Contemporary Mixed Media

Tactile memory #128, by Natasha Zupan Mixed media oil, acrylic, and lace on Canvas Size: 9.5 in. H x 7.5 in. W x 3 in D. canvas on a stretcher 2022 _________________________________...

Tactile memory #120, by Natasha Zupan Mixed Media on wood, Manton de manilla silk knots, 24K gold, acrylic and oil Size: 18 in. H x 15 in. W x 3 in D. 2022 __________________________...

Set of 9 portraits of Pharrell of the LIVE FOREVER series. Intervene by the artists Acrylic and oil pastel on Pigment Print Individual size: Image size: 30.5 inc x H x 23.5. W Frame...

San Jerónimo en su estudio 2020, by Ana Seggiaro From the series "Durero" Embroidery on printed cloth 61 cm. H x 83 cm. W Ana Seggiaro's training as an engraver awakens her fascinat...

Untitled 2015, Ana Seggiaro From the series "Anatomy" Embroidery on printed cloth 130 cm H x 90 cm W Unframed Seggiaro's fascination for the human body, for the movement of the musc...

Untitled 2015, Ana Seggiaro From the series "Anatomy" Embroidery on printed cloth 130 cm H x 90 cm W Unframed Seggiaro's fascination for the human body, for the movement of the musc...

Untitled 2015, Ana Seggiaro From the "Anatomy" series Embroidery on printed cloth 130 cm H x 90 cm W Unframed Seggiaro's fascination for the human body, for the movement of the mus...

*UK BUYERS WILL PAY AN ADDITIONAL 5% IMPORT DUTY ON TOP OF THE ABOVE PRICE The Gates (Project for Central Park, New York City) by Christo (1935-2020) Collage, pencil, enamel paint, photograph by Wolfgang Volz, wax crayon and tape 35.5 x 56 cm (14 x 22 inches) Signed and dated lower left and inscribed on the reverse, Christo 1998 Provenance Private collection, Germany This work is accompanied by a certificate of authenticity signed by Jonathan Henery on behalf of the Estate of Christo V. Javacheff. The Gates, Project For Central Park is probably one of the most iconic and most recognizable of Christo's projects and the works around it are amongst the most sought after by international collectors. Artisti biography Christo Javacheff was born in 1935 in Gabrova, in Communist Bulgaria. Dropping his surname, Christo studied at the Fine Arts Academy in Sofia (1953–56) before defecting to the West, via Prague, in 1957. That year, he spent one semester at the Akademie der Bildenden Künste in Vienna and moved to Paris in 1958 where he met his future wife and artistic collaborator, Moroccan-born Jeanne-Claude de Guillebon (d. 2009). Indebted to Vladimir Tatlin's Constructivist edict "real materials in real space," Christo's first artworks, dating from 1958, consist of appropriated everyday objects such as bottles, cans...

As a child, Ryan Van Der Hout owned a telescope and was fascinated by the sight of the moon in the night sky. This iconic image of the moon as viewed from earth is re-imagined when V...

Geisha IV, 2021 by Ana Seggiaro From the series "Piranesi" Embroidery on printed cloth 90 cm H x 137 cm W Unframed The ambitious exercise of working with techniques such as large-fo...

Geisha VI, 2021 by Ana Seggiaro From the series "Piranesi" Embroidery on printed cloth 135 cm H x 100 cm W Unframed The ambitious exercise of working with techniques such as large-f...

A mixed media collage by John Stezaker. “Untitled” is a film portrait collage in black and white by artist John Stezaker. The artwork is unsigned. John S...

Maximilianus, 2018 by Ana Seggiaro From the series "Durero" Embroidery on printed cloth 110 cm H x 90 cm W Unframed Ana Seggiaro's training as an engraver awakens her fascination fo...

A mixed media work by Merion Estes. "Feast" is a contemporary abstract, acrylic and glitter on canvas in a palette yellows by American female artist Merion Estes. The artwork is unsi...

Untitled 2016, Ana Seggiaro From the series "Anatomy" Embroidery on printed cloth 130 cm H x 112 cm W Unframed Seggiaro's fascination for the human body, for the movement of the mus...

Untitled 2019, by Ana Seggiaro From The series Durero Embroidery on printed cloth 35 cm. H x 30 cm. W Unframed Ana Seggiaro's training as an engraver awakens her fascination for the...

Untitled, (Diptych) 2011 by Ana Seggiaro From the series "Books" Ink and embroidery on printed paper Overall size: 10 cm H x 14 cm W individual page 10 cm H x 7 cm W Unframed The am...

The energy of the oblong orb is viscerally palpable as it rises and appears to unfold and extend outside of the canvas plane as it reaches the top. Housed in a rich cerulean blue the mass of energy is ever-so-slightly tethered to the bottom through the suggestive grounding of the green line...

Untitled 2019, by Ana Seggiaro From The series Durero Embroidery on printed cloth 35 cm. H x 30 cm. W Unframed Ana Seggiaro's training as an engraver awakens her fascination for th...

Geisha I, 2021 by Ana Seggiaro From the series "Piranesi" Embroidery on printed cloth 156 cm H x 90 cm W Unframed The ambitious exercise of working with techniques such as large-for...

Fabric artist Chung-Im King’s series of felt tapestries called “Mutation” consist of striking geometrical shapes that mimic designs found in nature. The artist has cut pure white fel...

Untitled, 2012 by Ana Seggiaro From the series "Cartographies" Embroidery on paper 25 cm H x 36 cm W Unframed In the mid-2000s, Ana Seggiaro made her first small-scale collage works on paper. Starting from pages of books, maps, and scores, she carries out the first series intervened through embroidery and painting. In these works she finds the universe of cartography, using maps as supports for the construction of imaginary geographies. This search leads her to tackle larger works. Thus, she recovers old school maps...

Fuera de órbita 2020, by Ana Seggiaro From the series "Durero" Embroidery on printed cloth Image size: 11.8 H x 9.8 in W Frame size: 12.5 in H x 10.5 in. W Wood frame Ana Seggiaro'...

Created in dynamic layers of glossy cobalt, this Storm Surge tondo by Shayne Dark envelops the viewer. Its turbulent and mesmerizing surface swirls and flows like fast moving water....

Fabric artist Chung-Im King’s series of felt tapestries called “Mutation” consist of striking geometrical shapes that mimic designs found in nature. The artist has cut pure white fel...

Untitled 2019, by Ana Seggiaro From The series Durero Embroidery on printed cloth 35 cm. H x 30 cm. W Unframed Ana Seggiaro's training as an engraver awakens her fascination for the...

Untitled 2015, Ana Seggiaro From the series "Anatomy" Embroidery on printed cloth 130 cm H x 90 cm W Unframed Seggiaro's fascination for the human body, for the movement of the musc...

Untitled, 2012 by Ana Seggiaro From the series "Partituras" Embroidery on paper 32 cm H x 50 cm W Unframed Seggiaro is part of the textile field in an unconventional way, from a non...

Going Deeper has a novel orientation in relation to the rest of Teichert's Connectivity series and with this orientation she has achieved a distinct feeling of falling - or possibly ...

Geisha III, 2021 by Ana Seggiaro From the series "Piranesi" Embroidery on printed cloth 147 cm H x 90 cm W Unframed The ambitious exercise of working with techniques such as large-f...

Sewn paper collage

An artwork by Carlos Luna. "Iluminado" is a contemporary byzantine mosaic in a palette of blues, whites, and pinks by Latin American artist Carlos Luna. The artwork is unsigned. Carl...

Sewn paper collage

Umbilical, by Ana Seggiaro From the series "Durero" Embroidery on printed cloth Frame size: 12.5 in H x 10.5 in. W Image size: 11.8 H x 9.8 in W Ana Seggiaro's training as an engrav...

El Mago, by Ana Seggiaro From the series "Durero" Embroidery on printed cloth Frame size: 12.5 in H x 10.5 in. W Image size: 11.8 H x 9.8 in W Ana Seggiaro's training as an engraver...

Artist Statement: How many ways can I depict a flower? I can draw it, paint it, and photograph it. Then I can manipulate those images on a printer. I can enlarge it. Make it smaller. Make the negative. Make the positive. Change the color. My mornings in Santa Fe start with a walk around the garden to see what has bloomed overnight. Two summers ago, I rented an adobe guest house that is surrounded by Hollyhocks, Roses, Poppies, and Yellow Thistles. The flowers have crept into my vision. The first summer, I painted the flowers using oil on canvas. The second summer I became more experimental, combining drawing, photography, and painting. Mixing the media all in one artwork, I abandoned canvas for transparent Lucite panels. The new works are essentially mixed media collage applied to Lucite. Working on front and back, layered to see through to the next. Creating a real space with real shadows but in an ambiguous world. The flowers are dense but there is an identity and clear shape of each. These works are labor intensive, requiring precise cutting of the paper and careful application. In "The Flowers of the Street of Spirits," black Hollyhocks stand tall with turquoise Firewheels and magenta Coneflowers. Real and unreal. Cut paper and paint come together in a surreal garden...

Pharrell Williams #3 and #4, (Diptych) by Hunter & Gatti Black and White Photography with broken glass on top of the image. Overall size: Image size...

Untitled Mixed media on paper mounted on paper, c. 1990's Signed by the artist in pencil lower right (see photo) Condition: Excellent Image size: 8 5/8 x 10 1/4 inches Support Sheet size: 11 1/4 x 12 3/4 inches Provenance: Estate of the Artist Dehn Heirs Virginia Dehn From Wikipedia, the free encyclopedia Virginia Dehn Virginia Dehn in her studio in Santa Fe Virginia Dehn (née Engleman) (October 26, 1922 – July 28, 2005) was an American painter and printmaker. Her work was known for its interpretation of natural themes in almost abstract forms. She exhibited in shows and galleries throughout the U.S. Her paintings are included in many public collections. Life Dehn was born in Nevada, Missouri on October 26, 1922.] Raised in Hamden, Connecticut, she studied at Stephens College in Columbia, Missouri before moving to New York City. She met the artist Adolf Dehn while working at the Art Students League. They married in November 1947. The two artists worked side by side for many years, part of a group of artists who influenced the history of 20th century American art. Their Chelsea brownstone was a place where artists, writers, and intellectuals often gathered. Early career Virginia Dehn studied art at Stephens College in Missouri before continuing her art education at the Traphagen School of Design, and, later, the Art Students League, both located in New York City. In the mid-1940s while working at the Associated American Artists gallery, she met lithographer and watercolorist Adolf Dehn. Adolf was older than Virginia, and he already enjoyed a successful career as an artist. The two were married in 1947 in a private ceremony at Virginia's parents house in Wallingford, Connecticut. Virginia and Adolf Dehn The Dehns lived in a Chelsea brownstone on West 21st Street where they worked side by side. They often hosted gatherings of other influential artists and intellectuals of the 20th century. Among their closest friends were sculptor Federico Castellón and his wife Hilda; writer Sidney Alexander and his wife Frances; artists Sally and Milton Avery; Ferol and Bill Smith, also an artist; and Lily and Georges Schreiber, an artist and writer. Bob Steed and his wife Gittel, an anthropologist, were also good friends of the Dehns. According to friend Gretchen Marple Pracht, "Virginia was a glamorous and sophisticated hostess who welcomed visitors to their home and always invited a diverse crowd of guests..." Despite their active social life, the two were disciplined artists, working at their easels nearly daily and taking Saturdays to visit galleries and view new work. The Dehns made annual trips to France to work on lithographs at the Atelier Desjobert in Paris. Virginia used a bamboo pen...

Untitled, 2012 by Ana Seggiaro From the series "Partituras" Embroidery on paper 32 cm H x 50 cm W Unframed Seggiaro is part of the textile field in an unconventional way, from a non...

Untitled, 2019 by Ana Seggiaro From the series "Durero" Embroidery on printed cloth 35 cm H x 30 cm W Unframed Ana Seggiaro's training as an engraver awakens her fascination for the...

Pharrell Williams #3 by Hunter & Gatti Black and White Photography with broken glass on top of the image. Image size: 45.2 in. H x 32.5 in. W Frame s...

Pharrell Williams #4 by Hunter & Gatti Black and White Photography with broken glass on top of the image. Image size: 45.2 in. H x 32.5 in. W Frame s...

Naufragos inminentes, 2020 by Ana Seggiaro From the series "Durero" Embroidery on printed cloth Image size: 30 cm H x 25 cm W Framed Ana Seggiaro's training as an engraver awakens h...

Untitled, 2011 by Ana Seggiaro From the series "Books" Embroidery on printed cloth 19 cm H x 14 cm W Unframed The ambitious exercise of working with techniques such as large-format ...

Untitled, 2011 by Ana Seggiaro From the series "Books" Embroidery on printed cloth 19 cm H x 14 cm W Unframed The ambitious exercise of working with techniques such as large-format ...

Untitled Mixed media with collage elements on paper, c. 1990's Signed by the artist in pencil lower right (see photo) Condition: Excellent Image size: 7 1/16 x 6 inches Support sheet size: 10 9/16 x 8 3/8 inches Provenance: Estate of the artist Dehn Heirs Virginia Dehn From Wikipedia, the free encyclopedia Virginia Dehn Virginia Dehn in her studio in Santa Fe Virginia Dehn (née Engleman) (October 26, 1922 – July 28, 2005) was an American painter and printmaker. Her work was known for its interpretation of natural themes in almost abstract forms. She exhibited in shows and galleries throughout the U.S. Her paintings are included in many public collections. Life Dehn was born in Nevada, Missouri on October 26, 1922.] Raised in Hamden, Connecticut, she studied at Stephens College in Columbia, Missouri before moving to New York City. She met the artist Adolf Dehn while working at the Art Students League. They married in November 1947. The two artists worked side by side for many years, part of a group of artists who influenced the history of 20th century American art. Their Chelsea brownstone was a place where artists, writers, and intellectuals often gathered. Early career Virginia Dehn studied art at Stephens College in Missouri before continuing her art education at the Traphagen School of Design, and, later, the Art Students League, both located in New York City. In the mid-1940s while working at the Associated American Artists gallery, she met lithographer and watercolorist Adolf Dehn. Adolf was older than Virginia, and he already enjoyed a successful career as an artist. The two were married in 1947 in a private ceremony at Virginia's parents house in Wallingford, Connecticut. Virginia and Adolf Dehn The Dehns lived in a Chelsea brownstone on West 21st Street where they worked side by side. They often hosted gatherings of other influential artists and intellectuals of the 20th century. Among their closest friends were sculptor Federico Castellón and his wife Hilda; writer Sidney Alexander and his wife Frances; artists Sally and Milton Avery; Ferol and Bill Smith, also an artist; and Lily and Georges Schreiber, an artist and writer. Bob Steed and his wife Gittel, an anthropologist, were also good friends of the Dehns. According to friend Gretchen Marple Pracht, "Virginia was a glamorous and sophisticated hostess who welcomed visitors to their home and always invited a diverse crowd of guests..." Despite their active social life, the two were disciplined artists, working at their easels nearly daily and taking Saturdays to visit galleries and view new work. The Dehns made annual trips to France to work on lithographs at the Atelier Desjobert in Paris. Virginia used a bamboo pen to draw directly on the stone for her lithographs, which often depicted trees or still lifes. The Dehns' other travels included visits to Key West, Colorado, Mexico, and countries such as Greece, Haiti, Afghanistan, and India. Dehn's style of art differend greatly from that of her husband, though the two sometimes exhibited together. A friend of the couple remarked, "Adolf paints landscapes; Virginia paints inscapes." Virginia Dehn generally painted an interior vision based on her feelings for a subject, rather than a literal rendition of it.] Many of her paintings consist of several layers, with earlier layers showing through. She found inspiration in the Abstract Expressionism movement that dominated the New York and Paris art scenes in the 1950s. Some of her favorite artists included Adolf Gottileb, Rothko, William Baziotes, Pomodoro, and Antonio Tapies. Dehn most often worked with bold, vibrant colors in large formats. Her subjects were not literal, but intuitive. She learned new techniques of lithography from her husband Adolf, and did her own prints. Texture was very important to her in her work. Her art was influenced by a variety of sources. In the late 1960s she came across a book that included photographs of organic patterns of life as revealed under a microscope. These images inspired her to change the direction of some of her paintings. Other influences on Dehn's art came from ancient and traditional arts of various cultures throughout the world, including Persian miniatures, illuminated manuscripts, Dutch still life painting, Asian art, ancient Egyptian artifacts...

4 minute animation. Edition of 20. Dimensions are of a tv or monitor of average size. Individual drawings are also available.

Bright white and radiating heat, and somehow contentedness, Helio shines like the sun on a blissfully hot summer afternoon. Teichert's painterly line, like the smooth, continuous, os...

acrylic paint on photograph on paper Feeling that older women seemingly disappear in our society, Brown has created an army of them. In this series, Paperdolls, the artist began wi...

acrylic paint over photograph on paper. Feeling that older women seemingly disappear in our society, Brown has created an army of them. In this series, Paperdolls, the artist began ...

acrylic paint over photograph on paper. Feeling that older women seemingly disappear in our society, Brown has created an army of them. In this series, Paperdolls, the artist began...

Untitled, 2011 by Ana Seggiaro From the series "Books" Embroidery on printed cloth 19 cm H x 14 cm W Unframed The ambitious exercise of working with techniques such as large-format ...

Bruce McLean Untitled 2019 Screenprint and acrylic on paper collage on plywood 151.6 x 120 x 1.5 cms (48.2 x 36 x 6 ins)

Untitled, 2012 by Ana Seggiaro From the series "Partituras" Embroidery on paper 32 cm H x 50 cm W Unframed Seggiaro is part of the textile field in an unconventional way, from a non...

A mixed media piece by Donna Huanca. "Gatorade" is a contemporary plaster and 3D paint on canvas in a palette of white by process-oriented, American artis...

Untitled, 2012 by Ana Seggiaro From the series "Cartographies" Embroidery on paper 25 cm H x 36 cm W Unframed In the mid-2000s, Ana Seggiaro made her first small-scale collage works on paper. Starting from pages of books, maps, and scores, she carries out the first series intervened through embroidery and painting. In these works she finds the universe of cartography, using maps as supports for the construction of imaginary geographies. This search leads her to tackle larger works. Thus, she recovers old school maps...

Untitled Mixed media with collage elements on paper, c. 1990's Signed by the artist in pencil lower right (see photo) Condition: Excellent Image size: 7 x 6 1/2 inches Support sheet size: 10 1/2 x 8 3/8 inches Provenance: Estate of the artist Dehn Heirs Virginia Dehn From Wikipedia, the free encyclopedia Virginia Dehn Virginia Dehn in her studio in Santa Fe Virginia Dehn (née Engleman) (October 26, 1922 – July 28, 2005) was an American painter and printmaker. Her work was known for its interpretation of natural themes in almost abstract forms. She exhibited in shows and galleries throughout the U.S. Her paintings are included in many public collections. Life Dehn was born in Nevada, Missouri on October 26, 1922.] Raised in Hamden, Connecticut, she studied at Stephens College in Columbia, Missouri before moving to New York City. She met the artist Adolf Dehn while working at the Art Students League. They married in November 1947. The two artists worked side by side for many years, part of a group of artists who influenced the history of 20th century American art. Their Chelsea brownstone was a place where artists, writers, and intellectuals often gathered. Early career Virginia Dehn studied art at Stephens College in Missouri before continuing her art education at the Traphagen School of Design, and, later, the Art Students League, both located in New York City. In the mid-1940s while working at the Associated American Artists gallery, she met lithographer and watercolorist Adolf Dehn. Adolf was older than Virginia, and he already enjoyed a successful career as an artist. The two were married in 1947 in a private ceremony at Virginia's parents house in Wallingford, Connecticut. Virginia and Adolf Dehn The Dehns lived in a Chelsea brownstone on West 21st Street where they worked side by side. They often hosted gatherings of other influential artists and intellectuals of the 20th century. Among their closest friends were sculptor Federico Castellón and his wife Hilda; writer Sidney Alexander and his wife Frances; artists Sally and Milton Avery; Ferol and Bill Smith, also an artist; and Lily and Georges Schreiber, an artist and writer. Bob Steed and his wife Gittel, an anthropologist, were also good friends of the Dehns. According to friend Gretchen Marple Pracht, "Virginia was a glamorous and sophisticated hostess who welcomed visitors to their home and always invited a diverse crowd of guests..." Despite their active social life, the two were disciplined artists, working at their easels nearly daily and taking Saturdays to visit galleries and view new work. The Dehns made annual trips to France to work on lithographs at the Atelier Desjobert in Paris. Virginia used a bamboo pen...

L'Éternel Recommencement & Temporaire, 2020, by Hunter & Gatti Acrylic and oil pastel on Pigment Print Overall size: 76 cm. H x 122 cm. W Individual Size: Image size: 76 cm. H x 61 ...