Early 2000s Mixed Media

In External Horizons Mixed media (ink, paint etc.) Framed 43 X 57 sheet 34.5 X 48 Hand signed, dated and titled by artist. (with a location of LA noted) This came with a group of 4. they are all signed and one had a Daniel Reich Gallery label verso. Scoli Acosta...

Rich and dense, this abstract painting plays with purple, pink and fuchsia tones. It is executed on thick paper and sold unframed. The artist ha...

Useful Object Light, 2009 Oil on canvas, wooden box, mirror, gas lamp 47.63 H x 27.55 W x 11.81 D in 121 H x 70 W x 30 D cm Signed on reverse In the "Useful Objects" series, th...

Polly Apfelbaum Color Circle and Star, 2004 Fabric Marker and Fabric Dye on Velvet Cotton Signed and dated in ink by the artist on the front with artist's inkstamp. Frame Included Si...

Jennifer Bartlett Dear Dad, 2004 Enamel over silkscreen grid on baked enamel and steel plates 19 3/4 x 19 3/4 inches Signed verso

Useful Object Pump, 2009 Oil on canvas, wooden box, pump 47.63 H x 27.55 W x 11.81 D in 121 H x 70 W x 30 D cm In the "Useful Objects" series, the woman is identified with the pr...

This painting on wood panel combines abstract and geometric styles. Based on a grid composition, the artist disguises it with movement and brilliant colors, including lavender, teal,...

Yinka Shonibare It's My Party and I'll Cry If I Want To, 2013 24ct gold leaf embellishment, hand applied dutch wax batik fabrics on 225gsm Somerset Enhanced Paper Boldly signed and n...

This print uses relief printmaking, inkjet and encaustic on lauan panel. A child drags burgundy threads across a turquoise encaustic background. Centered above is a creature, perhaps a sea urchin, in orange, brown and sea green. The effect is that of a dreamscape. This piece is unframed. Mariana Depetris is an artist who focuses on printmaking techniques, many of which she learned from master printmakers in her native Argentina and Italy, as well as from an MFA from the Georgia Southern...

This is an artwork based on the transformation of a book. It uses the book historic print in the endsheets as background to a geometric form made up by ...

Useful Object Cut, 2009 Oil on canvas, wooden box, knife 47.24 H x 27,55 W x 11,81 D in 120 H x 70 W x 30 D cm In the "Useful Objects" series, the woman is identified with the p...

Mixed media found object collage with watercolor by Bay Area artist Michael Pauker (American, b. 1957), 2008. This unique piece creates an abstract composition by layering stamps, ...

Angelo Canevari’s Lady Walking Her Dog on a Windy Day is a compelling exploration of movement and form using polyethylene. The artist transforms this unconventional material into ghostly figures, evoking a sense of both playfulness and fragility. The swirling shapes and transparent textures give the impression of a windy day, where the figures dissolve into the air, yet are anchored by their striking red eyes. This surreal narrative reimagines a simple moment, where a walk turns into a windswept spectacle, embodying Canevari’s ability to create a unique tension between the natural and the ephemeral. Drawing from the tradition of Arte Povera, Canevari uses humble materials to create works that transcend their physical properties. The transparency of the polyethylene allows the figures to exist somewhere between presence and absence, offering a thoughtful commentary on the fleeting nature of everyday life. Perfect for collectors interested in contemporary art that blends material experimentation with narrative depth, Lady Walking Her Dog on a Windy Day is a distinctive piece that will enrich any collection with its ethereal beauty and innovative use of material. This artwork is part of a limited number of pieces that the artist created at the end of his life. It has been featured in a book written by renowned writer Andrea Camilleri. Angelo Canevari is an Italian sculptor who comes from a long lineage of artists active in Rome since the 17th century. He has been commissioned several works by the Vatican including the Bronze Doors of the Cathedral of Belluno and the Vatican Coins...

This abstract mixed media piece shows a thick black stripe at the top of the piece that eventually meets a blue stripe near the middle of the space. In the bottom third is a white sp...

Stefanie Schneider's 'Lonely Hearts Room' lightbox - 2008, 'Margarita's Letter' Edition 2/5, 45x45cm, based on a Polaroid. Matte slide transparency in oak frame. Signed on back a...

Wonder Valley (29 Palms, CA) - 2008 125x154cm, Edition of 5, analog C-Print, hand-printed by the artist on Fuji Crystal Archive Paper, based on the Polaroid, artist inventory nu...

John Baker’s “Young Man with a Bouquet” is an acrylic painting on canvas with collage 48 x 36 inches in strong yellows, reds, blues and greens. The painting depicts a youth sadly co...

Dean Nimmer (American, b. 1935). "Untitled". 1995. Multi-media on paper. Hand signed, dated, Verso. Image: 17" x 10". Framed: 26" x 22". Dean Nimmer has exhibited his art in over 2...

This artist's print work relies mostly on serigraphy and collage for its impact. Images of children at play rest on a background of red with grey text and green bees and insects. The piece is sold in a boxed frame with glass. The artist's signature and emblem are clearly visible. As priced, this work represents a fantastic value. Mariana Depetris is an artist who focuses on printmaking techniques, many of which she learned from master printmakers in her native Argentina and Italy, as well as from an MFA from the Georgia Southern...

Jockel Walz Stars Mixed media Signed by hand Size: 9.2 × 12.5 inches COA provided ---------------------- „A peculiar luminousness is to be traced, a kind of oriental light...

Bethan Ash is a professional quilt maker and teacher with a background in Fashion design. She has exhibited widely and her work has been bought by museums in the UK and USA, includin...

Mixed media on plywood, signed on back. Armand Avril, né à Lyon en 1926, est un peintre vivant à Cotignac dans le Var. Il est surtout connu pour les assemblages qu'il a réalisés à partir de 1968. D'origine modeste, cependant très tôt intéressé par l'art et les musées où le poussait son père, il s'essaie d'abord à la peinture. Cependant, Avril ne commence à trouver son véritable style qu'à l'âge de quarante-deux ans. Enfant, il est un habitué des musées de Lyon qu’il fréquente sur les conseils de son père. Adulte, sa passion pour la collection l’incite à se nourrir des arts premiers et d’artistes comme Gaston...

Ink, gouache and collage 20.00 cm. x 20.00 cm. 7.87 in. x 7.87 in. (image) 31.50 cm. x 31.50 cm. 12.4 in. x 12.4 in. (frame) Certificate of authenticity LCD7184

The artist executes this mixed media piece on wood with color and textured, distressed markings. Green is the color that predominates, from intense to pale, with some turquoise and y...

Wendy Williams is an artist from Troy, NY. Her work, often mixed media, has a very contemporary style. This untitled work experiments with color and sha...

Dean Nimmer (American, b. 1935). "Adrift". 2000. Multi-media on paper. Hand signed, dated in pencil lower right Image: 21.25" x 29". Framed: 32.5" x 41". Dean Nimmer has exhibited his art in over 200 solo and group exhibitions across the U.S., Europe, Asia, and Australia since he began his art career in 1970. His artworks are in the collections of the Boston Museum of Fine Arts, DeCordova Art Museum, Smith College Art Museum, Harvard University, Peabody/Essex Museum and many other museums across the U.S. and abroad. Dean was given the 2010, Distinguished Teaching of Art Award, granted by the 16,000- member College Art Association, the 2011 Distinguished Alumnus Award granted by the University of Wisconsin and honored as the Outstanding Community Teacher of the Year for 2014/15 by the state of Massachusetts. He is the author of the successful book, Art from Intuition, Random House, 2008, that is currently in its 9th printing, and Creating Abstract Art, (North Light Books, 2014). In 1967 Drummer Dean Nimmer, Jay Borkenhagen, bassist Rick Bieniewski, guitarist Jacques Hutchinson, formed The Baroques, a band that challenged the sonic conventions and industry norms of the time. After signing to Chess Records, a then exclusively black Rhythm and Blues label responsible for likes of Muddy Waters and Howlin...

Out of the West, abstract painting on paper, mixed media, handmade paper, blue PUBLIC COLLECTIONS U.S. Embassy, Tokyo,Japan Mountain Bell Corporate O...

photo collage, screen print, impressed silver leaf on handwoven kasuri silk

Night, purple, blue, black landscape painting, unique work on canvas

This print uses relief printmaking, inkjet and encaustic on lauan panel. The double figure of a childiis presented with multicolored balloons--yellow, orange, and blue-- held by strings in the center of the pictorial space. The effect is that derived from child's play. This piece is unframed. Mariana Depetris is an artist who focuses on printmaking techniques, many of which she learned from master printmakers in her native Argentina and Italy, as well as from an MFA from the Georgia Southern...

Useful Object Cover, 2009 oil on canvas, plexiglass box, umbrella 47.24 H x 27.55 W x 11.81 D in 120 H x 70 W x 30 D cm In the "Useful Objects" series, the woman is identified with...

Tree Landscape Sunset with Oranges & Yellows by British Artist, Gabrielle Craven Mixed Media on Board Art measures 20 x 16 inches Frame measures 24...

Red Grooms Redgrooms, 2004 Hardback monograph with 3-D sculptural pop-up (signed and numbered in red marker on the artist's designed book plate) Signed and numbered 101/400 in red marker on the artist's designed book plate 13 × 10 × 1 1/2 inches Makes a superb gift! Lavishly illustrated with a pop-up/multiple taken out of the book with its signed & numbered label is often removed, exhibited under plexiglass, and sold separately for several thousand dollars. This fully pre-assembled pop-up with integral base at rear is a re-working of Grooms' iconic New York Taxi of 1986 - which in turn was based on his earlier giant Ruckus NY taxi sculpture...

"Pink Summer KMH 010" is an original acrylic and mixed media painting by Katherine Hartley. The artist signed the piece lower right. This piece depicts a line of girls in dresses amo...

First Bite,female figure holding apple,garden of eden,bronze sculpture Williams First Bite, female figure holding apple, garden of eden, bronze sculpture Expressing Situations and Beings in Human Form Sculptor Troy Williams unites the timeless and the contemporary in sculptures of rare beauty and meaning Beyond all the narrative potential of the three obvious physical dimensions of Troy Williams’ sculpture there are many other considerations that contribute greatly to the enjoyment, appreciation, and understanding of his entrancing 360-degree works of figurative art. Among these are the emotional responses and intellectual interpretations that first go into the artist’s creative process and then into every subsequent spectator’s viewings at least somewhat differently each time. Some artists insist on leaving these entirely up to each viewer, but Williams is glad to enrich the experience by inviting the viewer in for a little insight into the artist’s intention. Certain ambiguities and unintended provocations might otherwise arise, as Williams uses original combinations of materials or ideas in highly original ways. For the sophisticated clientele of Glenn Green Galleries Williams specializes in figurative and facial sculptures hewn from fallen woods he finds while running near his home in the mountains of north central New Mexico. Williams has in the past worked with exotic woods, but now avoids them in a desire to protect the people, plants, and animals that depend on a vibrant, healthy, and unexploited local ecosystems. Finding dead and downed wood also introduces an element of serendipitous chance into the sculptor’s process of selection and inspiration. Nature provides an exquisite mass of workable solids, surfaces, patterns, and curves in cottonwood and the many varieties of juniper this sculptor favors. Troy Williams simply rescues these from the elements and then elevates them to timeless treasures by relating them to themes that express our deepest nature. Awake to the most beautiful twists, turns, and striations already present in these found mediums, Williams is naturally and passionately drawn to every stage of freeing the underlying sculpture. Following the wood’s ingrained tendencies is always a creative guide for Williams. Growing up in an Indiana farming community, his dad a family practice doctor and his mother an artist, Troy has always felt an affinity for the earth and especially its mountains. He initially came west to study agriculture at Fort Lewis College in Durango, Colorado, attracted there by a setting where his athletic nature could find full expression. His interest in an agriculture career gave way to his love of the mountains. In order to continue living in them and enjoy the hiking, climbing, and running he also loved, Troy worked for several years in a solar business, progressing from manufacturing to installations to design. On a fortuitous errand for a cousin back home, Troy happened into silversmithing and began producing simple, hammered ear cuffs. At this point the artistic nature that he had earlier suppressed in favor of athletics began to emerge strongly, and he expanded into more complex designs as he learned and mastered goldsmithing and lapidary. Another quantum leap occurred when he made his first copper face for a pendant. He couldn’t wait to see the face on a larger scale and was eager for the challenge of learning another art. He began sculpting metal, then stone, then came upon wood as his medium of choice. Wood had immediate allure: scented, expanding, contracting, and seeming to breathe. Williams was seduced by its warmth, the play of light on the complexion of its grain, and the inherent life force so evident in wood. He also learned to coax creative advantage from some of wood’s pitfalls, like soft spots, tricky grains composed of woody xylem and softer phloem; and to avoid the conditions that make it splinter. A quality of segmentation or fragmentation characterizes Williams’s sculptures and provides great visual satisfaction along with intriguing thematic provocation. One is struck by the beautiful outlines that might never be apparent had Williams not removed segments or created interior voids expressly to reveal them. When sculpting a face, Williams focuses on aspects that are mask-like, floating, and alive with contours that might not be visible were the artist to sculpt the full head. The segmentation in his exquisitely refined female figurative works incorporates solids, hollows, and curvilinear elements for reasons that are at once artistic, philosophical, and experiential. Besides attending basic college art classes, to understand more fully the human figure, Troy spent a summer in Europe...

Abstract modern collage of long geometric shapes in blue, brown, and beige, by artist Spe, 2000's . Signed. Displayed in a white mat with a gold border and fits a standard-size frame...

This mixed media portrait shows a Caribbean woman bearing red on her face and surrounded by images of daily rural life. There is a maroon rooster, a turquoise shack, and green palm f...

This artwork combines a variety of printing styles and approaches including intaglio, photocopy gum printing, paper and rose petal stitching. By stitching formerly printed paper, the artist produces a kind of quilt framing...

Peter Halley Uovo In Raviolo Alla Bergese - San Domenico - New York, NY, ca. 2000 Limited Edition Ceramic Plate. Artist signature fired into the plate on the underside and numbered 166 from the edition of 510. 10 3/10 inches diameter by 1/4 inch height Makes a terrific gift. This beautiful, limited edition, extremely rare, plate signed and numbered bowl/plate was handmade in southern Italy by master artisans near Vietri sul Mare. The edition is 510 - but the reason one rarely sees this on the market is because only about half that amount were said to have been created, and the remaining ones were lost after 9/11; the plan was to create a second batch after these sold out. That was in the year 2000. Then in 2001 terrorists struck the World Trade Center. All marketing efforts ceased. It is not even known if the other plates from this edition are still around - but they are rarely found on the marketplace. It was designed by the internationally renowned American artist Peter Halley. In 2000, Buon Ricordo...

Out of the West 3, abstract painting on paper, mixed media, handmade paper, red PUBLIC COLLECTIONS U.S. Embassy, Tokyo,Japan Mountain Bell Corporate ...

Dakota Nightshade (Native American, Indian piece) Mixed media (ink, paint etc. red thread stitching) Framed 43 X 57 sheet 36 X 49 Hand signed, dated and titled by artist. (with a l...

Study for Giuditta and Oloferne is an original contemporary artwork realized by Giulio Paolini in 2017 Collage and acrylic on paper. Giulio Paolini (Genova, 5 November 1940) is one...

This painting on wood panel combines abstract and geometric styles. Based on a grid composition, the artist disguises it with movement and brilliant colors, including purple, raspber...

Andres Serrano Stracotto alla Fiorentina - Beppe - New York City, 2000 Ceramic Plate. Artist Signature Fired into Plate. Artist signature fired into the plate on the front and back and numbered 95 from the edition of only 100. 10 1/8 in diameter Unframed This striking, extremely rare limited edition, signed and numbered bowl/plate was handmade in southern Italy by master artisans near Vietri sul Mare. It was designed by renowned American artist Andres Serrano. From the late 1990s through the millenium. Buon Ricordo...

Composition XXI - A abstarct square painting in light, grey, peach and red burgundy color. The author used oil on canvas with sawdust mixed with alabaster and sand creating a special...

John Baker’s “Aurora” is a 31 x 34 x 1.5 inch acrylic painting with collage on canvas in luminous greens, blues and pearly whites that depicts a young woman contemplating a display o...

Atis Ieviņš reminds the very origins of serigraphy technique in Latvian art in the time of the 1970’s. Although Atis graduated the Art Academy of Latvia, Departament of Textile Art ...

Tracey Emin You Left Me Breathing (Hand signed and inscribed with a hand drawn heart flourish by Tracey Emin), 2008 Hardback monograph with no dust jacket as issued (Hand signed and ...

Encaustic on board 10 x 12 inches This monochromatic encaustic landscape on board was created by Hudson Valley-based artist Leigh Palmer. Once a hard edge realist painter, the artist eschews those details, letting the stroke of his brush and moody palette leave an abstract implication of the landscape. The main image is bordered by white to give the impression of a window. About the artist: In the Openings series, Palmer integrates the frame into the painting. This element contributes to the narrative, suggesting the viewer is inside looking out. We are not a part of the landscape, rather we are a peaceful witnesses to nature that will transcend even our own existence and continue to change with the seasons long after we have passed. We are romanced by Leigh Palmer's unique ability to pare down and find the true essence of the landscape, gently veiled through his own soul. We are proud to have exhibited his work since the inception of Carrie Haddad Gallery in 1991. Today, the artist continues to work with both encaustic and oil paint. He is currently developing a new series in his studio right across the street from the gallery. We hope to reveal his new work to the public sometime in 2021. Artist Statement: My paintings are based on observation of the landscape in the Hudson River Valley where I live, and are improvised in the studio; the images are found or discovered in my memory of familiar places and developed during the painting process. Human beings do not appear, but their presence is felt in the marks left on the ground (furrows, fence rows, roads), and sometimes in the air (smoke, haze). About the artist: In 1987, Leigh Palmer moved with his family from suburban Duxbury, Massachusetts, to Tivoli, New York, a quiet town on the Hudson River, north of New York City. His subject matter shifted to the sprawling hills and countryside of the Hudson Valley. “I wanted to respond to the new landscape I was seeing, to catch something of the feeling I had just before dark,” says Palmer. “I took a lot of photographs, but I was happier with the paintings I created from memory.” Leigh Palmer has been represented by Carrie Haddad Gallery in Hudson, NY for over 25 years. Resume: EXHIBITIONS 2013 - 2017 Carrie Haddad Gallery, Hudson NY 2011 Graficas Gallery, Nantucket MA 2010 Carrie Haddad Gallery, Hudson NY 2009 Bachelier-Cardonsky Gallery, Kent CT 2008 Bachelier-Cardonsky Gallery, Kent CT Four Starr Gallery, Stonington CT 2007 Carrie Haddad Gallery, Hudson NY 2005 Bachelier-Cardonsky Gallery, Kent CT 2004 Segalas Gallery, Bernardsville NJ 2003, 04 Bachelier-Cardonsky, Gallery Kent CT 2000, 01, 03 Carrie Haddad Gallery, Hudson NY 1999 Barbara Singer Fine Art, Cambridge MA 1999, 98 Carrie Haddad Gallery, Hudson NY 1997 The Main Street Gallery, Nantucket MA 1996 Randall Tuttle Fine Arts, Woodbury CT 1995 James Cox...

Lithograph realized by Yannis Kounellis in occasion of the Olympic Games of Beijing, China, in 2008. Hand signed and numbered, perfect condition. This work is from the portfolio Th...

Wonderful large scale mixed media abstract by Elliott Fouts (American, b. 1955), 2000. Titled "Straight up" and signed on verso. A channel of green orbs...

Bethan Ash is a professional quilt maker and teacher with a background in Fashion design. She has exhibited widely and her work has been bought by museums in the UK and USA, includin...

Mixed media splatter painting. Oil and acrylic paint Signed and dated vers0 Gordon COUCH Born: 1944 It is Gordon Couch’s background as a boat restorer ...

This piece is unframed.

‘Beaver Lake with Stargazer Lilies II (triptych),’ is an original mixed media giclée print on watercolor paper, signed by the artist in the right panel....

The technique used was defined as PHOTO-PAINTING by the art critic Silvia Pegoraro of Ravenna Italy and was my invention in 1994. In fact, since 1964 I had been working with photogra...

Steven H. Rehfeld (American, born 1954) "Interplay" 2003 Oil Paint, Pencil, Paper, Mixed Media, Canvas, Stretcher Bars The artist signed the back of the painting. "Interplay" by Ste...

Roy Carter (1938-2012) was a self-taught artist and sculptor who worked primarily in marble, terracotta, plaster, and stone sculpture. His practice utilized...