on Arches paper, 12 1/4 x 16".
"The production, or “pouring,” of beeswax elements has become a meditative process that is integral to my art practice, serving as an observation of time, materials, and space. The raw beeswax I use has taken its form at the end of a long series of natural processes followed by a manufacturing process, and once it is in my hands, the studio becomes a factory. I apply my own methods of transforming the material by casting the beeswax into three-dimensional forms. Once I have fixed both a place and a time in the future for a potential installation, I begin to determine how the beeswax lines will take their aggregated shape in that space and, simultaneously, how many lines might be manufactured for that particular space in the amount of time available."
Mary Early (born 1975, Washington, DC) lives and works in Washington, DC. She studied visual art, film, and video at Bennington College, and her work has been exhibited at the United States Botanic Garden, Washington Project for the Arts, the Corcoran Gallery of Art, Second Street Gallery (Charlottesville, VA), Hemphill Fine Arts (Washington DC,) the Austrian Cultural Forum (Washington DC), Galerie Im Ersten (Vienna, Austria), Kloster Schloss Salem (Salem, Germany), Kunstlerbund Tubingen (Tubingen, Germany), and the American University Museum (Washington DC) among other regional and national galleries.
Her early work incorporated formed concrete, tarpaper and paraffin wax, fabricated wood structures, and, increasingly over the years, surfaces coated with wax as a method of preserving or concealing an object within. Recent works have relied solely on solid forms cast in wax, abandoning the use of any permanent armature. Temporary installations are guided by schematic drawings and plans, which then serve as a permanent record.
In 2014 she exhibited her first large-scale installation of wax lines at Second Street Gallery in Charlottesville, VA, followed by temporary installations in response to various historical sites in Salem, Germany (2016) and Tubingen Germany (2017). In 2017 she participated in the exhibition “Twist-Layer-Pour” at the American University Museum, which included Untitled [Curve], an installation of thousands of beeswax lines assembled on the floor of the museum. In spring 2018 she was commissioned to create a temporary installation at the Sun Valley Center for the Arts, Sun Valley Idaho. This work took the form of two intersecting curtains of hanging beeswax lines bisecting a 12’ foot x 18’ foot room, providing an immersive and enclosed viewing space.
Early’s work is included in the collections of the US Department of State/Embassy of Panama, Kimpton Hotels, and the District of Columbia Art Bank among other public and private collections. She is a recipient of the Artist Fellowship Grant from the DC Commission on Arts & Humanities, Washington DC (2020, 2019, 2018, 2017, 2016, 2015, 2014, 2011, 2009, 2007).
Early is the director of HEMPHILL Fine Arts, Washington, DC, and serves on the boards of Hamiltonian Artists and Washington Sculptors Group. She handles the work of contemporary artists and artist estates, including the work of William Christenberry, Colby Caldwell, Hedieh Javanshir Ilchi, Linling Lu, Mingering Mike, Robin Rose, Renée Stout...
Category
21st Century and Contemporary Abstract Geometric Ink Mixed Media
Materials
Wax Crayon, Sumi Ink, Archival Paper, Graphite
Sea Smoke
Located in Oceanside, CA
Ink, Acrylic & Oil Paint on Paper
(Framed under glass)
15.5 x 18.5 inches
White paint with black ink and metallic gold ink
Category
21st Century and Contemporary Abstract Ink Mixed Media
Materials
Varnish, Archival Ink, Oil, Acrylic, Archival Paper
Fog Shades
Located in Oceanside, CA
Ink, Acrylic & Oil Paint on Paper
(Framed under glass)
16.5 x 20 inches
Black and metallic gold ink with white oil paint
Category
21st Century and Contemporary Abstract Ink Mixed Media
Materials
Varnish, Archival Ink, Oil, Acrylic, Archival Paper
Lovers in Japanese Interior
Located in New York, NY
Collage of two Japanese lovers, very elegant, framed in wooden frame.
Provenance:
Rocky Aoki , Founder of Benihana
Private Collection, New York
Category
Late 20th Century Contemporary Ink Mixed Media
Materials
Paint, Fabric, Ink
Amid The Blue Waves
Located in Clayton, MO
In Amid The Blue Waves color, line, shape, and texture collide with handwritten romantic fragments of prose on Kozuke ivory paper. This one-of-a-kind, unmounted encaustic monotype il...
Category
2010s Abstract Ink Mixed Media
Materials
Wax Crayon, Sumi Ink, India Ink, Encaustic, Archival Paper, Rice Paper, ...
Untitled (Līnea Study), 2022
Located in Washington, DC
Original work by Mary Early. Graphite, colored pencil, and sumi ink on Arches paper, 12.25 x 16".
"The production, or “pouring,” of beeswax elements has become a meditative process that is integral to my art practice, serving as an observation of time, materials, and space. The raw beeswax I use has taken its form at the end of a long series of natural processes followed by a manufacturing process, and once it is in my hands, the studio becomes a factory. I apply my own methods of transforming the material by casting the beeswax into three-dimensional forms. Once I have fixed both a place and a time in the future for a potential installation, I begin to determine how the beeswax lines will take their aggregated shape in that space and, simultaneously, how many lines might be manufactured for that particular space in the amount of time available."
Mary Early (born 1975, Washington, DC) lives and works in Washington, DC. She studied visual art, film, and video at Bennington College, and her work has been exhibited at the United States Botanic Garden, Washington Project for the Arts, the Corcoran Gallery of Art, Second Street Gallery (Charlottesville, VA), Hemphill Fine Arts (Washington DC,) the Austrian Cultural Forum (Washington DC), Galerie Im Ersten (Vienna, Austria), Kloster Schloss Salem (Salem, Germany), Kunstlerbund Tubingen (Tubingen, Germany), and the American University Museum (Washington DC) among other regional and national galleries.
Her early work incorporated formed concrete, tarpaper and paraffin wax, fabricated wood structures, and, increasingly over the years, surfaces coated with wax as a method of preserving or concealing an object within. Recent works have relied solely on solid forms cast in wax, abandoning the use of any permanent armature. Temporary installations are guided by schematic drawings and plans, which then serve as a permanent record.
In 2014 she exhibited her first large-scale installation of wax lines at Second Street Gallery in Charlottesville, VA, followed by temporary installations in response to various historical sites in Salem, Germany (2016) and Tubingen Germany (2017). In 2017 she participated in the exhibition “Twist-Layer-Pour” at the American University Museum, which included Untitled [Curve], an installation of thousands of beeswax lines assembled on the floor of the museum. In spring 2018 she was commissioned to create a temporary installation at the Sun Valley Center for the Arts, Sun Valley Idaho. This work took the form of two intersecting curtains of hanging beeswax lines bisecting a 12’ foot x 18’ foot room, providing an immersive and enclosed viewing space.
Early’s work is included in the collections of the US Department of State/Embassy of Panama, Kimpton Hotels, and the District of Columbia Art Bank among other public and private collections. She is a recipient of the Artist Fellowship Grant from the DC Commission on Arts & Humanities, Washington DC (2020, 2019, 2018, 2017, 2016, 2015, 2014, 2011, 2009, 2007).
Early is the director of HEMPHILL Fine Arts, Washington, DC, and serves on the boards of Hamiltonian Artists and Washington Sculptors Group. She handles the work of contemporary artists and artist estates, including the work of William Christenberry, Colby Caldwell, Hedieh Javanshir Ilchi, Linling Lu, Mingering Mike, Robin Rose, Renée Stout...
Category
21st Century and Contemporary Abstract Geometric Ink Mixed Media
Materials
Sumi Ink, Archival Paper, Graphite, Wax Crayon
But Now A Dreamlike Memory
Located in Clayton, MO
In But Now A Dreamlike Memory color, line, shape, and texture collide with handwritten romantic fragments of prose on Kozuke ivory paper. This one-of-a-kind, unmounted encaustic mono...
Category
2010s Abstract Ink Mixed Media
Materials
Wax Crayon, India Ink, Encaustic, Archival Paper, Rice Paper, Pen, Color...
Untitled, Figurative, Ink & Pastel on Paper by Artist Jogen Chowdhury "In Stock
Located in Kolkata, West Bengal
Jogen Chowdhury
Untitled, Figurative, Ink & Pastel on Paper
5 x 6.5 inches , 2003
Signed in Bengali
Style : He has immense contribution in inspiring young artists of India. Jogen Chowdhury had developed his individual style after his return from Paris. His most famous paintings are in ink, watercolor and pastel. He has painted in oil medium as well.
In Chowdhury’s more recent works the sensory experiences of cloth, bolsters, sofas and the human body are cross-projected to produce an uncanny world of tran-substantiated tumescence and flaccidness.
Jogen Chowdhury has been widely acknowledged to be, the master of the unbroken line. Like Léger, Chowdhury has been stirred by the linear Kalighat pat tradition, but his lines are emotive and used to express and suggest the character of a person. This is done by, distorting the form without breaking the line and in the world of young, contemporary art; distortion has been Jogen Chowdhury’s most significant impact. Perhaps, because of this, a common observation of his work is that his “people” are caricatures. The person feels familiar to the viewer but it is far more individualised – the face is imaginary but the psyche or characteristics are real. The power and beauty of his technique and line is this play between the known and unknown. In Jogen Chowdhury’s work, the figure is always in the foreground, it is primary, it conveys everything. He uses colour to give volume to his figures and the fluidity of his lines bring a sensual aspect to his forms.
About the Artist and his work :
Born : Born 1939 in Daharpara Village, Faridpur, Bangladesh. Jogen Chowdhury is an eminent Indian painter and considered an important painter of 21st century India.
Family Background :
His father Pramatnath Chowdhury was a Brahmin zamindar. Both his parents took interest in art, Jogen Chowdhury’s father Pramatnath Chowdhury painted several mythological scenes from the village theatres and also sculpted various Hindu icons. Whereas his mother was an expert in Alpana drawings.
1939-47 Jogen Chowdhury lived in a village atmosphere. And after partition in 1948, the whole family shifted. Till 1951 the whole family stayed at the police department quarter of his uncle, where on the walls Jogen Chowdhury painted his first painting, 1962 Jogen Chowdhury was employed as Designer in the Handloom Board.
Education :
1955-60: Studied at the Government College of Art and Crafts, Kolkata.
1965 : He went to paris to study in Ecole des Beaux Arts, in William Hayter’s Atelier 17.
Professional Experience :
1968-72 : He worked as an Art-Designer, Madras Handloom Board, Madras.
1970 : A collection of his poems were published, titled ‘Hridoy Train Beje Othey’.
1987 : Joined Kala Bhavan , Santiniketan as a professor of painting.
Selected Exhibitions :
1972, 1975 & 1978 respectively : I, III, IV Triennales at New Delhi.
1979: The Sao Paolo Biennale.
1980: The exhibitions at the Fukuoka Museum, Japan.
1982: The Royal Academy, London.
1982: The Hirschhorn Museum, Washington D.C.
1986: The II Havana Biennale.
1989: ‘Festival of India’, in Geneva.
2002: Saffron...
Category
Early 2000s Modern Ink Mixed Media
Materials
Paper, Pastel, Mixed Media, Ink
Midcentury Modern Mixed Media Painting on Canvas Art shape colors 21-40-0
By Irena Orlov
Located in Sherman Oaks, CA
One of a kind Mixed Medium on Canvas
Artwork: Original abstract mixed media work on canvas, which combines new media - digital original hand painting, printed on canvas, then hand p...
Category
2010s Cubist Ink Mixed Media
Materials
Canvas, Varnish, Archival Ink, Mixed Media, Acrylic
Untitled
Located in Marrakech, MA
Mixed techniques on Indian handmade paper
White frame - light gray background
Floating pose
Framed dimensions: 75 x 57 x 5 cm
Solo exhibition “Recent Paintings” - Marrakech 2017
Category
2010s Abstract Ink Mixed Media
Materials
Oil Crayon, Ink, Oil, Acrylic, Handmade Paper
Last Noon Beheld Them
Located in Clayton, MO
In Last Noon Beheld Them color, line, shape, and texture collide with handwritten romantic fragments of prose on Kozuke ivory paper. This one-of-a-kind, unmounted encaustic monotype ...
Category
2010s Abstract Ink Mixed Media
Materials
Wax Crayon, India Ink, Encaustic, Archival Paper, Rice Paper, Pen, Color...
THE LIGHT, THE FAMILIAR, THE STRANGE
Located in Oceanside, CA
Abstract mixed medium painting on paper.
- Original one of a kind artwork
- Artist Signature on back
- Certificate of Authenticity provided
Beautiful abstract organic shapes are mon...
Category
21st Century and Contemporary Abstract Ink Mixed Media
Materials
Varnish, Oil Pastel, Archival Ink, Oil, Acrylic, Archival Paper, Graphite
Information Superhighway, Original Contemporary Abstract Expressionist Drawing
Located in Boston, MA
Information Superhighway, Original Contemporary Abstract Expressionist Drawing
16" x 20" Ink with Silverpoint, Paint, and Metal Foil on Paper Panel
This highly geometric abstract ex...
Category
21st Century and Contemporary Abstract Expressionist Ink Mixed Media
Materials
Foil
That Whistles In The Wind
Located in Clayton, MO
In That Whistles With The Wind color, line, shape, and texture collide with handwritten romantic fragments of prose on Kozuke ivory paper. This one-of-a-kind, unmounted encaustic mon...
Category
2010s Abstract Ink Mixed Media
Materials
Wax Crayon, India Ink, Encaustic, Color Pencil, Graphite
AND THE FOG COMES
Located in Oceanside, CA
Abstract, mixed mediums on black archival paper
- Original one of a kind artwork
- Artist Signature on back
- Certificate of Authenticity provided
Beautiful abstract organic shapes a...
Category
21st Century and Contemporary Abstract Ink Mixed Media
Materials
Oil Pastel, Archival Ink, Oil, Acrylic, Archival Paper, Graphite
THE AIR I BREATHE
Located in Oceanside, CA
Abstract, mixed mediums on black archival paper
- Original one of a kind artwork
- Artist Signature on back
- Certificate of Authenticity provided
Beautiful abstract organic shapes a...
Category
21st Century and Contemporary Abstract Ink Mixed Media
Materials
Oil Crayon, Archival Ink, Oil, Acrylic, Archival Paper, Graphite
Rise & Grind
Located in Brooklyn, NY
Magical Basquiat
Category
2010s Contemporary Ink Mixed Media
Materials
Canvas, Oil Crayon, Ink, Mixed Media, Spray Paint
Mixed media composition (1979) by Jack Thiack - 23x23 cm
Located in Geneva, CH
Mixed media with frame and "passe-partout"
Total size with the frame: 60x50x2 cm
Category
1970s Abstract Ink Mixed Media
Materials
Ink, Watercolor, Gouache
Very Few To Love
Located in Clayton, MO
In Very Few To Love color, line, shape, and texture collide with handwritten romantic fragments of prose on Kozuke ivory paper. This one-of-a-kind, unmounted encaustic monotype illum...
Category
2010s Abstract Ink Mixed Media
Materials
Wax Crayon, India Ink, Encaustic, Color Pencil, Graphite
"Dos" Paint, Ink, Graphite, Oil on Paper Piece by Mark Houghton
Located in London, GB
Mark Houghton
Dos, 2021
Paint, Ink, Graphite, Oil on Paper
38 x 34 cm
15 x 13 3/8 inches
Houghton's practice highlights overlooked aspects of the everyd...
Category
2010s Contemporary Ink Mixed Media
Materials
Paint, Paper, Ink, Oil, Graphite
The Dream Returns
Located in Clayton, MO
In The Dream Returns color, line, shape, and texture collide with handwritten romantic fragments of prose on Kozuke ivory paper. This one-of-a-kind, unmounted encaustic monotype illu...
Category
2010s Abstract Ink Mixed Media
Materials
Wax Crayon, India Ink, Encaustic, Graphite
0835, From The series ONE.Abstract. Ink and acrylic on canvas
Located in Miami Beach, FL
0835, 2022 by Salvatore Arnone
From the series ONE
Ink and acrylic on canvas
Image size: 90 H x 90 W cm.
One of a kind
Unframed
Despite photography remains his main form of expressi...
Category
2010s Contemporary Ink Mixed Media
Materials
Canvas, Ink, Acrylic
1612, From The series ONE. Abstract. Ink and acrylic on canvas
Located in Miami Beach, FL
1612, 2022 by Salvatore Arnone
From the series ONE
Ink and acrylic on canvas
Image size: 90 H x 90 W cm.
Unframed
Despite photography remains his main form of expression, the author...
Category
2010s Contemporary Ink Mixed Media
Materials
Acrylic, Canvas, Ink
Andrea Humphries, Flowers and Moor, Original Contemporary Still Life Art
Located in Deddington, GB
Andrea Humphries
Flowers and Moor
Still life and landscape painting of Bodmin Moor in Cornwall
Acrylic and Mixed Media on Canvas
Framed Size: H 44cm x W 62cm x D 3cm
Sold Framed in a...
Category
21st Century and Contemporary Contemporary Ink Mixed Media
Materials
Oil, Acrylic, Pencil, Canvas, Ink, Mixed Media
Fleurus Airship French Army
Located in Middletown, NY
A portait of the first Allied airship to perform a bombing raid from the sky by a celebrated artist whose work hung on the Titanic.
Watercolor and ink on heavy wove watercolor paper, 10 5/8 x 15 inches (270 x 380 mm). Signed in black watercolor in the lower right image area. In very good condition with minor surface soiling on the verso. Titled "Verdun" in pencil on the verso in the artist's hand. Adhered on the verso to matboard at the extreme margins with non archival tape. Presented handsomely in a simple, period maple frame. Titled, dated, inscribed and initialed by the artist on a label on the frame back.
Born in Cambridge in 1898 and educated at Southsea School of Art, Norman Wilkinson is known for his graphic art, specifically his British Railway poster images, and also for something quite incredible; Wilkinson revolutionized the art of naval camouflage. Having been assigned to submarine patrols in Dardanelles, Gallipoli, and Gibraltar during WWI as a member of the Royal Navy Volunteer Reserve, Wilkinson was deeply troubled by the unprecedented success the German submarine fleet had torpedoing British ships. He hoped to find a solution to this gaping vulnerability, and in a lightning bolt moment, he had an epiphany that would change everything. Wilkinson says in his autobiography, A Brush With Life (Seeley, 1969), that he realized a ship could be painted to hide its shape against the sea and sky. In his own words, Wilkinson states that the hull of a ship could be camouflaged "not for low visibility, but in such a way as to break up her form and thus confuse a submarine officer as to the course on which she was heading." After some preliminary testing, the theory Wilkinson called "dazzle camouflage" was accepted by British Admiralty and Wilkinson was placed in charge of the naval camouflage unit. The unit, which was headquartered in the basement of the Royal Academy of Arts, consisted of Wilkinson and about two dozen "camoufleurs;" they were artists, students, model makers and consultants, including a zoologist. The dazzle schemes were tested on models and then distributed to artists who were stationed at the docks, where the ships would be painted. At the end of the war Wilkinson was formally declared the inventor of dazzle camouflage and awarded for his contribution.
Wilkinson went on to enjoy a long and celebrated career as a painter of maritime scenes, naval vessels, and warships. He served as the president of the Royal Institute of Painter in Water Colours (RI) from 1936 until 1963 (having been elected a member in 1906); he was elected Honourable Marine Painter to the Royal Yacht Squadron in 1919, and he was a member of the Royal Society of British Artists, the Royal Institute of Oil Painters, the Royal Society of Marine Artists, and the Royal Scottish Society of Painters in Watercolour. In 1918 he was appointed an Officer of the Order of the British Empire (OBE), and a Commander of the Order (CBE) in 1948. In January 1920 he was appointed knight (chevalier) of the Belgian Order of the Crown.
Among the many notable points of interest regarding Wilkinson's career is that his painting Plymouth Harbour, which was commissioned by Cunard White Star Lines for the first class smoking room of the RMS Titanic, was lost at sea when it perished with the ship. Wilkinson had also created a comparable painting entitled The Approach to the New World, which hung in the same location on the Titanic's sister ship, the RMS Olympic...
Category
Early 20th Century Realist Ink Mixed Media
Materials
Ink, Watercolor
Christ, Oil on Acrylic, Yellow, Brown by Contemporary Indian Artist "In Stock"
Located in Kolkata, West Bengal
Suman Roy - Christ - 36 x 48 inches (unframed size)
Oil on Acrylic, 2006
Inclusive of shipment in rolled form.
Style :
His style is simple as he confident that the so called techni...
Category
Early 2000s Contemporary Ink Mixed Media
Materials
Ink, Mixed Media, Acrylic
Turbulence VIII
Located in Lenox, MA
Turbulence VIII
42" x 100" Pigment, Graphite and Sumi Ink on Archival Paper
Unique
Framed 105.5" x 44.5": $18,000
Category
21st Century and Contemporary Abstract Geometric Ink Mixed Media
Materials
Sumi Ink, Graphite, Pigment
"Masquerade Party with PINK Metal Grid" Acrylic and oil on canvas
By Ceravolo
Located in Southampton, NY
One of The Hampton's most popular urban Pop artists whose paintings can be found in many influential corporate and private collections, including: ELTON JOHN, ROD STEWART, HUGH M. HEFNER, DAVID BRENNER, MONIQUE VAN VOOREN, WARNER BROS., RCA RECORDS AND SCHENLEY INDUSTRIES to name a few. He has been call the "Rock and Roll Painter" and "Painter of the Stars of Rock" by the media. Ceravolo's Large scale paintings have received international acclaim for more than four decades with sold out exhibitions throughout the United States.
Ceravolo's art came to popular attention when he was commissioned to create five large scale paintings for the lobby of The Palladium Theatre in New York City of Jackson Browne, Linda Ronstadt, Frank Zappa, Neil Young and Hall and Oates.
This Acrylic and Oil painting with spray paint archival ink and metal grid...
Category
2010s Pop Art Ink Mixed Media
Materials
Metal
Organic Lilac Flower, Organic Painting Style, Pastel Purple, Abstract Background
Located in Barcelona, ES
This is an exclusive handmade mixed media cyanotype with hand-painted acrylic paint in pastel tones.
Details:
Title: Lilac Leaf on Water
Medium: Mixed Media on Watercolor Paper
Size: 100x70 cm
Year: 2020
*Frame is for illustrative purposes only, artwork is shipped carefully rolled in a tube.
WHAT IS A CYANOTYPE?
The cyanotype (a.k.a. sun-print) process is one of the oldest in the history of photography, dating back to the 1840's.
Cyanotypes were then made famous by Anna Atkins...
Category
2010s Abstract Ink Mixed Media
Materials
Archival Ink, Mixed Media, Oil, Acrylic, Watercolor, Archival Paper
"365 Urns", Mixed technique on tissue white paper, Abstract Painting, 50 x 33 cm
Located in Carballo, ES
This series of works by the Danish artist Peter Kramer (Roskilde, 1959) with numerous exhibitions between Spain and Denmark are entitled "365 urns", in wh...
Category
21st Century and Contemporary Minimalist Ink Mixed Media
Materials
Organic Material, Adhesive, Ink, Mixed Media, Acrylic, Handmade Paper, T...
Turbulence IV
Located in Lenox, MA
Turbulence IV
64" x 42" Pigment, Graphite and Sumi Ink on Archival Paper
Unique
Framed 67.5" x 46.5": $12,500
Category
21st Century and Contemporary Abstract Geometric Ink Mixed Media
Materials
Sumi Ink, Archival Paper, Graphite, Pigment
Lost in Space & Time : contemporary abstract collage
Located in New York, NY
Contemporary abstract collage by Charlotte Brown. The artists uses ink and paper to create complex patterns. Dark lines swirl on the surface of the work, imbuing it with a sense of f...
Category
2010s Ink Mixed Media
Materials
Paper, Ink, Mixed Media
Turbulence III
Located in Lenox, MA
Turbulence III
64" x 42" Pigment, Graphite and Sumi Ink on Archival Paper
Unique
Framed 67.5" x 46.5": $12,500
Category
21st Century and Contemporary Abstract Geometric Ink Mixed Media
Materials
Sumi Ink, Archival Paper, Graphite, Pigment
Drawing in Water
Located in Montreal, Quebec
A group of figures heads for icy distant mountains. A familiar enough scene of polar explorers hauling their sledges. Yet somehow this does not quite fit the heroic mold. The ice and sky are tinged a movie musical pale blue and their gear is a bit too colorful for the era of man-hauling. And then there’s the sled, piled high not with boxes of supplies but with a jumbled heap of antiquities: Greek Athenas, bits of a coliseum, a ship’s great wheel. In Jessica Houston’s collage “The Long Haul,” the explorers drag history itself into the great beyond, their backs turned from their absurd load. But we take in the entire scene.
In her suite of works, Over the Edge of the World, Houston uses oil on wood, ink on paper, and collages of found images, many from National Geographic Magazine, to rearrange the evidence – and thus history’s possibilities.
Houston joins visual artists such as Judit Hersko, Katja Aglert, and Isaac Julien who have been inspired by the explorers of the past. Like them, she draws, in part, on the singular tradition of polar exploration narratives as well as fictions such as Ursula Le Guin’s “Sur” (1981), a utopian feminist hoax in which a party of South American women reach the South Pole in 1909, two years before the official arrival of European explorers. Le Guin’s explorers do not feel compelled to leave any written record or physical proof of their presence at the South Pole. If Le Guin’s women might have made it, what other traces have been missed?
Collage can work alongside alternative history: it interprets, interrupts, and rearranges. It questions the completed whole, instead emphasizing composition and relation. Collage suggests it all might be … otherwise. Houston’s collages flaunt their second nature. Yet what they show remains somehow plausible. You want to believe what you’re beginning to see.
In “A life Attuned to Larger Rhythms” Houston grids out rectangles of captured images to overwhelm the eye as the polar environment itself might (whiteout is a paradoxical species of optical overstimulation). Through the strangely ordered confusion of an ice survey grafted atop a chessboard, the mind begins to recognize new connections, emergent shapes: a different future? In “Launching Strategy” a yellow-orange pyramid balances garishly atop a tent. Which came first, the realist tent or the Platonic shape? Can we ever be sure that we’re not already seeing through premade abstractions? Or is it that baggage we’ve been dragging along?
In “Architecture of the Anthropocene” and “Red Blood, Red Earth” Houston reroutes visually symbolic through-lines between women and non-European people and the official history in which they appear dimly or not at all. A full-skirted woman holds onto the tether of a kite that seems to pull her upwards towards a weather balloon floating above an Antarctic base’s radio tower; a row of tropical workers wielding pickaxes folds into the trajectory of a sailor aiming a bow and arrow at an iceberg stained with red. These are not people or images normally associated with polar discovery. But shouldn’t they matter?
“Territory Over Land” strips in a scene from a painted depiction of the tropics, possibly from one of Captain James Cook’s circumnavigations. “Captain Cook’s Legacy” more directly confronts an official portrait of Cook with the torn-in eyes from what can only be described as the explorer’s anonymous dark Other. The hybrid portrait is a kind of contact zone. “Henson and Peary – Past Entanglements” is a cooler, less volatile twin portrait of disputed discoverer of the North Pole Robert Peary...
Category
2010s Contemporary Ink Mixed Media
Materials
Ink, Archival Paper
Late Summer
By Greet Helsen
Located in Los Angeles, CA
Belgian artist Greet Helsen masterfully layers acrylic paint with the effervescent transparency of watercolors in her large mixed-media abstract paintings. Reminiscent of abstract ex...
Category
21st Century and Contemporary Abstract Ink Mixed Media
Materials
Canvas, Ink, Mixed Media, Acrylic
Untitled, Ink on Paper, Black, White Color by Modern Indian Artist "In Stock"
Located in Kolkata, West Bengal
Bijan Choudhury - Untitled - 13 x 10 inches (unframed size)
Ink on Paper , 2010
( UNFRAMED ALL IN DOOR DELIVERED )
Style : The Marxist orientatio...
Category
Early 2000s Modern Ink Mixed Media
Materials
Paper, Ink
“Profiles”
Located in Southampton, NY
Very well executed mixed media post modern original artwork by the well known Russian/American artist, Nahum Tschacbasov. The artwork is composed of watercolor, gouache, pen, ink on...
Category
1970s Post-Modern Ink Mixed Media
Materials
Watercolor, Gouache, Archival Paper, Pen, Ink
Untitled, Ink on Paper, Black, White Color by Modern Indian Artist "In Stock"
Located in Kolkata, West Bengal
Bijan Choudhury - Untitled - 13 x 10 inches (unframed size)
Ink on Paper , 2009
( UNFRAMED ALL IN DOOR DELIVERED )
Style : The Marxist orientatio...
Category
Early 2000s Modern Ink Mixed Media
Materials
Paper, Ink
Graffitti Mixed media Print Orange & Acqua with white frame
By Cari Cohen
Located in Miami, US
My limited edition print, 'Graffiti Mixed Media Print Orange & Aqua', is a vibrant and contemporary work of art that showcases my unique style. Inspired by my hometown of Buenos Aire...
Category
21st Century and Contemporary Abstract Ink Mixed Media
Materials
Ink, Acrylic, Watercolor
Untitled original signed drawing ("The Lovers")
Located in New York, NY
Marina Abramovic
The Lovers, 1990
Original Drawing done in Black Marker on title page of the "Lovers" monograph
Hand signed by Marina Abramovic in black mar...
Category
1990s Contemporary Ink Mixed Media
Materials
Printer's Ink, Permanent Marker, Mixed Media, Offset, Board, Lithograph
MidCentury Organic Shapes and Lines N-10-104 Mixed Media Canvas Painting 40x60"
By Irena Orlov
Located in Sherman Oaks, CA
One of a kind Mixed Medium on Canvas
Artwork: Original abstract mixed media work on canvas, which combines new media - digital original hand painting, printed on canvas, then hand p...
Category
2010s Cubist Ink Mixed Media
Materials
Canvas, Varnish, Archival Ink, Mixed Media, Acrylic
"No. 3080" Miniature Collage Currency by Michael Pauker
Located in Soquel, CA
"No. 3080" Miniature Collage Currency by Michael Pauker
Miniature abstract paper collage by Bay Area artist Michael Pauker (American, b. 1957). This pie...
Category
Early 2000s Contemporary Ink Mixed Media
Materials
Ink, Paper
Knowing The Difference - Surrealist Figurative Original Art
Located in Los Angeles, CA
Robert Lebsack creates artworks using mixed media with ink, acrylic, and charcoal on archival copies of newspapers, textbooks, and sheet music. As a visionary artist, Lebsack weaves ...
Category
21st Century and Contemporary Pop Art Ink Mixed Media
Materials
Charcoal, Ink, Mixed Media, Acrylic, Wood Panel
"Cleopatra Vivien Leigh", mixed media, oil, Wax, acrylic and archival ink canvas
By Ceravolo
Located in Southampton, NY
Ceravolo's Large scale paintings have received international acclaim for more four decades. His art, came to popular attention when he was commissioned to create 5 large scale oil on...
Category
2010s Contemporary Ink Mixed Media
Materials
Canvas, Archival Ink, Wax, Oil, Acrylic
Large abstract titled Positive Forward in mixed media with neutral colors.
By Michele Zuzalek
Located in Washington, DC
Large original abstract expressionism in a neutral palette. This contemporary painting has expressive marks, texture, and bold brush strokes. The title of the painting is Positive Fo...
Category
21st Century and Contemporary Abstract Expressionist Ink Mixed Media
Materials
Archival Ink, Acrylic, Graphite
"Kitchen Melody 05" by Anna Pennati, ink on paper
Located in Milano, MI
Kitchen Melody is a series of ink-on-paper works inspired by kitchen utensils.
This work depicts the juicer
Created for a restaurant opening in 2015.
Category
2010s Contemporary Ink Mixed Media
Materials
Paper, Ink
"Kitchen Melody 04" by Anna Pennati, ink on paper
Located in Milano, MI
Kitchen Melody is a series of ink-on-paper works inspired by kitchen utensils.
Cutlery is depicted in this work.
Created for a restaurant opening in 2015.
Category
2010s Contemporary Ink Mixed Media
Materials
Paper, Ink
"Kitchen Melody 03" by Anna Pennati, ink on paper
Located in Milano, MI
Kitchen Melody is a series of ink-on-paper works inspired by kitchen utensils.
A corkscrew is depicted in this work.
Created for a restaurant opening in 2015.
Category
2010s Contemporary Ink Mixed Media
Materials
Paper, Ink
"Kitchen Melody 02" by Anna Pennati, ink on paper
Located in Milano, MI
Kitchen Melody is a series of ink-on-paper works inspired by kitchen utensils.
This work depicts a coffee maker.
Created for a restaurant opening in 2015.
Category
2010s Contemporary Ink Mixed Media
Materials
Paper, Ink
Ink mixed media for sale on 1stDibs.
Find a wide variety of authentic Ink mixed media available on 1stDibs. While artists have worked in this medium across a range of time periods, art made with this material during the 21st Century is especially popular. If you’re looking to add mixed media created with this material to introduce a provocative pop of color and texture to an otherwise neutral space in your home, the works available on 1stDibs include elements of blue, orange, pink, red and other colors. There are many well-known artists whose body of work includes ceramic sculptures. Popular artists on 1stDibs associated with pieces like this include Irena Orlov, Francisco Nicolás, Kory Twaddle, and Olivia Munroe. Frequently made by artists working in the Contemporary, Abstract, all of these pieces for sale are unique and many will draw the attention of guests in your home. Not every interior allows for large Ink mixed media, so small editions measuring 0.1 inches across are also available
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In 1995, the artist embellished a found poster of Martin Luther King with visionary markings.
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