Lion Mixed Media

*New Year Inventory Renewal Sale - 90 Days Until April 30th* *This Price Won't Be Repeated Again This Year* TRIO AMIGOS is the collectors' Toy/Disney pieces must have becaus...

Somber depiction of Native Americans in winter by John Pace (American, 1930-2006). Acrylic on canvas. Signed "John Pace" in the lower right corner. Presented in a wood slat frame with the edges painted black. Canvas size: 30"H x 40"W. Framed, 30.5"H x 40.5"W. 2"D. A study of a work by Howard Terpning. John Pace (American, 1930-2006) was an artist from California, known for paintings of Western scenes and Native Americans. Christal Pace had this to say about her Grandfather: "My Grandfather John Pace was a distinguished, passionate man with a variety of skills. My dad and Uncle Nick are both great artists, but Grandfather ran the show. My Grandfather was incredibley charismatic and smart. The Grand-father, as we call him, dabled in many things throughout his life. He served in the war, drove racecars, had a knack for gambling, poker and black jack, and painted occasionally. His first wife was Native American, my dad's mom. She passed when my dad was only 14. When my dad met my mom he was excited to learn she too was California Indian...

Realist Leopard Portrait Wild Cat Painting from British Wildlife Tiger Artist. The vivid realism of the hairs & whiskers coupled with the intensity of the leopard's eyes make this pa...

Every detail in this extraordinary painting is rendered with exacting care. It is not unusual to find these majestic predatory birds amongst the skyscrapers and bridges of our cites...

When viewing a painting by Matthew Grabelsky you can immediately see the great technical skill required, the sense of humor and the concept of the pa...

Martha Wahlert Hand-signed and titled in pencil

Tom Binger "Head III" Medium: Mixed Media Year: 2018, Signed Size: 14.5 x 10.25 x 2 inches Tom Binger finds it interesting that during a time in which the internet is quickly becomi...

A Doberman Pinscher dressed like an Admiral Satire in Art Original Paintings in series of 10 (inquire where it is in the edition) Comes rolled in a tube ready to be framed Y.m.Lo. ...

"FUCK IT" is an original wall-hanging sculpture by Charles Clary as part of the artist's popular "Text-i-monial" series. To create the artwork, Clary hand cuts a series of individual...

"Ghost" is a photoreal portrait of a white horse in his dark barn in the South of France. The equine painting stuns the viewer with the drama o...

Photorealist oil painting by Manon Cleary (1942-2011). Painting is signed on reverse "Cleary". Painting is stretched on aluminum stretcher and dates to the 1990s. Manon Cleary had a remarkable ability to draw and paint with photographic fidelity, but she was also known as a charismatic teacher at the University of the District of Columbia and as a free spirit whose exuberant life may have been her most enduring work of art. Since the 1970s, Ms. Cleary had been at the center of a group of artists in Adams Morgan. She exhibited her meticulous artwork throughout the city and around the world, but she also became known for her striking presence, her colorful love life and the rats she kept as pets. As an artist, Ms. Cleary borrowed classical techniques from her deep study of Renaissance masters to create paintings and drawings memorable for their frank realism and sometimes disturbing themes. In addition to her many nude self-portraits, Ms. Cleary made erotically charged paintings of flowers. She took inspiration from a painful personal history in a series of works depicting the terror of rape and, in later years, of not being able to breathe without mechanical assistance. Critics considered her a leading figurative artist of the photo-realist school, in which painters render their subjects with camera-like precision. In fact, Ms. Cleary occasionally won awards for photography when adjudicators didn’t realize her works were free-hand creations. She was “widely acknowledged to be among the best, if not the best, of the city’s figurative painters,” Washington Post critic Michael O’Sullivan wrote in 2006. “There is a tension between the cool, clinical detachment of photography and painting’s warm idealization of form.” Ms. Cleary exhibited her art in galleries and museums from Moscow to Paris to Hickory, N.C., but Washington was her home for the past 42 years. In 1974, she settled in the decrepit Beverly Court apartments on Columbia Road NW, where a coterie of artists soon grew up around her. She painted her walls purple, and her fourth-floor apartment — even with the pet rats — became something of a bohemian salon. “She was a star,” painter Judy Jashinsky told the Washington City Paper in 2004. “She was stunning, beautiful; long, brownish–black hair; real thin; wore . . . little sundresses and sandals. She was just very cool, and there was always a crowd around her.” Ms. Cleary had a long list of male admirers, including several whose confrontational attempts at “performance art” led to their arrests. She had a brief marriage in 1981 to a Danish artist known as Tommy — “just Tommy,” Ms. Cleary said — whom she divorced in less than a year. As a kind of graphic homage to her various lovers, Ms. Cleary made a series of intimately revealing portraits that were featured years later on the HBO program “Real Sex.” She met her second husband after a gallery opening in Baltimore. By way of introduction, Kijek, a dancer, stripped naked at a crowded party, walked up to Ms. Cleary and said, “Wouldn’t you like me to pose for you?” They were married in 2001. In spite of her unconventional life, Ms. Cleary was more than a mere provocateur. After a day of teaching at UDC, she would return to her studio, with its windows painted over to block out sunlight, and work late into the night, with a bottle of Dr Pepper at her side. She took nude photographs of herself from every angle, then painstakingly created lifelike images that seemed alive with the warmth of human flesh. After studying in Rome in her youth, she developed what she called “an obsession” with Caravaggio, an iconoclastic painter who lived from 1573 to 1610. She often copied paintings at the National Gallery of Art and, in her own work, blended Renaissance styles with a distinctly modern sensibility. Manon Catherine Cleary was born Nov. 14, 1942, in St. Louis. Her father was a doctor, and her identical twin sister, Shirley Cleary-Cooper, is an artist in Helena, Mont. She was a 1964 graduate of Washington University in her home town and, for the rest of her life, was proud of having been a member of the Pi Phi...

"Saint Vitus Architeuthis Manalishi with the Seven Tentacle Crown" by Hunter Stabler is an original ink and graphite on hand-cut paper layered piece mounted to plexiglass. The piece ships in the pictured wood frame and measures 44"h x 44"w. Hunter Stabler was born in Jefferson City, Missouri and was raised in upstate South Carolina. He received a BFA in painting from The Maryland Institute, College of Art and an MFA in painting from the University of Pennsylvania. He is currently pursuing an MFA in Digital Art at Louisiana State University. His work has been widely exhibited across the United States and internationally including exhibitions at the Morbid Anatomy Museum in Brooklyn, NY, The Shelburne Art Museum in Shelburne, VT, the Hunterdon Art Museum in Clinton, NJ, and the Islip Art Museum in East Islip, NY. His hand-cut paper artwork has been published in the books High Touch: Tactile Design and Visual Explorations, Push Paper, Strangers in the Nest (a book of Poems by Anselm Berrigan, Letterpress printed with images accompanying each poem), and published in Laminate Magazine, First Look Magazine, and American Craft Magazine. He was named “Philadelphia’s Next Hot Artist...